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418 pages, Kindle Edition
Expected publication May 4, 2026
Review of advance copy received from Author
I want to preface this review by saying I usually read books that are 500+ page standalones, or multi-book series, so my opinions and critiques are absolutely influenced by this preference.
Let's start with what I enjoyed:
- I found the use of lexicon as the representation of a person's soul (called cruxel in the story) genuinely original and poetic. It was a take on auras and souls I haven’t encountered in any other novel.
- I liked the relationship the FMC has with her sisters. There's a fierce kinship there that makes the FMC more relatable.
- I really enjoyed Milo for the simple reason that I'm a sucker for familiars in stories; he helped to highlight the conflict between the MMC and FMC.
- I thought the world was interesting - the dichotomy between the FMC seeing, feeling, and tasting each person’s lexicon and living in a world that has banned written language was compelling.
Here's what I didn't like so much:
- The world was severely underdeveloped and inconsistent. We’re told the story takes place sometime in the future and that books, computers, tablets, and knowledge are banned. Yet we’re never told why or when exactly this shift occurred. Humans still seem (though it’s never clarified) to live in regular houses, towns, and cities (with the exception of the Lanuri, who are ironically not illiterate like the rest of the world). I remember wondering how people make money, operate stores, or even have music, if only a few people can read or write. Those who are literate are members of a secret Codex Op society, but they don't run society. I'm not saying it's impossible to have a modern society without written language, but it has to be intricately designed and thoroughly explained, and neither is done in this story.
- For me, the pacing was extremely difficult to cope with. I prefaced this review with saying I'm used to reading longer standalones or series because I'm used to sinfully drawn out slow burns and fully fleshed enemies to lovers stories. Again, for me, this was not even close to a slow burn (they admit their attraction within their first interaction) nor was it a true ETL. The MMC had a hatred towards the FMC's kind (Slynik), which he didn't even know she was until halfway through the book. The circumstance of them working together as forced colleagues is believable and can explain their initial animosity, but this is not enemies to lovers. It's hermits who begrudgingly have to work together. The rest of their "romance" is very cat and mouse, and they end up essentially in a marriage ceremony so they can maybe have access to Lanuri information, but this all seems to happen within the first few days. Again, pacing was hard to track.
- The plot feels rushed through conflict after conflict after conflict, but not in a methodical or developmental way. At one point, a thousand deadly spiders appear seemingly out of nowhere. Both the FMC and MMC are caught completely unawares, the FMC dies, and is then resurrected using the Elixir they’ve been hunting for all along (which was actually found by her sisters, who seemed to locate it almost immediately while searching for her). How do thousands of spiders simply appear without explanation?
- There were some minor grammar and syntax errors, which is just a pet peeve of mine for any book that is traditionally published. I still don't understand how it can happen; people are literally paid to make sure it doesn't, yet here we are.
I don't know. It felt like the story was trying to hit too many tropes at once, and none were fully fleshed out, resulting in uneven execution.
My bottom line:
I really wanted to like this for the first few reasons mentioned about what I enjoyed (mainly the intrigue of the cruxel and lexicon). In the end, though, I felt the romance was too rushed, and therefore unbelievable. There was too much conflict that felt inserted rather than earned, which really detracted from the story - it felt like conflict for the sake of conflict rather than actually developing the plot or characters.