Alex Katz

by Sam Hunter

Alex Katz is one of the most innovative leaders in the return to figurative realism and representation among avant-garde artists in America and Europe today. By 1960, very early in his career, Katz had already found his original and poetic solution to the dilemma of choice between an earlier, dominant abstraction and realism by giving primacy to style over subject matter. With considerable brilliance and expressive power, Katz managed to synthesize the artistic impulses of his own era with an earlier modernism, forging elements of Abstract Expressionism with the elegant forms of Manet and Matisse, artists who also explored color and planes, who compressed volume into flatness, and yet evoked convincing weight, movement and the human personality in their paintings.
Since the seventies, in particular, Katz's paintings have drawn attention by reason of their large formats, simple reductions of form, abrupt and unexpected transitions, and for the suggestive metaphors embodied in his subject matter. The late Thomas B. Hess, a notable contemporary art critic, aptly described the social dynamics and atmosphere of his group portraits in terms of "everyday leisure life - parties, picnics, pets - as if it were a bucolic Age of Gold where everybody is youthful and it is always time for tea." Yet these rapturous, idyllic works increasingly invoke comparison with some of the most ambitious abstract painting of our time. His unique style has managed the difficult feat of reconciling realism not only with mainstream modernism but with postmodernism as well.

Genres: Art

128 pages, Hardcover

First published October 15, 1992

About the author

Sam Hunter (January 5, 1923 – July 27, 2014) was an American historian of modern art. He was an author, an Emeritus professor of art history at Princeton University, director of the Jewish Museum, founding director of the Rose Art Museum at Brandeis University, acting director of the Minneapolis Institute of Art and a visiting professor at the Clark Art Institute at Williams College, Harvard University and various other institutions of higher learning.

He penned monographs, exhibition catalogues, articles, wrote the original book on the collections of the Museum of Modern Art, contributed to textbooks and various treatments of modern art. In addition to curating many museum and gallery exhibitions, Hunter has written on Francis Bacon, Tom Wesselman, George Segal, Arnaldo Pomodoro, Jackson Pollock, and many other contemporary and modern masters.

Reviews

[C · Rating 5 out of 5]

I adore this book. Katz is one of my favorite artists and Hunter does an excellent job of describing Katz's influences and impact on the art world. Though the layout looks like a children's book, the content is practically poetry. A great read for any fan of Katz. I checked this out from the library and then ended up buying it on Amazon.