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Storied Property: María Cordova's Casa
RECLAIMING A LOCAL STORY AND THE WOMAN THAT HISTORY CAST ASIDE
In the heart of downtown Tucson, Arizona, stands La Casa Cordova, an adobe structure located in the Tucson Museum of Art's Historic Block. Often described as the oldest building in the city, its story is far more complicated than timelines suggest. In Storied María Cordova's Casa, historian and memoirist Lydia R. Otero uncovers the layered history of a home that once belonged to María Navarrete Cordova (1895–1975), who considered herself the rightful heir and authority over the house and the surrounding area's history. Located within the original boundaries of the Presidio San Agustín del Tucsón, the property held both personal and historical significance.
For decades, María Cordova appeared in local newspapers, offering her version of the past and highlighting her family's contributions. She also ran the Cordova Brothers Smoke Shop with her family from their home. In 1972, under the banner of urban renewal, she was removed from the property through eminent domain. She and her family fought back in court, one of the few cases in Tucson where residents tried to resist condemnation. They lost. Their forced removal, however, cleared the way for preservationists to redefine the space. A few years later, the house reopened as a Mexican museum, complete with exposed adobe walls, packed earth floors, and borrowed period furnishings. María's presence was erased.
Storied Property returns María Cordova to the center of the story. Not as a symbol, but as a strategist, business owner, and property holder who understood the stakes. Through primary documents such as court records, maps, newspaper coverage, and María Cordova's own words, Otero offers a critical, unflinching account of the house's background, Cordova's claims, and the limits imposed by a society that relies so heavily on property deeds to validate history. It also traces how urban renewal and preservation efforts worked in tandem on a contested structure.
Written by a historian rooted in the community, Storied Property is both a critique and a reclamation of a local story about a woman who deserves more than a footnote. It asks what it means to preserve a structure while erasing the people who gave it life and reminds us that what is remembered and what is erased is never accidental. The book also includes a QR code that gives readers access to archival materials such as historical documents, articles, and drone footage of the area.
In the heart of downtown Tucson, Arizona, stands La Casa Cordova, an adobe structure located in the Tucson Museum of Art's Historic Block. Often described as the oldest building in the city, its story is far more complicated than timelines suggest. In Storied María Cordova's Casa, historian and memoirist Lydia R. Otero uncovers the layered history of a home that once belonged to María Navarrete Cordova (1895–1975), who considered herself the rightful heir and authority over the house and the surrounding area's history. Located within the original boundaries of the Presidio San Agustín del Tucsón, the property held both personal and historical significance.
For decades, María Cordova appeared in local newspapers, offering her version of the past and highlighting her family's contributions. She also ran the Cordova Brothers Smoke Shop with her family from their home. In 1972, under the banner of urban renewal, she was removed from the property through eminent domain. She and her family fought back in court, one of the few cases in Tucson where residents tried to resist condemnation. They lost. Their forced removal, however, cleared the way for preservationists to redefine the space. A few years later, the house reopened as a Mexican museum, complete with exposed adobe walls, packed earth floors, and borrowed period furnishings. María's presence was erased.
Storied Property returns María Cordova to the center of the story. Not as a symbol, but as a strategist, business owner, and property holder who understood the stakes. Through primary documents such as court records, maps, newspaper coverage, and María Cordova's own words, Otero offers a critical, unflinching account of the house's background, Cordova's claims, and the limits imposed by a society that relies so heavily on property deeds to validate history. It also traces how urban renewal and preservation efforts worked in tandem on a contested structure.
Written by a historian rooted in the community, Storied Property is both a critique and a reclamation of a local story about a woman who deserves more than a footnote. It asks what it means to preserve a structure while erasing the people who gave it life and reminds us that what is remembered and what is erased is never accidental. The book also includes a QR code that gives readers access to archival materials such as historical documents, articles, and drone footage of the area.
242 pages, Paperback
Published October 26, 2025
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November 24, 2025
“Storied Property” further solidifies Dr. Otero’s place as one of the most significant chroniclers of Tucson’s history. In telling the story of Maria Cordova’s efforts to make her voice heard in the wake of “progress”, Dr. Otero not only tells the history of the events that shaped Tucson during Urban Renewal, but also the very history of the history itself.
This local story about one remarkable woman, contains themes that evoke the countless stories of people in communities everywhere as modernity encroaches and cultural erasure threatens to rob us of their importance.
“Storied Property” is another must-read by Dr. Otero that in many ways feels like the spiritual successor to their seminal book, “La Calle”.
For me, this is history at its best: it’s local, it taught me new things about something I thought I knew, it challenged my understanding and perspective, and it reinforced my belief that history is far more complicated and nuanced than we often understand.
This local story about one remarkable woman, contains themes that evoke the countless stories of people in communities everywhere as modernity encroaches and cultural erasure threatens to rob us of their importance.
“Storied Property” is another must-read by Dr. Otero that in many ways feels like the spiritual successor to their seminal book, “La Calle”.
For me, this is history at its best: it’s local, it taught me new things about something I thought I knew, it challenged my understanding and perspective, and it reinforced my belief that history is far more complicated and nuanced than we often understand.
Displaying 1 of 1 review