Thomas Townsley’s newest volume of poetry is undeniably one of his best offerings to date and testifies to Townsley’s status as an established and highly respected contemporary poet! Unlike some of his other collections, the poems comprising ‘Alphabet Noise’ are primarily what I would describe as ‘chapter poems,’ but the second section, “Famous Last Words” does contain some stand-alone poems.
For the most part, this book offers readers, despite their delicious absurdity and the outrageousness of much of Townsley’s neo-surrealistic visions, self-contained stories, i.e., bizarre, intriguing, thought-provoking (read: Mind-Bending!) vignettes – and here I purposefully refrain from applying the label, ‘narratives’.
Per usual, as expected from Townsley, readers are in the presence of a master of language who is deft at altering and twisting words in strange and creative ways, producing a multiplicity of unique voices and conscious altering moods. Several poems are reprints from literary and poetry journals, but the bulk of the collection is new and fresh.
This is stellar new book of poetry that will be well-received by both seasoned readers of Townsley and those coming to his work for the first time. I highly recommend this collection of poems. Reading ‘Alphabet Noise’ will undoubtedly inspire those who are unfamiliar with his work to enthusiastically seek out his other published collections.
I’ll conclude by turning to Townsley’s poetic prose to offer high praise for ‘Alphabet Noise’ – Townsley’s “poems radiate what the blurb writers call ‘revelatory beauty,’ ‘exceptional grace,’ valiant wit,’ ‘lyrical intensity,’ ‘unalloyed pleasure, ‘thunderous emotional resonance,’ ‘an ideal permanence,’ and ‘sheer good nature’.” – taken from the poem ‘Oof!’
James M. Magrini
Former: Philosophy/College of DuPage