-Cafe, Coffee and Unraveling Lives-
Review of 'Blue, Hot and Holding Stories' by Rajani Tewari
Quote Alert
"𝐓𝐡𝐞𝐧 𝐜𝐚𝐦𝐞 𝐭𝐡𝐞 𝐬𝐞𝐜𝐨𝐧𝐝 𝐂𝐎𝐕𝐈𝐃 𝐰𝐚𝐯𝐞. 𝐎𝐧𝐞 𝐰𝐞𝐞𝐤, 𝐡𝐞 𝐰𝐚𝐬 𝐬𝐜𝐨𝐥𝐝𝐢𝐧𝐠 𝐭𝐡𝐞𝐢𝐫 𝐬𝐨𝐧 𝐟𝐨𝐫 𝐥𝐨𝐬𝐢𝐧𝐠 𝐡𝐢𝐬 𝐠𝐞𝐨𝐦𝐞𝐭𝐫𝐲 𝐛𝐨𝐱. 𝐍𝐞𝐱𝐭, 𝐡𝐞 𝐰𝐚𝐬 𝐢𝐧 𝐚 𝐡𝐨𝐬𝐩𝐢𝐭𝐚𝐥 𝐛𝐞𝐝, 𝐚𝐧𝐝 𝐬𝐡𝐞 𝐜𝐨𝐮𝐥𝐝 𝐨𝐧𝐥𝐲 𝐬𝐞𝐞 𝐭𝐡𝐫𝐨𝐮𝐠𝐡 𝐭𝐡𝐞 𝐠𝐥𝐚𝐬𝐬.
𝐒𝐡𝐞 𝐝𝐢𝐝𝐧'𝐭 𝐠𝐞𝐭 𝐭𝐨 𝐡𝐨𝐥𝐝 𝐡𝐢𝐬 𝐡𝐚𝐧𝐝 -𝐰𝐡𝐞𝐧 𝐢𝐭 𝐦𝐚𝐭𝐭𝐞𝐫𝐞𝐝. 𝐒𝐡𝐞 𝐝𝐢𝐝𝐧'𝐭 𝐠𝐞𝐭 𝐭𝐨 𝐩𝐫𝐞𝐬𝐬 𝐡𝐞𝐫 𝐥𝐢𝐩𝐬 𝐭𝐨 𝐡𝐢𝐬 𝐭𝐞𝐦𝐩𝐥𝐞 𝐨𝐧𝐞 𝐥𝐚𝐬𝐭 𝐭𝐢𝐦𝐞. 𝐓𝐡𝐞 𝐟𝐢𝐧𝐚𝐥 𝐠𝐨𝐨𝐝𝐛𝐲𝐞 𝐰𝐚𝐬 𝐝𝐞𝐥𝐢𝐯𝐞𝐫𝐞𝐝 𝐢𝐧 𝐭𝐡𝐞 𝐬𝐭𝐞𝐫𝐢𝐥𝐞 𝐯𝐨𝐢𝐜𝐞 𝐨𝐟 𝐚 𝐧𝐮𝐫𝐬𝐞 𝐨𝐯𝐞𝐫 𝐭𝐡𝐞 𝐩𝐡𝐨𝐧𝐞. 𝐈𝐭 𝐰𝐚𝐬𝐧'𝐭 𝐣𝐮𝐬𝐭 𝐚 𝐥𝐨𝐬𝐬. 𝐈𝐭 𝐰𝐚𝐬 𝐛𝐞𝐢𝐧𝐠 𝐮𝐩𝐫𝐨𝐨𝐭𝐞𝐝 𝐦𝐢𝐝-𝐛𝐥𝐨𝐨𝐦."
What if a walk into a cafe one day and the steaming cup of coffee served to you could peek into your life and tell your story? This is the premise of a short story collection by Rajani Tewari. People with broken, fragmented, fractured lives walk into this space and get some inspiration: just a little something to guide them. Sometimes this comes in disguise of a banter between the rest of the guests and the cafe workers and sometimes it comes by way of introspection.
This is is a rainbow collection of stories that delight you, fill you with nostalgia, make you miss a long lost friend, even make you want to visit a cafe if you haven't been for long. Modelled on the cracks of life, the flaws that glare through the shiny veneer, this story collection brings the soury sweetness of life to the pages. Even best laid plans can go awry, hints the author.
Tewari stands her story collection upon people who need second chances in their lives. We meet Aarav who is nursing a broken heart. Then there is Meera, whose husband passed in a COVID wave. Kabir is an influencer who is struggling to find meaning in his life. My favourite were first two.
Have a look at this banter:
"You know," Zoya said from behind the counter, "people are like croissants. The world notices the faky exterior. The magic is always in the soft middle. But both need heat to become anything worth tasting."
He smirked."So you're saying I'm underbaked?"
"More like over-toasted," Rimjhim chimed in."
Short stories carry their own charm. Little microcosm of emotions they are, jumping from one theme to another. It's like a delightful platter at a restaurant. You can have dozens of dishes, enjoying savoury with sweet, textures melting into your mouth. In one anthology you can have many many protagonists to love, many to loathe, many to care for and some to forget and move on. That's also the biggest plus point of a short story collection. If you don't like a story, maybe move on to another one.
It's quite clever to use a coffee cup as a narrative device. This makes the POV universal as well as gives the writer complete freedom to glance into the lives of not just one but all characters, enabling the story to have multiple shades. Have a look:
"I am poured for him-blue, hot, a tidy storm. He picks me up without looking, eyes welded to the feed, thumb sticking upward like a priest dispensing blessings to strangers. If oxygen could be scrolled, humanity would never faint. But scents spill out of drawers better than air, and this feed is a drawer of perfumes-pretty, dizzying, not good for breathing."
Tewari punctuates the story with poems and quotes, sayings and statements, capturing the emotions through her words. Have a look:
"Heartbreak lights up the same parts of the brain as physical pain. That's why people clutch their chest like they've been stabbed. It's also why some people drink coffee as if it's morphine."
Strong characters make for strong stories. If the characters are flaky or one dimensional, the joy of reading a book, even if the story is interesting, is rendered half. The characters of this story are unpredictable, impulsive, multi dimensional and drive the story forward. It's a delight to see a character-driven story because their actions are as interesting as the plot and the twists. This also makes up for layering of the characters, adding a touch of humanity to papery words and that's just delightful.
Have a look:
"Priya - she of the unbuttoned laugh and lipstick that could leave a stain on glassware. She walked into his life at a poetry slam he didn't want to attend and left him wondering how one smile could rearrange his five-year plan. Sunday mornings meant balcony breakfasts: her in his oversized shirt, him trying to perfect omelettes like it was a competitive sport. They spoke about their future the way architects speak about buildings — every line, every corner planned."
These are the stories of remarkable people who live their life in flashes. For a reader, that is me, the protagonists of a short story are living either their best or their worst lives. Contrary to a novel where characters get at least 80,000 words to create the ebbs and flows of their lives. But a short story is a rollercoaster of a ride. Here either you are happy or sad or plain disappointed. The author makes sure you aren't lattermost.
Pick it up this week.