3/5
I wanted to love this book, but only ended up liking it. Amid fine characterisation, well developed prose and poignant sex scenes the plot somewhere along the way leave much to be desired.
Characterisation: 'Fine', verging on 'good'. Our principle characters are difficult beasts to really get a feel of. On the one hand Drew comes across as a heavily self-righteous interferer, but equally this is explained because he cares deeply for Jonathan. 'True love', 'the one' being closeted, naturally Drew makes it one of his primary goals to help Jonny-boy internalise and reconcile who he actually is with who his father wants him to be.
Warning straight on the up, this book orientates heavily on the angst of closeted life, and the ramifications it has on yourself and others. Naturally then, the overwhelming bulk of character backstory focuses on this dynamic. My reason for saying 'fine' rather than 'good' is primarily this imbalance. We learn enough of these two main protagonists pasts to have them be seen as real, rounded and flawed individuals. But, this comes at the expense of some of the secondary characters. For example Rey. What we learn about him comes from Drew, and it exclusively is only really explored in an attempt to further develop Drew; not Rey persay.
Furthermore, a huge hole in the characterisation is the Senator, Richard Granger (Jonny boys father). We learn precious little about him and his 'real life past' to enable us as the reader to follow Drews changing attitude of the man. Drew starts to see the senator as "a real person" and not just a cartoon villain; but since we don't even meet the senator, nor learn much about him, I feel we the reader are unable to make a similar leap alongside our narrator Drew.
Plot: Erm where to start? First, I did like this novel. And I certainly don't regret reading it, but it was extremely frustrating. Much of this is due to a frankly poorly conceived plot. Warning: spoilers coming up!
First up: so much of this book focuses on, and gravitates around the central axis of Jonny boys relationship with his senator, deeply ultra-conservative homophobe, father. Yet at no point in this entire novel do we meet the senator in a one-on-one scene. Sure we get the phone-call scene, but this isn't actually having 'us' the reader 'meet him'. Remember, we are trapped in Drews head, so since Drew never meets him, nor do we. This has ramifications on the wider plot. This brings me on to the second issue...
Secondly, there is no resolution of the central backdrop question/theme of 'what will Jonathan's father say?' when he finally comes out during his dads election year. This is never addressed. It is almost like the writer got lazy, or nervous or just plainly confused about how to address this whole dynamic of the book. So what did she do? She opts for the abrupt ending which is neither a proper HEA (happily ever after), nor a properly delivered HFN (happy for now). I have a huge problem with a novel which is so heavily focused on Johnny-boys 'coming out' and its consequences on his family life and fathers political life, and never provides resolution. And be under no illusions, this isn't the first of a two parter novel series... but it sure a fuck reads like one. Therein lies the big problem.
To put this simply: the plot ending is abrupt and doesn't address the underlying themes, issues & secondary plots raised by the author. A big fail.
Prose: Extremely well developed. This author has managed to grasp the language and generate a page turner. No mean feat when as I say I had such problems putting up with her poor plotting and lack of ending resolution. But page turner this is, you will not start this and put it down.
This is a talented author, she is capable of describing a scene, emotions, passions, hurts and pains without needing to spend endless page space prattling on about it. No emo crap here, this author can make us palpably feel the protagonist depressions, pains, hopes without needing to delve too deeply into the language descriptives to get it across.
Sex Scenes/romance: Hmm. This was a very good aspect of the novel. The sex scenes all serve a point other than baseless smuttery. The sexual encounters tries to trace the changing and developing relationship between Drew and Jonathan. But it also functions as a metaphor for Jonny-boys growing acceptance of who he really is. So, the sex scenes add to character development and shift the plot romance forward nicely. This is refreshing, because I for one am sick of m/m romance novelists using gay sex as some kind of kinky thriller. It isn't daring or risqué, its just sex, like heterosexual sex. There is nothing inherently 'quaint' or 'subculture' about two men making out.
Thankfully this author has a grown up approach to m/m sex, deals with the realities of sexual roles/positions and does reference the need for prep! (If you don't know what I mean by this, I am not explaining beyond saying: the sphincter is a muscle, it hurts without forethought being applied...)
All in all, a must read if you are a fan of m/m romance, or like me an obsessive devourer of the genre. Yet be warned, this novel ending lacks resolution. Lacks that warm feeling of completeness, and reading this page turner will frustrate you. Is the frustration good? Yes, it demonstrates the author is able to impart the protagonist central feelings onto us the reader, but unfortunately the plot heavily pissed me off.
A must read all the same. I liked it, but was disappointed I was unable to love it.