An addictive killer-thriller following an aspiring crime journalist’s investigation into a case that blurs the line between art and life—perfect for fans of Holly Jackson’s A Good Girl’s Guide to Murder.
When aspiring crime journalist Fliss Keller attends an estate sale and uncovers a disturbing painting by a mysterious artist, she wants nothing to do with it. Unfortunately for her, her Art History professor dad buys it immediately. The portrait has been lost for decades and completes a set of four existing paintings of women by the same artist already hanging in the town’s gallery.
But when a series of gruesome crimes rock the community and her father's gallery becomes the epicenter of a deadly game, Fliss discovers that the paintings may hold the key to a killer's identity.
Haunted by the specter of a serial killer, Fliss races against time to solve the mystery before it claims another victim. In a world where every brushstroke hides a sinister secret, can she unravel the clues before she becomes a killer's muse?
Cynthia Murphy is the bestselling author of a number of YA thrillers, including the BookTok sensation Win Lose Kill Die.
She has a long-standing love affair with all things scary, reading Point Horrors before graduating to Stephen King in her misguided teens. Studying for a degree in Art History and Archaeology meant that she developed a thirst for anything old, beautiful and very often dead. She tries to combine this with contemporary settings in her writing to make unique and chilling modern stories.
Cynthia lives in her hometown of Manchester with her husband and their rescue dog, Loli, who you will see a lot of on TikTok and Instagram @CynthiaMurphyYA
3.2 stars! this book wasn't bad, but it didn't keep me at the edge if my seat, even at the ending when all the stuff happened. it's definitely more of a mystery than a thriller. the concept is so interesting and I really loved it, and I think it was done well. I love art (can't do it for the life of me but I enjoy looking) and I liked that it played a big role in this book. I didn't really connect to any of the characters and no one really went through any changes. I didn't like the killers reasoning for what they did and that whole scene just felt flat. that's wasn't really any explanation except for like a sentence. and I guessed who it was. I liked the setting of the college. overall, I think this book was ok, there were parts that I really enjoyed, and parts that felt flat.
”Oh, great, I’ll be living with a demonic painting for the foreseeable future. What could possibly go wrong?"
DNF @ 50%
Serial Killers! Art! This combined two of my favorite things. Then the author goes even further and connects the two. I dropped dead on the floor. I felt as if my year was going to be made. Sadly, this didn’t do anything for me.
This had a really strong start with the finding of the painting and then death. I was hooked but after that it felt as if I was walking in a field of molasses with some boring flat characters. New characters were popping up all the time and they were all the same. You know they all eat dry biscuits with no drink. They don’t season their chicken.
As of right now, this wasn’t for me. I think younger readers will eat this up. It’s just not for this old head.
Paint Me Like Your Dead Girls is such a page turner! Murphy combines investigative journalism, art history, tarot, all with a little bit of horror to create this exciting, suspenseful story.
I loved the pacing of this story! I enjoyed how the story slowly unravelled with Fliss’ investigation and how we got to see the steps she took to discover the truth — from the newspaper ads, to deep internet searches, to old library archives…
I liked the mixture of perspectives and how we got to get a glimpse of the women who unfortunately ended up as the subject of the portraits. We got to see their humanity before a killer tried to take it from them.
I didn’t really enjoy any of the romances and I think the book could have done without them. Her friendship with her best friend Izzy was enough, and I wish that had a little more focus than anything else. Their relationship felt very real, with the ups and downs, but with the love always there.
Overall, I really enjoyed this! Such a page turner.
Thank you to Penguin Random House UK Children's | Penguin for the e-arc
Thank you to the publisher and Netgalley for approving me to read this book, I’m rating it 3.75 rounded up to 4.0 stars.
I enjoyed this YA thriller that kept you hooked on the clues and moved in a fast paced manner. The story follows Fliss at its core, but we get a couple other pivotal characters, I liked the dynamics and the who done it energy throughout.
I really didn’t guess who the culprit would be, I do think the reasoning everything unfolded made it fall slightly flat for me personally, but I enjoyed the journey. Fliss is quite the detective and I’d love to see the character in another story.
An interesting thriller that’s plenty of fun for fans of true crime but maybe a few too many red strings to keep track of.
After finding a fifth painting that may belong to a set featuring four unknown dead women, Fliss is determined to give them back their names but when a series of unfortunate events leads her to question the if the paintings truly are cursed she finds history repeating itself with new victims and plenty of suspects.
Lots of good here but also so so much that I got a bit lost at the end thinking I may have accidentally skipped ahead and missed pieces of the story.
I really enjoyed the historical true crime component and the little tidbits in full point of view of the original victims and finally their killer. Those quick beats really helped build this feeling of dread when you caught on to the similarities surrounding their unfortunate endings knowing they were just trying to make a name for themselves only to be lost to history at the hands of a deranged killer. I think the lore surrounding the paintings that to some extent both erased and immortalized them was super cool and Hannibal level like creepy with the inclusion of gore I will leave out for spoiler sake.
That being said I think the modern day mystery was very underwhelming. As always I like to try and figure it out before the main character does and in this it sets up a few good red herrings but ultimately I had to go back because I found myself unsure as to which character was which. It’s so underplayed that I think if someone told me it was switched from this arc to final publication nothing would really have to be changed except the printed name in dialogue. There’s an interesting element of tarot and fortunes that could have been really cool to play with but ultimately it feels more like another thing to add aesthetic as it gets jumbled up with paranormal/ritualistic layers for motive that worked find on its own, at least for the historical section but for modern day it doesn’t hold the same weight so it seems sort of like a lot of work for nothing.
I think this has so many good ideas but needed to be two different stories. There’s so many characters , and none that are really great or stand out to ground the story , and so much lore that it feels heavy yet fleeting at the same time. I can’t explain it in a way that doesn’t offer contradictions but ultimately my rating is for The Four without them this wouldn’t even get two.
**special thanks to the publishers and netgalley for providing an arc in exchange for a fair and honest review**
Thank you, as always, to NetGalley, Random House Children’s, and Delacorte Press for the ARC! All opinions below are mine.
Art often imitates life. And Fliss Keller is beginning to understand that it can be true in even the worst ways in a book that is perfect for fans of Holly Jackson’s series “A Good Girl’s Guide to Murder”.
“Paint Me Like One of Your Dead Girls” introduces us to Felicity “Fliss” Keller. An aspiring crime journalist who is spending two weeks in her hometown while attending a college summer program, and housesitting with her best friend while her Art History professor dad goes on his honeymoon with his new wife.
When Fliss uncovers a lost painting at an estate sale, her father buys it immediately before his trip. The intent? To display it with its four counterparts at the university gallery; The Four, a series of paintings of victims of a 1900s serial killer-painter, and now the long lost self portrait of the killer that Fliss found by chance.
Then, a young woman is murdered the night the self portrait is displayed for view, and Fliss begins to suspect that there is a copycat killer on the loose. In order to catch them, she must uncover the mystery of The Four, all while trying to stop the copycat from replicating the rest of the paintings.
I will say, the title immediately got a laugh out of me. I immediately liked the protagonist, Fliss, and she definitely reminded me of Pip from the GGGM series. I also loved her best friend, Izzy, and both characters felt well developed while also serving as an excellent example of an opposites attract sort of friendship. Plus it turns out that this dynamic serves to help Fliss later on in the process of solving both sets of murders.
The paintings also felt like a protagonist as well, especially when we begin to get a chapter dedicated to each victim as Fliss discovers their identities. I loved those, and the fact that they were sprinkled in later in the story was an excellent way of giving the audience some foreshadowing and explanation.
The twist at the end was a total surprise, and I loved it. It kept me guessing until the few pages before the reveal. I think Murphy did such a fantastic job of weaving the history of the paintings with the copycat killer, along with the final exposition.
Overall, this was a super fun read, and I can’t recommend it enough for anyone who likes a good mystery-thriller. Especially if you also happen to like art or art history.
This was a quick, fast paced read, but I think that was a hindrance to what had potential to be an incredible mystery book. The story was short, so there wasn't much character development, and the focus seemed to be on the wrong things, often on specific details in a room, or the food the characters were eating, which had no effect on the plot. I did really enjoy the research project the main character did, I love when mysteries have a teenage sleuth solving a cold case and seeing the history of the paintings and the pov of the women within them was interesting, and a nice tie back to the plot, but felt the focus wasn't always in the right place, especially since there was a copycat killer on the loose.
The plot was original, and one of the main reasons I picked up the arc. The book was reminiscent of old supernatural (that one episode where the haunted painting comes to life) and criminal minds episodes, but would have loved if the story leant into the dark academia setting more, as the writing and execution felt a little underwhelming. The target audience felt unestablished, and may have been why some moments felt really mature, but then conversations between characters would read very childish, almost like the author was hesitant to make the story too dark, or push too much into the cursed painting theory, despite the paintings literally being made out of the victims.
There was a lack of suspense throughout the story, and that really damaged the pacing, whilst the chapters were short, there never felt like there was any real danger, and the main character was just reading about these scary things on her computer, not stumbling across them in real life, and again, with the lack of character development, the reveal felt underwhelming and a little... pointless? There didn't seem to be any motivation or reasoning other than wanting their art to make them famous.
Despite this not being my favourite book from the author, I do still think it was a good read, and again, happy to have found a YA mystery with such an original, interesting plot idea.
Thank you to Netgalley for a digital copy of this book in exchange for an honest review.
This book follows are main character, Fliss, who is a 17 year old doing a summer trade/art program at the university that she plans to attend one day. She is passionate about becoming a crime journalist and work on cold cases. The entire novel takes place on campus of this university.
The book starts out with her dad and step mom getting ready to go on their honeymoon. They swing through an old professors estate sale where Fliss discovers a painting that possibly was done by a serial killer. This sends her on a spiral of trying to uncover the names of his victims. However, this discovery seems to have spurred someone to start reenacting the original murders right on campus and Fliss and her friends are all in the middle of the death and mystery.
I really enjoyed my time with this book. I believe it is technically young adult, but it has the vibe of a freshman in college/university. The pacing felt consistent and medium speed. There was always something to keep me interested and thinking of the mystery even when I wasn't reading the story. It really made me feel like I was reading a YA true crime novel. Like Michelle McNamara's I'll Be Gone In The Dark for a younger generation and set in the art gallery world.
The "true crime" solving aspect felt realistic and the back and forth with her best friend, who hated anything about crime, felt authentic (and had all the older teenage angst of being on their own for the first time). The fact that there were murders happening and no parents present made sense. The author gave realistic reason for it. I had to suspend my disbelief with the ending a little bit, but it was still a fun ride.
I would definitely recommend this book to anyone interested in suspense crime and new adult novels. I would also happily read more by this author.
This book was absolutely giving A Good Girl's Guide to Murder to me, what with Fliss' interest in true crime and her finding herself wrapped up in a murder mystery of her own volition. I think, though, the pacing was a little bit off. The story didn't really start to pick up till about halfway in, which made the story from ~30%-50% a little slow. The pieces were all there for Fliss to put together, but there was a lot of 'telling' not 'showing' in terms of her going to the creative arts classes and throwing the party -- those were all important in the grand scheme of things but felt a little slow within the context of the mystery.
I do think the mystery itself was super creative though. I loved the way that the art was woven into the story of the murders. The whole notion of painting victims in the vein of tarot cards and then having those paintings (and, by extension, the victims) be recreated with new modern day victims was a truly original story, as far as I'm aware. I also think that interspersing the story with the four chapters dedicated to the four original victims was really smart. Having each of their stories be at a different point in the killer's process, too, was really interesting -- the first victim being chosen, the second being taken to the secondary location, the third being killed, and the fourth after death. I thought that was really intriguing and absolutely kept me interested in the story.
I just wish that there was a little bit more of a story after the murder mystery itself wrapped up. Having even one more chapter with Fliss (and her dad and Izzy and whoever else) would have been a slightly better ending, I think, than just closing the book out with the 'article.' It just felt like a little bit of an abrupt ending, in my opinion.
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Thank you to Netgalley and Random House/Delacorte Press for the ARC!
Paint Me Like Your Dead Girls By Cynthia Murphy Pub Date: 23 July 2026 ★★★★★ Paint Me Like Your Dead Girls was an absolute five-star read and easily one of the most addictive YA thrillers I’ve picked up this year. Cynthia Murphy delivers a dark, clever concept that immediately hooked me—serial killer artwork, hidden secrets inside a painting, copycat murders, and the possibility of a curse? I was completely sold from chapter one. The mystery was incredibly well paced, constantly revealing just enough information to keep me guessing without giving too much away. Every time I thought I had figured things out, another twist completely changed the direction of the story. Fliss was such a strong protagonist. Her determination to uncover the truth made her easy to root for, and I loved that her passion for crime journalism added another layer to the investigation. She felt intelligent, driven, and realistic throughout the story. What really stood out was the atmosphere. There was this constant sense of unease woven throughout the book, and the connection between art and murder made everything feel even more sinister. The idea of victims being recreated through paintings was genuinely creepy and incredibly original. The final twists completely caught me off guard, and I genuinely could not put this book down during the final chapters. If you love dark YA thrillers, serial killer mysteries, small-town secrets, and books that keep you guessing until the very end, this absolutely deserves a spot on your TBR. A chilling, twist-filled thriller that was dark, original, and impossible to put down. Cynthia Murphy absolutely delivered with this one. #BookReview #PaintMeLikeYourDeadGirls #CynthiaMurphy #ThrillerBooks #YAThriller #BookTokBooks
Thank you to NetGalley and the publisher for providing me with an ARC in exchange for an honest review.
Cynthia Murphy delivers another twisty YA thriller with Paint Me Like Your Dead Girls, a dark and atmospheric story set against the eerie backdrop of a prestigious art school.
When the protagonist arrives at the elite academy, she quickly realizes the school holds more secrets than prestige. Girls have gone missing, rumors swirl through the halls, and unsettling artwork begins to blur the line between inspiration and obsession. As the mystery unfolds, the tension builds steadily, pulling the reader deeper into a web of secrets, manipulation, and dangerous ambition.
Murphy does a great job capturing the competitive, almost claustrophobic environment of an art program, where creativity and pressure collide. The unsettling imagery and themes of art, identity, and control add an extra layer of intrigue that makes the story stand out from many YA thrillers.
The pacing is quick and engaging, with short chapters that keep the pages turning. While some twists felt slightly predictable, the suspense and atmosphere more than make up for it. The cast of characters is compelling, and the shifting trust between them keeps the tension high throughout.
Overall, Paint Me Like Your Dead Girls is an addictive read that will appeal to fans of dark academia, YA mysteries, and psychological thrillers. If you enjoy stories filled with secrets, art, and dangerous rivalries, this one is definitely worth picking up.
PAINT ME LIKE YOUR DE*D GIRLS by Cynthia Murphy (July 21, 2026)
Thank you Netgalley, RHC, GetUnderlined, and Delacorte for the eArc
After the uncovering a painting at an estate sale, a series of m*rders begins. Fliss Keller, an aspiring journalists, begins investigating the crimes in hopes of solving the mystery before another victim is claimed. PAINT ME LIKE YOUR DE*D GIRLS is a YA m*rder mystery that is artful, intriguing, and features a dual-timeline that offers insight into Fliss' investigation into the painting, the m*rders, and everything inbetween. Admittedly, it did take me a moment to really get into this one (mainly, though necessary for the book, the first chapter was a little slow for me). Everything picked up, as I knew it would since I've read all but one of Murphy's books (nothing will ever top THE MIDNIGHT GAME---if you're reading this please expand on that universe, that game, with another book). This surprised me. As someone who has studied art history, taken countless years of art classes, I was able to appreciate the art of this---as well as the mystery, of course. Speaking of mystery. This played out so nicely. (Is that the word?) Once Fliss' investigation took off, I could not put this down. She uncovered so much, and I had to know the whodunnit. I had a bit of a theory that sort of clicked halfway through. Suffice to say, I was...absolutely 100% wrong. Like so very wrong. PMLYDG is shocking and fast-ish paced. I'm already ready for Murphy's next book.
A huge thank you to NetGalley and the publisher for providing me with an early copy of Paint Me Like Your Dead Girls by Cynthia Murphy in exchange for an honest review!
Overall, this book was a bit of a mixed bag for me. I didn’t love it, but I definitely didn’t hate it either. It landed comfortably right in the middle, making for a solid read that kept me entertained even if it didn't completely blow me away.
My favorite part of the story was definitely the investigative journalism aspect. Following the digging, the research, and the uncovering of secrets brought a fantastic layer of suspense and procedural grit to the plot that kept me turning the pages. Cynthia Murphy does a great job of building an eerie, tense atmosphere that makes you want to solve the mystery alongside the protagonist.
Where the book fell a bit short for me was the character development and the relationships. I just wasn't able to truly connect with the characters as much as I would have liked, which made it hard to fully invest in their personal stakes. I really wasn't a fan of the romances established in the story; they felt a bit forced and took away from the excellent tension of the thriller plot rather than adding to it.
If you are looking for an atmospheric, suspenseful mystery with a great journalistic hook, I’d still recommend giving this one a try! While the romance and character depth didn't quite click for me, the investigative plot line made it a worthwhile ride.
3.5/5 A creepy art mystery with fascinating flashbacks, but a slower pace than I usually prefer.
Thank you to NetGalley and the publisher for the ARC!
“Paint Me Like Your Dead Girls” ended up being more of a slow-burn than I normally go for, but I still found myself enjoying it overall.
One of my favorite parts of the book was the flashbacks connected to the original paintings. Those moments added a really eerie and intriguing layer to the story, and I always looked forward to those sections when they appeared.
The pacing, however, was slower than I typically prefer. One thing that didn’t fully work for me was how detailed Fliss’s internet searches were. I understand the intention behind it, but reading through every single search term started to feel repetitive and slowed the momentum even more.
I also wish we had gotten a little more after the ending. I’m not a big fan of unfinished endings, and I would have loved to know more about what happened next with the characters. I finished the book with so many questions and really wanted just a bit more closure.
Even with the slower pacing, the mystery and eerie atmosphere kept me interested, and I’m glad I stuck with it.
If you enjoy art-centered mysteries, creepy undertones, and slower-burn suspense, this one might be worth checking out.
Насправді книга змусила мене замислитись. В США коли людина помирає та у неї нікого немає, то її речі виставляють на аукціон. Я от хз чи у нас так роблять. Це був ліричний відступ. Про книгу. Що ще може сколихнути маленьке містечко ніж знахідка картини (як виявилось маньяка) та звісно ж фанатік, який вирішив повторити вбивства. Вцілому усе вийшло в стилі підліткових детективів. Поліція десь там на фоні, гг вставляє відсилки на сучасні фільми, усе як треба. Розслідування звісно далеке від показного детективного. Скоріше це нагадує "у мене є гугл та мізки" і це прекрасно. Бо все таки фокус у нас на цих студентах, а не офіцерах. Чи вгадала я хто головний підарас? Ноуп. І за це теж плюс, бо кінцівка змусила мене думати "а нахера це тобі". Люблю, коли детективи змушують мене ворушити мізками. Але водночас є моменти, коли авторка трохи втрачала мій інтерес. Були моменти, коли книга відверто просідала і я не хотіла далі читати і закривала її (для детективів це дивно). Я зсилаюсь на те, що завжди важко вести розслідування коли з підручних матеріалів гімно та палки. Але взагалі ідея того, що я маньяк який малював своїх жертв і десь залишив таємний автопортрет — класна. Тому авторці плюс за ідею, плюс за достовірних геро��в (в 19 років якраз і віриш що схопиш Джека Різника) і вцілому за книжулю
Paint Me Like Your Dead Girls by Cynthia Murphy completely took over my day. I flew through this in basically a single sitting because once Fliss starts digging into the mystery surrounding The Four, I genuinely didn’t want to stop reading. This feels very “summer between high school and college,” and I think that context really matters when looking at the characters, their motivations, and some of the impulsive choices throughout the story.
I loved the art-meets-murder aspect of this book, especially the specific artistic elements tied into the mystery. I won’t say more because I think discovering that yourself is part of the fun. It scratched a very similar itch for me as A Good Girl's Guide to Murder, and I was completely locked into both the original Four murders and the current-day mystery surrounding Fliss. I also guessed the wrong killer entirely, which honestly just made the experience better for me.
I really appreciated that this stayed firmly YA without trying to force itself into feeling more “adult” for shock value. It trusted the story it wanted to tell, and for me, it absolutely delivered. By the end, both mysteries felt satisfying and complete, and honestly? I just wanted more time in this world and with these characters.
Thank you to NetGalley and Delacorte Press for the eARC. Paint Me Like Your Dead Girls publishes July 21, 2026.
📚 Paint Me Like Your Dead Girls 🖋️ Cynthia Murphy ✨ Standalone 🏛️ Publisher: Delacorte Press
🖤 One phrase: creepy art girl thriller with killer muse energy.
An aspiring crime journalist, a possibly cursed painting, copycat murders, and a serial killer mystery tied to art history?? Yeah, this sounds exactly like the kind of YA thriller that could eat me alive. What makes this one stand out is the setup. A lost self portrait falls apart and reveals evidence that the artist may have painted his victims. That is so dark, so dramatic, and so deliciously unhinged. My favorite part already is the whole murder as art angle because that has so much potential to be eerie and addictive.
It feels like the kind of book that could be fast, twisty, and just a little unsettling in the best way.
✨ Tropes & vibes 🎨 cursed painting vibes 🔪 copycat murders 🖤 aspiring crime journalist 🕯️ eerie small town mystery 😱 horror tinged YA thriller 🩸 killer muse energy 📖 Read this if you like 📚 twisty YA thrillers 🎨 creepy art centered horror 🔍 amateur sleuth energy 🖤 dark mysteries with a dramatic hook
This one has future obsession written all over it.
Thank you to Netgalley for allowing me to read this arc. It's not one I will soon forget.
It started out a tad bit slow, but that could have just been me. I thought the social aspect between Fliss and others came across rather odd and forced. Maybe its part of her character but it was stuffy, not as fluid as it could have been. I found it SO weird that she prepared for a "party" as if it was a rager when they just had 5 friends over, going out of her way to lock up valuables and the bedrooms.. also Noah uses the words "precious child" in one of their private conversations and it came across extremely cringe instead of heartfelt. BUT I LOVED the time jump scenes. I LOVED learning about the original victims and certain connections and the murder mystery aspect was just ✨️ spot on ✨️ By the end it was a really rather good and if youre thinking about a dnf I recommend sticking it out. Fans of Scream or maybe even A Good Girls Guide to Murder will most likely enjoy this read.
Side note: Ancient 90s show called BAYWATCH 😭😅 I'M ONLY 29 you don't need to ruin it for me with terms like ancient
Thank you to Netgally and the publishers for an advanced copy of this book!
Going into this story, I didn’t realize that it was a YA thriller, so I’m not going to critique that aspect too much. There were some exchanges between characters that seemed on the immature/cringey side, so just be aware of that before starting the book.
The premise/plot of this story was original and intriguing- a serial killer who painted his victims. The paintings then gained notoriety and were given the name “The Four”. When the mysterious fifth painting (the self-portrait) resurfaces, murders mirroring The Four begin to occur. 17 year old Fliss makes it her mission to uncover the original murders and stop the copy-cat killer.
The story itself moved a little slow at times, but had me flying through the last 25%. It was a quick and easy read that kept me engaged throughout the book. I really enjoyed how the author gave snippets of the original victims’ point of view- I felt like that gave the story more depth. As mentioned earlier, be prepared for stereotypical teenage girl behavior/language throughout the book.
If you enjoy art and thrillers, this may be the book for you!
Thank you to Netgalley, Random House, and Cynthia Murphy for the advanced copy!
I've been in a bit of a reading slump (between reading depressing literature and being busy with life), I wanted to have a light read that was entertaining. This book did a great job of getting me out of this slump! Plus, I am partial to a thriller.
We follow Fliss Keller's journey after she uncovers a troubling painting at an estate sale with her father. It turns out this painting is renowned due to its links with "The Four" - a group of four gruesome paintings of unknown origins. After witnessing the first death in her father's art gallery, Fliss works to uncover what is really going on with these paintings. Is it a curse or could it be something else?
I was not expecting the ending and I was pleasantly surprised!
One thing I want to note - I found the modern references to be a bit much, but I suppose it's a personal preference. It really dates the book, hence why I prefer to abstain from too many modern references.
This was such a cool concept and I really wish is took off and amazed me but it fell flat. I know that our main character is 17 so I expect her to be a little nieve but when she knew she wasn't the best at something she either felt whiny about, overly cautious, or straight up ignored a things. Like shes in a summer college program that not just anyone can be enrolled in amd she skips a bunch of the class because shes not good at the topic but tells the teacher sje need the time to work on the big project. The miss lead on who the killer is was nice I almost didnt get it right. Oh but I dont understand why some of stuff was even mentioned in the book like why did we need to know Ford has a connection to the museum??? And I didnt really feel like we needed to know about the back and forth between mom and dad or Izzys mom. It seems to be put in so randomly sometimes. Any way I thought it was a good book it just kind of felt like it was written for middle grade but the murders where too gruesome so the had to up the age range.
Thank you to Netgalley and the publisher for letting me read this arc
Here in this mystery thriller we meet fliss who wants to become a crime journalist, during this time she moves to stay with her dad in which he unknowingly buys a rare painting, during her time alone the painting falls off of the wall and reveals the secrets of the painting and the sudden murders.
I loved the way this was written and how we could see fliss discover the real truth about the serial killer and his victims and how she works through anything to get the real story without trying to end up like the girls in the paintings.
However the plot twist at the end had me hooked and I really wasn’t expecting that at all, it definitely gave the same vibes as a good girls guide to murder and I would definitely recommend.
Overall I would have loved to see a lot more of a friendship with her and Izzy and to see how she got on with her family once her dad came back home and her mum and their family as well didn’t get to see much.
True Crime Obsession Cursed/Dark Art Small town secrets Ya ☠️ mystery/thriller Forbidden dangerous arts Suspense
A 20th Century murderer who terrorized women in NYC. Then we Fast forward, and now we have a copy cat killer after the mysterious self portrait of the artist himself resurfaces. We follow Fliss Keller's journey after she uncovers a troubling painting at an estate sale with her father. Turns out this painting is renowned! due to its links with "The Four" - a group of four gruesome paintings of unknown origins. After witnessing the first ☠️ in her father's art gallery, Fliss works to uncover what is really going on with these paintings. Is it a curse or could it be something else? I enjoyed the suspense, I was not expecting the ending and I was pleasantly surprised by that ending! Loved the plot. It started a bit slow but picked up as you go along and I wanted to know!! Loved learning about the original victims, the time jump scenes! I’m glad I sticked out this read!
So this was a really interesting concept the idea of paintings who are clearly of women that were killed by a serial killer but no one who knows who he is or even who they are. When the fifth painting of the serial killer arrives out of nowhere, the story is set for our young detective to try to solve who is the serial killer and who are the women in the portraits. However, before she can really even begin that new bodies start piling up of other young people who have seemingly be cut down in the same way.
I thought the storyline was interesting. I just thought that it was really slow. It took me several days to read this book when normally it should’ve taken one or two. It felt like there was a lot of back-and-forth on stuff that didn’t really feel necessary to the reader, but overall, I think the concept is really interesting and the discussion of how you separate art from the person who made it is always an interesting one, especially in 2026.
Paint Me Like Your Dead Girls was a fast-paced YA thriller with an intriguing premise and a twist I genuinely didn’t see coming.
The murder mystery aspect kept the tension building, and I enjoyed how the story slowly unravelled as Fliss tried to solve the murders before she became the killer’s next target. The connection between the paintings and the crimes made this a definite page-turner.
That said, while there were parts I really enjoyed, some moments felt a little flat and didn’t fully land for me emotionally. I wanted a bit more depth from certain characters and relationships, especially considering how strong the premise was.
Overall, this was an entertaining and atmospheric thriller, and I’d still recommend it to YA mystery/thriller fans.
Thank you to Cynthia Murphy, NetGalley, and Delacorte Press for the ARC.
A big thank you to NetGalley for this ARC. I really wanted to like this book because I have loved every other book from this author. However, this book was so slow and boring. I will preface by saying I do not really enjoy art, but I didn’t think that would impact my enjoyment of this book.
I didn’t love the characters and felt like there was no character development throughout. I was about 50% in when I realized that almost nothing had happened the entire book. It took me two weeks to get through this book and I ended up skipping large portions just to finish. Nothing notable happened during those portions, which let me know that the plot was barely developing.
I wouldn’t recommend this book because of how slow it is and the poor character development. I also didn’t like the ending or “big reveal.”
As I started the book, I got a little nervous when I saw it classified as YA. So many times, YA novels just seem too juvenile: puppy dog romance and shallow main characters. I was pleasantly surprised that this did not read like a typical YA novel. The MCs interest in behavior analysis and criminology made her seem mature beyond her years.
The occasional trips back in time to understand the subjects of the paintings and the artist were an interesting touch and overall the book kept me interested.
I was not overly thrilled with the ending. Somewhat predictable but that doesn't seem to be the main issue. It was more about the motive. Maybe we needed more explanation or clarification?
Thank you NetGalley for a chance to read this book!
This was an interesting ride for me, for one it was fun and quirky and a totally new idea. Loved the campus setting and the backstory of the paintings. It was shocking at times. However, the characters kinda fell flat for me, which is odd because there really weren’t that many. And then the ending was a little unbelievable, but it wasn’t bad per se. I don’t know, interesting concept but wasn’t my favorite Cynthia book. The flashback concept was well done!
(I didn’t suspend my belief that the parents didn’t care to show up lol I get it though for YA purposes to leave the kids to their own devices)
Maybe I wasn't the correct demographic for this book, but as an adult who does frequently read and like YA books, I had some serious issues with this one. The number of little details that didn't need to be in the book, like the wobbly lines she made with her pen while taking notes, the little tangent she had about hating that she uses tote bags, and the inclusion of the Tarot cards. Too much of the book was focused on the teenagers' daily lives instead of her actually researching the crime, and the paintings. None of it fit together well, and all of the pieces felt like they were forced together. The suspect reveal was also a what? why? That makes no sense.
This is a really great book for Teens and Young Adults and even though I am way over that group (lol) I have to say that I recommend if you want a refreshing read. This is a very well told suspense thriller with all the twists and turns you would want. "Fliss" and Izzy are front and center with all the everyday life things going on as well as this murder mystery they get mixed up in! It dives into intrigue, romance (just a little), teen friendships and so much more! Pick up and read it! You won't regret it!
I received an ARC copy of this book. I am voluntarily giving an honest review of this book.