One of the greatest of all Restoration comedies, The Way of the World is Congreve's masterpiece — a rich and knowing comedy of manners that not only satirizes the falsity, pretense and shallowness of the London society of his day, but also offers a depth of feeling, sensitivity, and polished phrasing that elevates the play far above other efforts in the genre. Delightfully entertaining, The Way of the World abounds in brilliant word play, delicious verbal battles of the sexes (some consider the famous scene between Mirabell and Millamant as one of the most profound analyses of the marriage relation ever written), and scheming villains of both genders. First presented in London in 1700, this comedy has charmed audiences for over 300 years. This inexpensive paperbound edition, complete and unabridged, makes it widely available to today's readers.
"William Congreve was an English playwright and poet.... William Congreve wrote some of the most popular English plays of the Restoration period of the late 17th century. By the age of thirty, he had written four comedies, including Love for Love (premiered 30 April 1695) and The Way of the World (premiered 1700), and one tragedy, The Mourning Bride (1697).
Unfortunately, his career ended almost as soon as it began. After writing five plays from his first in 1693 until 1700, he produced no more as public tastes turned against the sort of high-brow sexual comedy of manners in which he specialized. He reportedly was particularly stung by a critique written by Jeremy Collier (A Short View of the Immorality and Profaneness of the English Stage), to the point that he wrote a long reply, "Amendments of Mr. Collier's False and Imperfect Citations."
A member of the Whig Kit-Kat Club, Congreve's career shifted to the political sector, where he held various minor political positions despite his stance as a Whig among Tories."