Prior to his first professional work, Tynion was a student of Scott Snyder's at Sarah Lawrence College. A few years later, he worked as for Vertigo as Fables editor Shelly Bond's intern. In late 2011, with DC deciding to give Batman (written by Snyder) a back up feature, Tynion was brought in by request of Snyder to script the back ups he had plotted. Tynion would later do the same with the Batman Annual #1, which was also co-plotted by Snyder. Beginning in September 2012, with DC's 0 issue month for the New 52, Tynion will be writing Talon, with art by Guillem March. In early 2013 it was announced that he'd take over writing duties for Red Hood and the Outlaws in April.
Tynion is also currently one of the writers in a rotating team in the weekly Batman Eternal series.
Perfect ending to another successful Universal Monsters comic book story. James Tynion IV proving once again (he also wrote the Dracula series which kick started this whole series) why he's one of the premiere comic book writers of today. He has a way of getting into these established characters minds and opening them up in a way which does not feel like he's trying to squeeze in a part of himself like a lot of writers do with will known characters in comic books. He respects what has already been done with them but explores other avenues of their thoughts in a way which makes them flawed and relatable. I cant wait for Phantom Of The Opera.
Universal Monsters: The Invisible Man #4 wraps the series up with a sharp, satisfying ending. Tynion delivers a confident, twisted close to Griffin’s story, and Dani’s art continues to bring the perfect mix of grit, mood, and menace. It’s eerie, stylish, and genuinely fun — a great final chapter to a well-executed modern take on a classic monster.
Ending was horrible. Was so anticlimactic and dull. A slap in the face to all the readers who buy these books. I am excited for Phantom of the Opera book but this series doesn't inspire hope for the future of these Monster books.