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Imperfect Creatures
A metafictional mind-melter where time means nothing and everything at once, Joe Butler’s third novel blends visual elements, epistolary sections, and cyclical narratives to plumb the depths of loss of grief of horror.
Clare returns home to Harrow, hits a man with her car, has a panic attack, goes to her father’s funeral, searches for his notes on his final book then Clare returns home to Harrow, hits a deer with her car, has a panic attack, goes to her father’s funeral, meets a stranger called Jack, searches for her dad’s notes then Clare returns home to Harrow, narrowly misses a man with her car, has a panic attack, skips her dad’s funeral, doesn’t meet a non-stranger called Jack, searches for her dad
And that’s before everything falls apart.
An unyielding plunge into memory, grief, and the instability of reality, Imperfect Creatures explores one woman’s experience with the House—an eldritch creature that feeds on pain and suffering, predating humankind’s shared conceptual universe. As Clare attempts to reckon with her mother’s traumatic death when she was a child and her father’s recent passing, the House draws her further and further into a web of illusion and realization, through phone calls, hallucinations, and a constant repetition repetition repetition of pain and horror.
Praise for Imperfect Creatures:
“Imperfect Creatures walks us down a rotting spiral path, its cobbles made of gripping prose, experimental formatting, and the promise of the unfathomable anglerfish that is the House. What Joe Butler has achieved here will make you question reality long after you've finished reading.” —Michael Boulerice, author of Feeding the Wheel and Inhalation
“At times mind-bending, at times heartbreaking, always beautifully written. This is an accomplished novel that deserves a place on your bookshelf. It’s already reserved a place in your brain.” —Andrew Cull, writer and director of The Possession of David O'Reilly and author of Remains
“A wonderfully unnerving exploration of grief, Imperfect Creatures is stylish, immersive, and beautifully chaotic. Butler’s masterful ability to build tension in an unravelling world makes this hypnotic tale a standout in the horror genre. You will love getting lost in the pages of this book.” —Niall Howell, author of There Are Wolves Here Too and Only Pretty Damned
“I absolutely devoured Imperfect Creatures. Imperfect Creatures absolutely devoured me. An expertly told tale of grief, memory, guilt, and pain with a truly compelling narrative framework. It's an absolute must-read for fans of House of Leaves, Alan Wake, and Silent Hill. Bonus points for the NIN reference.” —Lucy James, GameSpot and Friends Per Second
Clare returns home to Harrow, hits a man with her car, has a panic attack, goes to her father’s funeral, searches for his notes on his final book then Clare returns home to Harrow, hits a deer with her car, has a panic attack, goes to her father’s funeral, meets a stranger called Jack, searches for her dad’s notes then Clare returns home to Harrow, narrowly misses a man with her car, has a panic attack, skips her dad’s funeral, doesn’t meet a non-stranger called Jack, searches for her dad
And that’s before everything falls apart.
An unyielding plunge into memory, grief, and the instability of reality, Imperfect Creatures explores one woman’s experience with the House—an eldritch creature that feeds on pain and suffering, predating humankind’s shared conceptual universe. As Clare attempts to reckon with her mother’s traumatic death when she was a child and her father’s recent passing, the House draws her further and further into a web of illusion and realization, through phone calls, hallucinations, and a constant repetition repetition repetition of pain and horror.
Praise for Imperfect Creatures:
“Imperfect Creatures walks us down a rotting spiral path, its cobbles made of gripping prose, experimental formatting, and the promise of the unfathomable anglerfish that is the House. What Joe Butler has achieved here will make you question reality long after you've finished reading.” —Michael Boulerice, author of Feeding the Wheel and Inhalation
“At times mind-bending, at times heartbreaking, always beautifully written. This is an accomplished novel that deserves a place on your bookshelf. It’s already reserved a place in your brain.” —Andrew Cull, writer and director of The Possession of David O'Reilly and author of Remains
“A wonderfully unnerving exploration of grief, Imperfect Creatures is stylish, immersive, and beautifully chaotic. Butler’s masterful ability to build tension in an unravelling world makes this hypnotic tale a standout in the horror genre. You will love getting lost in the pages of this book.” —Niall Howell, author of There Are Wolves Here Too and Only Pretty Damned
“I absolutely devoured Imperfect Creatures. Imperfect Creatures absolutely devoured me. An expertly told tale of grief, memory, guilt, and pain with a truly compelling narrative framework. It's an absolute must-read for fans of House of Leaves, Alan Wake, and Silent Hill. Bonus points for the NIN reference.” —Lucy James, GameSpot and Friends Per Second
- GenresHorror
516 pages, Paperback
Published November 18, 2025
6 people are currently reading
52 people want to read
About the author
Joe Butler
7 books14 followersWeird/Curio/Sci-Fi/Horror writer, novelist, & creator of the Haunted Hotel Project. Founder/editor/cover artist for
TL;DR Press (He/Him). Author of Of All Possibilities, Strange Days in the House of August, and Imperfect Creatures
TL;DR Press (He/Him). Author of Of All Possibilities, Strange Days in the House of August, and Imperfect Creatures
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Displaying 1 - 2 of 2 reviews
December 10, 2025
Imperfect Creatures is a surreal, mind-bending, horrific, beautiful and meta journey. It expertly explores themes of grief, death, guilt, illness, relationships and family through a gripping and dark timeloop tale that gripped me for days.
The book plays with form in very interesting and novel ways which elevate the themes and immersion, and make it stand out from the crowd.
Clare's tale will certainly remain with me for a long time to come - Imperfect Creatures is an instant recommendation for anyone with an interest in psychological and eldritch horror, timeloop stories and unusual form in fiction. If you're a fan of shows like Dark, or the works of David Lynch, I think you'll have a great time with this.
The book plays with form in very interesting and novel ways which elevate the themes and immersion, and make it stand out from the crowd.
Clare's tale will certainly remain with me for a long time to come - Imperfect Creatures is an instant recommendation for anyone with an interest in psychological and eldritch horror, timeloop stories and unusual form in fiction. If you're a fan of shows like Dark, or the works of David Lynch, I think you'll have a great time with this.
November 10, 2025
Review of Imperfect Creatures by Joe Butler - ARC copy thanks to publisher, Diachroneity Books. (18th Nov - pub date).
The first is to say that, for anyone who loves Twin Peaks, like I do, (and for those who don’t know Twin Peaks - consider books and TV adaptations of Stephen King, Shirley Jackson - so It, Welcome to Derry, The Haunting of Hill House - even Stranger Things, etc) - it’s very filmic.
Think about everything that you love about those kind of films/programmes/books, where the town of Harrow - like Derry, Hawkins, and Twin Peaks - and how the buildings and landscapes within it, are just as fundamentally characters as the people. With familar iconic haunts such as the American diner, library, graveyard, and familiar sounds like the jump scare US telephone ring, the repeating bell above the diner door - such familiarity echoes through the novel.
Which is what the uncanny is, the familiar in the unfamiliar and the unfamiliar within the familiar. The known within the unknown and the unknown within the known. The home within the unhomely and the unhomely within the homely.
Then add in gothic tropes like our heroine, returning home after many years for her father’s funeral; a maiden aunt; pathetic fallacy, snowstorms like static, foggy memories, or as veil or curtain; moments of madness for our heroine- where she, the people around her, and the reader, don’t know if what she is experiencing is real or in her mind; and, importantly, epistolary sections of research and testimony, poetry, story and reportage, that thread through, and interrupt, and revise what you have just read or read before, like a palimpsest of memory upon memory, being overwritten, erased, remade.
It is a self-aware piece of work, fully invested in its quest for the source of the ways in which humans deal with grief and trauma and loss and longing and memory and imagination and consciousness, and all of the ideas we have about being human and alive at all. Anyone who has experienced loss and illness of loved ones, living with it and throught it and after it, will acutely feel the more personal lines of grief written throughout.
It’s really quite a book and I have great admiration for Joe Butler bringing it all together in an expanding Lynchian, Kingian, Nolanian way.
And thanks to @DiachroneityBooks not only dor the ARC copy but also for publishing a book with unconventional structure and presentation and big ideas - the literary world needs brave publishers willing to publish books that defy market conventions so that we get to read them.
The first is to say that, for anyone who loves Twin Peaks, like I do, (and for those who don’t know Twin Peaks - consider books and TV adaptations of Stephen King, Shirley Jackson - so It, Welcome to Derry, The Haunting of Hill House - even Stranger Things, etc) - it’s very filmic.
Think about everything that you love about those kind of films/programmes/books, where the town of Harrow - like Derry, Hawkins, and Twin Peaks - and how the buildings and landscapes within it, are just as fundamentally characters as the people. With familar iconic haunts such as the American diner, library, graveyard, and familiar sounds like the jump scare US telephone ring, the repeating bell above the diner door - such familiarity echoes through the novel.
Which is what the uncanny is, the familiar in the unfamiliar and the unfamiliar within the familiar. The known within the unknown and the unknown within the known. The home within the unhomely and the unhomely within the homely.
Then add in gothic tropes like our heroine, returning home after many years for her father’s funeral; a maiden aunt; pathetic fallacy, snowstorms like static, foggy memories, or as veil or curtain; moments of madness for our heroine- where she, the people around her, and the reader, don’t know if what she is experiencing is real or in her mind; and, importantly, epistolary sections of research and testimony, poetry, story and reportage, that thread through, and interrupt, and revise what you have just read or read before, like a palimpsest of memory upon memory, being overwritten, erased, remade.
It is a self-aware piece of work, fully invested in its quest for the source of the ways in which humans deal with grief and trauma and loss and longing and memory and imagination and consciousness, and all of the ideas we have about being human and alive at all. Anyone who has experienced loss and illness of loved ones, living with it and throught it and after it, will acutely feel the more personal lines of grief written throughout.
It’s really quite a book and I have great admiration for Joe Butler bringing it all together in an expanding Lynchian, Kingian, Nolanian way.
And thanks to @DiachroneityBooks not only dor the ARC copy but also for publishing a book with unconventional structure and presentation and big ideas - the literary world needs brave publishers willing to publish books that defy market conventions so that we get to read them.
This entire review has been hidden because of spoilers.
Displaying 1 - 2 of 2 reviews