Ex-journalist John Dyer must take on a dangerous political conspiracy in order to bring his friend's killer to justice in this gripping thriller by an award-winning writer.
John Dyer is living a quiet life when he receives a call that changes an old university friend, Lia, has been killed. Decades have passed since his last heartbreaking conversation with her, but Dyer finds himself driven to investigate.
What Dyer uncovers puts him in the path of a political conspiracy with one man at its heart. A man who, forty years ago, committed a crime witnessed by just four people. When another of the witnesses dies in suspicious circumstances, Dyer finds his life in danger. To combat the forces arrayed against him, he needs incontrovertible proof—but will he find it in time?
As Dyer chases his leads from Tasmania to Argentina and finally to Michigan, where it all began, he unwittingly pits himself against an adversary more powerful than he could have imagined, in a race as heartstopping as tomorrow’s headlines.
Nicholas William Richmond Shakespeare is a English novelist and biographer.
Born to a diplomat, Nicholas Shakespeare grew up in the Far East and in South America. He was educated at the Dragon School preparatory school in Oxford, then at Winchester College and at Magdalene College, Cambridge. He worked as a journalist for BBC television and then on The Times as assistant arts and literary editor. From 1988 to 1991 he was literary editor of The Daily Telegraph and The Sunday Telegraph.
Since 2000, Shakespeare has been Patron of the Anita Goulden Trust, helping children in the Peruvian city of Piura. The UK-based charity was set up following an article that Shakespeare wrote for the Daily Telegraph magazine, which raised more than £350,000.
He is a fellow of the Royal Society of Literature. He is married with two small boys and currently lives in Oxford.
One by one the old college friends of John Dyer are being bumped off. The university of Michigan student group comprised Americans , a Canadian , a South American and a Brit. So the action spans several countries as John tries to find the connection between the deaths. John , a bit of a burned out journalist has moved from Oxford to Tasmania to escape pressure and try to finish an academic book. He has not heard from his old friends for many years when he gets a phone call from Miguel saying that John must come to see him. This starts off a fast paced adventure where the life of every one is at stake. The group of students dispersed when a particularly nasty incident happened on the last day of their university course. Many things were left unsaid and John always regrets that he never expressed his true feeling for Lia who is now dead. So now he feels some responsibility to uncover the cause of her death and to prove to himself that he has grown up and no longer the reserved and too timid Brit who was too scared to grasp what life could offer. So much of the book is seen from John’s POV so that we never know so much about the other characters apart from Miguel,s background but I really felt I could empathise with John and all his worries as he starts to discover the political machinations that he has become involved with. The title of the book is clever and very important as John has to find some proof to support his bold accusations that would otherwise be too fanciful to be believed. A great read. Thanks to NetGalley and Random House UK for the ARC
John Dyer is an ex-journalist currently holed up in Tasmania. In part, he’s trying to complete a book he’s writing on the Tupi, an indigenous group who first settled in the Amazon rainforest some three thousand years ago. But he’s also making himself scarce. Readers may have previously come across Dyer in two previous novels by this author: The Dancer Upstairs and The Sandpit. Suffice to say, Dyer is somewhat fearful that his past may catch up with him. However, just as his time in this far away outpost is about to come to an end he’s contacted by an old friend. Suddenly, events from many years ago are brought back into sharp focus. His friend needs his help.
Miguel had somehow tracked him down and now desperately wants him to travel to his home in Argentina. The tragic death of a mutual acquaintance is the bait – it’s a mystery to be solved, and it’s even possible that revenge will need to be dispensed. In truth, the full rational for Miguel’s request will take some time to understand, hidden as it is behind the veil of a complex set of events that are to be slowly (very slowly) disclosed.
The main action takes place in America and Argentina. The ever changing timeline is tricky. It requires concentration (or, in my case, notes) in order to piece it all together. The action is set partly in the recent past, though the year is not specifically determined. A far-right president who has previously served and then sat out a term is now planning to stand again for re-election – some senior people within his own party consider him an arsehole and aren’t keen on the idea. Make of that what you will. But we are regularly taken back as much as forty years, to specific dates, in order to slowly unpick the back story. We will primarily track a small group of young people, including John and Miguel, who first meet at an American university. It’s to become a compulsively addictive tale involving bad people with high ambition. As a reader, you’re kept on edge. Lines often jar and disrupt. For instance, the sudden image appearance of a bird stabbing its beak at a window pane attempting to attack its own reflection.
If I were to point out any potential niggles I’d include the fact that, perhaps because the author has also published some non-fiction, we are provided with a good deal of information about the Tupi people and treated to something of a history of Argentina’s Dirty War (1974 -83). These elements might feel something of a distraction to some readers, but personally I appreciated the way these added elements grounded the story – in my mind it broadened my understanding of what build and sustained both John and Miguel. I did, though, feel that the novel lost a little impetus at the halfway point, though this feeling was short-lived. The final third of the book had my heart pounding as we relentlessly closed in on a heart-in-mouth finale. I genuinely cannot recall a book that gripped me to the same degree as it drew to its close. It's totally amazing!
Shakespeare is, in many ways, the perfect storyteller. Not too much is given away early on. In fact, the whole thing feels tense and mysterious even if – for an extended period – it’s impossible to knit it all together. Until suddenly, it is. He’s a very accomplished writer, blending a mystery and adventure tale with a large dose of literary fiction. To me that’s just about the perfect blend. I loved it.
My thanks to Random House UK for supplying an early copy of this book in exchange for an honest review.
What begins as a quiet life is shattered by a single phone call—and from that moment, Frame 37 unfolds like a reel of buried truths, flickering with memory, betrayal, and the slow burn of justice long delayed.
John Dyer, once content in his solitude, is drawn back into the shadows by the death of an old friend. What follows is a globe-spanning pursuit—from Tasmania to Argentina to the cold heart of Michigan—where the past refuses to stay buried and the truth is a moving target. Shakespeare’s prose is taut yet lyrical, his pacing deliberate, like a man circling a wound he’s not yet ready to touch.
This is a thriller with soul. Beneath the political intrigue and the chase lies a deeper meditation on guilt, loyalty, and the cost of silence. Dyer is a compelling figure—haunted, driven, and achingly human. The novel’s title, Frame 37, becomes a metaphor for the elusive moment when everything changes—and the proof we seek may be hiding in plain sight.
A quietly devastating read, perfect for long evenings and thoughtful readers who like their mysteries with a touch of melancholy and moral weight.
My thanks to Nicholas Shakespeare, the publisher and Netgalley for the ARC.
This was a remarkable novel with a cleverly constructed plot and well-developed characters. The storyline is fascinating and tense.
John Dyer, an ex journalist, is living the quiet life in Tasmania. He has escaped there to put his eventful past behind him and do some writing. Until one day a phone call disrupts the harmony and all of a sudden John finds the past is about the catch up with him. Before Tasmania and the quiet life, John was based in South America.
John has no idea how an old acquaintance, Miguel, had somehow tracked him down and but he tempts John to return to Argentina to look into the tragic death of a mutual friend. . But this is just a clever trick to pull John back over to South America. What follows is a globe trotting mystery, delving into the past and present. This is a very intricate and complex story, multi layered as we slowly discover that Miguel's request has much deeper meaning.
The main action takes place in America and Argentina. The timeline changes frequently back and forward and does need a level of concentration to remember where we are as we piece the parts of the puzzle together. At times is was a little bit confusing but added to the challenge and complexity of the book. This wasn't going to be a straight forward mystery. We are regularly taken back as much as forty years to unpick the back story. We will primarily track a small group of young people, including John and Miguel, who first meet at an American university. As a reader, you’re kept on edge.
As part of the stories hidden back story we learn about the history of Argentina’s Dirty War (1974 -83). I hadn't really come across this and this was a fascinating part of the story. This element of the story helped to define the motivation behind the current story. The novel slowed down a bit hafl way through but then picked up again with a heart pounding and tense finale.
Dyer is a great character. You really felt so much empathy for him. He is so driven and haunted by the past.
The writing is so good. At some point you do wonder if you are going to be able to understand how everything fits together. The suspense is amazing. The story mixes mystery, intrigue and adventure beautifully.
My thanks to Random House UK for supplying an early copy of this book in exchange for an honest review.
Frame 37 by Nicholas Shakespeare was a DNF at 66% for me.
It was just too much effort for not enough reward. The plot and timeline was all over the place, jumping around like a toad on a hot plate. Random (or seemingly so) paragraphs were slotted within the text seemingly out of place apparently just for the hell of it. One of which included: "Some two hundred yards away a pair of sheep were grazing on the lawn.". That's it. Just that. No relevance to the dialogue, the story, nothing. Just an observation about nearby by ovine mammals chomping down on grass?
Perhaps it was formatting errors in the version of the ARC provided by the publisher in exchange for an independent review, but life is to short to persevere further. And this is from an author of one of my all-time favourite books (& films); The Dancer Upstairs. Such a shame.
Nicholas Shakespeare’s perfectly titled Frame 37 is a masterfully crafted thriller with soul that trades cheap shocks for profound emotional depth. The story follows John Dyer, a man pulled from his quiet solitude into a globe-trotting pursuit of the truth following an old friend's death. Shakespeare’s prose is both sharp and lyrical, perfectly capturing the slow-burn tension of a man confronting long-buried regrets through well described characters who feel achingly human. The novel maintains an unsettling atmosphere, serving as a deeply atmospheric meditation on guilt, loyalty, and the heavy cost of silence. For readers who crave a mystery with moral weight and a touch of melancholy, this is a quietly devastating and unforgettable read. My thanks to Netgalley and the publisher for the ARC. This is my own opinion.
I struggled with the plot. This book jumps around far too much and the plot is so easy to guess, it almost tells you what’s going to happen before it happens which I found quite odd. I did enjoy the characters though.