I received a free advance review copy from BookSirens in exchange for an honest review.
Oof, I see I'm the first one reviewing this book on Goodreads, that too on the debut novel of the author (not many people can say that).
Disclaimer:
I want to start by saying I wont be rating this book because I feel like it would be unfavorable. I don’t enjoy leaving low ratings, especially for a debut author who’s clearly put in a lot of effort into their first book. It would also unfairly tank the rating which I would like to avoid.
However, I believe that giving a dishonest or overtly positive review would be disrespectful to the author and misleading to her audience and will ultimately do more harm than good.
So, I’m sharing my honest thoughts as form of constructive feedback. I apologize if im being harsh, that is not my intention at all.
1. I really wanted to enjoy this book. The mystery was decent and it ran like every YA novel that Ive read as a teenager back in the 2010s. You remember those YA fantasy novels with a protagonist with special powers and important parents (one of whom died or disappeared thus causing trauma to the proagonist), the two mysterious love interests (one would be a dark, moody newbie to school, the other one being a the light, playful jock type guy) fighting to get the girl, the overly manic best friend and uncontrollable powers?
Well this book fits right in. If you've fawned over books like Fallen and Hish Hush, then this is the perfect read for you.
2. The mystery element was intriguing and kept me guessing. I did guess who the bad guy was (because of my self proclaimed expertise at YA novels) at around 50% of the book. And the twist at the end was - okay-ish. It would shock a new reader or a teenager whose just graduated from fairy books into reading YA romance fantasy novels (like me back in the 2010s), but not this time, unfortunately.
3. The plot itself has a lot of potential. Unfortunately, the execution made it a very difficult read for me. This comes to the main point of contention - the writing style. It was extremely difficult for me to get through the book because of the way it was written. Its not the grammatical mistakes or editing (those are fine), its the major overlooking of "Show, dont tell". The entire book is telling, not showing. There were times when I had to physically stop myself from DNFing the book.
4. It feels like someone is going through a checklist of events rather than letting the reader experience things through the character’s eyes. Everything moves way too quickly, for example- within half a page, the protagonist finishes school, walks her friend home, and then consoles her crying mother. Or in less than a chapter, shes been attacked twice, had a friend kidnapped and has engaged in a battle with 5 people and ended up in a hospital. The book rushes through the scenes, not in terms of plot - the pacing is decent enough, its just that there's no showing, only telling.
5. There’s little space for emotional development or scene-building. I also struggled with the worldbuilding. We’re dropped into the story without any context like what’s the history of this world? Or how does the magic system work, who are the crafters and mortals, and why are they separated? What are the sectors and borders, why arent people allowed to cross over, what are the tattoos for? When do they get them?
In terms of world building, an author can go into extremes - one where there is too much of information dumped into a whole cheaper or one where there is barely any introduction. This book falls into the latter part of the spectrum.
Without any sort of basic foundation, the world feels so confusing and very incomplete.
5. Theres also a lot of discontinuity in the writing, too. For example:
“He doesn’t acknowledge my existence as he passes, but simply grunts.
A boy I’ve never seen before yells across the hallway, ‘Hey! Apologize, you ogre.’
The football student halts his pace, turning on his heel to face the stranger…”
It’s very confusing whether the “football player” and the person who bumped into the protagonist are the same or different people
6. The character development also needs more work. The protagonist’s decisions don’t make sense. She continually disobeys her mother, who keeps telling her to stay out of trouble, yet ends up in trouble and goes crying back to her mother moments later. She's not the sharpest tool in the shed.
The adults in the story make no sense either. They are too irresponsible and just dont care enough. The police, the authorities, the parents..they've all let their children run amock trying to solve murders on their own.
For instance, a certain character invites these two strangers into her home two years after she betrayed the MCs father and caused his death, without even questioning it. If I was responsible for the death of a colleague, I would not be inviting his vengeful out of control daughter and her strange friend into my home to question me.
7. Romance: the two love interests are very flat, and there’s almost no chemistry between them and the MC.
For example:
“Hi again,” he says, his smooth voice vibrating in my ears.
“Hi,” I quickly chime back, trying not to turn towards him.
We sit through the class in silence, but I can feel his eyes on me the entire time. Finally, when the lunch bell rings, it’s no surprise that he stands up when I do and comes over to talk.
“What is it?” I snap at him.
He raises his hands in surrender. “Feisty.”
The one word sends flames into my cheeks and blood.
Nope. Im not feeling it. The MC is pretending to be all teen angsty and broody in front of the new guy and he's just being..creepy.
8. Lack of disconnect with dialogues and how teenagers speak: Lines like:
“I just like to bug people the first time I meet them. It’s my default. A way to protect myself, I guess.” feel very unnatural and forced. A real teenager would not be saying that nor would they have the self-awarness that even most adults dont have. The dialogues overall feels more suited to a middle grade audience than a YA one.
9. The narrative rests more on telling rather than showing, which makes it hard to connect emotionally with the story. The characters fall flat and some can be teeth pulling to reas about. Lines like “A bigger officer approaches me, looking very intimidating.” tell us what’s happening but don’t exactly let us feel it. For instance, I dont want to just know that the MC shot a ball of fire from her palm, I want to read about how it built up under her skin, how she felt, how it looked, what destruction it caused, etc.
Like - "I let out an angry growl and shoot a ball of fire into nothingness before deciding to go see someone else—Taye."
Or "..I fire magic at the ground, destroying the floor beneath me. Bits of concrete and dust explode as I attempt to destroy whatever spell.."
Or "..I spin around and shoot a fireball at whoever disturbs my business.
Or "I shoot a fireball at her, but she is already out." You get the idea.
The good parts?
The core mystery has potential and kept me curious. The author clearly has a creative idea, I like the premise of the story and her framework of a complex magical world. It has potential to grow.
Overall
While I didn’t really enjoy this book as much as I wanted to and struggled to finish it (I genuinely spent about eight hours of my Sunday pushing through it), I think that the book has more potential. With more attention to pacing, showing instead of telling, building up the characters and their personalities and stronger world building, I think this novel could reach great lengths.
My rating: 2/5 - Its there but still has a loong way to go.
edit; I see that its been listed for 13-18 year olds. If so, then yes, the book is suitable for 13 year olds.