I try to read across a lot of categories, and sometimes I read a book, such as this one, which is clearly targeting female readers, not so much for the enjoyment of the genre formula being followed as to get a sense of how that formula is being marketed to that particular audience. What inventions are being added to traditional formula conventions; what values, fears, and dreams are evoked; what can I make of how hero, heroine, foils, and secondary characters are portrayed? I read the book some for the dramatic storyline, but also to evaluate it as a cultural artifact targeting certain people in a particular time and place.
So when I found this in a discard pile and had nothing to read at hand, and I saw the first sentence was "Abigail Reese was dreaming of passionate sex," (!) and then a few paragraphs later learned that Abigail (who happens to be a kindly old African American woman in her 70s) gets violently murdered, I thought, "okay, let's give this a go."
This book offers a blending of the suspense thriller with the traditional female romance novel. This is a category I never paid any attention to, in fact, I had never really thought about mixing the two genres, but as I can surmise from all the ads in the back, it must have a sizeable following. (Plus, the front cover trumpets Rachel Lee as a "USA Today bestselling author." Does that mean USA Today has used the term "bestselling" to describe her, or that she won a competion with other formula fiction writers as to who could get the most new subscriptions to USA Today in a week?)
The dialogues were often stilted and unrealistic, the exposition could get repetitive, and there were plenty of cliches. I did find the suspense story line interesting, but because it was written in omniscient voice, I was irritated how the male characters would not think, speak, or react the way I might expect them to, but rather the way they should to fulfill a woman's romantic fantasy. Where the suspense and romance components overlap, such as in the big coupling scene in the swimming pool between the brilliant lady cop (the heroine) and the John F. Kennedy clone senator (the hero), the author totally lost me, as it just didn't seem realistic, or interesting, and I started skimming--but then again, I'm not the target audience, clearly.
The senator is a widower with two kidnapped darling daughters he adores. Gee, do you think the traditional nuclear family will be reconfigured and restored at the end of the book, and the bad guys all nabbed? And how about the secondary characters who have an unspoken love they have never acknowledged for years--any guesses what happens to them in the end? Some exciting scenes in DC made me homesick for that wonderful city, and the action (such as brutal murders, political scandals, assassination attempts, and the forementioned kidnapping) did keep the plot moving. It reads as if it was written fairly quickly, which I suspect it was, and sometimes the allusions and analogies seem off kilter to me, the sudden bursts of insight and sensitivity unbelievable, but then again, I'm not the targeted audience, so making it believable for someone like me is not really as important as making it meaningful in sustaining certain beliefs about romantic love and the right kind of husband material for the target audience.