Song of Spores

by Bogi Takács

Hugo Award winner Bogi Takács spins a tale of adventure, mystery, and political intrigue in space. Plus sentient fungus!

Three experienced counterintelligence operatives from Alliance Treaty Enforcement are on a mission to find the source of shapeshifting infiltrators within Alliance space. Will the gruff Ereni commander, the Chasidic Jewish shapeshifter, and the cynical insectoid grandma be able to work together? Or will their differences drive them apart before they can reach their goal?

Not to mention dealing with the sentient spaceship and symbiotic pilot, who only signed on to provide transportation, not to be eaten by giant space fungus. Are they even on the right side of history when everything comes crashing down?

Can the galaxy possibly survive? This is weird space opera at its finest!

Genres: Fiction, Science Fiction, Science Fiction Fantasy, Queer

266 pages, Kindle Edition

Published November 2, 2025

About the author

Bogi Takács is a Hungarian Jewish author who writes short-form speculative fiction, poetry, nonfiction and weird unclassifiables. Eir work has been published in a variety of venues like Clarkesworld, Strange Horizons, Apex, Lightspeed and more.

Reviews

[Bogi Takács]

I wrote it! This is the updated, expanded version of the webserial I was doing for the Broken Eye Books patreon. Novel-length & with many unexpected turns; also with queer, trans, intersex characters. Coming November 2025! (G-d willing, but there are already advance copies. Let me know if you're interested!)

[Sam · Rating 5 out of 5]

Disclaimer: I received an ebook-copy from the author.

This mystery/space opera follows a group of investigators as they are called to a space station to investigate a potential case of sabotage. Genderfluid, bigender, jewish shapeshifter Dovber/Dovra, intersex nonbinary pilot Mawu, insectoid and soon-to-retire Alliance Counterintelligence officer Hlaz-mlan and member of Ereni security Anayāun find themselves caught up in something much bigger than a simple act of sabotage as they are infected with a sapient space spore and the agency they work for attempts to destroy them in order to cull the spread. Part of the story is also set on Eren, a planet I already got to know about in Takac’s short stories in Power to Yield and Other Stories. It was really interesting to return to the planet and see it through fresh eyes and different perspectives, this time that of a prospective immigrant and a member of the culture, who through psychic connection is tasked with speaking with and for another group altogether.
I really enjoyed how the various perspectives in the main group switched around, which allowed me to understand the perspective of each character better and it was interesting to see how they influenced each other’s actions and thought about the other characters.
I also loved the way shapeshifting was employed in this narrative, functioning as a form of gender affirming care for the genderfluid character, that allowed Dovber/Dovra to express his or her identity as it changed and in a variety of ways as well as be better at his or her job instead of the thing that “caused” the genderfluidity.
One final thing I quite liked were the aspects of communication and language, how various ways of communicating (verbal, through sign language and telepathic) were portrayed and they were really intriguing to read, especially since a rather big part of the story is about communicating needs and desires and possibly forming alliances. People with different cognotypes are present, as well as people who make decisions in groupminds
All in all, this is a really interesting sci-fi story that examines religion, queerness and neurodiversity and I would recommend it to fans Bogi Takác’s other works, if you enjoyed A Half-Built Garden by Ruthanna Emrys, especially for its slower paced communicative aspects and discussions of how to proceed as a society and enjoy dense sci-fi worlds that give readers plenty of worldbuilding to dig into.

TW: infection, attempted murder, discussion of mass murder, state violence, transphobia, weapons of mass destruction

[Mel · Rating 5 out of 5]

I loved this! The characters especially. An insectoid grandmother. Two trans characters, one Jewish, one intersex both from oppressive religious planets. An over mind that wasn't part of the insectoid race. Sentient mushroom hive minds. And a great space adventure. Definitely recommended for all queer SFF fans! (And straight people should read it too)

[Laura · Rating 3 out of 5]

Song of Spores follows a multi-species team of counterintelligence operatives who are rather unlikely – described as ‘ragtag’ – as well as their pilot, whose consciousness is linked to that of the sentient ship. What begins as an investigation into what might be sabotage takes numerous twists and turns and ultimately becomes a story about power, the dynamics of large organizational entities (including but not limited to minds of a planetary scale), and communication across difference.

I picked this up on the basis of having really enjoyed the author’s short fiction. I liked a lot about it – the diverse representation shines, complex themes are well handled despite the novel’s short length, and the characters are memorable. There is a solid balance between character development and forward plot momentum. It’s a fun read that asks some interesting questions.

This is a novel that was originally published in serial form over the course of several years. I think that the elements that didn’t quite work for me may derive from this. There were a few segments that felt like unnecessary detours that could’ve been left out, and in a few places the shifts from one scene to the next felt disjointed. There were a few concepts in the world-building that I would’ve liked to have a better grasp of.

Content warnings: transphobia, queerphobia, colonization, mentions of war

Thank you to Bogi Takács, Broken Eye Books, & NetGalley for providing me with an ARC to review.

[Amanda · Rating 3 out of 5]

This has a kind of incomplete feel to it, with chapters—and sometimes even scenes—not seeming organically connected to each other. The characters also have that unfinished quality, reading more like a couple of traits stuck together instead of fully realized characters.

I do think the story is interesting and there's the potential for something really good, but I think it needs a rewrite to make it shine.

Received via NetGalley.

[Ian Mond]

My review of this delightful, entertaining, sentient fungus inspired novel can be found in the November 2025 issue of Locus.

[Peter · Rating 3 out of 5]

A team of Counterintelligence operatives share a sentient starship, including a genderfluid Jewish shapeshifter, an insectoid alien captain, an operative on loan from another culture with strong cultural inhibitions against lying, and their pilot, who is not actually an operative but has the ability to jump the ship and passengers across space to where ever their missions need them. What starts as a routine job to uncover a potential spy and saboteur turns weird when it turns out to be some previously unknown variety of fungal life that spreads through spores and that the counterintelligence team is spreading... but the life form is also intelligent and as such must be dealt with as a person, even if what it seems to want is to consume everything it finds. Some of their superiors want to merely destroy the threat, even if it means sacrificing any operative sent to encounter it.

I was able to read an advanced ebook edition of this for free via Netgalley, with implied expectation of a review. I don't think this affected my reactions, but full disclosure either way.

A bit of a mixed bag for me, sometime for things that are simply not to my tastes in science fiction. I did like the basic set of characters and the problem they're dealt with. I found myself particularly interested in some of the exploration of gender and how that conflicts with their more conservative upbringing, where even being a shapeshifter can lead to dysmorphia if the shape they' need to use isn't what they feel, and I enjoyed reading about the growing bond between them and the young pilot. There's some cool worldbuilding elements as well with different characters and societies, and as I said, I thought the basic plot had some cool potential to it.

Apparently the book was originally written in serialized form over Patreon, and it shows in terms of the plot meandering a little and not feeling tightly plotted and structured. This isn't necessarily a bad thing, but it does to tonal shifts as sometimes it's a straightforward spy op, then suddenly turns to n emergency, then first contact, then occasionally we dip into a little character bit where one character's sharing another around the homeland and then it swings back to one of the other styles again... all with the same set of characters. It still mostly works, but throughout I found myself not sure where the story was going and finding some element I liked just getting moved aside and perhaps never gotten back to as we shift gears again.

The other issue I had was with genre, and my own tastes within it. Mostly the book I'd classify as science fiction. Space Opera of course, but that's a wide spectrum that can run from mostly adhering to the laws of physics except maybe for a made up FTL system and a few other speculative technologies, right to science fantasy, and I generally like the more sci-fi oriented much more, and except for one element the book seems like it's on that side. Even the shapeshifting element is described in a context that makes perfect sense from a sci-fi concept. But there is that one element, and it's a biggie. It's enough of an element that... well, to use the example that's probably the most easily understandable, it's like The Force in Star Wars. In terms of its place within the narrative - like the Force, if you took this element out, much of the plot could still be salvaged but you'd need different motivations and some major scenes would need a lot of explanation or have to be removed entirely. It's also very much like the Force in that apparently it's some inborn quality some people have better control of or access to than others, and it can do outright magical things from our perspective. In fact, if you put "long distance space teleportation" into the Force's toolkit (and I'm sure someone in the expanded universe probably has, but here it's the primary feature people use it for) you almost might as well just imagine it actually IS the Force by another name. Unfortunately, for me, The Force is the thing about Star Wars I like least and so in this book, the similar element is the thing that, for me, makes it a much less interesting book than it might otherwise have been.

That said, it doesn't ruin the book, I still had fun with it and the author's definitely got potential and I'd like to see more from em. I might even want to read more if em did something more with these particular characters and this world. It just didn't quite hit the bullseye with my personal tastes, but still found enough in there that I'm glad I checked it out. I'd probably give it a flat 3 stars, which sometimes I feel sounds low but is a standard 'liked it' score by my reckoning.

[Clara Ward · Rating 5 out of 5]

Enjoy space exploration with different cognotypes and groupminds! I loved the modern twists on old space opera standards (e.g. differing prime directives and quoting others culture’s texts as a means to communicate). Several social observations were as relevant to this moment as to any far future (although the afterward points out they were timely during writing, three to eight years ago, and also in Communist-era Hungary). Overall, there’s lots to think about and revel in, with my main complaint being that I’d like more time with the characters, so I appreciate the author hinting “if I ever write a sequel…”

[A · Rating 2 out of 5]

I had really high hopes for this book. I've heard great things about the author and I love a queer scifi novel. However for such a short book, there were several POVs and it felt disjointed for that. I had a difficult time following what was happening. I usually enjoy books that throw you in and expect you to figure out the world building, but between the complex world building and disjointed narrative I was struggling. I stopped reading this at about 50%.