With The Navigator's Children, Tad Williams delivers a satisfying and fitting finale to the Osten Ard saga that started with Memory, Sorrow and Thorn (MS&T), one of my all-time favourite fantasy series, over 30 years ago. This gap of 30 years is reflected in The Last King of Osten Ard (TLKoOA) series, where we revisit some returning characters from Memory, Sorrow and Thorn and many, many new ones. And what a series it is - with a marvellous conclusion in The Navigator's Children!
One does not need to have strictly read Memory, Sorrow and Thorn or the two novellas - The Heart Of What Was Lost, a bridge between MS&T and TLKoOA, and Brothers of the Wind, set before MS&T with lots of intriguing lore - but it will certainly heighten one's appreciation of this series and the scope of Osten Ard if one does so. I would recommend reading them in publication order instead of timeline order if possible.
All of Tad Williams' series include a synopsis of the previous installments, allowing the reader to take their time with the series without loss of continuity or having to reread multiple books. The summaries of the previous books in TLKoOA series are included in The Navigator's Children.
Before I discuss The Navigator's Children, I want to briefly share why MS&T and TLKoOA are so dear to me. MS&T is the only series I have read that brings me close to the feelings of a world suffused with melancholia I have felt reading Tolkien, one of my all-time greats. Tad Williams writes beautifully, expansively and creates an immersive world in Osten Ard which has its distinct identity but captures that spirit of vastness I have only felt in Middle-Earth. Nobody does melancholy like Tad Williams after Tolkien.
MS&T however was never a LOTR pastiche. It was a conversation with LOTR, one of the most seminal works of literature for me, sure, but it stood on its own as a beautifully written work of fantasy. For this I loved it. Then came A Song Of Ice and Fire by George R R Martin and Williams' own Shadowmarch - series which started to ask some darker questions about the worlds they were set in, series which I enjoyed thoroughly. Yet MS&T remained a beacon of hope, complete and contained, until Williams announced the return to Osten Ard with TLKoOA. And honestly I was worried. I didn't want the world of MS&T to become gritty and bleak. I wanted to preserve and cherish my memory of MS&T as it was, as it has been, sustained through rereads.
I was proved wrong by the first two books itself in TLKoOA - The Witchwood Crown and The Empire of Grass. In hindsight, my worries were unfounded. Williams doesn't do pastiche. Williams doesn't do "trends". And Williams is a beautiful and humane writer. Even in a world with darkness, he interrogates the source of darkness. He does not descend into an abyss but gently propels the characters (and the reader) away from it. He does not hesitate to confront evil but neither does he not venerate it. Just as MS&T was a conversation with LoTR while remaining unique, similarly so TLKoOA is a conversation with darker fantasy (best examples I can think of are A Song of Ice and Fire and perhaps an evolution of Williams' own Shadowmarch) while being very much grounded in its own world, characters and the story it had to tell.
So I thoroughly enjoyed the published volumes of TLKoOa - The Witchwood Crown, Empire of Grass, Into The Narrowdark but there was still the all important question - can Williams "navigate" this literary "child" of his to the perfect ending? We all know the perils of multi-POV sprawls in our beloved epic fantasies - Empire of Grass had 16 POVs I think from different parts of Osten Ard - how was it all going to come together? Writing, character work, story, immersion factor, expansion of the world - all so good but still, quite a bit hinges on that finale doesn't it?
The Navigator's Children is that finale. Tad Williams delivers and how. Every plot thread is resolved, POVs coalesce fittingly and meaningfully and the story comes together towards a thematically apt finale. Without spoiling the reading experience for anyone, there are three things I admired about The Navigator's Children:
(a) The resolutions are not through plot contrivances or impulsive character decisions but through lore rooted in the history of the world, hearkening to MS&T and Brothers of the Wind. I thought this so difficult to execute and was wowed by how it was done.
(b) The outlook is dark, bleak even at times, but never nihilistic. There is danger and evil but there is also good and the desperation to leave the world a better place even if one is not around to see it. Even when not knowing who they are leaving it for, just trying one's utmost, because not doing so is not an option. This touched my heart.
(c) The book delivers a thematically apt resolution consistent not just with its own title but also with the title of the entire series, The Last King of Osten Ard. I had three theories for why the series was called so, and it turned out to be one of them! It was executed so beautifully.
Osten Ard has always been special since MS&T. The series TLKoOA with this excellent final installment makes it even more so and it joins my personal pantheon of beautifully written epic fantasy series with memorable characters, expansive world rooted in deep lore, a story I will never forget and hopefully return to many, many times.
I highly recommend this saga to any reader who enjoys a well-written tale epic in scope.
Many thanks to NetGalley and DAW Books for the eARC. All opinions expressed in this review are my own.