The Defiled, a group of Monstra long confined to the prison planet Golga, have slipped through a rift between worlds and possessed anyone who has ever held the Mask of the Shaman-Empress--including Maika, Kippa, and Maika's father, the Lord Doctor. Without Zinn at her side, Maika will need to partner with the most unlikely of allies to fight this invasion--or risk losing everything and everyone she loves. Collects MONSTRESS #55-60
New York Times bestselling and award-winning writer Marjorie Liu is best known for her fiction and comic books. She teaches comic book writing at MIT, and she leads a class on Popular Fiction at the Voices of Our Nation (VONA) workshop.
Ms. Liu is a highly celebrated comic book writer. Her extensive work with Marvel includes the bestselling Dark Wolverine series, NYX: No Way Home, X-23, and Black Widow: The Name of the Rose. She received national media attention for Astonishing X-Men, which featured the gay wedding of X-Man Northstar and was subsequently nominated for a GLAAD Media Award for outstanding media images of the lesbian, gay, bisexual and transgender community. Ms. Liu also wrote the story for the animated film, Avengers Confidential: Black Widow and Punisher, which was produced by Marvel, Sony Pictures Entertainment (Japan) Inc., and Madhouse Inc.
Her newest work is MONSTRESS, an original, creator-owned comic book series with Japanese artist (and X-23 collaborator) Sana Takeda. Published by Image in Fall 2015, MONSTRESS is set in an alternate, matriarchal 1920’s Asia and follows a girl’s struggle to survive the trauma of war. With a cast of girls and monsters and set against a richly imagined aesthetic of art deco-inflected steam punk, MONSTRESS #1 debuted to critical praise. The Hollywood Reporter remarked that the longer than typical first issue was “world-building on a scale rare in mainstream comics.”
Ms. Liu is also the author of more than 19 novels, most notably the urban fantasy series, Hunter Kiss, and the paranormal romance series, Dirk & Steele. Her novels have also been bestsellers on USA Today, which described Liu “as imaginative as she is prolific.” Her critically praised fiction has twice received the Romantic Times Reviewers’ Choice Award, for THE MORTAL BONE (Hunter Kiss #6), and TIGER EYE (Dirk & Steele #1). TIGER EYE was the basis for a bestselling paranormal romance video game called Tiger Eye: Curse of the Riddle Box.
Liu has appeared on MSNBC, CNN, MTV, and been profiled in the Wall Street Journal.com, Hollywood Reporter, and USA Today. She is a frequent lecturer and guest speaker, appearing on panels at San Diego Comic Con, the Tokyo Literary Festival, the New York Times Public Lecture series, Geeks Out; and the Asian American Writers Workshop. Her work has been published internationally, including Germany, France, Japan, Poland, and the United Kingdom.
Ms. Liu was born in Philadelphia, and has lived in numerous cities in the Midwest and Beijing. Prior to writing full-time, she was a lawyer. She currently resides in Boston.
Monstress is a steam punk inspired visual masterpiece akin to the great fantasy series written by Sanderson, Tolkien, and Gaiman. It started out extremely strong, with lots of real world analogies and complex world building to complement its powerful characters. As I’ve read 60 issues over the last 5 years, it has transformed into something much more mythic, cosmic, and vague. It’s still extremely unique in the comic world but much of the magic feels different as the focus has changed from more grounded characters to more ambiguous ones (the old gods). I’ll keep reading it, but it is the most difficult series to read issue by issue rather than altogether.
Hollow Gods brings the saga to its most reflective and unsettling phase yet. The title captures its theme perfectly — gods that are hollow, power that has lost meaning, and heroes who no longer know what they’re fighting for.
Maika stands at the edge of everything she’s endured. The divine and mortal worlds have intertwined into chaos, and the question isn’t whether she can win, but whether she can survive herself. Liu’s writing is at its most philosophical here — questioning not just war and faith, but the emptiness that follows them.
There’s an eerie stillness to this volume — an awareness that the world has changed too much to return to what it was. The gods are revealed not as omnipotent beings, but as flawed echoes of human ambition. It’s a theme that resonates powerfully: divinity and monstrosity are two sides of the same broken mirror.
Takeda’s artwork remains transcendent — a visual hymn of decay and divinity. Her depiction of ruins, spirits, and celestial remnants makes every page feel like the fading memory of a dream.
Hollow Gods doesn’t end things neatly. It leaves the reader in a suspended state — uncertain, haunted, yet awed. It’s not closure; it’s reflection.
This pains me to say as someone who has been reading since day 1 but I’m putting this series on hold. Officially removed it from my pull box today. :’( While this final issue did feel like they were maybe contemplating wrapping things up, it still just feels a bit too meandering for me, like every arc just expands and expands with no closure. At least Maika and Zinn are finally back together, I think I’ll leave them here for now, maybe return once everything is wrapped up to finish their story.
Issue #55: Read 03/23/25 4.5 stars Issue #56: Read 05/23/25 2.5 stars (maybe the first time in the series that I thought about quitting) Issue #57: Read 05/23/25 4 stars Issue #58: Read 10/03/25 3 stars Issue #59: Read 10/03/25 3.5 stars Issue #60: Read 12/28/25 4 stars
This entire review has been hidden because of spoilers.
A lot of big things happening but for some reason I did not enjoy this quite as much as the previous ones. But I'm quite sure the next one will be back to the usual amazing stuff, if this *insert curseword here* cliffhanger is anything to go by.
It always takes me a bit to remember where I was when I get a Monstress volume because a lot happens from volume to volume.
This was a lot of dialogue that is moving the story along at a lot slower rate than I'm used to but that's probably because of the Old Gods being a larger part of the volume. We finally are getting hints of what they're planning and doing vs Maika who is a consistently moving problem for everyone.
This volume didn't change that. Maika has her own problems from the last volume since waking up so she's still reeling from the loss of Zinn and now the old gods being known and being pests.
I did find this volume harder to read in general. The font is small amongst all the dialog bubbles and I thank whoever for the different colors of bubbles to go with the person in question but overall the reading was just harder so I had to pause and zoom in a lot so in zooming out I would get to see the actual illustrations through out.
otherwise as always 5 stars , this like volume 9 is setting up some new plots and a new ark if you like monstress other vols you will like this continuation
This series is slippery. I read the entire thing last year and remember nada (of the later volumes at least). This one took an interesting turn tho. As always, intrigued to see what happens next.
We are now 10 volumes deep into this series, you know what you are getting when a new volume drops: amazing art, slow-moving pace, cosmic horror and a cliffhanger that makes you wish you could fast forward 12 months to read the next issue.
Some of the Defiled have escaped their prison, and have possessed any who have come into contact with the mask shards, including Maika, her father, and Kippa. Maika and Kippa fight for control over their own bodies, while Zinn and the new Defiled are fighting within Maika’s father. But there seems to be infighting even amongst the Defiled. Can Maika convince the Defiled that is trying to possess her to help instead?
Another excellent addition to this series, which is still darkly beautiful and complex and strange. While I love the art, this one is a bit harder to follow because of all the tentacles from the Defiled. But still really great.
Monstress is one of the hardest graphic novel series to dive back into its world even though only 11 months have lapsed since I last read Volume 9. There are plenty of threads and characters to keep up with, but it seems like the plot is now squarely focused on the Old Gods. I actually did enjoy this arc, but I do hope it advances the overall plot because it feels a bit tediously circular. This might be the volume I put a pause on keeping up with the series annually, only choosing to return with yet another re-read of Monstress once it concludes.
This series hasn't gone anywhere for two years now. It's been circling seemingly unsure of how to resolve all the arcs in a clean way. It pretends to focus more deeply on character growth, but I'm not sure there's enough evidence to support that. I will continue buying it because it is an absolutely beautiful story and I am invested in many of the characters and the lack of a true good/bad divide, but I really could use some resolution or at least a path towards it.
I really should have gone back further to refresh my memory of who all the characters are; going a year or so between volumes means a lot gets forgotten in the meantime. That being said, this was an interesting volume. The worldwalkers and their presence is probably the most interesting to me at this time, as well as Ren and his abilities. I look forward to seeing how things develop with him and the worldwalkers going forward. What was up with their tails? What is the story behind the multiple tails? The finale raised some interesting questions about what purpose they serve.
I am increasingly intrigued by the Servac, and what their motives are.
I don't know that I fully understand who is still alive and connected after the finale of this volume, and I will definitely need to reread this a few more times before I fully understand what transpired. I think that Maika raised an interesting question, about how much of her was actually Zinn, and how much did her experiences and emotions affect him? Who are they, truly, without each other, in terms of their emotions and minds? Who were they before and who would they be if they hadn't shared a body? I don't know that we will ever have an answer to that last question. I am also interested to know what effect Lore will have on Maika, if any, or will they remain separate? Are they separate now? Again, the ending confused me greatly, though thankfully it seems Kippa might be okay.
I'm very interested to see what alliances hold and for how long after this volume. There were a lot of unexpected twists that I am still unraveling.
Hungry for more, yes. These cliffhangers are killing me...
"...Some memories are more real...than others...and this song...was always an infection..."
The art, the art, the art, the art. My favorite art of any graphic novels so far, just the details. It is absolutely not for you if you have an aversion to multiple eyes tho.
"Our fractured hearts, bleeding into each other. Until your memories, your grief were as real as mine. How could that not change me?"
I missed this story, a lot. I really need to reread everything before Vol 11 releases.
"I had a heart, a very long time ago. Sometimes, I felt the echo of it..with Tuya...or Kippa. Just enough to pretend that one day I might feel things the way other people do."
There's a lot happening in this volume, plot-wise. Multiple strings from previous volumes are coming back & tying in to the events. It's a lot of action, as opposed to explaining though.
"Who am I when I'm all alone inside myself? Who is the girl with no heart?"
Representation: MC & multiple characters with amputation, an MC is temporarily blind, lesbian MC
"You ally yourself with cats? You are a fool. We must exterminate them, with great haste."
Well, as a marginal fantasy fan, I have never really fully known what was going on here, and yet the various arcs the series explore are still moving glacially forward, seeming more cosmic than ever. And darker (before the dawn, maybe), maybe, more dreamlike, vague. Entering into the heart of darkness, or the dark night of the soul? At the heart of all the arcs is young woman mc Maika Halfwolf trying to figure out who she is, who her family is, seeking out her personal and political goals.
She and mom and dad in someways are in the central circle. The next concentric circle involves all those cute animals, including Kippa, and then Ren, who take center stage here for awhile. I have no idea what the gods ultimately represent, or who is fighting for what, but I bet true fantasy lovers can tell me in a minute (or hour).
Let me just be clear, as always: Though the Marjorie Liu story seems like it is forever very slowly evolving (story, 1-2 stars, as far as I can figure out), the amazing Sana Takeda artwork holds everything together as much as possible. Some consistent combination of gorgeous and sometimes horrific work worth checking out even if you don't follow the story.
The Defiled walk the world, ancient horrors like Zinn, possessing many of the main characters, and yet these monsters are not in accord as far as their goals, feelings, or feeding patterns. War spreads once more with everyone out of their depth, but Maika is focused, learning, and listening like never before, intent upon achieving her personal and political goals. Once again, the setting is so rich with characters, distinct in personality, and the cast just exploded. I had a very hard time, keeping track of everyone. Many a panel was both gorgeous and horrifying, yet brought humanity to horrors from beyond, yet made it very clear they were neither human nor gods. Overwhelmed as I was, certain characters stood out, such as Maika and Kippa, while Ren took center stage as never before. Vast as the expanding cast is in an intricately complicated universe, I’m still hooked.
Leer esta novela gráfica esperando a que salga hace que seguir la ilación sea difícil. El principio me hizo pensar en el final de Evangelion, por lo filosófico y complicado.
Me tomé el hábito de leer el resumen de la historia al inicio de cada capítulo porque a veces esclarece cosas del anterior. Algunas son tan sutiles que se me escapan en el momento en que ocurren, como .
Estoy perdiendo la esperanza de que Monstress retome su ritmo original, si bien hubo dos o tres momentos en que nuevamente pasaron cosas importantes. Pero ya hace al menos tres tomos que siento que rellena con muchos diálogos que no llevan a nada. Simplemente debaten la situación (que es cada vez más enreversada) y nos deja con un cliffhanger para que queramos seguir. Eso aún funciona.
Well, I am all read up until issue #59, just waiting for issue #60 to bid this series farewell, one way or another. I was inclined to give it 1 star, but in all honesty, the art never falls below a certain level, even if the script is as hollow as the volume's title.
At this point, the creators are just adding useless layers to their already convoluted mess of a lore. Once more, everything is overturned, choices are made for shock value rather than narrative usefulness, and the end cannot come soon enough.
Well, I am now certain the story cannot end with issue #60, and I no longer care to see when or how.
***SPOILERS***
And now the penultimate Tuya clone is pregnant with Maika's baby or some shit, probably in a less than consensual way.
Monstress is still one of the strongest ongoing comics out there. But as the world-building has moved outward and gotten more cosmic, I've cared less.
I really do not care about the individual Monstrum beyond Zinn, and the art isn't helping me keep track of who is whom. There are some coloring differences with the speech text and bubbles, but I find myself either getting confused or skimming.
The art seemingly has been getting darker shaded, and that is frustrating. I find myself sitting under my brightest plant grow lights to read this. (Yes, I am wearing my reading and computer glasses, thank you.)
I am surprised that Liu has taken such a big swing as the story's heart Kippa. Which makes you wonder even more just how much steam the Monstress tale has in it.
4.75 stars Goddammit, for some reason I thought this was the finale so when I saw the "to be continued" at the end, I flipped.
This volume finally discusses choice vs fate and manipulation. it also covers how power can take different forms.
Im starting to suspect the Old God's separation of groups is more about class and elitism than anything else. Captain Lore is a "bad guy" because he is a defiled, yet he has the loyalty and love of the others where as the Smith can only offer power.
And I love how Kippa continues to politely talk with the Old God's even when they easily pose a threat to her.
Overall, I really liked this volume and I need the next one right now.
Monstress, Volume 10 pushes deeper into the divine hierarchies and ancient powers shaping Maika’s world. Loyalties fracture further as gods, monsters, and mortals collide in increasingly catastrophic ways. The emotional cost of power becomes harder to ignore.
I found this darker and more introspective than earlier volumes. The art remains astonishing, but what really stayed with me was the growing sense of inevitability and the brilliant clash of gods and monsters. This series continues to feel both epic and deeply personal.
Do I keep forgetting who everyone and what allegiance they have between volumes? Yes.
Am I still consistently enthralled? Yes.
My least favourite trope is a fantasy story actually being a sci-fi story in disguise, but Monstress is, for now, still managing to straddle the line well enough that I can't put it down.
And I could look at Sana Takeda's artwork until my eyes fell out, so there's that going for it too.
Series is still solid, though this feels like a bit of a side plot that takes over the main story as the Defiled awaken inside numerous hosts and begin causing chaos. Lots of battles and conversations that take place inside an astral plane of sorts.
The arc seems mostly concluded by the end of the volume so I'll be eager to see where things go. The drama amongst the Defiled isn't as compelling as our main cast of characters.
This feels like the most solid arc I've read in a bit. The Defiled have escaped into the world and are inhabiting the bodies of various characters, including Maika, her father The Lord Docter, and poor Kippa! Usual enemies are forced to work together to fight the Defiled.
While I felt like I knew what was going on in this arc, unlike the last 2 or 3, I'm hoping this series comes to a conclusion soon and that Liu and Takeda can nail the landing to an epic story.
Very confusing. Too difficult to keep separate all of the new characters' graphic illustrations, specifically all these Monstra released from Golga who have inhabited the bodies of several of the main characters. Their speech bubbles are different colors but that's about it. It ends with a major battle in which Kippa is freed of the monstra inside her. But what happens next to the Lord Doctor, Maika and Zinn is left hanging. To be continued in Volume 11.