Dead On is a sharp, darkly comic crime novel that skilfully blends satire with the grim realities of Belfast during the Troubles. Bryan J. Mason delivers a fast paced and intelligent sequel that deepens both character and theme, while never losing its bite or humour.
Set in 1990, the novel thrives on moral ambiguity. Harry Burnard and his misfit Squad are officially tasked with investigating crime, yet in a city consumed by terrorism, crime barely exists in isolation. This tension drives the narrative and highlights the absurdity of rigid systems operating in chaotic times. Mason’s characters are richly drawn, particularly Carlo Fontaine, whose dual role as IRA executioner and British informant perfectly encapsulates the novel’s central question of identity and loyalty.
The writing is tight and confident, balancing violence and wit with impressive control. Mason’s humour is dry, often understated, and serves to sharpen rather than soften the brutality of the world he depicts. The dialogue is especially strong, giving each character a distinct voice and rhythm.
Dead On succeeds both as a crime novel and as a commentary on identity, power, and hypocrisy. It’s an engaging, thoughtful, and very funny read that rewards both fans of the series and newcomers alike.