Five Visual Tropes That Have Defined Womanhood--and the Art History That Redefines It
Images tell powerful stories about how women should look and act. And whether we notice them or not, those stories shape what women believe they're allowed to be.
In Look like a Lady, art historian Elissa Yukiko Weichbrodt uses personal narrative and art history to uncover five limiting visual tropes that have quietly formed
● Venus: the idealized body defined by the male gaze ● Vessel: an empty container waiting to be filled with someone else's meaning ● Maiden: young, passive, and acted upon by outside forces ● Mother: a romanticized, impossible maternal ideal ● Monster: the wild creature in need of taming
We may think girl bosses and body positivity have replaced tales of helpless women whose looks matter more than anything else, but scripts that set limits for women in popular culture and our faith communities persist. For every limiting story Weichbrodt explores, she uncovers an empowering counterstory from art history that reflects God's richer vision for women and women's identity--leading to healing and freedom.
Featuring full-color illustrations and the author's own hand-drawn images, Look like a Lady is for Christian women who feel disillusioned by expectations of womanhood and are ready to expand their vision of what it means to be a woman made in the image of God.
My pre-ordered copy arrived a little before the official release date, which means I got to read it and can review it on the day it drops! How fun!
I think her basic thesis is sound; these are very common Western archetypes, so common we barely even notice them, and they are... not great 😅. Her approach to teasing them out with a couple of well-chosen examples worked really well. I really liked how she paired each flawed archetype with a better one from the Bible. I'm going to use these ideas.
Other things I appreciated: Weichbrodt does not oversimplify or flatten people to make her point. She went out of her way to portray them in all their complex, contextual, untidy glory. I appreciate how she has read and studied broadly and did not let her Christianity fall out the back. I also notice that she never let her writing get slanderous or angry or man-hating. I don't know if she's right about absolutely everything, but we can be friends.
Thinking about beauty and womanhood and the way it’s been shaped by art history wasn’t something I had ever considered before, but this was a fascinating and impactful listen (audiobook), and had me riveted and re-listening to portions. It also had me wanting to revisit various museums and works of art, to view them from a slightly different perspective. This is a book I want to have on my shelf to come back to.
I have to say this is probably one of my favorite books of the year! I'm always down for a good history, but art history has never been something I ever went in search of until recently. I read one of Russ Ramsey's books (he blurbed this one), and that intrigued me enough to buy this one. It was an impulse preorder, and I am so glad it worked out! Women in art as Venus, Vessel, Maiden, Mother, Monster, and the better stories we should tell instead. I loved the theology interwoven throughout the stories, and her personal sketches of the art were fascinating as it gave it a bare-bones view and gaves the author a way to convey some of the important things without the distraction of color (though i did look at most of the originals online). I recommend this to all Christians
”Visual scripts are never simply laid down on helpless, utterly passive women. Women always maintain some degree of agency, engaging with, negotiating, and troubling these stories”
Elissa Weichbrodt takes a critical look at five narrow cultural scripts of womanhood that we often find reflected in art and perpetuated within society at large.
Venus: The idealized body defined solely by the male gaze and sexual desire Vessel: An empty container to be filled with someone else's meaning Maiden: Passive, vulnerable, and acted upon by outside forces Mother: A romanticized, impossible maternal ideal, full of virtue Monster: A wild and unpredictable creature in need of taming or destruction
Through art history and personal narrative, she dissects each flawed archetype and then follows each one with a counterstory that brings about restoration, often employing Bible narratives and theology. One of my favorite things about the book is Weichbrodt’s hand-drawn sketches of the many works of art she references. The simplicity of these sketches provides an unadorned look at the works themselves and brings her inferences to light.
“I mourn the times I tried to escape my body, unable to recognize its goodness as a particular, finite creation that bears the image of the living God. And I confess that in demeaning myself I also dehumanized others, stridently judging women for their bodies and actions.”
Highly recommend! I read this book slowly because each chapter needed time to be digested. The author does a brilliant job weaving personal narrative with hearty doses of art history and women’s studies. There were points where I teared up as I saw my own experience and questions in the author’s and breathed a sigh of relief and peace as she presented counterstories in historical art.
I feel so incredibly thankful for this book. I’m so grateful for this meticulous exposition of how art, both old and new, has shaped how I see myself as a woman and not, ideally, in the way God has told me that I am “in the image of God.”
This book thoughtfully considers how women are represented in culture (specifically art) the story we are told and the story we can believe. It is amazing for any woman being perceived in society and anyone else supporting and perceiving women. Dr Weichbrodt takes hard truths and brings love and encouragement from them.
This is a highly reflective look at the relationship between art and our self-perception and expectation as a woman. It is not an easy read as it is deeply reflective, but it is great for women who are trying to make sense of their lifelong struggle with self-image.
Even though I have no formal education in it, I'm always drawn to learning about art and I've found a new favorite teacher in Elissa! Getting to read books by her are the closest I'll get to being an art student and she does such a beautiful job translating her passions, interest and knowledge from the classroom to the pages. Look Like a Lady is my dream mix of art history and biblical study with a feminist lens!! Like Redeeming Vision, this is a text I'll return to frequently!
Excellent Read! Dr. Weichbrodt’s writing is highly accessible to the non-art historian. She weaves together valuable details from art history with personal tales from her own lived experience to help the reader identify the story our culture tells us about ourselves. Additionally, she offers a counterstory and invites the reader to imagine other stories that are more true than the ones we have been offered.
One of my favorites this year! This is a book about how works of art teach us to see women, identifying major harmful visual stories and some corresponding helpful stories.
As I try to resist the objectification of humans in whatever form it appears in my own time and culture, I found the list of harmful visual stories to be a really helpful list to consider: to be a real woman is to be
- desirable, - docile, - merely symbolic, - self-erasingly devoted to family, or - dangerously noncompliant with the other four dominant themes.
That might make this sound like a culture war text. It's really not - it pays careful attention to the artists' lives and contexts, not recruiting artists to a team but trying to understand what might have led them to the choices they made.
The author is great at using text to walk through the paintings and sculptures in a way that illuminates both the story they tell and the structure and design of the work itself.
I'm grateful that I got to read this as a NetGalley ARC.
A brilliantly conceived study of female tropes in Western art—Venus, Vessel, Maiden, Mother, Monster—and counter-stories. The author weaves her own experiences of stories that shaped her as a girl, adolescent, woman, and mother while guiding her readers (students) through hand-sketched examples from often well-known art works. Weichbrodt is a Christian, and the counter-stories are colored by faith: witnessing, being, moving, cultivating, partnering.
At a visit to the Frick Museum and the Met Museum this weekend, I found myself explaining to my friend and boyfriend how visual representations of women were in fact allegories rather than historical figures, and what the representation of women-as-allegory meant. Dr. Weichbrodt provides a thoughtful and helpful framework to evaluate the images of women we view every day, and empowers us all to imagine a different and more fulsome view of women in light of God’s truths.
This book gave words to and connected a lot of thoughts I’ve had about how I’ve felt both the church culture and society have missed what it means to be a woman. What a rich, beautiful, and intellectual book. I was constantly googling the art she discussed!
Elissa Yukiko Weichbrodt has done the impossible, bringing the visual arts vibrantly to the written page in a way that both enlivens and challenges. The contrasting images she uncovers offer us a clear vision for how we might rightly imagine and represent women in all their complexity and dignity.
Truthfully this was quite challenging as an audiobook for me given its main subject matter is visual art. However I thought it was a really interesting concept to consider and maybe I'll try reading a hard copy and Google some art in the future 😅