Starred review in the October 2025 issue of Library Journal
Three Words That Describe This Book: generational trauma, character driven, immersive unease
Other words: ghosts, family drama, thought provoking, multiple time lines, brief chapters that keep the story flowing, reincarnation, free will vs fate, the power of superstition, and love.
This is NOT My Sister the Serial Killer in anyway, but it is just as good, maybe even better.
Draft Review:
Braithwaite (My Sister, The Serial Killer) returns with a story drenched in supernatural unease and yet, bursting with love; a tale that embraces the power of superstition even as it fights to rid itself from it. The women of the Falodun Family live in Lagos, under one roof, united by a curse that has brought anxiety and sadness for generations. As the book opens, Monife drowns herself (in the year 2000) at age 25, while the same day, her younger cousin Edun, is giving birth to a daughter, Eniiyi, a baby that looks so much like Monife that all believe she is the dead girl’s reincarnation. Told in alternating pieces by the three women– Monife, Edun, and Eniiyi– in timelines spanning from 1994-2025, readers are immersed in a thought provoking story of a family, exploring the curse and the women from every possible angle. Can
Eniiyi break the curse? Maybe, but she definitely cannot do it alone. Character-centered, compelling, thought provoking, and at times, terrifying, Cursed Daughters will leave its mark, especially on those who think they don’t believe in curses.
Verdict: A stellar example of how an author can employ Horror elements to tell the story of a family, not only to invoke fear but also to unequivocally demand a break from the terrifying cycle of generational trauma. For fans of The Vanishing Half by Bennett, Little Eve by Ward, and The Silent Companion by Purcell.
Literary fiction with a strong Horror overlay. The specter of death and ghosts haunts the characters and drenches (word carefully chosen) the entire story is an unease that is impossible to shake.
3 main narrators told on 3 different timelines and broken up into pieces, but they cover:
Monife-- from 1994-2000 (commits suicide at age 25)
Edun-- from 2000-2006-- Monife's younger cousin Edun
Eniiyi-- from 2023-2025--Edun's daughter born the day Monife dies
This bits a pieces storytelling serves the story so well because we see the characters at different stages in their lives (even the ones without the POV) and through the eye of others. This makes the entire story stronger. Because it is character centered, the characters are developed organically while the story keeps moving, even as it overlaps with itself.
The Falodun Family Tree is included in the opening pages of the book. It is important because the daughters in this family have had a curse placed on them. Throughout the book, the history of the curse is shared. What is great about this book is that the fact that there is a curse is a given. Is it supernatural or just generational trauma-- both sometimes, one or the other other times.
As I said above, unease drenches this story. Monife walks into the water to die and then later that day-- Eniiyi is born and she looks EXACTLY like her dead cousin. Is she Monife reincarnated-- maybe. But does it matter if it is what everyone believes. There is evidence here that the supernatural has power in our world. But is it's power there to hold us back from escaping generational trauma.?
This is a great example of how Horror elements can permeate a story about a family and reveal the ghosts they are all hiding from in order to invoke fear but also demand putting an end to the generational trauma. For fans of The Vanishing Half by Bennett, Little Eve by Ward, and The Silent Companion by Purcell