This novel does an impressive job blending classic noir with horror and the supernatural that is seamless. It begins firmly rooted in familiar noir territory: detectives, a case, moral ambiguity and then gradually peels back into something darker, stranger, and more unsettling.
What stood out most to me was how confidently it integrates what feels like a classic detective story with cosmic and supernatural horror. The shift never feels abrupt or gimmicky; instead, the story unfolds organically, allowing the tension to build as the boundaries of reality begin to erode. The surreal elements are used sparingly and effectively, enhancing the atmosphere rather than overwhelming it.
The book also offers one of the more interesting and unique takes on vampire lore I’ve encountered in a long time. In a genre that’s been overdone in my personal opinion in recent years, this interpretation feels fresh and thoughtfully reimagined. Layered on top of that is a political tension that feels relevant, adding weight to the horror.
This is a smart, moody, and ambitious blend of genres that trusts the reader and lingers long after you’re finished.