This book opens at a pace I would describe as fairly fast. For a horror novel, a fast pace offers several advantages, as long as it does not move so quickly to the point that the narrative becomes disjointed. The teenage protagonist(s) in this book add an extra dimension to the narrative, as they are, after all, teenagers whose thought processes are frequently influenced by various factors, such as the desire to prove themselves in front of their peers; anything but pure logic, basically. This is precisely what makes the story engaging.
I recall this one passage that describes the relationship our protagonist have with his mother, who raises him alone through immense hardship. He understands the extent of her sacrifices — ensuring he has food, shelter, and access to education — yet he still commits actions early in the book that ultimately working against his well-being. And he is filled with deep regret and sorrow for his own doings. That, to me, really captures the complexity of being a teenager. It is a phase where every adult has passed through, and one that, even later in life, we struggle to properly explain why we made certain choices in our teenage years, or why those decisions felt so unquestionably right and reasonable to us at that period of time.
I would also say that although there was an “incident” between the protagonist and the mother that caused some kind of a rift in their relationship, their bond remains resilient enough to withstand any obstacle the universe might throws at them, which I find quite moving for us as readers to follow.
As for the horror scenes, I really appreciate that the horror is handled with restraint and built through various elements, including an eerie mood and folkloric aspects, so the reader’s imagination is not overly constrained by heavy-handed detail and restrictive descriptions.
Even so, there are a few trivial aspects that I find somewhat interfering with my experience, but not to the extent that I feel compelled to close the book and stop our journey midway. I noticed the exact same sentence reappearing in the part where they were preparing to get on the small boat, when Halloween had arrived. It wasn’t particularly consequential, but it did annoy me a bit. It also reminded me of the part where the uncle retold those spooky stories (that were framed as “legends”.) I assumed they would only be referenced briefly, since our main character had already heard them during the car ride with his uncle, but instead the uncle narrated them again shortly after with the other kids present. It struck me as rather unnecessary to revisit them in such detail.
Then, when the protagonist’s cousin — who is depicted as sensible and intellectually capable — agrees to be talked into a high-risk “expedition adventure” with him, I feel a certain lack of coherence. As a well-behaved teenager, he should fully understand the conquensences of doing that. And in fact, he is. But at the same time he longs to stop being seen as “only” the good child by his parents and to embark on his own “adventure”, which makes it difficult for me to fully criticise this choice. It just leaves me with mixed feelings.