A gripping final investigation for Jack Warr.
DS Warr is finally living his dream, heading the new Art Fraud Squad, a team of detectives whose remit is to identify and investigate art forgeries.
When their first investigation becomes linked to a murder inquiry, Jack fears their work will become eclipsed, while his own past is threatening to derail them.
Obsessed and determined, Jack pursues a master forger whom he suspects is a cold-blooded killer, leading to a deadly showdown in the Sicilian wilderness.
‘Sacrifice’ is the sixth and final novel in the Jack Warr series by Lynda La Plante, following the investigation into a suspected art forgery and the frauds and murders that become associated with the case. The novel is essentially a story in three acts – beginning with a slow-burn police procedural centred on the investigation of an art forgery; shifting up in gear as a brutal murder occurs, Jack keeping his team in the dark as he skirts the periphery of the investigation, attempting to cover his tracks as to his links with the victim, but unable to escape the attention of his police colleagues; before we hurtle into a fast-paced action thriller in the final act, Jack going rogue in the finale to the whole series.
Following the conclusion of the previous novel, ‘Crucified’, Jack’s ambition is now being realised. This fledgling art fraud unit has taken almost two years to set up, their suite fully equipped in their new premises, and we catch up with Jack as he recruits his team, favouring a more unconventional method in the hope of working with the best people to ensure the team’s success, much to the disapproval and reluctance of his superior officer. Jack is immediately under pressure to prove it a beneficial investment for the Metropolitan Police and crack their first case. Meanwhile, having made a deal with art gallerist Ester Langton, an associate of the artist murdered in the previous novel, Jack soon has a tip to pursue – a local art dealer may be in possession of a fake masterpiece – and the team embark on their inaugural investigation.
As always, La Plante demonstrates her fascination for the subject matter and an impeccable commitment to research, as we delve further into art forgery and the painstaking work it takes in order to prove or disprove the authenticity and provenance of a painting; an intriguing insight into the art world and investigations of art fraud, and how dealers and collectors may not necessarily be as concerned with legitimacy as one might expect. Yet the plotting is layered much like the paint on the canvas, as misdirecting as these impeccable forgeries. Hiding in plain sight is an incredibly insidious and vicious plan to commit murder. Ester introduces Jack to a stunningly beautiful painting entitled ‘Judas Horse’ that she has obtained and is attempting to find a buyer for, but there is far more to this than as appears on the surface. As the mystery unfolds, Jack is convinced only a mastermind artist can be behind the sadistic scheme, and he is convinced he knows who this killer is.
Jack has always been a captivating and endearing character. Ever the maverick, he is slowly succumbing to his dark side, inherited from his biological father, the notorious gangster Harry Rawlins. Consumed by his work, impatient at home and with his colleagues, his obsession with artist and forger Adam Border is beginning to consume him. Having rediscovered his passion for his work when he began researching the art world, he may have allowed his enthusiasm to set him up for failure, with pressure from senior officers to succeed, otherwise his new team may find itself disbanded quickly. Razor focused, Jack is noticing little else and it is tragic to witness the breakdown of his relationship with Maggie. She has always been his anchor, their relationship deep and affectionate, their children the centre of their world. But the strains of work and Jack’s obsessive nature have been taking their toll. They have never been farther apart, and Maggie is unsure if she truly knows her husband any longer. The man she fell in love with seems to be lost.
We return to various elements of the last novel and earlier in the series, significantly Jack’s pursuit of Adam, whose message to Jack at the conclusion of ‘Crucified’ could only be read as a warning. Jack’s determination sees him absconding from his work and home, travelling to Sicily in search of answers and finally to a confrontation with his nemesis, their bizarre relationship built on a mutual respect and admiration, with Jack residing with Adam in the ruins of a Mafia home where he is living off the grid in hiding. I adored these scenes, so vividly realised, from the haunting atmosphere of the derelict mansion lost in the Sicilian countryside to the strange psychology of the game between Jack and Adam, building to its shocking, action-packed and devastating conclusion; Jack’s mission to Sicily proving the perfect ending to the series.
This has been a stellar series, one I’m saddened to see end. Having expanded on the legacy of ‘Widows’, the series has kept its origins in this trilogy in its heart, while this finale also feels like a spiritual sequel to another of Lynda’s earlier organised crime novels, ‘Bella Mafia’. Throughout the six books, we have experienced a character journey – Jack seeking who he is and where he’s truly meant to be, discovering the truth about his birth parents and his passion for investigative work, while skating the line between following procedure and bending the rules in his role as a police officer, and struggles with his mental health following a serial murder investigation leading him to what may be his true calling with art investigation. Yet, throughout his self-discovery, he has been as much in danger of losing himself as he has in finding himself, and it has proved a captivating story.
Thrilling and absorbing, ‘Sacrifice’ is a dramatic, satisfying conclusion to a superb series, one I’ve loved from beginning to end.