The characters in the short stories of Earthen are all in need of mothers, widows and wives, grandmas and grandpas, teachers, lovers, and the young. They find messages in the earth and rock beneath their feet, the mountains and atmosphere above, or the creatures surrounding birds and animals, plants and trees. The natural world insists on a relationship with both characters and readers of Earthen, in stories ranging from realism to fable to speculative fiction.
Katherine Koller writes drama, fiction, nonfiction and poetry. Her collection of plays is Voices of the Land: The Seed Savers and Other Plays. Art Lessons, her first novel, was a finalist for both the Edmonton Book Prize and the Alberta Readers’ Choice Award. Her first book of short stories is Winning Chance, about taking the second and third chances life provides, which won a High Plains Book Award and the Exporting Alberta Award. Her new book of short stories, Earthen (May 2026) shows how the natural world insists on a relationship with humans.
Katherine Koller is a screenwriter, playwright, university lecturer, novelist and short-story writer in Edmonton. Earthen is her second short-fiction collection. Per the title, these pieces all connect to the natural world. The characters may be living in an ancient culture, a dystopian future or the present—they may not be human—but they all exist, commune and often suffer in connection with the earth.
The first story, “You Can Have More,” finds elderly Mavis catching a teenaged potato thief in her garden one night. The boy is as feral and hungry as a coyote, and over just a few pages, his need and Mavis’s will to meet it with her own loneliness and abundant offerings feels so primordial in its humanity that I was ambushed by tears.
There is enormous loss in these stories: bereft mothers recall lost children; a girl loses a favourite tree to a chainsaw; another is drugged at a party and nearly loses her life; a man loses his wife in a car accident; a young woman loses her hands and mothers her baby with stumps. The tone of the collection often feels elegiac, as if in sympathy with the besieged natural world. And yet there is hope, escape and renewal in these stories too.
These stories are imaginative. There are many lines that I underlined. I like the way Nature is incorporated and in some of the stories becomes the main character. An enjoyable read with familiar themes told in a new way.