When Walter seated himself beside Oona in the boat, and Hamish pushed off from the beach, there fell upon both these young people a sensation of quiet and relief for which one of them at least found it very difficult to account. It had turned out a very still afternoon. The heavy rains were over, the clouds broken up and dispersing, with a sort of sullen stillness, like a defeated army making off in dull haste, yet not without a stand here and there, behind the mountains. The loch was dark and still, all hushed after the sweeping blasts of rain, but black with the reflections of gloom from the sky. There was a sense of safety, of sudden quiet, of escape, in that sensation of pushing off, away from all passion and agitation upon this still sea of calm. Why Oona, who feared no one, who had no painful thoughts or associations to flee from, should have felt this she could not tell. The sense of interest in, and anxiety for, the young man by her side was altogether different. That was sympathetic and definable; but the sensation of relief was something more. She looked at him with a smile and sigh of ease as she gathered the strings of the rudder into her hands.
Margaret Oliphant Wilson Oliphant (née Margaret Oliphant Wilson) was a Scottish novelist and historical writer, who usually wrote as Mrs. Oliphant. Her fictional works encompass "domestic realism, the historical novel and tales of the supernatural".
Margaret Oliphant was born at Wallyford, near Musselburgh, East Lothian, and spent her childhood at Lasswade (near Dalkeith), Glasgow and Liverpool. As a girl, she constantly experimented with writing. In 1849 she had her first novel published: Passages in the Life of Mrs. Margaret Maitland which dealt with the Scottish Free Church movement. It was followed by Caleb Field in 1851, the year in which she met the publisher William Blackwood in Edinburgh and was invited to contribute to the famous Blackwood's Magazine. The connection was to last for her whole lifetime, during which she contributed well over 100 articles, including, a critique of the character of Arthur Dimmesdale in Nathaniel Hawthorne's The Scarlet Letter.
The continuing story of a man's struggle within himself. The good and evil represented by a beautiful, pure woman and a long ago ancestor who argues not for obvious evil but for second best, power and gain, position and wealth.