It's 1950s London. Beautiful Diana Calthrop, last seen breaking hearts in Laura Wilson's The Innocent Spy, is looking a little tarnished, her famously catastrophic taste in men catching up at last. On the plus side, she has once again bumped into Inspector Ted Stratton, that sturdy, straightforward copper. Could he be her rescuer? First he'd have to rescue himself, and that's a long With his wife dead and his children distant, Stratton's nursing his own depression like an old war wound. And while London never lacks for crime, there's one crime in particular - one ghastly series of them - that Stratton just can't shake.
Laura Wilson is an English crime-writer based in London, where she was born and raised. She has degrees in English Literature form Somerville College, Oxford, and University College London, and has worked as a teacher and editor of non-fiction.
Many of her novels have either a historical setting or a distinct historical connection, and often have split or dual narratives. Her first novel, A Little Death was shortlsited for a CWA Dagger award, and her fifth, The Lover was short listed for both the CWA Gold Dagger and the Ellis Peters Historical Dagger.
Based on the infamous Christie serial killer case of the happenings at 10 Rillington Place, London, ‘A Capital Crime’ follows Detective Inspector Ted Stratton.
His job is to wrap up the seemingly open-and-shut case of a young man, John Davies, ( an habitual liar) who claims to have killed his wife and baby daughter. The confessor’s apparent guilt is confirmed by the testimony of his middle-aged neighbour, Norman Backhouse, a retired special constable eager to assist the police in their investigation. Davies’s conviction and execution follow swiftly, despite Stratton’s misgivings. However, the discovery of human remains at the same address two years later reawakens the Inspector’s fear of a miscarriage of justice.
Anyone familiar with the social history of this bleak period will recognise the thinly veiled stories of Timothy Evans and John Christie. Taking a notorious true-life case for fictional purposes brings both benefits and problems – it adds genuine horror but denies the reader the element of whodunnit. To compensate, the author winds up the suspense by allowing the serial killer to remain at large, a potential threat to the women Stratton loves. Enjoyed it and would be happy to read the next in the series.
The third book of the DI Ted Stratton series fictionalises the events at 10 Rillington Place, where two sets of murders occurred in the early 1950s sending two men to the hangman. The first murderer was convicted in part on the evidence of the second one, casting significant doubt on the initial investigation, trial and guilty verdict. The cases subsequently led to two inquiries, though their findings were inconclusive, and influenced the decision to end capital punishment. In Wilson’s telling DI Stratton is the lead officer in both cases. He has misgivings while investigating the death of a young woman and 14 month old child. John Davies is a simpleton with a temper who continually tells lies. Some of the evidence doesn’t quite add up, but most points to Davies, who has also confessed. And everyone involved in the case, including Stratton, think him guilty. When a couple of years later, six more bodies are discovered in the house and garden, Stratton wonders if he’d made a terrible mistake, despite the evidence and confession. Along with the investigation, Wilson spins two other threads through the story, both of which are hooked around women’s sexuality and position in society. The first follows Monica Stratton as she enters the workplace and starts to question her sexual identity. The second focuses on Diana Calthrop, a woman Stratton holds a flame for, and her fall from grace as she divorces her first husband and quickly enters another doomed marriage. In part, these are included to provide a thread through the series, but they do add to rather than detract from the story arc. The result is a very nicely plotted tale that is very strong on exploring the psychological side of investigating emotive cases with criminals who constantly lie and charting character development, in particular, Stratton, Monica and Diana’s lives. The pacing, atmosphere and sense of place and time adds to the telling. Overall, the strongest book in the series, in my view.
Laura Wilson is a crime writer that uses her considerable skills to convey the period of the 1950s through the eyes of ordinary people.
This particular story is a reworking of the infamous Christie serial killer case of the happenings at 10 Rillington Place, London. Timothy Evans admitted he was the murder of his baby daughter and was hanged in 1950. But subsequently other bodies were discovered in the garden and John Christie (also living at the same house) was convicted as a serial murder. It was one of the key episodes in the shift away from the death sentence, and has been written out and reflected on by many a commentator on the legal system. Wilson's story is investigated by her detective, Ted Stratton, and what she achieves is both an insight into the original investigation and a portrait of the minds of Evans and Christie.
She uses a good deal of background of the misfortunes of the Stratton household to underpin the horrors of the main story; reflecting on the social mores and isolation of the period, and beginning a satisfying resolution to the story.
One cannot tell what a Laura Wilson book will be like for she is a clever, compelling writer that likes to try something different. She deserves to be better known.
My first introduction to Laura Wilson, “A Capital Crime” is one of the most intriguing books I’ve had the pleasure to read this year. Set in the early 1950’s and based on the notoriously tragic true story of Timothy John Evans and John Reginald Halliday Christie, Wilson blends fact and fiction with consummate ease producing a rather beguiling novel.
Timothy John Davies, a semi-literate van driver, walks in to the Merthyr Tydfil police station (in Wales) and admits to murdering his wife and 14 month old daughter.
On receipt of a telegram from the local constabulary and still smarting from the loss of his pregnant wife Jenny, Detective Inspector Ted Stratton is called in to investigate the murder of the young woman and baby in Notting Hill, London – the last thing he needs.
Stratton and his partner Sergeant Ballard set out to prove his guilt but first they have to find the missing bodies. Upon calling at Davies’s house they meet Norman Backhouse, the ground floor neighbour and former wartime special constable. The ever so helpful Backhouse aids the police and they eventually find the bodies, wrapped in a tablecloth, hidden away in the wash-house situated in the restricted back garden.
Following inconsistent and confusing statements they escort Davies to London for further interviews. The detectives, positive of his guilt, eventually guide Davies to a solid statement of guilt. Despite offering numerous scenarios and attempting to apportion blame onto his neighbour Norman Backhouse for the murders, Stratton and Ballard take the case to trial - Davies is found guilty and hanged in 1950.
Things aren’t always what they seem as we discover later in the book when a further six bodies are discovered, clearly the work of a deprived sexual serial killer – the hunt is on.
Not quite as good as other two. The stories about Monica and Diana just seemed tacked on to the main story which, incredibly, is based on a true story. However, good enough that I want to read next one as I am loving the characters.
This is the third in a series of books featuring Ted Stratton. It wouldn't have mattered to much if I hadn't have already read the first two, but I am glad that I am reading them in order. For me I always like to read them in order if possible as I get to know the characters and their lives. Ted Stratton for me is fast becoming like Tom Thorne and Roy Grace. I feel that these characters are my friends and I want to know what is going to happen to them.
The crime in this book that Ted Stratton is involved in is based on the true crimes of John Christie and Timothy Evans that took place at 10 Rillington Place. This gave the book an extra kick, but even if I hadn't known about the crime it made the book quite a page turner to read.
Diana too is back in this book and she is as dizzy as ever. With how the storyline is going there will be plenty to ponder in the next books.
I have always enjoyed books by Laura Wilson who for me is on par with Martina Cole. Her novels for me always have plenty to offer and are quite pacy thrillers. I will be seeking new books by her and the next two Stratton novels that are already out.
The greyness of post-war England, the freely voiced prejudice and awful food provide a gloomy backdrop to this well written novel based on the Christie murders in London in the early 1950s.
DI Ted Stratton confronts a hapless young murder suspect whose barely articulate stories just don't hang together. As the lies pile up, the plot becomes as murky as the smog that hangs over the bombed out city.
Meanwhile, Diana Calthrop, an upper class woman who has left her husband, has found work at 'Ashwood' film studios. She knows Stratton from the war, and when his daughter gets a job at Ashwood, it's only a matter of time before their paths cross again.
Wilson has a brilliant eye for mannerisms and an ear for the subtle inflections of speech which breathe life into her characters.
A must-read if you are interested in the notorious real-life Timothy Evans/Reginald Christie murder cases from the 1950s. I found it fascinating, not least because it shows how the police at the time might have thought about the murders and what might have driven them to behave as they did. Funnily enough, I tried another of the author's books based on this one but didn't really get on with it. So, objectuvely, it's possible that this book doesn't merit the 5 star rating I have given but I can only go by my reaction to it.
Another great entry in this series. I found it hard to locate a copy of this book—in any format—and finally tracked down an old library hardcover on aLibris for $5. Others in the series are easily available. Not sure why this one wasn’t. It was worth the search since this series is very serial and I didn’t want to miss developing character arcs. The plot was excellent, based loosely on a true crime in London during the same period. I recommend this series.
I wish I could have given it three and a half stars because it's almost four. I enjoyed reading this, but it has some loose ends. I know it's part of a series and perhaps I'm supposed to read the other volumes, yet I think it should have wrapped up on the particular cases that are dealt with here.
I have to admit I put this book down for a long time because I wasn't enjoying it but having picked it back up I really got into it. Interesting it's based on a true crime.
It was okay, there were times I was at the edge of my seat but the outcomes just lacked that satisfying ending. Predictable and disappointing. I kept waiting for Monica to have good romance with a girl, Stratton and Diana’s final encounter was just painfully awkward, not the big moment I was waiting for. As for the murder cases, they felt painful drawn out at times.
This entire review has been hidden because of spoilers.
Another passport coming from Sweden just arrived from Rome.
I absolutely loved this book and the plot is based on the true story of Timothy John Evans, who was hanged in 1950 for the murder of his daughter who was 14-years old, and that of Reginald Halliday Christie who was also hanged in 1953 for the murder of his wife. Another book Ten Rillington Place by Ludovic Kennedy also deals with the trial of both murder cases since both murderers lived at this address in London.
According to Laura Wilson, due the controversy surrounding the related Evans case among other factors contributed to the abolition of capital punishment in Britain.
Thanks for my dear friends for the opportunity to read this great book!!
I've thoroughly enjoyed all the Ted Stratton novels so far and I would really like Laura Wilson to write a whole lot more. This novel starts after the Second World War and Britain is still trying to find its feet. People are having to deal with a different way of life. The authors discriptive narrative brings the era to life and the details of the normal working class home life against the upper classes is written in stark contrast.
A well known (famous British ) crime is used as a basis for this novels main plot but there are a couple of nice side plots which all tie up nicely at the end.
Narration was spot on as usual. Look forward to the fourth novel :)
I usually enjoy anything which is based on true events, but I felt this book was quite dull. Despite a lot of "interesting" things happening in the story, I found it slow and quite predictable in places. A first and last read of this author for me.
A really enjoyable period police procedural. Not read any others in this series, and wasn't familiar with the real-life crimes that inspired it, but I found the story atmospheric and it held my interest throughout.
Another solid entry in the series. Once again, the vetran police officer rankles against his superior's rush to judgement. This entry additionally reviews the Crippen murders. Wonderfully written, full of period detail and riviting to read.
Was amazingly impressed with this series of books. The main character is brilliantly wrought. I don't usually read this type of historical setting but the detail and atmosphere that she has created and the passage of time really impressed me. I found the whole series a very satisfying read.
Part fact and part fiction coupled with very readable prose makes a decent reading. The story is intriguing and there is a promise which goes on for most of its 540 pages. I will read more from Laura Wilson although this remains quite unsatisfying.
Love books set in the early 1900's in London. This book had me googling the crimes it was based on....always a good sign. Loved the characters, loved the setting, "loved" the crime!