Divided into three parts, Michael Trocchia’s debut collection of verse is a lyric study on the forms of fate, a haunting discourse on the linguistic fractures between one’s self and substance, and a set of shimmering images and meditations on the constant “guesswork” of understanding the world within us and beyond. The immediacy and sonic play of these poems are met by what is their gravity of thought and, in some, their philosophic irony. Attending to both the magic and logic of our language, Trocchia's poetry draws the two together, renewing the wonder of existence with greater clarity.
Michael Trocchia grew up on Long Island and currently resides in Staunton, Virginia. His poems and prose have appeared in journals such as Mid-American Review, Camera Obscura Journal, Asheville Poetry Review, Open Letters Monthly, Tar River Poetry, and Prick of the Spindle. He was a finalist for the 2013 Marsh Hawk Press Poetry Prize.
At first I was going to write reading this book was like meditating, but it is more like climbing down a ladder that has one side removed. With stark enjambment and extraordinary concision, these poems require concentration but also fill the reader with anticipation--what surprise does the next line bring? "A fine death/lines the river-/man's throat/song;" I wanted to give you/the odor of ruined/gods." Clearly the work of a writer who ceaselessly studies the craft of poetry and honors the material of language, the book is an education in parts of speech. Trocchia's training as a philosopher shines through, but in poem like "The Metaphysician Goes Home" ("I began life with a haircut,/new shoes.") his playfulness keeps the poem buoyant. In "Without Reference" the speaker takes away the names of things, a basket full of "Cypress/ and Fig, Muscle-/wood and Pine…Downstream a doe drank consonants." A beautiful book.