Oh look, an annoying book with an esoteric twist: I found the trick entertaining in Plato a year ago, but it's becoming stale. A trolljob from an era where obscure grimoires in goatskin manuscript format occupied the place of the internet as the transmission zone of "secrets", in addition to the private and public dimensions of life. By "esoteric" I don't mean the marketed sense of the term that is synonymous with occult, or "esoterica", but rather that the work is clearly written esoterically, with many intentional contradictions and attempts at misleading. It would be tedious to list all of them, but just look at this for example
To protect oneself from negative influences, the first condition is to not allow one’s imagination to become enthused. All fanatics are more or less mad, and one dominates a madman by taking him by his folly.
then
The more that one’s interest is excited, the greater the desire to see, the more complete the confidence in one’s intuition, the clearer the vision will be. Casting geomantic points haphazardly or drawing cards thoughtlessly is to play at the lottery like children. Random draws are oracular only when they are magnetized by intelligence and directed by faith.
In the latter, it seems that the author is recommending enthusiasm instead of castigating it as folly of madmen. But in point of fact, if not in attitude, he is consistent: the clarity of a vision might have nothing to with whether it is true or folly. I suppose it could also turn around the question of the definition of clarity: which is clearer, an photo taken with a Nokia 7650 of an actual situation or an exact computer-created digital replica in high-definition? It's just that this discrepancy means that he is misleading the reader in his instructions, playing the role of a magician dominating the foolish reader looking for the great big mystery key. And this is by no means the only instance. He is actually warning against "complete confidence in one's intuition" and an enthused will, but he is masking it so that people he considers ignorant or worthless get stuck in it. But therein lies the rub: people understand this and want to become like him with his own methods, so it is "vulgar" to speak like I do. At this point we're talking about a serious psychological swamp of defence mechanisms that may be impossible to cure.
It could be true, given the evidence and logical necessity for esoteric writing, that the most of the important information about the world is communicated through supposed "mistakes", slips of the tongue, contradictions, apparent stupidities. It is too mentally comfortable to go by Hanlon's razor: an easy sensation of superiority and protective laughter is always better than the gnawing feeling of doubt. To see the folly of the first option, just go and look at the top rated reviews for Plato's Republic on this site.
All that is not to say that the book is without interest. Considering the problem-child status of psychology in the mechanistic science of the 19th century, this kind of book hits exactly in the area between mechanistic objects and inner life. This was also the role of mesmerism and animal magnetism, which provides the intellectual framework underlying this book. It is also the background of philosophies of life like Schopenhauer and Schelling, the former of whom also made Will and important part of his philosophy. At times, this almost feels like an application of Schopenhauer's dualism between Will and the realm of mechanistic causality described by the physical sciences. Will must be directed to forms to create effects: it can be bound up in things like pentagrams, pentacles etc. In addition to will and the forms, there are also the words which fix the will to a certain pattern when it is repeated along with it. As for the forms in question, the book seems to veer from aforementioned simple geometrical meditations to chaotic, self-consciously schizotypal methods of suggestion.
I've outlined some problems I have with this underlying philosophy of world soul or astral light or Azoth in my review of the book Holographic Universe. But if I managed to distil the wheat from the chaff in the above paragraph, it's at least an interesting twist on it: at surface a recipe for pattern creation, but on another a higher insight in how causal entities are formed. The problem with these philosophies of the Will, for me, is that they started to undervalue the side of intuition in Kant's philosophy. Schopenhauer reconstructed all of Kant's philosophy only to the side of understanding, after which there is immediately the thing-in-itself of force or will. I have no doubt that a dog chasing its tail like the Great Ouroboros executes its will flawlessly, but we can see there is something very limited about its intuition. This is all the more the case with a fly, who will never fathom the black monolith it is now circumnavigating, that is, my television. In light of these impressions, the uneasy sensation strikes that you might in the exact same position as these dogs and flies to some other objects and even to "your" own body as extended in higher spaces. That is to say, I doubt this resuscitation of the miraculous through mere willing and ultimately, through psychologizing as Lévi does towards the end of the book. If this is what counts for high magic, I don't think I have much time for magic.
Many paradoxes like "as above, so below", the unity of opposites and the denial of the law of contradiction find themselves explained quite naturally if we suppose that these statements were in fact references to a new spatial axis, an expansion of the power of the intuitive faculty to the detriment of the conceptual, rather than some transcendent objects. Opposites are united in the concept of the axis, as it transcends any single direction(you can't "move" the axis itself to any of its directions). As above, so below: 3 dimensions above us our space is a point. With this book, I sense a very resigned attitude that regards the world as a collection of manipulable superstitions: and these then are the only entities that are somehow incredibly "real". It is a kind of view which sounds very incredible at first but really is kind of a let-down. It's real as in influential though: ideas, illusions, suspiciously capitalized words and superstitions rule the world history.
This book seems to be very much about manipulation and it is also written in a very manipulative manner: constant references to the respectable halls of the antiquity, conspicuous elitism, appealing to the reader's need to not feel "vulgar" in some way. Yet there might be actual insight hidden amidst the book, but really, is this the best place to look? Relatedly: if someone wants to manipulate people, surely there is a method of doing that without actually believing it yourself. This stuff might "work" but there's probably a technique that isolates the parts without self-suggested beliefs in hyperstitional deities. Salesmen do it all the time, and it's only at that point that this book would live up to its technological pretensions: it would need to isolate only the necessary, if not the most efficient, means of achieving a goal. It is stupid to justify unnecessary movements by the argument "everything's related to everything". As it stands, the book's methods seem to waver somewhere between possession by self-suggested hyperstitions and manipulation of those who believe in them. I think the author falls under the latter rubric, but unhelpfully conceals his hand: for what purpose, it is unclear.
All the cynicism aside, if the reader manages to read this esoterically, in which case parts of the book become more comedic than serious, then this is indeed a revelation. Just like Plato's Republic was for me. It's important to know that there are actually people doing this stuff to influence history. But the horrible truth is that there are multitudes of people that take Plato's teaching at face value, that take this at face value. What did Lévi actually want with this book? It remains a bit mysterious to me. For one, his ideology is an odd mixture of conservatism and what seems like illumined progressivism. In one place he extols Liberty and he rails against the medieval times with all the Enlightenment talking points, but then he also seems to oppose Rousseau and the French Revolution. Perhaps there's an assumption that the readers of this book already regard normal politics as "low magic". Or else, he is just a Catholic born in the wrong generation, as they say. It was of course Protestants but also Enlightenment polemicists also who branded anything "magical" or "occult" satanic or unreasonable. Lévi conflates Satan, whom only his enemies believe in, with unreason, suggesting that he is in opposition to this campaign against traditional wisdom and trying to find a new channel for it to continue in a newly secularized and mechanized climate. I think this might go some way of explaining his choice of terminology, the psychologization and also the later developments in the newfangled category of Western Esotericism. For Lévi, the protestants and the Enlightenment intellectuals are actually themselves satanists by virtue of giving unthinking worship to this entity they themselves invented. It is true that in the Hebrew text Satan is not an entity but a role that can be occupied by many different persons: so the satanist-hunters quite literally play the part of the accuser or adversary. To wrap this up in harmony with all the other observations, perhaps Lévi intended to use his model of magic to warn the political elites of the inner dynamics of secularization and simply to point out that it is not so simple to become a secular as to oppose the the great power of Unreason.