Artificial Ethics, Law and the Governance of Minds explores one of the defining questions of the twenty-first how should humanity govern the intelligence it has created? Written by Alan Bennett, a former lawyer and academic, the book traces the moral and legal journey from curiosity to responsibility. It begins with a reflection on the author’s own transformation as a researcher encountering artificial intelligence for the first time, a moment when the boundary between discovery and reflection dissolved. The book unfolds as both philosophical inquiry and legal meditation, arguing that intelligence, whether natural or artificial, must remain subject to conscience and law. The work is organised in several Part I, Understanding the Machine, explains what artificial intelligence is and how it learns, clarifying the distinctions between traditional software and adaptive systems. It explores the origins of learning machines, showing that the dream of creating mind is as old as civilisation itself. Through accessible examples, Bennett reveals how AI systems now function as unseen companions in medicine, education, law, industry, defence, and daily life, transforming human experience while challenging the boundaries of accountability and trust. Subsequent chapters trace the historical and technological acceleration that carried AI from possibility to momentum. The convergence of data, computation, and architecture created a new condition of reasoning itself became industrialised. Bennett analyses how this transformation reshaped the global economy, shifting value from material production to cognitive control. Corporations, governments, and universities now compete for mastery over perception and prediction. The book describes this as the “industrialisation of thought,” in which algorithms organise not only work and trade but belief and behaviour. Drawing upon contemporary examples, from automated ports and predictive policing to generative art and algorithmic justice, the author demonstrates that technology has already become a system of governance. Each domain, he argues, reveals the same moral whether human dignity can survive automation without conscience. The later sections move from reflection to design. They formulate a coherent body of guiding principles for the ethical governance of artificial intelligence, framed in language accessible to law, policy, and philosophy alike. These chapters culminate in the drafting of a proposed Universal International Agreement on Artificial Intelligence, a model convention drawing inspiration from the structure of global trade and environmental treaties. Detailed Annexes accompany the text, setting out interpretive notes, institutional mechanisms, and explanatory commentaries to assist governments, regulators, and educators in applying the principles in practice. Central to the book is the conviction that the governance of minds, human or artificial, must be grounded in moral reasoning. To build intelligence without ethics, Bennett warns, is to invite progress without direction. Yet his tone is neither fearful nor technophobic. Rather, it is one of cautious optimism, asserting that wisdom, not ingenuity, will decide whether artificial intelligence serves civilisation or erodes it. This book is not a technical manual but a meditation on power, conscience, and responsibility. It offers readers, policy-makers, professionals, scholars, and citizens alike a coherent framework for understanding how intelligence can be guided toward the common good. In the closing pages, Bennett calls for a new global ethic of responsibility. The capacity to create thinking machines, he suggests, confers not dominance but duty.
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Alan Bennett is an English author and Tony Award-winning playwright. Bennett's first stage play, Forty Years On, was produced in 1968. Many television, stage and radio plays followed, along with screenplays, short stories, novellas, a large body of non-fictional prose and broadcasting, and many appearances as an actor. Bennett's lugubrious yet expressive voice (which still bears a slight Leeds accent) and the sharp humour and evident humanity of his writing have made his readings of his own work (especially his autobiographical writing) very popular. His readings of the Winnie the Pooh stories are also widely enjoyed.