Perfect for fans ofHow to Survive Your MurderandDead Girls Can’t Tell Secrets, this debut young adult thriller unspools the truth behind a tragic murder through multiple unreliable narrators who all have secrets to keep in a “stone-cold shocker of a tale” (Kirkus Reviews).
Here’s what we there was another infamous barn party at the McClain family farm last night, and things went horribly wrong. By the end of the night, there were two dead bodies in the old seventeen-year-old Sadie Cooper and her killer, Mason Vreeland. The murder was heartbreakingly witnessed by Sadie’s twin sister, Jayne, and Sadie died in her arms. Mason was killed by Sadie’s boyfriend, Ben, in an attempt to save Sadie.
Aside from figuring out Mason’s motive, it should be an open and shut case.
But it’s not.
The story unfolds just after the murders, and Jayne, Ben, and Sadie’s best friend, Liz, are telling the cops what transpired at the party and the events leading up to it. But little details don’t match. And those little details start to add up to big discrepancies. But who’s lying, and why?
The shocking truth is revealed in the third act, when the POV shifts to Sadie herself in the days leading up to the party. Witness exactly what happened—and see if you can piece it all together. Because poor Sadie totally missed what was right in front of her.
Rachel Peterson graduated from Miami University of Ohio with a degree in English and creative writing. After nearly a decade living and working in New York City, she now splits her time between the city and an old Ohio farmhouse with her husband, Ken. When not writing or buried in a good book, Rachel can usually be found chasing after their very fluffy dog, Olive, or at the barn training with her horse, Hope. She collects all things vintage and is forever game for 80s pop culture trivia.
I’m trying to figure out a motive and just cannot for the life of me figure it out. Also a full star reduction for a Harry Potter reference in 2026 like please.
Killing Sadie is exactly the kind of YA thriller that keeps the pages flying. Rachel Peterson wastes absolutely no time pulling readers into the mystery, creating a fast paced story that feels like a popcorn thriller, impossible to put down and packed with constant momentum.
One of my favorite elements was the multiple points of view. From the very beginning, you know that someone isn’t telling the whole truth, which turns every chapter into a puzzle piece. I love stories built around unreliable narrators, and this one had me constantly questioning everyone’s motives and trying to figure out who was lying.
While I did correctly guess the major reveal before it happened, it honestly didn’t lessen my enjoyment. The journey was just as entertaining as the destination, and Peterson still managed to include a few surprises in the final act that kept the ending satisfying. The mystery is well constructed, the writing is snappy, and the pacing rarely lets up.
Although this is firmly a young adult novel, it never felt overly juvenile to me. It reminded me of the addictive vibe of Pretty Little Liars—a series I happily devoured well into adulthood. That said, this is definitely on the darker side for YA, so I’d recommend it more for older teens and adult readers who enjoy YA mysteries.
My only real complaint is that I wanted just a little more after the ending. One additional chapter tying up a few lingering questions would have made the conclusion feel even stronger. Even so, this was a thoroughly entertaining read with a compelling mystery and plenty of twists to keep thriller fans engaged.
Perfect for Readers Who Love
* Multiple unreliable narrators * Fast paced, bingeable mysteries * Darker YA thrillers * Small town secrets * Twisty murder mysteries with layered reveals * Pretty Little Liars style suspense
I have mixed feelings about this one. I typically love the messiness of teen thrillers, and this had all the hallmarks of the plot points and tropes I usually eat up. And for much of it, I did. However, it wasn’t a shining star among the various YA thrillers I have recently read.
I did enjoy the format. The story is told primarily through police interviews with three characters recounting the 24 hours leading up to the murders. The distinction between the interview transcripts and the characters’ internal thoughts and background information was always clear and easy to follow. I liked the rotation between Ben, the boyfriend; Liz, the best friend; and Jayne, the identical twin sister, before the final quarter of the book shifted to the POV of the titular character, Sadie. I also appreciated that the narrative stayed focused on information relevant to the central incident rather than getting bogged down with unnecessary side characters or random details.
That said, I did find the mystery fairly predictable. I won’t say much more than that to avoid spoilers or make it easier for future readers to piece things together. For a YA thriller, though, I think this is a strong choice for teen readers. It’s age-appropriate, has enough bite to keep things interesting, and never crosses the line in terms of content. The characters felt authentically teenage, and while some readers may wish for more backstory and more fully developed scenes, I think many will appreciate the direct, “get to the point” style of the prose.
I am grateful to have received a complimentary eARC from Simon Teen ahead of publication.
Audiobook listen. I figured out the culprit the first time the character was introduced, which was disappointing. Perhaps the narrator gave it away with her inflection, but I think the words on written page would have also given the person away.
Some thrillers hide their killer. This one hands you the crime scene on page one and dares you to figure out why nothing about it adds up. Killing Sadie by Rachel Peterson opens the morning after a barn party in small-town Ohio, with two teenagers dead and three survivors sitting in separate interrogation rooms, each swearing they are telling the police everything. They are not. And the fun, the squirming, delicious fun of this book, is catching them in the act.
The Setup: A Party, a Barn, and an Open-and-Shut Case That Isn't
Seventeen-year-old Sadie Cooper, homecoming queen and golden girl, was stabbed to death in an old stone barn at Trevor McClain's infamous farm party. Her killer, quiet art kid Mason Vreeland, died moments later at the hands of Sadie's boyfriend, Ben, who was trying to save her. Sadie's twin sister, Jayne, witnessed it all. Case closed, right?
Except the accounts don't line up. Sadie's best friend, Liz, remembers one timeline. Jayne remembers another. Ben's story bends whenever the questions get uncomfortable. Small contradictions about a drink, a text, a necklace start stacking up into something much uglier, and a sharp state detective named Sloane Budd arrives to pull at every loose thread. Then, in a bold third act, the microphone passes to Sadie herself, narrating the weeks before her death, and the whole picture snaps into horrifying focus.
Quick Verdict at a Glance
Before we go witness by witness, here is the short version of my case notes:
Structure: An interrogation-room frame with rotating narrators, capped by a dead girl's testimony. Ambitious, and mostly it works beautifully. Voice: Liz, Jayne, and Ben sound genuinely distinct, which is rarer in multi-POV thrillers than it should be. Twist factor: The Act Three reveal recontextualizes everything you read before it. I flipped back to earlier chapters just to admire the wiring. Pacing: Strong start, slight sag in the middle, ferocious finish. Content notes: Underage drinking, murder, manipulation, and toxic relationships, handled with a YA-appropriate hand but not a timid one. Witness by Witness: The Voices That Carry the Book
The greatest strength of Killing Sadie by Rachel Peterson is characterization through contradiction. Liz, a transplant from an Alabama trailer park who reinvented herself inside the wealthy Cooper family's orbit, narrates with a wounded, sarcastic drawl that made her my favorite in the room. Her chapters ache with class anxiety; she knows she is the "bonus daughter" whose invitation can be revoked at any time. Jayne, the aloof twin with equestrian trophies and zero patience for high school, speaks in cool, controlled paragraphs that feel rehearsed in the best, creepiest way. Ben, the football prince living under his powerful father's shadow, is all swagger and self-soothing mantras, and Peterson lets him hang himself with his own internal monologue.
What impressed me most is how the lies are built. Peterson doesn't rely on a narrator conveniently withholding a scene. Instead, she lets three people describe the same evening and trusts the reader to notice that the timestamps, the drinks, and the drama don't reconcile. The recurring image of three matching broken-heart friendship necklaces becomes a quiet masterstroke of plotting; by the final pages, a piece of cheap Christmas-market jewelry carries more menace than the murder weapon.
Sadie's own section deserves special mention. Giving the victim the last word is a risk, since it could easily read as a gimmick. Here it lands like a verdict. Her voice is vain, funny, self-aware, and heartbreaking, a girl dissecting her own flaws while walking, unknowing, toward the barn. Peterson threads Romeo + Juliet references through Sadie's chapters (the Baz Luhrmann film, naturally), and the doomed-romance framing pays off in ways I won't spoil.
Cross-Examination: Where the Case Wobbles
An honest review has to press on the weak spots, and Killing Sadie by Rachel Peterson has a few worth flagging.
The middle drags. Because three narrators must each recount the same afternoon and party, Act Two occasionally retreads ground. The repetition is intentional, since the discrepancies are the point, but a leaner edit could have kept the tension tighter through the midsection. The local police are cardboard. Detectives Norris and Hunt exist mainly to be outwitted, and the small-town force is so conveniently sloppy that it strains belief. Thankfully, Detective Sloane Budd, the no-nonsense state investigator with her McDonald's peace offerings, is a genuine standout who balances the ledger. The pop culture skews old. These teens reference Say Anything, Dawson's Creek, When Harry Met Sally, and Casablanca with suspicious fluency. Individually charming, collectively it reads like the author's nostalgia wearing a teenager's outfit. A few conveniences in the endgame. The final reveal is chilling and earned on an emotional level, but the logistics involving a certain phone and some very precise timing don't fully survive a second look. Readers who autopsy their thrillers may raise an eyebrow.
None of these issues sink the book. They keep an excellent debut from being a flawless one, which feels about right for where most readers and early reviewers have landed on it.
The Author Behind the Crime Scene
This is Rachel Peterson's debut novel, published by Simon & Schuster's relaunched Simon Pulse imprint, and it arrives with real polish. Peterson grew up in Hudson, Ohio, studied English and creative writing at Miami University of Ohio, and spent roughly two decades in advertising and marketing before turning to fiction, writing several unpublished manuscripts along the way. That apprenticeship shows. The Ohio setting breathes with lived-in detail, from cornfield geography to the social physics of a school where everyone knows whose father owns what. Since she has no previous published books, this is the ground floor for her readers, and it's a confident place to start.
Exhibit A: One Disclosure, Entered Into the Record
Every witness in this story hides something, so let me be the one person in the interrogation room who doesn't. The publisher provided me with a copy of this book for review purposes. No conditions were attached, no script was handed over, and every opinion above, the applause and the eyebrow-raises alike, is entirely my own honest testimony. Consider it sworn.
Closing Argument
Killing Sadie by Rachel Peterson is a sharp, mean-in-the-best-way YA thriller that understands a simple truth: teenagers lie better than adults because they get more practice. It stumbles slightly in its pacing and asks for a little forgiveness on plot mechanics, but its voices are vivid, its twist genuinely re-frames the novel, and its final image lingers like a scream across a dark field. Hand it to fans of unreliable narrators, twisted sister stories, and anyone who has ever suspected the perfect family down the street is anything but. I closed Killing Sadie by Rachel Peterson wanting exactly two things: a flashlight for my next walk past a barn, and whatever this author writes next.
We already know who ends up dead, but what actually happened is a completely different story depending on who’s telling it. The book is told through three perspectives: Sadie’s twin sister, boyfriend, and best friend as they recount their version of events to the police. The format was interesting, as we got to know the story secondhand, and each version was different and contradicted the others. It kept me guessing who was lying, who was leaving things out, and who was trying to hide something much bigger.
The multiple POVs were easily my favorite part. Every character had secrets, messy relationships, and their own version of the truth, which made it hard to trust anyone. All characters were unlikeable; either they were outright bad or trying too hard to be good. I did enjoy the entire build-up until we finally got Sadie’s perspective.
The multiple POVs were easily my favorite part. Every character had secrets, messy relationships, and their own version of the truth, which made it impossible to fully trust anyone. None of them were particularly likable, either they were making terrible choices or trying a little too hard to come across as the “good” one. I also enjoyed the slow buildup until we finally got Sadie’s perspective, which revealed the true version of events.
My biggest complaint is the ending. It answers the main question but wraps everything up so quickly that it left me wanting a couple of more chapters. I also wasn’t completely convinced by the motive, it felt a bit random and underdeveloped. There were a few plot holes and relationships that could have used more explanation. And as with so many YA thrillers, the parents were conveniently absent despite their children literally being questioned in a murder investigation.
Even with that, this was still a fun, fast-paced YA thriller that kept me invested the whole way through.
OMG THIS BOOK IS INSANE!!! I received this advanced copy at NTTBF and could not wait to read it, so here’s my review!
This murder mystery is sooo compelling! I was hooked at the very beginning!! The timeline follows a story where a teenage girl, Sadie, is murdered. The three main characters, Liz, Sadie’s best friend, Jayne, Sadie’s twin sister, and Ben, Sadie’s boyfriend, are all being questioned for details of how Sadie’s murder occurred. But, sure enough, details aren’t lining up. Who is telling the truth, and who is lying?
The twists and turns of this book are THRILLING, the details of each point of view are INSANE, and so much more! This book releases in August, and I HIGHLY suggest you read Killing Sadie!!
Looking for a YA mystery thriller that is guaranteed to leave you shocked and speechless? Then look no further than Killing Sadie by debut author Rachel Peterson.
Set in a small town in Ohio, the story follows the aftermath of an unchaperoned blowout party at the McClain farm, during which seventeen-year-olds Sadie Cooper and Mason Vreeland are killed. According to witnesses, Mason killed Sadie, and Sadie’s boyfriend Ben killed Mason. On the surface, this should be an open-and-shut case. The police just need to understand why Mason killed Sadie.
Killing Sadie is told from the points of view of three people in Sadie’s life: her best friend, Liz Stratton, her twin sister Jayne, and her boyfriend Ben Carrera. They are individually and simultaneously interviewed by police detectives in the hours after the murders. You would think this would make reading the book challenging, but it doesn't. In fact, it makes the book more interesting as readers and detectives attempt to piece the investigation together.
Through the interviews, you get to know the characters and soon discover small inconsistencies in their stories. The question becomes who’s lying and why.
Broken into acts, Liz, Jayne, and Ben take readers and detectives back in time to the day of the party and before in Act One. Act Two details Friday night, the night of the party. Act Three is the part of the story that takes it from good to great. Act Three is told from Sadie’s point of view and shows what truly happened. This is also the part of the book where readers’ minds will be blown, because there’s absolutely NO way you will figure out what truly transpired. I, myself, had two theories and was nowhere close to figuring this all out.
I would say I’m not generally a mystery/thriller reader. At least, not unless there are some fantasy or paranormal elements involved. I am, however, a person who is curious and likes to figure things out. Rachel Peterson has just made me a fan of YA mystery thrillers. I can’t wait to read more from her.
**Received a copy of the book from the publisher and voluntarily reviewed it.**
4.75⭐️ WOW. This book is insane. I thought I guessed the plot so many times in the book yet all of my guesses were wrong.
TBH going into this book I had very low expectations, and I’m so glad that it exceeded them.
The ending was crazy! My feels scrambled after reading that. I’m still confused and have questions about what happened, and the thing about a book like this is that even after reading it i will never get the answers.
It’s crazy because everything is right in front of you, but at the same time it’s not.
Thank you to NetGalley for this arc. I really enjoyed this book, it was fast paced and kept me intrigued and wanting to read more.
This was a fun YA thriller! I really enjoyed the storytelling format. It was an interesting and creative experience that allowed the reader see the story unfold from different POVs. I liked that the author finished with Sadie’s POV to reveal who killed her. Technically, I guessed from the very beginning, but that didn’t stop me from enjoying the book. I think my only true complaint is the abrupt ending. I was left wanting a little more. Other than that, I think it was a solid read.
Thank you to NetGalley and Simon and Schuster Children’s Publishing for the advanced copy in exchange for an honest review!
The story begins with three teens in a police station. Sadie is dead and her best friend, her twin sister and her boyfriend are in the police station recounting what happened. Her bf Liz is incredibly annoying and the police detective questioning her was like a caricature of an asshole cop. I couldn’t not with this book.
This was a fun read. Engaging and unpredictable, always a great combo. The ending surprised me, but it felt a bit abrupt and not entirely believable. Still. Great debut!
Thank you to NetGalley for this arc in exchange for an honest review. I really liked this story, there were a few things that kinda bothered me (no parents in the interrogation room and other basic police procedure things) The story was fun and kept me guessing up until the end. I would definitely recommend to others.
This was such an entertaining way of telling a murder. Seeing all the point of views and putting together what actually happened. The only thing I didn’t care for was the ending and how things played out. I highly recommend this for people who liked Pretty Little Liars (the book series), it had similar vibes with drama and finding out who the killer was.
(Note: I received this copy from the publisher via NetGalley in exchange for an honest review. Thank you to the publisher/author for the opportunity.)
POV: Multiple, First Person Spice Level: (mentioned, closed door) Sad Level: 💧💧💧 Would I Recommend? Yes Favorite Character(s): n/a Emojis Based on Vibes: 🔪🍻🤐
This was such a devious (in the best way) book! I absolutely could not stop. This is a super quick read with fabulously unreliable narrators and a twisted plot.
Two teens are dead, Sadie and her killer, Mason, and what we get is the investigation. This should be a pretty open and shut case. Sadie was murdered by Mason and her boyfriend killed him in self defense... but one detective wants to dig a little deeper into exactly what happened. The three closest people to Sadie, her twin sister Jayne, her best friend Liz, and her boyfriend Ben all take us through everything that led up to Sadie's and Mason's deaths.
I really enjoyed the storytelling in this book. You seriously never know what to expect or who to trust, but that is all told to us through the synopsis. It is inside the mind of each of the characters and how they portray that night, their actions and their relationship with Sadie that really pulled me in. I had such a great time with this one, from start to finish.
I listened to the audiobook and I loved the full cast. This was well narrated and the listening experience only added to my enjoyment of this ya thriller.
If you don’t know me, My name is Paige, I am OBSESSED with anything true crime and young adult. Killing Sadie combines my two favorite things in one book, and I was excited to pick it up.
The story follows three teenagers: The bestfriend, The twin sister, and the boyfriend all in separate interrogation rooms, recounting the night (and days prior) that their, sister, girlfriend and best friend Sadie was murdered.
I enjoyed the set up in the beginning, but what I didn’t expect was basically the entire story to take place in the thoughts of three teens sitting in interrogation rooms. Don’t get me wrong, I love the aspect of the room, BUT when the writing changed into the italicized format what was supposed to be them recounting a memory to help the investigators ended up being mixed up in personal thoughts and feelings. There was not a clear line between what the teenagers were speaking to the investigators and what they were thinking. At one point, the investigator replied to something I thought was strictly in the head of one of the characters and that threw me off.
True crime is my favorite because it makes me feel as though I’m an investigator myself putting all of the puzzle pieces together while I’m reading. With that being said, I loved the fact that the entire time I was reading I kind of had an idea of what had happened and why. But there was a twist that ended up changing everything. I LOVE that, I very much enjoy being surprised while reading. BUT I will say by the time the twist was revealed and the book had ended I felt very unsatisfied. I had so many questions and I felt as though the ending was super rushed.
Many young adult books focus on gushy teenage feelings and its easy to get lost in that when reading this genre. Rachel Peterson made me feel as though I was reading an adult novel. Although I knew the characters were teenagers I didn’t feel bored and annoyed with childish themes, she did a great job fleshing out these characters considering they spent much of their time at an interrogation room table.
Although I was disappointed with the set up, the ending had me hooked and made me want much more, so you can bet I’ll be picking up anything Rachel Peterson in the future.
This entire review has been hidden because of spoilers.
𝗤𝗨𝗜𝗖𝗞 𝗣𝗟𝗢𝗧 𝗣𝗘𝗘𝗞 After two high schoolers are found dead after a party, the victim’s twin sister, boyfriend, and best friend give police conflicting accounts of what happened.
5 ⭐️ 𝗔𝗨𝗗𝗜𝗢 𝗧𝗔𝗞𝗘 This is the perfect format for a full-cast audiobook. Each main character is voiced by their own narrator, and they all nailed it.
I had a long day on the road and wanted a bingeable thriller to keep me entertained. This was exactly that.
4.5 ⭐️ 𝗦𝗧𝗢𝗥𝗬 𝗧𝗔𝗞𝗘 This isn’t a gentle, sweet read. It’s dark, there’s cursing, and everyone seems to be hiding something. It’s popcorn energy, melodramatic, and completely addictive.
The format is so much fun. Boyfriend Ben, twin sister Jayne, and best friend Liz are all interviewed by police, with their testimonies slipping seamlessly in and out of flashbacks. It balances police interviews, high school drama, and everyone’s secrets perfectly.
We know someone is lying, so it’s fun figuring out who and why. Even though it’s plot-driven, the teens feel developed enough to both like and dislike. No one is completely innocent.
And then that ending... wow. I thought I had it figured out, but I had absolutely no idea. It was maybe a little abrupt because I wanted more time with the characters to process what had just happened. But it was still a fantastic finish.
𝗪𝗢𝗥𝗧𝗛 𝗧𝗛𝗘 𝗥𝗘𝗔𝗗? Such an impressive debut! Apart from the high school setting, this didn’t feel YA. It’s dark, fast-paced, and a great binge.
Thank you Simon and Schuster Children's Publishing, Simon & Schuster Audio and Libro.fm for this gifted ARC.
🎧 Narrated by Andre Bellido, Ferdelle Capistrano, Stacy Gonzalez, Rachel F. Hirsch, Lee Osorio 📖 Release 08•04•26 | 304 pages | 6h 58m
I can never resist a YA mystery/thriller and I always like to support debut authors so when this book was available on NetGalley I immediately grabbed it.
This was told in such an interesting way, with shifts back in time from the present to the past. There are 3 narrators (Sadie’s boyfriend, best friend, and sister) giving their testimony of what happened the night that Sadie died and each narrator has something to hide. It was interesting to get into their heads and see what they were thinking. I also liked seeing their connection to Sadie.
I did suspect where the story was going but I still enjoyed the twists and turns to get there.
The writing was really solid and drew me in right away. I read over half of the book in a single sitting because I was just so intrigued.
My big complaint is the ending of the book. I don’t want to get too detailed because of spoilers but I’ll just say that the book definitely could have used an epilogue!
I’d definitely recommend this one if you enjoy YA mysteries. I’ll be on the lookout for this author’s next book.
Thank you Simon and Schuster Children’s Publishing for providing this book for review consideration via NetGalley. All opinions are my own.
I binged this book in 1 day! We start by hearing the witness statements from each of the three characters, and as time went on, I became more and more invested in their accounts. I enjoyed the different perspectives and how seamlessly it went from past to present. Each of the characters had their own voice, and it was easy to dive into each view. The storytelling multi-perspective approach made it a very immersive and real-feeling read. Of the three, my favourite perspective was Liz's, with her very detailed descriptions. In terms of writing, the unreliable narrator element was well done. I was constantly wondering who was telling the truth and who was lying, and for what reason. Multiple times I had an idea of what I thought would happen, but each time something new was introduced, which debunked each theory. The setting of the police interrogation was intriguing and really added to the thriller atmosphere. While the story as a whole wasn't very scary or gory, the ending was very chilling. The final shocking plot twist took me by surprise, but I wish that more explanation was added, as it felt a bit rushed. Some aspects were intentionally left open, which I understood for the plot, and while I wished there was a more definitive ending, I can understand why the author made this strategic choice. I'm looking forward to reading more by Rachel Peterson in the future!
We start out knowing Sadie was murdered. We know that her boyfriend, Ben, killed Mason, the guy who stabbed her to death. And we know that her twin sister, Jayne, and her best friend, Liz, witnessed it. What we don’t know is why.
I didn’t mind when the story started after the fact. I enjoyed the flashbacks of the before, night of, and the day after. And I enjoyed the multiple points of view from the witnesses. It all worked very well for me. I easily visualized the scenes, like watching a limited TV series. Usually I can determine the why fairly early. I thought I had. But then I thought, nope, it can’t be that obvious. So, I settled in and just let things reveal themselves.
My favorite thing was the investigator. She was much more clever than I’d at first thought. She knew what questions to ask and when to ask them.
And I enjoyed the way the story was laid out, shifting between the day before the murder, the day of the murder and the day after. The author did it well, keeping the story flowing smoothly. She did it just as well when shifting between characters.
This was very much a character driven story for me. As the acts unfolded I learned, through the different points of view, who the witnesses really were. Lots of insecurity disguised as toughness. Many secrets and lies. And, what was hidden. What made them defensive.
The ending was good, though I still had questions. That’s often a good thing and keeps me watching for the author’s next book.
Thanks so much to Simon Pulse and the author for a complimentary copy. My review is voluntarily given.
Killing Sadie had a beginning that locked me in. I like thrillers, crime and whodunit books - this checked the boxes. Although, I didn't expect the majority of the book to take place in interrogation rooms switching the point of view throughout. The ending brought me back but I'm just not sure if the format and style is for me. I can't understand a motive at all except psychosis or psychotic disorder. Overall, curious read and well developed. Side note, for the record, I am very happy being one of two.
Amazing debut. This is the kind of book I wish had existed when I was younger. The characters are well thought out and complicated — a reminder of how hard high school can be and a spot-on example of growing up in a small town. Cannot wait to see what the author does next.
it was very binge-able (read+listened in half a day) but i find it hard to believe that they don’t get caught, and it felt like an unsatisfying ending bc we don’t actually get to see what happens with the rest of the investigation
This was a fast paced one sitting read/listen. I switched between the audio at work and the physical once I got home and you can't go wrong either way. The full cast audiobook narration by Andre Bellido, Ferdelle Capistrano, Stacy Gonzales, Rachel F. Hirsch, and Lee Osorio was amazing. This had everything you want in a YA thriller, unreliable narrators, high schoolers behaving badly, some pretty dark themes, and so many twists and turns. My only complaint was that I wanted an epilogue at the end, otherwise this was the perfect bingeable summer thriller. Thank you Simon Teen and Simon Audio for my free copies.
🩸𝙆𝙞𝙡𝙡𝙞𝙣𝙜 𝙎𝙖𝙙𝙞𝙚 // 𝘙𝘢𝘤𝘩𝘦𝘭 𝘗𝘦𝘵𝘦𝘳𝘴𝘰𝘯 …unreliable narrators, a murder at a teen barn party, secrets, and lies…sounds like a solid set up for a YA mystery/thriller… I did really enjoy trying to figure out what actually happened to Sadie through the stories told by her sister, her boyfriend, and friends. The narrative structure of the story unfolding through the viewpoints of three separate people connected to the murdered teens was pretty well done. After all, they were all essentially giving their own account of the same events, but it was done so in a way that wasn’t too repetitive and dropped new breadcrumbs with each new perspective. Although we do get the three main perspectives I mentioned, I think my favorite was when we got to hear the story through a fourth- Sadie’s own, in the third act. My issues with the book mainly lie in the pacing and the motive. I felt the pacing was a bit off…it drug in places, but then the ending seemed to wrap up far too quickly leaving many unanswered questions and a general “humph” feeling. Also, the motive just wasn’t a truly believable one for me. I def would recommend giving this one a try if you like YA (leaning towards new adult) thrillers and mysteries. It’s a solid story, even if some elements didn’t do it for me. 🖤🖤🖤/5 💫 Thank you @simonteen for this #gifted copy!
*Thank you to Simon Teen and NetGalley for an ARC in exchange for my honest review*
Honestly, this book kind of made me angry. I didn't understand the killer's motivations and it just felt so disjointed. It's almost like a storyline was edited out? I'm not sure. I clocked the killer from the beginning, but then there were no red herrings to even try to throw me off. I found the part of the book where we flipped to Sadie's perspective to be the most interesting. And then the book just.... ended?? Blargh.