i was going to post a silly one liner (something like "you don't understand they are my bestest friends". because they are) and call it a day but i have way too much to say. so here's that instead.
prefacing this by saying: i've been obsessed with this series for +8 years. i knew i'd have bones to pick with an adaptation, no matter how good it was. despite everything i'm about to say, i did mostly have a great time reading it. they ARE my bestest friends and they are BEAUTIFUL!!!!! the art is magical. the colors are insane. just stunning to look at, the whole thing. i'm about to be a little insufferable. with that out of the way, onto said bones:
this kind of feels like someone grabbed the raven boys and just… chopped at it. wildly. like, machete flying around, swinging blindly. and then they put the remaining pieces back together and tried to make it stand on its own. and the thing is, it doesn't. most of the dialogue is taken directly from the book (a bunch of it was taken out, as expected, and some of it underwent small but crazy changes, some more upsetting than others. the lack of "that's as warm as they get" as an apparent punchline to noah's most iconic line still baffles me. adam unpromptedly going "i live in a place made for leaving" had me cackling), which is nice but simply not enough to make the whole thing make sense. it feels like there wasn't much of an effort to actually adapt the text to a different medium, and so even with a lot of the original dialogue, the very big gaping hole at the center of this is still very much apparent.
the big gaping hole being the lack of characters' thoughts, of course. which is not surprising. the absence of internal monologue was always going to be the main problem with a trc adaptation. because despite its convoluted, ever-branching, strange plot, the heart of the raven cycle are its characters, and one thing about these characters is they don't actually say that much. they talk a lot of shit but they don't do a lot of saying what they need to say when they need to say it. but oh, the mind palaces on these motherfuckers! there's only so much the visual aspect can do to bridge the gap between action and thought, and to help with characterization. and then there are things that it could but simply does not do (eg: i love gansey's silly glasses, but there IS a point to him wearing contacts the majority of the time. that would've been a nice little way to show the contrast between gansey's public and private persona, which is such a central part of his character and not explored at all here.) all of them are a little less multidimensional, a little less polarizing, a little less messy teenage kids, which is what makes them interesting + so painfully lovable in the first place.
needless to say, because the characters individually suffer from this, so do their relationships with each other. gansey and adam (as a pair) are the ones most affected by this, i think, if only because they have the messiest relationship of the bunch. the wealth disparity and the (real and perceived) power imbalance and gansey's duality and adam's values and both their trauma and general fear and desperation and stubbornness are barely there; we only get to see it once in a while in little dialogues that don't reflect the real intensity of the issues that make their feelings towards each other so complex (the love and the jealousy and the admiration and the resentment, the i would die and kill for you but i can't stand being around you sometimes). their last fight, its watering down, the lack of "i'm sorry your father never taught you the meaning of repugnant" was kind of the last straw for me, but also i understand that there's no space for it here, and that somehow makes it worse. because how do you explain a line like that, the nastiness of it, when they've spent the entire thing mostly being… just two normal guys who are friends! even the things that adam does tell him during that fight read as a little abrupt in the context of the graphic novel.
this whole thing does end up snowballing and affecting the plot too, specially towards the end. the pacing is a bit of a mess in general, but it definitely does get worse as we approach the climax. we gloss over the vision adam has in the tree + the conversation they all have with [redacted] after finding the bones (no "a friend wouldn't kill you" shot me in the head twice), we gloss over the scene with his dad and ronan, we gloss over the nasty fight with gansey, we don't get a conversation with blue going back to the two of swords and the third, self-made choice, and so the Big Important Decision at the end, which shapes everything that happens going forward, feels kind of perplexing in the wrong way. it's also very funny to me that we don't really know where the hell he got the gun from. anyway.
a lot of the smaller details, the ones that seem irrelevant but actually make the characters feel like flesh and bone, were missing, too. and i think that was my biggest problem with the whole thing, i guess: that the threads that hold the story together were mostly there, but if we are missing the true meat of the series (ie, the complex characters, the intense relationships, the exploration of their own internal struggles) but also the little details and the quieter scenes and the goofy interactions, the sauce, if you will, we are left with little of what makes the raven cycle the raven cycle.
my last critique: not nearly as humorous as the original, although it was probably never going to be because a big, big part of what makes this series so unexpectedly funny is not stiefvater's dialogue but her prose. there were some eerier scenes for sure (loved the blue hues, the harsh lights in the night scenes. and lord, the washed out flashbacks!!!! the entire thing is very atmospheric), but it doesn't feel as dark as the book, either, although we'll have to see if that changes going into the next ones, which are admittedly a lot darker. this definitely seems to be leaning more into the magical, melancholic, whimsical vibe of the series, which works incredibly well with the art style.
all of this to say what i already pointed out at the start: this doesn't stand on its own. it's quite definitely not for first time readers, unless they want to get a not very satisfying, most likely confusing and incredibly watered down version of what trc really is. if they would be curious to read the novels after or just dumbfounded by the whole thing, i don't know. it also doesn't fully feel like it's for people who have been obsessed with this series for years and can recite full passages by heart (me), because there's just too much missing. i am fully aware a lot of this was inevitable, too, and don't know how some of it could have been fixed while keeping it under 300 pages. so a lot of this IS me being unfair, i will admit. if they had consulted me, instead of a graphic novel this would have been The Illustrated The Raven Boys, but obviously no one consulted me. at least it wasn't a tv show (remember when that was a thing that was happening. ha!). anyway, will keep buying, will keep reading, will keep complaining. because i don't know if you've heard, but they are my bestest friends.
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pre-release
suicide POSTPONED!!!!!!!!!!