Thank you to Lauren Kutney and Booktrovert for allowing me to receive a free ARC in a giveaway in exchange for an honest review.
DNF 15%, the last 2% skimmed.
I am so confused and bored, and I don't want to have to expend any more mental energy trying to make this story make sense.
I think this was an ARC giveaway, so l'll overlook all the formatting issues and typos---inconsistent verb tense, random commas, the like. Beyond that, the writing is clunky and amateurish; the dialogue feels inorganic and inauthentic. Like, "Okay, this is what my characters need to say now." The seductive pitch is Princess Diaries meets The Bodyguard, and it is that---but in a teenager-writing-fanfiction way.
There's a lot of action movie logic---never-ending bullets, for instance, the bad guys can't aim for shit, successfully landing the getaway vehicle on a barge (presumably jumped off a bridge, but we aren't actually told that)---and the women are unbelievably accepting of and largely undisturbed by being attacked, abducted, and fed this outlandish story. They talk about rebelling for about two seconds but don't actually do so; they mostly take the self-professed good guys at face value.
Also, since the women are orphans who grew up in the foster system, the narrative just assumes their shitty little orphan lives deserve zero regard. No way, at 21, could they possibly have jobs they like or friends, family, or pets they love. No one would notice if they disappeared. Made sure to collect their clothes from the apartment, though; it's established that clothes are important to them. Kutney could have shown them being unfairly fired from their jobs and finding an eviction notice on their door, maybe an abusive ex on their case, to cultivate sympathy and demonstrate how few options they had; instead she dolled them up, sent them out clubbing, and showed them needing to be rescued not once, but twice, and expected us to take them seriously.
And the bodyguard love interest---I laughed so hard. He's all the things. He trained with "MI6 and the CIA, in addition to working alongside SEALs and Special Forces." LOL wtaf. He has supernatural abilities too. Gotta make sure he's completely invulnerable. He is THE bodyguard, after all. His and Elena's conversation on the plane was soooo awkward--that's where I started skimming. She's known him less than 24 hours, they've barely interacted, and she thinks, "What do you want out of life? Is this what you dreamed of for yourself?" is appropriate small talk? (See what I mean about the forced dialogue?)
The backstory's already full of holes and inconsistent. It says Elena wasn't born in Zurdonia, but it also says she was sent away when she was three; where was she born, then? Was the royal family exiled at the time? Her parents, the king and queen, were killed in what appeared to be a car accident and there was evidence 3-year-old Elena had been with them, so everyone believed her dead when she'd actually been sent away days prior---so my question is, exactly what "evidence" was there that Elena, specifically, had died that day? Because this is set contemporary, meaning science exists. And these were royals, so they would absolutely double check. Was there blood or teeth that matched Elena's DNA? How? The king and queen didn't know they were going to be killed, I assume, so how could there have been evidence of Elena's death at the accident? Did they have a bunch of her blood in a jar in the backseat just in case? Did they have a special arrangement with the only ME in Zurdonia to make a false claim? Just finding a strand of her hair or a toy in the car doesn't mean she was present, much less killed. Then there was that video her parents recorded---how was that missed for 18 years and then suddenly found? Also, with all Alexei's training, in the year he researched her and surveilled her, he couldn't get more than a few grainy photos? What year is this supposed to be?
Also, we're seven chapters in and have no idea who the antagonists are. They're just vague bad guys. We have no idea what's going on in Zurdonia that makes anything that's happened to Elena to date necessary.
What's more annoying than having these questions is that it never occurs to Elena to ask them.
Maybe the rest of the book has answers, but I don't want to read any more and find out. First impressions and all that.
A wonderfully intriguing premise very poorly executed.