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La muerta enamorada y otros relatos fantásticos
Théophile Gautier, padre del parnasianismo y del principio del «arte por el arte», mostró toda su vida una predilección por el género fantástico. La imaginación romántica que impregnó su juventud le prestó algunas de sus inspiraciones: las apariciones, el mundo de ultratumba, el vampirismo, el diablo, el tema del doble, la indiferenciación entre el estado de sueño y el de vigilia… Sus cuentos se desarrollan en escenarios reconocibles –castillos nórdicos, el antiguo Egipto, las ruinas de Pompeya– pero también en algunos poco comunes como la época rococó, donde los elementos sobrenaturales se mezclan inusualmente con la aventura galante. En casi todos ellos se narra la iniciación de un joven al amor, en la que el «alma, liberada de su prisión de barro, flotaba en lo vago y lo infinito» y la materialización subyugante de la mujer idealizada, inalcanzable, que supera incluso lo soñado, le deja con la melancólica sensación de que ya no habrá, después de ese contacto fantasmagórico, felicidad para él en la tierra. La muerta enamorada y otros relatos fantásticos (1831-1852) reúne siete magníficos ejemplos de «fascinación inexplicable», siempre tortuosos pero no exentos a veces de cierto tono burlesco, combinado con un deslumbrante talento para la creación de imágenes poéticas.
161 pages, Hardcover
First published January 1, 1908
About the author
Théophile Gautier
2,344 books327 followersPierre Jules Théophile Gautier was a French poet, dramatist, novelist, journalist, and literary critic. In the 1830 Revolution, he chose to stay with friends in the Doyenné district of Paris, living a rather pleasant bohemian life. He began writing poetry as early as 1826 but the majority of his life was spent as a contributor to various journals, mainly for La Presse, which also gave him the opportunity for foreign travel and meeting many influential contacts in high society and in the world of the arts, which inspired many of his writings including Voyage en Espagne (1843), Trésors d'Art de la Russie (1858), and Voyage en Russie (1867). He was a celebrated abandonnée of the Romantic Ballet, writing several scenarios, the most famous of which is Giselle. His prestige was confirmed by his role as director of Revue de Paris from 1851-1856. During this time, he became a journalist for Le Moniteur universel, then the editorship of influential review L'Artiste in 1856. His works include: Albertus (1830), La Comédie de la Mort (1838), Une Larme du Diable (1839), Constantinople (1853) and L'Art Moderne (1856)
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Displaying 1 - 22 of 22 reviews
September 1, 2021
(4.5)
Un véritable plaisir de lecture que ce recueil de nouvelles ! Il est vrai que je prenais peu de risques tant l'écriture de Théophile Gautier touche irrémédiablement quelque chose en moi. De plus, l'attrait intellectuel de l'auteur pour la littérature gothique anglo-saxonne, les civilisations égyptienne et antique permet des intrigues vivaces, passionnantes, toujours renouvelées, et pleines de l'intriguante porosité entre le réel et l'imaginaire fantasmatique.
La morte amoureuse : Une nouvelle qui présente quelques similarités avec Le Moine de Lewis. Un jeune prêtre, au jour de prononcer ses vœux, vocation de sa vie, croise le regard ensorceleur d'une courtisane aux mœurs légères. Après son décès subit, alors qu'il se croit libéré de son emprise diabolique sur ses sens, il connaît un phénomène fantasmagorique inexplicable qui le bouleverse à jamais.
Omphale : La découverte insolite de la sensualité par un jeune nobliau, dont les nuits sont peuplées par une tapisserie affriolante.
Une nuit de Cléopâtre : Dans l'Égypte ancienne, Cléopâtre s'ennuie. La beauté des paysages, la magnificence de l'architecture, la grandeur de sa civilisation ne la fait plus frémir. Mais un jeune homme, avide de l'insaisissable, se donne pour ultime volonté de la conquérir.
Jettatora : Le malheur d'un français aux yeux ravageurs, venu rejoindre sa belle fiancée anglaise en pleine cure de repos à Naples. Sous le joug d'une superstition italienne dévastatrice, il voit toutes ses relations s'altérer, jusqu'au drame inévitable.
Le club des Hachichins : A l'instar d'un Spleen baudelairien, on vogue, le temps d'un voyage enivrant dans les méandres d'un esprit altéré par du hachich.
Arria Marcella : Dans les ruines de Pompei le jeune Octavien parvient le temps d'un instant à dépasser la frontière du temps et à rejoindre la femme dont il est tombé éperdument amoureux.
Un véritable plaisir de lecture que ce recueil de nouvelles ! Il est vrai que je prenais peu de risques tant l'écriture de Théophile Gautier touche irrémédiablement quelque chose en moi. De plus, l'attrait intellectuel de l'auteur pour la littérature gothique anglo-saxonne, les civilisations égyptienne et antique permet des intrigues vivaces, passionnantes, toujours renouvelées, et pleines de l'intriguante porosité entre le réel et l'imaginaire fantasmatique.
La morte amoureuse : Une nouvelle qui présente quelques similarités avec Le Moine de Lewis. Un jeune prêtre, au jour de prononcer ses vœux, vocation de sa vie, croise le regard ensorceleur d'une courtisane aux mœurs légères. Après son décès subit, alors qu'il se croit libéré de son emprise diabolique sur ses sens, il connaît un phénomène fantasmagorique inexplicable qui le bouleverse à jamais.
Omphale : La découverte insolite de la sensualité par un jeune nobliau, dont les nuits sont peuplées par une tapisserie affriolante.
Une nuit de Cléopâtre : Dans l'Égypte ancienne, Cléopâtre s'ennuie. La beauté des paysages, la magnificence de l'architecture, la grandeur de sa civilisation ne la fait plus frémir. Mais un jeune homme, avide de l'insaisissable, se donne pour ultime volonté de la conquérir.
Jettatora : Le malheur d'un français aux yeux ravageurs, venu rejoindre sa belle fiancée anglaise en pleine cure de repos à Naples. Sous le joug d'une superstition italienne dévastatrice, il voit toutes ses relations s'altérer, jusqu'au drame inévitable.
Le club des Hachichins : A l'instar d'un Spleen baudelairien, on vogue, le temps d'un voyage enivrant dans les méandres d'un esprit altéré par du hachich.
Arria Marcella : Dans les ruines de Pompei le jeune Octavien parvient le temps d'un instant à dépasser la frontière du temps et à rejoindre la femme dont il est tombé éperdument amoureux.
August 14, 2024
Ensemble de nouvelles fantastiques à la fois touchantes et parfois teintées d’humour.
Ce recueil permet de voyager dans les univers typiques du roman gothique et fantastique : le château hanté, l’antiquité fantomatique et revenante mais aussi l’art, le tableau mobile et vivant.
Un véritable plaisir !
« En effet rien ne me meurt, tout existe toujours, nulle force ne peut anéantir ce qui fut une fois. Toute action, toute parole, toute forme, toute pensée tombée dans l’océan universel des choses qui produit des cercles qui vont s’élargissant jusqu’aux confins de l’éternité. La figuration matérielle ne disparaît que pour les regards vulgaires, et spectres qui s’en détachent peuplent l’infini. Pâris continue d’enlever Hélène dans une région inconnue de l’espace. La galère de Cléopâtre gonfle ses voiles de soie sur l’azur d’un Cydnus idéal. Quelques esprits passionnés et puissants ont pu amener à eux des siècles écoulés en apparence, et faire revivre des personnages morts pour tous. » Arria Marcella, Gautier.
Ce recueil permet de voyager dans les univers typiques du roman gothique et fantastique : le château hanté, l’antiquité fantomatique et revenante mais aussi l’art, le tableau mobile et vivant.
Un véritable plaisir !
« En effet rien ne me meurt, tout existe toujours, nulle force ne peut anéantir ce qui fut une fois. Toute action, toute parole, toute forme, toute pensée tombée dans l’océan universel des choses qui produit des cercles qui vont s’élargissant jusqu’aux confins de l’éternité. La figuration matérielle ne disparaît que pour les regards vulgaires, et spectres qui s’en détachent peuplent l’infini. Pâris continue d’enlever Hélène dans une région inconnue de l’espace. La galère de Cléopâtre gonfle ses voiles de soie sur l’azur d’un Cydnus idéal. Quelques esprits passionnés et puissants ont pu amener à eux des siècles écoulés en apparence, et faire revivre des personnages morts pour tous. » Arria Marcella, Gautier.
August 13, 2026
franchement pas mal, il se lit très vite et les histoires sont vraiment bien (surtout la Morte Amoureuse<3)
June 22, 2026
Gran sorpresa que me llevo con este libro de relatos que no conocía. Fáciles de leer y entrenidos , de todos ellos destaco "La muerta enamorada " y "Dos actores para un papel " Recomendado
July 3, 2010
Tu en lis un, tu les as tous lu. En gros le "héros" (c'est un bien grand mot) rencontre par hasard une superbe jeune fille, il en tombe amoureux et ô miracle elle s'intéresse à lui, elle le charme... mais il se rend comtpe après "moult" (là aussi c'est un bien grand mot) péripéties que c'est une momie/vampire/morte/fantôme, bref vous avez compris. Fin.
On a l'impression de lire les fantasmes d'un vieil écrivain. Heureusement ça se lit vite et facilement.
On a l'impression de lire les fantasmes d'un vieil écrivain. Heureusement ça se lit vite et facilement.
July 30, 2009
La Morte Amoureuse was very good - I love the darkness of the piece and even did a paper on it. I haven't read the other stories in his collection sadly - my weight limit was too high and I couldn't bring all my books back. Will have to read more later!
November 23, 2017
First rate stuff for any fan of Stoker, Poe and so on. Beautifully written, and investigates the theme of religion versus sexual love for a priest.
October 8, 2017
Muy surrealista
November 2, 2014
This is an enjoyable vampire story. Very simple but with a unique perspective. It is old-school so don't expect any graphic sex or violence. Nevertheless it is moving and romantic.
April 23, 2020
Idéal pour découvrir la plume de Théophile Gautier ! J'ai beaucoup aimé ces 4 nouvelles !
May 17, 2018
Awesome selection of Gautier's works. Sometimes his texts are so complete and well edited that today I think he could also be a editor and revisor for himself. There are many issues about his tales in realism fantastic genre, two of them that always inspires me are the dream and the reverie.
In 1836, for example, the story La Morte Amoureuse (Clarimonde) was published pointing out how mysterious our dreams and daydreams could be.
Indeed we spent a good amount of time sleeping in life, sometimes 6, 8 hours a day. And how many times have we carried into the dream forces or elements that have stained the mind during the vigil? Maybe always, maybe this is one of the mechanicals roots of sleep. There are many studies about those issues since Greek philosophers passing through Freud, etc and all modern neuroscience.
Dreams have always been a great mystery to mankind. Psychologically there are many people who prefer to live their dreams reality almost like a reverie rather than their own vigil.
What would happen if the dreams were so intense that we wondered if we were really asleep or if we were awake? The process would begin to become even more worrying if we start to be in doubt if the dream is the reality or the reality is a dream.
In other words, we could live a double existence. Not as Dostoevsky's tale "The Double", but a double life between dream and vigil, which really leaves us in doubt about the real. "I took it in a dream every night (wish to God that it is a dream!)".
Gautier also describes the experience of the authentic cut of personalities of the same self because of it: "From this night on, in a certain way my nature unfolded, and within me there were two men who did not know each other." Now I considered myself a father who dreamed all night that was a nobleman, sometimes a nobleman who dreamed he was a priest. He could not separate the dream from the vigil, and he knew nothing was beginning to happen and where the illusion ended. "
In addition to this process of consciousness and reverie, this history presents how the values of passion and faith can be blended, merged and challenged with moral precepts and religious institutional subterfuges.
But this is only for one of the tales from this book, there are many great others texts inside it.
In 1836, for example, the story La Morte Amoureuse (Clarimonde) was published pointing out how mysterious our dreams and daydreams could be.
Indeed we spent a good amount of time sleeping in life, sometimes 6, 8 hours a day. And how many times have we carried into the dream forces or elements that have stained the mind during the vigil? Maybe always, maybe this is one of the mechanicals roots of sleep. There are many studies about those issues since Greek philosophers passing through Freud, etc and all modern neuroscience.
Dreams have always been a great mystery to mankind. Psychologically there are many people who prefer to live their dreams reality almost like a reverie rather than their own vigil.
What would happen if the dreams were so intense that we wondered if we were really asleep or if we were awake? The process would begin to become even more worrying if we start to be in doubt if the dream is the reality or the reality is a dream.
In other words, we could live a double existence. Not as Dostoevsky's tale "The Double", but a double life between dream and vigil, which really leaves us in doubt about the real. "I took it in a dream every night (wish to God that it is a dream!)".
Gautier also describes the experience of the authentic cut of personalities of the same self because of it: "From this night on, in a certain way my nature unfolded, and within me there were two men who did not know each other." Now I considered myself a father who dreamed all night that was a nobleman, sometimes a nobleman who dreamed he was a priest. He could not separate the dream from the vigil, and he knew nothing was beginning to happen and where the illusion ended. "
In addition to this process of consciousness and reverie, this history presents how the values of passion and faith can be blended, merged and challenged with moral precepts and religious institutional subterfuges.
But this is only for one of the tales from this book, there are many great others texts inside it.
May 17, 2018
Great selection of Gautier's works.
In one of this tales, La Morte Amouseuse, the author points out how mysterious our dreams and daydreams could be.
Indeed we spent a good amount of time sleeping in life, sometimes 6, 8 hours a day. And how many times have we carried into the dream forces or elements that have stained the mind during the vigil? Maybe always, maybe this is one of the mechanicals roots of sleep. There are many studies about those issues since Greek philosophers passing through Freud, etc and all modern neuroscience.
Dreams have always been a great mystery to mankind. Psychologically there are many people who prefer to live their dreams reality almost like a reverie rather than their own vigil.
What would happen if the dreams were so intense that we wondered if we were really asleep or if we were awake? The process would begin to become even more worrying if we start to be in doubt if the dream is the reality or the reality is a dream.
In other words, we could live a double existence. Not as Dostoevsky's tale "The Double", but a double life between dream and vigil, which really leaves us in doubt about the real. "I took it in a dream every night (wish to God that it is a dream!)".
Gautier also describes the experience of the authentic cut of personalities of the same self because of it: "From this night on, in a certain way my nature unfolded, and within me there were two men who did not know each other." Now I considered myself a father who dreamed all night that was a nobleman, sometimes a nobleman who dreamed he was a priest. He could not separate the dream from the vigil, and he knew nothing was beginning to happen and where the illusion ended. "
In addition to this process of consciousness and reverie, this history presents how the values of passion and faith can be blended, merged and challenged with moral precepts and religious institutional subterfuges.
In one of this tales, La Morte Amouseuse, the author points out how mysterious our dreams and daydreams could be.
Indeed we spent a good amount of time sleeping in life, sometimes 6, 8 hours a day. And how many times have we carried into the dream forces or elements that have stained the mind during the vigil? Maybe always, maybe this is one of the mechanicals roots of sleep. There are many studies about those issues since Greek philosophers passing through Freud, etc and all modern neuroscience.
Dreams have always been a great mystery to mankind. Psychologically there are many people who prefer to live their dreams reality almost like a reverie rather than their own vigil.
What would happen if the dreams were so intense that we wondered if we were really asleep or if we were awake? The process would begin to become even more worrying if we start to be in doubt if the dream is the reality or the reality is a dream.
In other words, we could live a double existence. Not as Dostoevsky's tale "The Double", but a double life between dream and vigil, which really leaves us in doubt about the real. "I took it in a dream every night (wish to God that it is a dream!)".
Gautier also describes the experience of the authentic cut of personalities of the same self because of it: "From this night on, in a certain way my nature unfolded, and within me there were two men who did not know each other." Now I considered myself a father who dreamed all night that was a nobleman, sometimes a nobleman who dreamed he was a priest. He could not separate the dream from the vigil, and he knew nothing was beginning to happen and where the illusion ended. "
In addition to this process of consciousness and reverie, this history presents how the values of passion and faith can be blended, merged and challenged with moral precepts and religious institutional subterfuges.
May 17, 2018
In 1836 Gautier published La Morte Amoureuse pointing out how mysterious our dreams and daydreams could be.
Indeed we spent a good amount of time sleeping in life, sometimes 6, 8 hours a day. And how many times have we carried into the dream forces or elements that have stained the mind during the vigil? Maybe always, maybe this is one of the mechanicals roots of sleep. There are many studies about those issues since Greek philosophers passing through Freud, etc and all modern neuroscience.
Dreams have always been a great mystery to mankind. Psychologically there are many people who prefer to live their dreams reality almost like a reverie rather than their own vigil.
What would happen if the dreams were so intense that we wondered if we were really asleep or if we were awake? The process would begin to become even more worrying if we start to be in doubt if the dream is the reality or the reality is a dream.
In other words, we could live a double existence. Not as Dostoevsky's tale "The Double", but a double life between dream and vigil, which really leaves us in doubt about the real. "I took it in a dream every night (wish to God that it is a dream!)".
Gautier also describes the experience of the authentic cut of personalities of the same self because of it: "From this night on, in a certain way my nature unfolded, and within me there were two men who did not know each other." Now I considered myself a father who dreamed all night that was a nobleman, sometimes a nobleman who dreamed he was a priest. He could not separate the dream from the vigil, and he knew nothing was beginning to happen and where the illusion ended. "
In addition to this process of consciousness and reverie, this history presents how the values of passion and faith can be blended, merged and challenged with moral precepts and religious institutional subterfuges.
Indeed we spent a good amount of time sleeping in life, sometimes 6, 8 hours a day. And how many times have we carried into the dream forces or elements that have stained the mind during the vigil? Maybe always, maybe this is one of the mechanicals roots of sleep. There are many studies about those issues since Greek philosophers passing through Freud, etc and all modern neuroscience.
Dreams have always been a great mystery to mankind. Psychologically there are many people who prefer to live their dreams reality almost like a reverie rather than their own vigil.
What would happen if the dreams were so intense that we wondered if we were really asleep or if we were awake? The process would begin to become even more worrying if we start to be in doubt if the dream is the reality or the reality is a dream.
In other words, we could live a double existence. Not as Dostoevsky's tale "The Double", but a double life between dream and vigil, which really leaves us in doubt about the real. "I took it in a dream every night (wish to God that it is a dream!)".
Gautier also describes the experience of the authentic cut of personalities of the same self because of it: "From this night on, in a certain way my nature unfolded, and within me there were two men who did not know each other." Now I considered myself a father who dreamed all night that was a nobleman, sometimes a nobleman who dreamed he was a priest. He could not separate the dream from the vigil, and he knew nothing was beginning to happen and where the illusion ended. "
In addition to this process of consciousness and reverie, this history presents how the values of passion and faith can be blended, merged and challenged with moral precepts and religious institutional subterfuges.
October 21, 2019
Este pequeño recopilatorio de la colección "Maestros del terror" de El Pais incluye 3 relatos.
-Onuphrius (o las vejaciones fantásticas de un admirador de Hoffman): Aunque empieza de forma "normal" describiendo la situación el artista protagonista, pronto todo escapa de su control cuando se convence a si mismo de que el Diablo quiere fastidiarle la vida . El personaje es prácticamente una parodia del héroe mas afectado y "moderno" de las historias góticas de aventuras, y las surrealistas situaciones que vive cabalgan entre la mas desbordante imaginación y el tono humorístico mas marcado. Muy divertido y con detalles muy originales... capturando perfectamente el estilo de ensoñación que solía practicar ETA Hoffmann. 4/5
-La muerta enamorada: Un relato que podríamos definir como "de vampiros", pero que es bastante mas que eso. El mas serio de los 3, repleto de una atmósfera espectacular y constantes tonos oníricos, es como una especie de sueño febril donde un sacerdote devoto siente las tentaciones de lo terrenal y la carne tras ver a una bella joven... hasta tal punto llega su obsesión que tiene dudas sobre cual de sus versiones es la auténtica: el sacerdote que sueña con el pecado, o el pecador que sueña que es sacerdote por el día. Magnífico. 5/5
-El pie de momia: Me ha convencido algo menos. Es corto, sobre un joven que adquiere un pie de momia como pisapapeles, y resulta que perteneció a la bella hija de un faraón egipcio. Tiene algunos pasajes bastante graciosos y la ensoñación egipcia "idealizada" no esta mal. Pero me convenció mas su primera mitad que su segunda. 3/5
Reconozco que no había leído nada de Théophile Gautier hasta ahora y me ha resultado bastante diferente de lo esperado. Tiene un tono de autor romántico decadente muy interesante, y su sentido del humor es mas acertado de lo que esperaba. Agradable sorpresa.
-Onuphrius (o las vejaciones fantásticas de un admirador de Hoffman): Aunque empieza de forma "normal" describiendo la situación el artista protagonista, pronto todo escapa de su control cuando se convence a si mismo de que el Diablo quiere fastidiarle la vida . El personaje es prácticamente una parodia del héroe mas afectado y "moderno" de las historias góticas de aventuras, y las surrealistas situaciones que vive cabalgan entre la mas desbordante imaginación y el tono humorístico mas marcado. Muy divertido y con detalles muy originales... capturando perfectamente el estilo de ensoñación que solía practicar ETA Hoffmann. 4/5
-La muerta enamorada: Un relato que podríamos definir como "de vampiros", pero que es bastante mas que eso. El mas serio de los 3, repleto de una atmósfera espectacular y constantes tonos oníricos, es como una especie de sueño febril donde un sacerdote devoto siente las tentaciones de lo terrenal y la carne tras ver a una bella joven... hasta tal punto llega su obsesión que tiene dudas sobre cual de sus versiones es la auténtica: el sacerdote que sueña con el pecado, o el pecador que sueña que es sacerdote por el día. Magnífico. 5/5
-El pie de momia: Me ha convencido algo menos. Es corto, sobre un joven que adquiere un pie de momia como pisapapeles, y resulta que perteneció a la bella hija de un faraón egipcio. Tiene algunos pasajes bastante graciosos y la ensoñación egipcia "idealizada" no esta mal. Pero me convenció mas su primera mitad que su segunda. 3/5
Reconozco que no había leído nada de Théophile Gautier hasta ahora y me ha resultado bastante diferente de lo esperado. Tiene un tono de autor romántico decadente muy interesante, y su sentido del humor es mas acertado de lo que esperaba. Agradable sorpresa.
February 22, 2025
Livre à lire dans mon cours de français donc déjà ça part moins fort vu que c’est pas de ma volonté. C’est 4 nouvelles fantastiques qui sont faciles à comprendre et rapide à lire mais j’ai pas trop compris l’obsession de la femme qu’on retrouve dans les 4 nouvelles. Dans la deuxième, c’est un groupe d’ami qui visite les ruines à Pompéi et octavien est bouche bée quand il voit la forme d’un sein épousée par la lave dans le musée. Il en rêve et l’histoire se déroule autour de lui et son obsession avec le sein, tellement que la femme propriétaire de ce sein là l’amène dans son époque et il est dont content de pouvoir se mettre sur son sein genre what da hell. Je comprend que le livre est dans l’époque du romantisme et la quête d’un idéal amoureux est importante mais pas à ce point là quand même . Bref c’était bof, l’auteur est trop pervers
November 13, 2023
Me encantan los cuentos góticos y hacía mucho que tenía ganas de leer algo de Gautier, y los tres relatos me han encantado. El primero es el más sorprendente y que más ansiedad da, y el cierre me parece maravilloso. El segundo se siente como un sueño febril, un delirio ocasionado por un enamoramiento que ni al final del relato es posible discernir si en verdad sucedió o no. Y el tercero es muy divertido, tiene un tono y una gravedad distinta, irónica, es simplemente un sueño más sin sentido que cobra todo significado al final. Me ha gustado muchísimo, me lo he leído en un día y he terminado con muy buen sabor de boca.
November 26, 2017
It was nothing special. I had to read it for class so it added to my dislike for this book.
April 5, 2020
Magnifique!
"Ne regardez jamais une femme, et marchez toujours les yeux fixés en terre, car, si chaste et si calme que vous soyez, il suffit d'une minute pour vous faire perdre l'éternité."
"Ne regardez jamais une femme, et marchez toujours les yeux fixés en terre, car, si chaste et si calme que vous soyez, il suffit d'une minute pour vous faire perdre l'éternité."
March 18, 2025
J’ai nettement préféré le deux dernières nouvelles aux deux premières qui pour ma part étaient assez longue et il était difficile de rentrer dans l’histoire
December 5, 2025
Preciosa y cuidada edición de Alba Editorial que me proporciona la excusa para releer a Gautier, para mí autor de uno de los mejores cuentos de vampiros que se han escrito: el que da título al libro.
Es un escritor al que he leído bastante, pero en el que me gustaría profundizar más, a pesar de que su prosa peca a menudo de excesivamente detallada y descriptiva.
Es un escritor al que he leído bastante, pero en el que me gustaría profundizar más, a pesar de que su prosa peca a menudo de excesivamente detallada y descriptiva.
December 20, 2025
Tal vez la más completa fue la Muerte enamorada, pero me encantó Ónfale, mucha imaginació, la Cafetera , el caballero dobles. De Alba Clásica muy bueno.
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