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Emily Bronte: Ultimate Collection
You're in for a treat! Our aim was to prepare a perfectly-formatted ultimate collection of Emily Brontё's works that was designed specifically for your Kindle device at a fantastic price. We are pleased to offer you the result of our work!This tremendous collection comes with the following great •The complete original text of Emily Brontё's works;•Free audiobook access to Emily Brontё's works;•Clear formatting designed to fit any screen size;•An easy-to-use active table of contents;•BONUS - The Most Famous Quotes from Emily BrontёThe following books are included in this wonderful •Wuthering Heights;•Poem by Currer Bell, Acton Bell and Ellis Bell;Are you ready to enter Emily's world? Simply scroll up and press the "Buy" button to instantly enjoy the novels. It's only $0.99! It's hard to say "no"!
569 pages, Kindle Edition
First published September 11, 2013
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About the author
Emily Brontë
1,582 books14k followersEmily Brontë was an English novelist and poet whose singular contribution to literature, Wuthering Heights, is now celebrated as one of the most powerful and original novels in the English language. Born into the remarkable Brontë family on 30 July 1818 in Thornton, Yorkshire, she was the fifth of six children of Maria Branwell and Patrick Brontë, an Irish clergyman. Her early life was marked by both intellectual curiosity and profound loss. After the death of her mother in 1821 and the subsequent deaths of her two eldest sisters in 1825, Emily and her surviving siblings— Charlotte, Anne, and Branwell—were raised in relative seclusion in the moorland village of Haworth, where their imaginations flourished in a household shaped by books, storytelling, and emotional intensity.
The Brontë children created elaborate fictional worlds, notably Angria and later Gondal, which served as an outlet for their creative energies. Emily, in particular, gravitated toward Gondal, a mysterious, windswept imaginary land she developed with her sister Anne. Her early poetry, much of it steeped in the mythology and characters of Gondal, demonstrated a remarkable lyrical force and emotional depth. These poems remained private until discovered by Charlotte in 1845, after which Emily reluctantly agreed to publish them in the 1846 collection Poems by Currer, Ellis, and Acton Bell, using the pseudonym Ellis Bell to conceal her gender. Though the volume sold few copies, critics identified Emily’s poems as the strongest in the collection, lauding her for their music, power, and visionary quality.
Emily was intensely private and reclusive by nature. She briefly attended schools in Cowan Bridge and Roe Head but was plagued by homesickness and preferred the solitude of the Yorkshire moors, which inspired much of her work. She worked briefly as a teacher but found the demands of the profession exhausting. She also studied in Brussels with Charlotte in 1842, but again found herself alienated and yearning for home. Throughout her life, Emily remained closely bonded with her siblings, particularly Anne, and with the landscape of Haworth, where she drew on the raw, untamed beauty of the moors for both her poetry and her fiction.
Her only novel, Wuthering Heights, was published in 1847, a year after the poetry collection, under her pseudonym Ellis Bell. Initially met with a mixture of admiration and shock, the novel’s structure, emotional intensity, and portrayal of violent passion and moral ambiguity stood in stark contrast to the conventions of Victorian fiction. Many readers, unable to reconcile its power with the expected gentility of a woman writer, assumed it had been written by a man. The novel tells the story of Heathcliff and Catherine Earnshaw—two characters driven by obsessive love, cruelty, and vengeance—and explores themes of nature, the supernatural, and the destructive power of unresolved emotion. Though controversial at the time, Wuthering Heights is now considered a landmark in English literature, acclaimed for its originality, psychological insight, and poetic vision.
Emily's personality has been the subject of much speculation, shaped in part by her sister Charlotte’s later writings and by Victorian biographies that often sought to romanticize or domesticate her character. While some accounts depict her as intensely shy and austere, others highlight her fierce independence, deep empathy with animals, and profound inner life. She is remembered as a solitary figure, closely attuned to the rhythms of the natural world, with a quiet but formidable intellect and a passion for truth and freedom. Her dog, Keeper, was a constant companion and, according to many, a window into her capacity for fierce, loyal love.
Emily Brontë died of tuberculosis on 19 December 1848 at the age of thirty, just a year after the publication of her novel. Her early death, following those of her brother Branwell and soon to
The Brontë children created elaborate fictional worlds, notably Angria and later Gondal, which served as an outlet for their creative energies. Emily, in particular, gravitated toward Gondal, a mysterious, windswept imaginary land she developed with her sister Anne. Her early poetry, much of it steeped in the mythology and characters of Gondal, demonstrated a remarkable lyrical force and emotional depth. These poems remained private until discovered by Charlotte in 1845, after which Emily reluctantly agreed to publish them in the 1846 collection Poems by Currer, Ellis, and Acton Bell, using the pseudonym Ellis Bell to conceal her gender. Though the volume sold few copies, critics identified Emily’s poems as the strongest in the collection, lauding her for their music, power, and visionary quality.
Emily was intensely private and reclusive by nature. She briefly attended schools in Cowan Bridge and Roe Head but was plagued by homesickness and preferred the solitude of the Yorkshire moors, which inspired much of her work. She worked briefly as a teacher but found the demands of the profession exhausting. She also studied in Brussels with Charlotte in 1842, but again found herself alienated and yearning for home. Throughout her life, Emily remained closely bonded with her siblings, particularly Anne, and with the landscape of Haworth, where she drew on the raw, untamed beauty of the moors for both her poetry and her fiction.
Her only novel, Wuthering Heights, was published in 1847, a year after the poetry collection, under her pseudonym Ellis Bell. Initially met with a mixture of admiration and shock, the novel’s structure, emotional intensity, and portrayal of violent passion and moral ambiguity stood in stark contrast to the conventions of Victorian fiction. Many readers, unable to reconcile its power with the expected gentility of a woman writer, assumed it had been written by a man. The novel tells the story of Heathcliff and Catherine Earnshaw—two characters driven by obsessive love, cruelty, and vengeance—and explores themes of nature, the supernatural, and the destructive power of unresolved emotion. Though controversial at the time, Wuthering Heights is now considered a landmark in English literature, acclaimed for its originality, psychological insight, and poetic vision.
Emily's personality has been the subject of much speculation, shaped in part by her sister Charlotte’s later writings and by Victorian biographies that often sought to romanticize or domesticate her character. While some accounts depict her as intensely shy and austere, others highlight her fierce independence, deep empathy with animals, and profound inner life. She is remembered as a solitary figure, closely attuned to the rhythms of the natural world, with a quiet but formidable intellect and a passion for truth and freedom. Her dog, Keeper, was a constant companion and, according to many, a window into her capacity for fierce, loyal love.
Emily Brontë died of tuberculosis on 19 December 1848 at the age of thirty, just a year after the publication of her novel. Her early death, following those of her brother Branwell and soon to
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Displaying 1 of 1 review
January 25, 2021
COMPLEX, POETIC, FASCINATING and FRUSTRATING.
According to Whitcoulls (NZ) Top 100 books, Wuthering Heights is described as “Heathcliff and Catherine cannot live with nor without one other. One of the greatest love stories ever told.” Love story? More of a morbid gothic rendering of an estranged maniacal monster who systematically strangles the estate of two houses.
Complex:
For the first half of the story I kept getting confused at the characters (despite being only two households). Mrs Earnshaw's daughter-in-law is Mrs Earnshaw (Mrs Hinton Earnshaw) whilst Mrs Earnshaw (senior) has a daughter Miss Catherine Earnshaw who marries Mrs Linton's son becoming Mrs Catherine Linton, who in turn has a daughter Miss Catherine Linton who marries and becomes Mrs Linton Heathcliff before planning to remarry and become Mrs Earnshaw. The latter's late mother-in-law was Mrs Heathcliff (nee Miss Linton) the daughter of Mrs Linton.
Got it?
The complexity of the narrative is exemplified is situations such as Heathcliff's comments to Hareton relayed to Catherine as heard by Zillah, which she shares with Nelly who tells Lockwood (who writes it down, as per Emily Brontë's authorship) for us readers.
Poetic:
There is not a page that does not have beautiful language and abundant imagery. Emily Brontë doesn't just say she was “excited” or she “looked forward”, but rather she “indulged most sanguine anticipations of the innumerable excellencies ...” Here are some others.
“Still, I thought I could detect in his physiognomy a mind owning better qualities than his father ever possessed. Good things lost amid a wilderness of weeds, to be sure, whose rankness far over-topped their neglected growth; yet, notwithstanding, evidence of a wealthy soil, that might yield luxuriant crops under other and favourable circumstances.”
“'No books!' I exclaimed. 'How do you contrive to live here without them? … take my books away, and I should be desperate!'” - Mr Lockwood
Fascinating:
It is an interesting worldview that we as readers are invited into.
“I don’t know if it be a peculiarity in me, but I am seldom otherwise than happy while watching in the chamber of death, should no frenzied or despairing mourner share the duty with me. I see a repose that neither earth nor hell can break, and I feel an assurance of the endless and shadowless hereafter—the Eternity they have entered—where life is boundless in its duration, and love in its sympathy, and joy in its fulness.”
The perennial inquisitiveness of human nature is described in ways such as:
“‘Ellen, how long will it be before I can walk to the top of those hills? I wonder what lies on the other side—is it the sea?’
‘No, Miss Cathy,’ I would answer; ‘it is hills again, just like these.’”
Frustrating:
Sure, it is complex, poetic and fascinating, but also frustrating.
“And far rather would I be condemned to a perpetual dwelling in the infernal regions than, even for one night, abide beneath the roof of Wuthering Heights again.”
Why didn't someone stand up to this devilish brute? Where were the civil authorities? Why did no one attempt to address the injustice's of Heathcliff's tyrannical oppression and abuse? Why didn't someone in the household stick a knife in his gut?!
“She obeyed his directions very punctually – perhaps she had no temptation to transgress. Living among clowns and misanthropists, she probably cannot appreciate a better class of people, when she meets them.”
Complex, poetic, fascinating and frustrating … and pleasantly unique.
- - -
“He fixed his eye on me longer than I cared to return the stare, for fear I might be tempted either to box his ears, or render my hilarity audible.”
― Emily Brontë, Wuthering Heights
.....................
Poems by Emily Brontë
Fascinating poems by a fascinating woman who was fascinated by winter, death, solitude, love, nature and stars. *****
“STARS” (1846) by Emily Brontë
Ah! why, because the dazzling sun
Restored my earth to joy
Have you departed, every one,
And left a desert sky?
All through the night, your glorious eyes
Were gazing down in mine,
And with a full heart's thankful sighs
I blessed that watch divine!
I was at peace, and drank your beams
As they were life to me
And reveled in my changeful dreams
Like petrel on the sea.
Thought followed thought—star followed star
Through boundless regions on,
While one sweet influence, near and far,
Thrilled through and proved us one.
Why did the morning rise to break
So great, so pure a spell,
And scorch with fire the tranquil cheek
Where your cool radiance fell?
Blood-red he rose, and arrow-straight,
His fierce beams struck my brow;
The soul of Nature sprang elate,
But mine sank sad and low!
My lids closed down—yet through their veil
I saw him blazing still;
And bathe in gold the misty dale,
And flash upon the hill.
I turned me to the pillow then
To call back Night, and see
Your worlds of solemn light, again
Throb with my heart and me!
It would not do—the pillow glowed
And glowed both roof and floor,
And birds sang loudly in the wood,
And fresh winds shook the door.
The curtains waved, the wakened flies
Were murmuring round my room,
Imprisoned there, till I should rise
And give them leave to roam.
O Stars and Dreams and Gentle Night;
O Night and Stars return!
And hide me from the hostile light
That does not warm, but burn—
That drains the blood of suffering men;
Drinks tears, instead of dew:
Let me sleep through his blinding reign,
And only wake with you!
- - -
“TO IMAGINATION” (1846) by Emily Brontë
When weary with the long day's care,
And earthly change from pain to pain,
And lost, and ready to despair,
Thy kind voice calls me back again:
Oh, my true friend! I am not lone,
While then canst speak with such a tone!
So hopeless is the world without;
The world within I doubly prize;
Thy world, where guile, and hate, and doubt,
And cold suspicion never rise;
Where thou, and I, and Liberty,
Have undisputed sovereignty.
What matters it, that all around
Danger, and guilt, and darkness lie,
If but within our bosom's bound
We hold a bright, untroubled sky,
Warm with ten thousand mingled rays
Of suns that know no winter days?
Reason, indeed, may oft complain
For Nature's sad reality,
And tell the suffering heart how vain
Its cherished dreams must always be;
And Truth may rudely trample down
The flowers of Fancy, newly-blown:
But thou art ever there, to bring
The hovering vision back, and breathe
New glories o'er the blighted spring,
And call a lovelier Life from Death.
And whisper, with a voice divine,
Of real worlds, as bright as thine.
I trust not to thy phantom bliss,
Yet, still, in evening's quiet hour,
With never-failing thankfulness,
I welcome thee, Benignant Power;
Sure solacer of human cares,
And sweeter hope, when hope despairs!
- - -
“HOW CLEAR SHE SHINES”
How clear she shines ! How quietly
I lie beneath her guardian light;
While heaven and earth are whispering me,
" To morrow, wake, but, dream to-night."
Yes, Fancy, come, my Fairy love !
These throbbing temples softly kiss;
And bend my lonely couch above
And bring me rest, and bring me bliss.
….
While gazing on the stars that glow
Above me, in that storm-less sea,
I long to hope that all the woe
Creation knows, is held in thee !
And, this shall be my dream to-night;
I'll think the heaven of glorious spheres
Is rolling on its course of light
In endless bliss, through endless years;
I'll think, there's not one world above,
Far as these straining eyes can see,
Where Wisdom ever laughed at Love,
Or Virtue crouched to Infamy;
…
- - - - -
“HONOUR'S MARTYR”
The moon is full this winter night;
The stars are clear, though few;
And every window glistens bright
With leaves of frozen dew.
The sweet moon through your lattice gleams,
And lights your room like day;
And there you pass, in happy dreams,
The peaceful hours away!
. . .
So foes pursue, and cold allies
Mistrust me, every one:
Let me be false in others’ eyes,
If faithful in my own.
- - - -
The moon has set, but Venus shines
A silent silvery star.
- - -
High waving heather, 'neath stormy blasts bending,
Midnight and moonlight and bright shining stars;
Darkness and glory rejoicingly blending,
Earth rising to heaven and heaven descending,
Man's spirit away from its drear dungeon sending,
Bursting the fetters and breaking the bars.
- - -
“The Two Children” by Emily Brontë
Heavy hangs the raindrop
From the burdened spray;
Heavy broods the damp mist
On uplands far away;
Heavy looms the dull sky,
Heavy rolls the sea—
And heavy beats the young heart
Beneath that lonely tree.
Never has a blue streak
Cleft the clouds since morn—
Never has his grim Fate
Smiled since he was born.
Frowning on the infant,
Shadowing childhood’s joy,
Guardian angel knows not
That melancholy boy.
Day is passing swiftly
Its sad and sombre prime;
Youth is fast invading
Sterner manhood’s time.
According to Whitcoulls (NZ) Top 100 books, Wuthering Heights is described as “Heathcliff and Catherine cannot live with nor without one other. One of the greatest love stories ever told.” Love story? More of a morbid gothic rendering of an estranged maniacal monster who systematically strangles the estate of two houses.
Complex:
For the first half of the story I kept getting confused at the characters (despite being only two households). Mrs Earnshaw's daughter-in-law is Mrs Earnshaw (Mrs Hinton Earnshaw) whilst Mrs Earnshaw (senior) has a daughter Miss Catherine Earnshaw who marries Mrs Linton's son becoming Mrs Catherine Linton, who in turn has a daughter Miss Catherine Linton who marries and becomes Mrs Linton Heathcliff before planning to remarry and become Mrs Earnshaw. The latter's late mother-in-law was Mrs Heathcliff (nee Miss Linton) the daughter of Mrs Linton.
Got it?
The complexity of the narrative is exemplified is situations such as Heathcliff's comments to Hareton relayed to Catherine as heard by Zillah, which she shares with Nelly who tells Lockwood (who writes it down, as per Emily Brontë's authorship) for us readers.
Poetic:
There is not a page that does not have beautiful language and abundant imagery. Emily Brontë doesn't just say she was “excited” or she “looked forward”, but rather she “indulged most sanguine anticipations of the innumerable excellencies ...” Here are some others.
“Still, I thought I could detect in his physiognomy a mind owning better qualities than his father ever possessed. Good things lost amid a wilderness of weeds, to be sure, whose rankness far over-topped their neglected growth; yet, notwithstanding, evidence of a wealthy soil, that might yield luxuriant crops under other and favourable circumstances.”
“'No books!' I exclaimed. 'How do you contrive to live here without them? … take my books away, and I should be desperate!'” - Mr Lockwood
Fascinating:
It is an interesting worldview that we as readers are invited into.
“I don’t know if it be a peculiarity in me, but I am seldom otherwise than happy while watching in the chamber of death, should no frenzied or despairing mourner share the duty with me. I see a repose that neither earth nor hell can break, and I feel an assurance of the endless and shadowless hereafter—the Eternity they have entered—where life is boundless in its duration, and love in its sympathy, and joy in its fulness.”
The perennial inquisitiveness of human nature is described in ways such as:
“‘Ellen, how long will it be before I can walk to the top of those hills? I wonder what lies on the other side—is it the sea?’
‘No, Miss Cathy,’ I would answer; ‘it is hills again, just like these.’”
Frustrating:
Sure, it is complex, poetic and fascinating, but also frustrating.
“And far rather would I be condemned to a perpetual dwelling in the infernal regions than, even for one night, abide beneath the roof of Wuthering Heights again.”
Why didn't someone stand up to this devilish brute? Where were the civil authorities? Why did no one attempt to address the injustice's of Heathcliff's tyrannical oppression and abuse? Why didn't someone in the household stick a knife in his gut?!
“She obeyed his directions very punctually – perhaps she had no temptation to transgress. Living among clowns and misanthropists, she probably cannot appreciate a better class of people, when she meets them.”
Complex, poetic, fascinating and frustrating … and pleasantly unique.
- - -
“He fixed his eye on me longer than I cared to return the stare, for fear I might be tempted either to box his ears, or render my hilarity audible.”
― Emily Brontë, Wuthering Heights
.....................
Poems by Emily Brontë
Fascinating poems by a fascinating woman who was fascinated by winter, death, solitude, love, nature and stars. *****
“STARS” (1846) by Emily Brontë
Ah! why, because the dazzling sun
Restored my earth to joy
Have you departed, every one,
And left a desert sky?
All through the night, your glorious eyes
Were gazing down in mine,
And with a full heart's thankful sighs
I blessed that watch divine!
I was at peace, and drank your beams
As they were life to me
And reveled in my changeful dreams
Like petrel on the sea.
Thought followed thought—star followed star
Through boundless regions on,
While one sweet influence, near and far,
Thrilled through and proved us one.
Why did the morning rise to break
So great, so pure a spell,
And scorch with fire the tranquil cheek
Where your cool radiance fell?
Blood-red he rose, and arrow-straight,
His fierce beams struck my brow;
The soul of Nature sprang elate,
But mine sank sad and low!
My lids closed down—yet through their veil
I saw him blazing still;
And bathe in gold the misty dale,
And flash upon the hill.
I turned me to the pillow then
To call back Night, and see
Your worlds of solemn light, again
Throb with my heart and me!
It would not do—the pillow glowed
And glowed both roof and floor,
And birds sang loudly in the wood,
And fresh winds shook the door.
The curtains waved, the wakened flies
Were murmuring round my room,
Imprisoned there, till I should rise
And give them leave to roam.
O Stars and Dreams and Gentle Night;
O Night and Stars return!
And hide me from the hostile light
That does not warm, but burn—
That drains the blood of suffering men;
Drinks tears, instead of dew:
Let me sleep through his blinding reign,
And only wake with you!
- - -
“TO IMAGINATION” (1846) by Emily Brontë
When weary with the long day's care,
And earthly change from pain to pain,
And lost, and ready to despair,
Thy kind voice calls me back again:
Oh, my true friend! I am not lone,
While then canst speak with such a tone!
So hopeless is the world without;
The world within I doubly prize;
Thy world, where guile, and hate, and doubt,
And cold suspicion never rise;
Where thou, and I, and Liberty,
Have undisputed sovereignty.
What matters it, that all around
Danger, and guilt, and darkness lie,
If but within our bosom's bound
We hold a bright, untroubled sky,
Warm with ten thousand mingled rays
Of suns that know no winter days?
Reason, indeed, may oft complain
For Nature's sad reality,
And tell the suffering heart how vain
Its cherished dreams must always be;
And Truth may rudely trample down
The flowers of Fancy, newly-blown:
But thou art ever there, to bring
The hovering vision back, and breathe
New glories o'er the blighted spring,
And call a lovelier Life from Death.
And whisper, with a voice divine,
Of real worlds, as bright as thine.
I trust not to thy phantom bliss,
Yet, still, in evening's quiet hour,
With never-failing thankfulness,
I welcome thee, Benignant Power;
Sure solacer of human cares,
And sweeter hope, when hope despairs!
- - -
“HOW CLEAR SHE SHINES”
How clear she shines ! How quietly
I lie beneath her guardian light;
While heaven and earth are whispering me,
" To morrow, wake, but, dream to-night."
Yes, Fancy, come, my Fairy love !
These throbbing temples softly kiss;
And bend my lonely couch above
And bring me rest, and bring me bliss.
….
While gazing on the stars that glow
Above me, in that storm-less sea,
I long to hope that all the woe
Creation knows, is held in thee !
And, this shall be my dream to-night;
I'll think the heaven of glorious spheres
Is rolling on its course of light
In endless bliss, through endless years;
I'll think, there's not one world above,
Far as these straining eyes can see,
Where Wisdom ever laughed at Love,
Or Virtue crouched to Infamy;
…
- - - - -
“HONOUR'S MARTYR”
The moon is full this winter night;
The stars are clear, though few;
And every window glistens bright
With leaves of frozen dew.
The sweet moon through your lattice gleams,
And lights your room like day;
And there you pass, in happy dreams,
The peaceful hours away!
. . .
So foes pursue, and cold allies
Mistrust me, every one:
Let me be false in others’ eyes,
If faithful in my own.
- - - -
The moon has set, but Venus shines
A silent silvery star.
- - -
High waving heather, 'neath stormy blasts bending,
Midnight and moonlight and bright shining stars;
Darkness and glory rejoicingly blending,
Earth rising to heaven and heaven descending,
Man's spirit away from its drear dungeon sending,
Bursting the fetters and breaking the bars.
- - -
“The Two Children” by Emily Brontë
Heavy hangs the raindrop
From the burdened spray;
Heavy broods the damp mist
On uplands far away;
Heavy looms the dull sky,
Heavy rolls the sea—
And heavy beats the young heart
Beneath that lonely tree.
Never has a blue streak
Cleft the clouds since morn—
Never has his grim Fate
Smiled since he was born.
Frowning on the infant,
Shadowing childhood’s joy,
Guardian angel knows not
That melancholy boy.
Day is passing swiftly
Its sad and sombre prime;
Youth is fast invading
Sterner manhood’s time.
Displaying 1 of 1 review