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Blow by Blow: The Jeff Beck Story
From the house authors of the critically acclaimed oral history on Eddie Van Halen, Eruption, a revealing narrative biography of legendary British guitarist Jeff Beck featuring brand new interviews with the icon himself as well as his famous colleagues, collaborators, and loved ones
With his shag haircut and white Stratocaster guitar, Jeff Beck was an icon known and loved by millions. Yet somehow, he maintained the ineffable low profile cool of a cult hero as he glided through six decades of musical trends with nary a lapse in taste. Not to say he ever played it safe. What other guitarist can lay claim to performing with opera star Luciano Pavarotti, mainstream television personality Kelly Clarkson, and professional degenerates like Guns N' Roses with equal grace and wit? Or as Beck himself once quipped, “I'm an awkward son of a bitch when it comes to doing the expected.”
In Blow by The Jeff Beck Story, Brad Tolinski and Chris Gill return to chart the unexplored life of rock's greatest and perhaps most enigmatic instrumentalist. Culled from approximately 30 hours of interviews with the late guitarist himself, numerous conversations with those closest to him, and extensive research, the book sheds new light on the genius that Jimmy Page once said, “shifted the whole sound and face of electric guitar music.”
With his shag haircut and white Stratocaster guitar, Jeff Beck was an icon known and loved by millions. Yet somehow, he maintained the ineffable low profile cool of a cult hero as he glided through six decades of musical trends with nary a lapse in taste. Not to say he ever played it safe. What other guitarist can lay claim to performing with opera star Luciano Pavarotti, mainstream television personality Kelly Clarkson, and professional degenerates like Guns N' Roses with equal grace and wit? Or as Beck himself once quipped, “I'm an awkward son of a bitch when it comes to doing the expected.”
In Blow by The Jeff Beck Story, Brad Tolinski and Chris Gill return to chart the unexplored life of rock's greatest and perhaps most enigmatic instrumentalist. Culled from approximately 30 hours of interviews with the late guitarist himself, numerous conversations with those closest to him, and extensive research, the book sheds new light on the genius that Jimmy Page once said, “shifted the whole sound and face of electric guitar music.”
400 pages, Hardcover
Published July 14, 2026
About the author
Brad Tolinski
178 books24 followersBrad Tolinski (born 1958) was the editor-in-chief of Guitar World Magazine for 25 years (1989–2015). He also served as editorial director of NewBay Media's music division, which also includes Guitar Aficionado and Revolver magazines. He then moved to Harris Publications as the editorial director of special projects, and then became editorial director of special projects for AMG Parade in New York City.
Currently he is a writer and author of several acclaimed books, His most recent release is 'MC5: The Oral Biography of Rock's Most Revolutionary Band,' out October 8, 2024.
Currently he is a writer and author of several acclaimed books, His most recent release is 'MC5: The Oral Biography of Rock's Most Revolutionary Band,' out October 8, 2024.
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Displaying 1 - 14 of 14 reviews
July 27, 2026
None of the Jeff Beck biographies I have read reveal a whole lot about his “inner life” — his thoughts about the course of his life, his relationships, etc. The “drama” of life. He was famously private, with only hints here and there about friendships, relationships, breakups, general ups and downs, etc. As Eric Clapton once remarked, he was always playing his guitar or working on his cars. That’s it.
You might think that Beck just wasn’t very introspective. But that would ignore the bottomless depth of expression in his music. Not in words. In music. Especially in the way in which he took the songs that others wrote and made them his own, his own expressions. He spoke with his guitar. Between the heartbeat rhythms of “The Pump” you can experience a lifetime of drama, triumphs, dreams, spirited ambitions, disappointments, and moments of peace.
It’s only fitting that, as his career progressed, his guitar spoke more and more fluidly, taking the place of, eliminating any need for lyrics and vocals. Listen to his instrumental renderings of songs like the Beatles’ “A Day in the Life” or Nitin Sawhney’s “Nadia,” or his take on classical opera with Puccini’s “Nessen Dorma.” Listen to the vocals first on the traditional recordings, and then listen to what Beck did. It’s astounding, heartfelt, and pure. And it’s as introspective as you could ever hope.
Tolinski and Gill are journalists, guitar junky journalists. Tolinski edited Guitar World for more than two decades of Beck’s career, and Gill has been a regular Guitar World contributor. Other biographies I’ve read of Beck include Martin Power’s Hot Wired Guitar, Mick Morris’s Jeff, and Annette Carson’s Crazy Fingers. Power’s in particular is encyclopedic in laying out Beck’s musical development, almost day by day.
Tolinski and Gill set out instead to “understand HOW he worked, WHY he made the creative leaps he made, and WHAT drove him through so many reinventions.” They wanted to get inside Beck’s head.
To some extent they did. They did go beyond the “what” that Beck did, to the patterns, the 180 degree turns, the abandoned projects, to piece together a “why” story. It’s not complete, because Beck did speak by doing and not doing rather than by explaining. If he didn’t like what he was doing he’d likely just get up and leave, as he did so many times with recording projects and bands.
I think I did understand him a little bit better, but definitely not completely. And Tolinski and Gill themselves brand him “enigmatic.”
Some things marked and shaped his evolution — that ability to make any song his own, for example, oddly complemented his inability to write songs himself. That led him to collaborations and short-lived musical partnerships. Reading the book, I was struck, as were the authors, by the breadth and depth of contributions that Beck made to other artists’ recordings and compositions. His own recordings may pale in comparison to his contributions to the recordings released under other artists’ names. I mean, Rod Stewart . . . Pavarotti . . .
The relationships are here, too, but still just glimpses — his early marriage to Patricia Brown, his relationship with Mary Hughes (tagged in the lyrics of “Hi Ho Silver Lining”), his long-term relationship with Celia Hammond (see her cover photo on “Truth”), and finally his marriage to Sandra Cash, which lasted the final almost twenty years of his life. Beck had his ups and downs with women, and his periods of faithfulness and unfaithfulness.
And of course, the cars. But the cars don’t really take center stage in the book. It’s the music still. And if you’re a guitar aficionado, you’ll appreciate the appendix, Jeff’s Guitar Garage. It’s funny and fitting that just like his playing, nothing really ever came ready out of the box. Even the Fender Jeff Beck Signature Stratocaster isn’t something he would have played without significant mods.
If you’re a Beck fan, you’ll be all over this. If I had to recommend one biography, I would recommend two — this one and the Martin Power music-centered one. But, really, listen to his music if you want to know him.
You might think that Beck just wasn’t very introspective. But that would ignore the bottomless depth of expression in his music. Not in words. In music. Especially in the way in which he took the songs that others wrote and made them his own, his own expressions. He spoke with his guitar. Between the heartbeat rhythms of “The Pump” you can experience a lifetime of drama, triumphs, dreams, spirited ambitions, disappointments, and moments of peace.
It’s only fitting that, as his career progressed, his guitar spoke more and more fluidly, taking the place of, eliminating any need for lyrics and vocals. Listen to his instrumental renderings of songs like the Beatles’ “A Day in the Life” or Nitin Sawhney’s “Nadia,” or his take on classical opera with Puccini’s “Nessen Dorma.” Listen to the vocals first on the traditional recordings, and then listen to what Beck did. It’s astounding, heartfelt, and pure. And it’s as introspective as you could ever hope.
Tolinski and Gill are journalists, guitar junky journalists. Tolinski edited Guitar World for more than two decades of Beck’s career, and Gill has been a regular Guitar World contributor. Other biographies I’ve read of Beck include Martin Power’s Hot Wired Guitar, Mick Morris’s Jeff, and Annette Carson’s Crazy Fingers. Power’s in particular is encyclopedic in laying out Beck’s musical development, almost day by day.
Tolinski and Gill set out instead to “understand HOW he worked, WHY he made the creative leaps he made, and WHAT drove him through so many reinventions.” They wanted to get inside Beck’s head.
To some extent they did. They did go beyond the “what” that Beck did, to the patterns, the 180 degree turns, the abandoned projects, to piece together a “why” story. It’s not complete, because Beck did speak by doing and not doing rather than by explaining. If he didn’t like what he was doing he’d likely just get up and leave, as he did so many times with recording projects and bands.
I think I did understand him a little bit better, but definitely not completely. And Tolinski and Gill themselves brand him “enigmatic.”
Some things marked and shaped his evolution — that ability to make any song his own, for example, oddly complemented his inability to write songs himself. That led him to collaborations and short-lived musical partnerships. Reading the book, I was struck, as were the authors, by the breadth and depth of contributions that Beck made to other artists’ recordings and compositions. His own recordings may pale in comparison to his contributions to the recordings released under other artists’ names. I mean, Rod Stewart . . . Pavarotti . . .
The relationships are here, too, but still just glimpses — his early marriage to Patricia Brown, his relationship with Mary Hughes (tagged in the lyrics of “Hi Ho Silver Lining”), his long-term relationship with Celia Hammond (see her cover photo on “Truth”), and finally his marriage to Sandra Cash, which lasted the final almost twenty years of his life. Beck had his ups and downs with women, and his periods of faithfulness and unfaithfulness.
And of course, the cars. But the cars don’t really take center stage in the book. It’s the music still. And if you’re a guitar aficionado, you’ll appreciate the appendix, Jeff’s Guitar Garage. It’s funny and fitting that just like his playing, nothing really ever came ready out of the box. Even the Fender Jeff Beck Signature Stratocaster isn’t something he would have played without significant mods.
If you’re a Beck fan, you’ll be all over this. If I had to recommend one biography, I would recommend two — this one and the Martin Power music-centered one. But, really, listen to his music if you want to know him.
Review of advance copy received from NetGalley
My thanks to NetGalley and Grand Central Publishing for an advance copy of this biography about a musician's musician, a man who never settled, whose style evolved over the years, creating guitar sounds and songs that are still being studied, a man who never wanted to be bored, and a man whose harshest critic was always himself.
Stan Lee and my Father are the two people who made me a fan of guitar and rock instrumentals. Stan Lee, editor of Marvel comics wrote a Soapbox talking about the album Surfing With the Alien by Joe Satriani, how great it was and how cool kids need it. The cover featured Silver Surfer, a Marvel character, and I thought it was an album about the Marvel Universe. It was far cooler. Listening to it in the car on he way home from the mall, my father said causally this is just warmed over Jeff Beck. As I was liking what I was hearing, guitar music, instrumental tracks, which outside of a Rush song, I had never really paid attention to, I wanted to hear more. My cousin had some Jeff Beck, and I was a fan. Not so much the singing, but the guitar was so soulful, so powerful, so what music should always be. The more I heard the more I liked, and I think this is when my real love of music began. As it has for so many others. Blow by Blow: The Jeff Beck Story by Brad Tolinski and Chris Gillis is a book that will set the standard, not only for the person they write about, but how to write about musicians in general, a warts and all complete telling of a life about a man with a particularly skill, a distinct lack of social skills, and a doubt that drove him to exceed in many ways.
The book begins with a young boy in the movies, watching a Hollywood Bombshell dancing to early music from Gene Vincent and Little Richard. This gave the young man purpose, and a reason and more importantly a sound for his guitar playing. Geoffrey Arnold Beck was born in Surrey, England in 1944 and new from an early age he wanted to play guitar. So much so that he built them himself, creating Frankenstein-like instruments, but never giving up. An accident on a bike nearly killed him, leaving him with migraines for the rest of his life, a bit of sullen attitude, and maybe even a different way of hearing music. Not the last head injury he would suffer, but one that marked him. Beck began to form bands, leaving them when he grew bored, or when doubt began to effect his playing. Soon the Yardbirds were making him known, until he was let go. Rod Stewart and Beck made beautiful music, until Beck caused the band to break up. Both however did well on their own. Beck soon was creating albums that sold well, were studied, and gained acclaim, though Beck always suffered from self-doubt, which effected his help, and band realtationships. Through it all, he forged a singular career, with a few missteps, that lasted until his death.
An endlessly fascinating book, one that look at the life of Beck, and really holds no punches back. Good, bad, and self-inflicted are all looked at and examined. The book is chock full of facts, and photos, lots of information on equipment, guitars, amps, speakers and boxes. The most important is the writing, which was really well-done, complete without being fawning, and honest without out being cruel. The sad part of the books are the many what ifs? that fill the book. Partnerships that didn't work, recorded works that might never see the light of day. Projects screwed up by attitudes, health issues, management and more.
There is a lot to this book, and as a person who has read a tremendous amount of music biographies, this is one of the best I have read. One gets a full sense of the man, the music, and the people who were changed being around him. There is a lot to respect, and some stuff that is vaguely uncomfortable. However this is life, and this was a life well lived, a life that entertained, and a life that was never dull. A really well done biography. I can't wait for what these authors have planned next.
Stan Lee and my Father are the two people who made me a fan of guitar and rock instrumentals. Stan Lee, editor of Marvel comics wrote a Soapbox talking about the album Surfing With the Alien by Joe Satriani, how great it was and how cool kids need it. The cover featured Silver Surfer, a Marvel character, and I thought it was an album about the Marvel Universe. It was far cooler. Listening to it in the car on he way home from the mall, my father said causally this is just warmed over Jeff Beck. As I was liking what I was hearing, guitar music, instrumental tracks, which outside of a Rush song, I had never really paid attention to, I wanted to hear more. My cousin had some Jeff Beck, and I was a fan. Not so much the singing, but the guitar was so soulful, so powerful, so what music should always be. The more I heard the more I liked, and I think this is when my real love of music began. As it has for so many others. Blow by Blow: The Jeff Beck Story by Brad Tolinski and Chris Gillis is a book that will set the standard, not only for the person they write about, but how to write about musicians in general, a warts and all complete telling of a life about a man with a particularly skill, a distinct lack of social skills, and a doubt that drove him to exceed in many ways.
The book begins with a young boy in the movies, watching a Hollywood Bombshell dancing to early music from Gene Vincent and Little Richard. This gave the young man purpose, and a reason and more importantly a sound for his guitar playing. Geoffrey Arnold Beck was born in Surrey, England in 1944 and new from an early age he wanted to play guitar. So much so that he built them himself, creating Frankenstein-like instruments, but never giving up. An accident on a bike nearly killed him, leaving him with migraines for the rest of his life, a bit of sullen attitude, and maybe even a different way of hearing music. Not the last head injury he would suffer, but one that marked him. Beck began to form bands, leaving them when he grew bored, or when doubt began to effect his playing. Soon the Yardbirds were making him known, until he was let go. Rod Stewart and Beck made beautiful music, until Beck caused the band to break up. Both however did well on their own. Beck soon was creating albums that sold well, were studied, and gained acclaim, though Beck always suffered from self-doubt, which effected his help, and band realtationships. Through it all, he forged a singular career, with a few missteps, that lasted until his death.
An endlessly fascinating book, one that look at the life of Beck, and really holds no punches back. Good, bad, and self-inflicted are all looked at and examined. The book is chock full of facts, and photos, lots of information on equipment, guitars, amps, speakers and boxes. The most important is the writing, which was really well-done, complete without being fawning, and honest without out being cruel. The sad part of the books are the many what ifs? that fill the book. Partnerships that didn't work, recorded works that might never see the light of day. Projects screwed up by attitudes, health issues, management and more.
There is a lot to this book, and as a person who has read a tremendous amount of music biographies, this is one of the best I have read. One gets a full sense of the man, the music, and the people who were changed being around him. There is a lot to respect, and some stuff that is vaguely uncomfortable. However this is life, and this was a life well lived, a life that entertained, and a life that was never dull. A really well done biography. I can't wait for what these authors have planned next.
Review of advance copy received from NetGalley
I would like to thank NetGalley and Grand Central Publishing | Da Capo for this advance ARC in return for an honest Review.
Blow by Blow is a fascinating look at one of the greatest guitar slingers of all time, Jeff Beck. From his early days in the Tridents and ultimately his short yet meteoric tenure with Yardbirds, through his "solo" years including the Jeff Beck Group and numerous touring and backing bands, Tolinski paints a portrait of a musical genius who never got the accolades he deserved.
Sadly, never able to recreate the success of the original Jeff Beck Group with Rod Stewart and Ronnie Wood, Beck spent the rest of his lifetime searching for the next great sound or the next great collaborator only to piss them off and have to start all over again.
After his failed "power trio" Beck, Bogert and Appice broke up, Beck found perhaps his greatest success in the jazz rock fusion arena with his best albums Blow by Blow and Wired. I was lucky enough to catch this tour at the Spectrum. Unfortunately, his incredible partnership with Jan Hammer soon ended when they clashed over "control" of the direction their respective journeys would go, and Beck was once again looking for a band and a musical collaborator. Admittedly Beck was never a strong song writer and always needed someone to bounce his musical genius off of, like Hammer or Max Middleton, during this period.
Tolinski then tries to help the reader understand Beck's motivation to create new sounds, or update old genres like rockabilly, and how his perfectionism and short attention span would rub his bandmates the wrong way, eventually. This is perhaps why Beck never achieved the commercial success of his former Yardbirds guitar slingers, Eric Clapton and Jimmy Page.
Despite this lack of commercial success, it is obvious in this love story to Jeff Beck that he was one of the most respected and innovative guitar players this world has ever known, and its a testament to his greatness that many of his best efforts are getting reissued and repackaged on vinyl.
Blow by Blow is truly a fascinating read and brings great insight into a "rock star" who eschewed the spotlight and often let his guitar talk ( or sing ) for him. Highly recommended for any fan of one of the all time great guitar innovators.
#NetGalley #BlowbyBlow #JeffBeck
Blow by Blow is a fascinating look at one of the greatest guitar slingers of all time, Jeff Beck. From his early days in the Tridents and ultimately his short yet meteoric tenure with Yardbirds, through his "solo" years including the Jeff Beck Group and numerous touring and backing bands, Tolinski paints a portrait of a musical genius who never got the accolades he deserved.
Sadly, never able to recreate the success of the original Jeff Beck Group with Rod Stewart and Ronnie Wood, Beck spent the rest of his lifetime searching for the next great sound or the next great collaborator only to piss them off and have to start all over again.
After his failed "power trio" Beck, Bogert and Appice broke up, Beck found perhaps his greatest success in the jazz rock fusion arena with his best albums Blow by Blow and Wired. I was lucky enough to catch this tour at the Spectrum. Unfortunately, his incredible partnership with Jan Hammer soon ended when they clashed over "control" of the direction their respective journeys would go, and Beck was once again looking for a band and a musical collaborator. Admittedly Beck was never a strong song writer and always needed someone to bounce his musical genius off of, like Hammer or Max Middleton, during this period.
Tolinski then tries to help the reader understand Beck's motivation to create new sounds, or update old genres like rockabilly, and how his perfectionism and short attention span would rub his bandmates the wrong way, eventually. This is perhaps why Beck never achieved the commercial success of his former Yardbirds guitar slingers, Eric Clapton and Jimmy Page.
Despite this lack of commercial success, it is obvious in this love story to Jeff Beck that he was one of the most respected and innovative guitar players this world has ever known, and its a testament to his greatness that many of his best efforts are getting reissued and repackaged on vinyl.
Blow by Blow is truly a fascinating read and brings great insight into a "rock star" who eschewed the spotlight and often let his guitar talk ( or sing ) for him. Highly recommended for any fan of one of the all time great guitar innovators.
#NetGalley #BlowbyBlow #JeffBeck
July 27, 2026
Jeff Beck is less well-known than some of his contemporaries, and far less well-known than he deserves; he was one of the giants of British rock’n’roll guitar, a pioneer in jazz fusion, a constant experimentalist in a genre that rewards familiarity, and a consummate musician, able to draw sounds and emotions from his instruments that nobody else could. He died in 2023, after a career spanning some 60 years, and now we finally have a biography that helps to place his work in its proper context. He seems to have been a difficult character, finding himself at odds with almost everybody he ever knew (at least some of the time), but this was more a reflection of his unwavering commitment to his musical vision than just being a jerk - and, in fact, we are all the better for it. If you ever hear a guitar that you think sings like a human being, full of emotion and energy, you can thank Jeff Beck for developing that sound. Because this bio is written by two people who were involved with the magazine Guitar World for many years, there are a great many references to the various guitars, amplifiers and gadgets that Beck used, which will probably go over the heads of most readers (certainly went over my head!), but as a document detailing the life and work of one of the most innovative musicians ever, this is a gem. Once you read it, you will want to listen to all of Jeff Beck’s music, either as a reminder of his greatness or as an introduction; highly recommended!
August 5, 2026
Jeff Beck was one of my favorite musicians. I really enjoyed his two albums with Rod Stewart (Truth and Beck-Ola) and his album Blow by Blow from 1975 is one of my favorite albums regardless of artist. This is an excellent biography of a very complicated man and the most unusual rock star I've read about. Great guitarist but that was his only musical talent. No writing, arranging, singing, etc. Very introverted and with very low esteem he often would search for months for the right bandmates to tour with and after much rehearsal and just a few dates and to popular acclaim Beck would simply walk away. The music being produced was seldom up to his standards or what he had heard in his head before the tour. This happened several times. Still people wanted to play with him and one of the highlights is discussion of all the musicians he performed with. Stevie Wonder, Brian Wilson and Pavarotti to name just a few. Another highlight is a description and often photos of his guitars. I know nothing about guitars but I truly love to listen and reading about these instruments was fun. This was a great read and a must for Classic Rock fans. Very highly recommended. And check out his videos on YouTube. He could really play!
Review of advance copy received from NetGalley
Compared to other artists and certainly guitarists of his era, Jeff Beck has always been somewhat of an enigma. While Eric Clapton and Jimmy Page made headlines for their addictions and personal lives as well as their musical adventures, Beck was simply never as public -- he just played guitar, and was never predictable. That's why this book is so refreshing; it gives enough of his home life without making the reader feel as if they're intruding and goes deep into the production of each album and musical collaboration so that if there's ever going to be a more complete portrait, the bar has been set very high for that author. (preview copy provided by NetGalley)
Review of advance copy received from Goodreads Giveaways
Blow by Blow: The Jeff Beck Story offers an engaging look at the life and career of legendary guitarist Jeff Beck. The book traces his rise from his early years with the Yardbirds to his groundbreaking solo career, highlighting his innovative guitar style, musical versatility, and influence on rock, blues, and jazz fusion. It also explores the personal challenges and artistic choices that shaped his journey. Overall, the book is an informative and enjoyable read for both longtime fans and readers interested in the history of rock music, providing a deeper appreciation for Jeff Beck’s lasting impact on modern guitar playing.
Review of advance copy received from NetGalley
Thank you, Grand Central Publishing, for providing the copy of Blow by Blow: The Jeff Beck Story by Brad Tolinski; Chris Gill. Of course, I had heard of Jeff Beck, but he was never on my musical radar. As soon as I finished the book, I searched out his music because I loved his interesting life and all of the musicians he collaborated with. If you’re already a fan of Beck, you will love this deep dive into his music. If you’re not already a fan, you will be after reading this well-researched book! 5 stars
Review of advance copy received from NetGalley
If the expectation of a good biography is you come away feeling like you know the subject then this book exceeds expectations. A well written, well researched biography of one of rock's great virtuoso guitarists. Shy and reclusive, Jeff Beck avoided the spotlight, except when he's on stage, for most of his life. The authors fill in a lot of the blanks both personally and musically with a great attention to detail. Highly recommended
Thanks to NetGalley and Da Capo for an advanced reader copy.
Thanks to NetGalley and Da Capo for an advanced reader copy.
Review of advance copy received from NetGalley
This is a book that I was hoping would be written eventually. Jeff Beck!!! I love him and have for as long as I can remember. I was so excited to finally learn more about my favorite guitarist.
Thanks to the author for bringing me into Jeff’s world. This was so well written and researched. Jeff wasn’t the easiest to get to know, or work with, but now I understand why.
This goes into a lot of guitar talk, but don’t let that keep you away.
I recommend this to everyone!
Thanks to the publisher and NetGalley for the ARC, all opinions are my own.
Thanks to the author for bringing me into Jeff’s world. This was so well written and researched. Jeff wasn’t the easiest to get to know, or work with, but now I understand why.
This goes into a lot of guitar talk, but don’t let that keep you away.
I recommend this to everyone!
Thanks to the publisher and NetGalley for the ARC, all opinions are my own.
Review of advance copy received from Netgalley
I first bought Truth, Jeff Beck’s first record, as an 8 track. I was lucky enough to see him with his three piece band, Beck, Bogart and Appice. Recently we saw him tour with Brian Wilson. Jeff Beck was a pivotal member of of the music fraternity that came about in the 1960’s with The Yardbirds, Rod Stewart and 2 members, Bogart and Appice, of Vanilla Fudge fame. This book is wonderfully researched, written and co authored by Brad Tolinski and Chris Gill. This is a great book!! I loved it!
Review of advance copy received from Goodreads Giveaways
*well-written and essays are easy to read
*must read book for all Jeff Beck fans
*raw and inspiring - learned so much more about him - and I thought I know a lot already
*highly recommend
*must read book for all Jeff Beck fans
*raw and inspiring - learned so much more about him - and I thought I know a lot already
*highly recommend
July 9, 2026
Would be great for Jeff Beck diehards but too dry for me.
July 24, 2026
Good overview of Beck's career. First extensive Beck book in years. Nothing too exciting but a straight forward Rock bio.
Displaying 1 - 14 of 14 reviews