Otopsi, dengan Degupan "&" merupakan himpunan esei debut Azrin Fauzi yang mengumpulkan tulisan seputar susastera & fotografi & sinema & senibina & teater & seni rupa & gastronomi & apa-apa sahaja di bawah matahari - untuk dia terus menyiasat. Semata-mata.
Bukan untuk menyelesaikan apa-apa. Semata-mata "pemerhatian peribadi”. Juga sebagai suatu "pendedahan sendiri". "Pemerhatian peribadi" terhadap teks yang rebah di hadapan dia. "Pendedahan sendiri” teks yang bangkit setelah dia. Tindak memerhati & mendedah ini sering sahaja didegupkan dengan "&".
Azrin Fauzi (b. 1992) is a Penang-born writer and curator based in Kuala Lumpur. He is the author of three short story collections—Urban (2015), Metaskandal (2018), and Amok-Imago (2022)—and the essay collection Otopsi, dengan Degupan "&" (2025). His short stories and essays have appeared in Mekong Review, Samovar, and ArtsEquator, among various Malaysian anthologies, journals, literary magazines, and newspapers.
A frequent recipient of the Selangor Literary Prize (2017, 2018, 2019, and 2021) for his short stories and essay, Azrin was awarded the Penang State Literary Prize in 2023 for Amok-Imago, cited for “exploring a new style that floats reality in the space between existence and nothingness”; and in 2025 for his microfictions. He has represented Malaysia at the MASTERA Writing Programme: Essay in Bandung, Indonesia (2019) and the International Writers Dialogue at Liangzhu Forum in Hangzhou, China (2024). Beyond the page, he is a dedicated enthusiast of slow cinema.