(Revised/Edited)
The Set up
In the small town of Trespass Louisiana, south of I-10 in a part of the world where small towns still exist, a beautiful young woman turns up missing with very few clues to what happened to her. As things unfold, we find that there are lot of people in Trespass who have secrets, and a lot of people for such a small area that have suffered personal family tragedy... and one person, who's secret, involves killing, death, anger and guilt.
The Issues
A small circle of young ladies, who are not necessarily friends, but, who have faced diversity and now need to learn how to grow from adolescents into adulthood.
What Worked Well
Okay, first, I have to acknowledge that, the general feel of the small "country" town struck me as right and well done. It's just a "feeling" and sometimes authors get it right, sometimes they don't. In this case, the general small town setting worked for me. The setting reminded me of growing up in Natchitoches Louisiana in the 1970s in an era where there actually was a "wrong side of the tracks" and despite the 1959 Supreme Court Decision in "Brown Vs. the Board of Education" segregation seemed to have a natural process, even if it was rooted on fear of people with different faces and what they might do to those unlike them. This book was not about the 1970s, but the setting was authentic enough for me to be brought home, down country roads to a place I once called home. Though by all accounts, the 17,000 residents of Natchitoches would be a booming metropolis next to Trespass, this still reminded me of current Ringgold, Castor (where my mother still lives) and Coushatta Louisiana, which may be in the northern part of the state, but, are certainly "small towns" that exist today.
Like they say in the real-estate business, it's all about "Location, Location, Location" and in this case, the "Location." is a winner.
Second, Artistic darkness and misery- I had to finish to the book to see if what I was reading was "artistic", meaning there's a point to it, or a larger allegory and tableau that these sad and tragic stories were all part of. I also needed to finish the book to see if there was a point to it. Art without a point is, at best, doodling, even if its written words in a book. For me, I need to be able to sense some type of "healing" or a growing sense, as the book develops, that all these people have, gain, or learn to have some control over the quality of their existence. Had they simply found the bad guy out and returned to their "work-a-day dreary worlds" the art would have disappeared into the doodling for me. As it turned out, the art was not an illusion cast by an articulate author it really was "Art" and very enjoyable.
I think the fact that had to read the entire book before I believed in the artistic side of it and the fact that I wanted to keep going speaks to the beautiful dark side of life found in the weave of plot and story. The path to making the dark and dreary something that is good to read is sometimes a knife's edge to walk. It's easy to lose people who can only take so much emotional pain and suffering. The dark side of life as drawn in this book will not appeal to some people, it did work for me but I did have to stick with it to the end to believe it.
Characters - The characters seemed real. There are some points to make about lifestyle coming up, but the main character group, 4 young ladies leaving the lives they had as children and adolescents and trying to figure out how to grow into the adults they would become, even with all the regret and anger at their situation, still seemed like a warm, human place to be, since, you had to be in somebody’s head while you read the story. I liked the underlying theme of each girl learning how find the step they needed to move from being a responsible youth to a functional adult.
Villain - I liked the way the villain was written and, the times we saw life through his eyes, thoughts and fears worked for me. There are some areas this could have been stronger bit, if I had to say worked or didn't, I'd surely want to include this character as one that "worked." There is more I liked about the villain than not.
And maybe the most subtle thing I liked, or the hardest to hang on to until the end of the book was how the characters developed into strength by making the wrong decision. Human beings learn so much more from mistakes than we learn from success. Not so much "failure" but mistakes in judgment that bring consequences that must be lived to fully understand the depth and difficulty that comes with each wrong decision.
I also like the use of a traditional third person, past tense point of view. I've finally found a couple of books where first person present tense point of view worked for me, but I was beginning to think that the FPPT was a developing trend. I'm glad to see that traditional styles can be fresh, new and authors are still happy to use them.
What Did Not Work As Well
For one, this should have been longer. I don't know how much longer, but I think the story needed more room for the killer-mystery to develop and get resolved. I loved the detailed invitation to become immersed in the four leading ladies and how the characters felt when that happened. That did not leave enough room to develop the catch the killer plot. If I had to make a choice, I'd go with the same as the author, and work on those wonderful characters. I'd still rather have had room for some police work to be part of solving the mystery.
Not just that, the back stories for each character, if you followed them back and, like I can, imagined their plot themes to be roots, stretching into the dark soil, these roots came from the same stalk and that stalk was linked to the villain. That's not mentioning the several connections that were mentioned but not made between each leading lady and the sub-group of supporting cast around them. (I can give examples but I don't want to spoil things.)
More pages would have also allowed only adult main character the chance to do something effective at the end of the story.
That crucial connection between main characters is part of what helped me understand all this darkness and misery was really "art," not just smoke and mirrors. Much of how the character's pasts were linked did not get fully joined in the story. It's more like the author pointed at an intersection in the map and said "this is where this path joins that one" then kept on walking without showing us where and how that happened.
Characters- this was about young adults, in their late teens (18-19) mostly. (One of the main characters was clearly an adult but, I think this applies for her as well.) Too many cigarettes, not enough information about drug use (villain/villain’s family) and though the door was opened for us to see alcohol as one of their bad decisions, the author did not take the few sentences needed to completely step through and explore that in a way that helped us understand the healing in the end of the story.
We also flipped between characters too much and it was easy to lose the timeline for a while.
Spiritual references were made but not realized and worked out. This may be connected to the "too short" issue, but there were some spiritual references made as well as some supernatural themes hinted it, but none of this was used. I liked where the hint came, and wanted to see more of the role these things played with Erica and Pamela and of course, the connection between Mack and Haley and Haley's father's death (and Haley's mother's belief in her father's ghost.) I liked the idea, but all we got was the vague idea, not the kind of wonderful detail other aspects of life in Trespass got.
Weak crime story- There should have been stronger characters involved in the actual police work, and we should have gotten updates through them more than we did. Erica and the Detective teaming up came too little too late and, turned out to be more of a distraction than something helpful. If not police, maybe Haley, Rachel, and Erica should have gotten more of a role in solving this thing than they had. Hell, even Huck and Finn saw Indian Joe stab that guy right?
The Bottom Line
Bottom line- This is a good story, artistic, well written and a good read. It's too dark for everyone and sexual/violent scenes/images may not be for everyone either. That said, it's still artistic in nature and a wonderful expression of how life and becoming adult is sometimes like the sun rising past the horizon turning darkness into light, weakness into courage, and hopelessness into hope. The crime story could be stronger but the strength of this story is in the lives of each character as they slide together like interlocking fingers and the observance of success, growth from childhood to adulthood when done right is always a good read.
4 stars, not 3.5 because, even though there were issues with the story, this was well written and polished as a final product and, the overall effect of the book must be taken as a whole, to get the full, good effect. Overall, it's better than 3.5.. 4 and I look forward to the sequel...though it's overdue.