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The Lady in Room 302 : Some loves don't die. They just come back haunted.
Room No. 302 is a Psychological Gothic Romance novel that unspools like an erotic haunting, where grief moans beneath desire makes love to guilt. Set almost entirely inside a single, spectral hotel room, the story follows Sid Rajvansh, a once-renowned journalist now adrift in obscurity, who checks into Room 302 and is confronted by Radhika, the lover he once left behind in fire. Night after night, she returns to him not as a ghost, but as a woman forged from ash, remembrance and unfinished longing. What begins as seduction turns into a slow exorcism of truth, where sex becomes ritual, memory becomes punishment, and love becomes a sentence no man escapes from unscarred. With prose soaked in poetic violence, erotic dread, and psychological intimacy, Room No. 302 is a genre-defying meditation on love that doesn’t die, it waits, watches, and burns you from within.
This is not horror. This is remembrance with claws.
This is not horror. This is remembrance with claws.
204 pages, Kindle Edition
Published September 14, 2025
3 people want to read
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Displaying 1 of 1 review
November 21, 2025
What kind of books I usually read… this one was completely different for me.
“The Lady in Room 302” didn’t feel like picking up a novel , it felt like stepping into someone’s unfinished memory, where every corner holds a breath that was never released. From the moment I entered that dim, silent hotel room with Sid, I knew this story would stay under my skin.
Sid’s return to Room 302 feels like watching someone open a wound they thought had healed years ago. And Radhika… she doesn’t come back like a ghost. She returns like a feeling , the kind that settles in your chest when you’re alone, the kind you think you’ve forgotten until it shows up again, impossibly alive. Their connection is messy, raw, and painfully human, the type of love that doesn’t die but lingers, asks, demands, remembers.
What really touched me was how the book handles desire, grief, guilt — not as dramatic twists, but as emotions we’ve all lived quietly at some point. It’s gothic, yes, but it’s also warm in its own broken way. It makes you think of the people you once loved so deeply that a part of them still flickers inside you, even when life has moved on.
This book felt like being wrapped in a soft ache , heavy, intimate, strangely comforting.
" The Lady in Room 302" is not horror.
It’s remembrance that breathes, waits, watches… and holds you long after the last page.
“The Lady in Room 302” didn’t feel like picking up a novel , it felt like stepping into someone’s unfinished memory, where every corner holds a breath that was never released. From the moment I entered that dim, silent hotel room with Sid, I knew this story would stay under my skin.
Sid’s return to Room 302 feels like watching someone open a wound they thought had healed years ago. And Radhika… she doesn’t come back like a ghost. She returns like a feeling , the kind that settles in your chest when you’re alone, the kind you think you’ve forgotten until it shows up again, impossibly alive. Their connection is messy, raw, and painfully human, the type of love that doesn’t die but lingers, asks, demands, remembers.
What really touched me was how the book handles desire, grief, guilt — not as dramatic twists, but as emotions we’ve all lived quietly at some point. It’s gothic, yes, but it’s also warm in its own broken way. It makes you think of the people you once loved so deeply that a part of them still flickers inside you, even when life has moved on.
This book felt like being wrapped in a soft ache , heavy, intimate, strangely comforting.
" The Lady in Room 302" is not horror.
It’s remembrance that breathes, waits, watches… and holds you long after the last page.
Displaying 1 of 1 review