I’ve Never Loved Somebody and Made Them Worse is a stunning debut, a fragmented and intimate record of relationships that blur the lines between romantic, platonic, physical, and intellectual connection. From grad seminar hallways, grocery store parking lots, borrowed bedrooms, to city sidewalks, Mia Nelson crafts a collection defined by vivid texture and tonal complexity. This is not a book about falling in or out of love. It is a study in emotional architecture, where want is a blueprint and memory the scaffolding. Nelson doesn’t seek resolution. She offers immersion. Conversations coexist with theory, flirtation breaks into philosophy, and tenderness turns on itself without “I believe that the moon is the size of my thumb but also something else entirely.” Rich in voice and formal experimentation, I’ve Never Loved Somebody and Made Them Worse is a deeply felt, sharply rendered exploration of connection and its aftermath.
Everyone buy my friend Mia’s book of poems!!!!! She is all things lovely and wonderful and her poetry makes me want to sit in the sun and hug a friend. Thank you for sharing your talents with the world Mia!!!
Mia’s never loved somebody and made Them worse, but I’ve never read a Poet who better conveys the moment To moment disorienting joy of being in Love better than she does. Her poems Strip down the scaffolds of perception And leave the thoughts that bloom in One look one laugh one kiss and Though I should be envious when Reading about the abundance of love In her poetry, instead, the rhythm of My revolution matches her poems’ and I let my heart pilot my eyes to see Every word every bottle every wound as A source of Love’s Electric Field that Hugs our tiny spinning rock Gently, though. And tenderly. Because Of the love.
Reading Mia’s poetry makes me happy online, but to hold her words and vibrate at their frequency makes me especially calm. I highly recommend it because we need more love in the world, and Mia Nelson helps you believe in it.
Reflections on youthful romantic entanglements, mostly. Generally readable, not pretentious, accessible to casual poetry readers, but more observational than deep. Appropriate for public library collections, but not on my top-5 list of poetry reads for the year.