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Io sono Cleopatra
Il faraone è morto, presto raggiungerà il campo di giunchi dell’oltretomba. Vengono bruciati gli incensi e offerti i sacrifici, ma le sole lacrime sincere sono di Cleopatra. Sguardo fiero, capelli d’ebano e mente lucida come il dorso di uno scarabeo sacro, la figlia prediletta del dio-re vaga silenziosa per la dimora reale. Cresciuta tra le stanze della Grande Biblioteca di Alessandria col sogno di comparire, un giorno, in quei papiri, Cleopatra sa che è giunto il momento di regnare. Potrà farlo, tuttavia, solo se unita in matrimonio al fratello Tolomeo, giovane arrogante e crudele. Il giorno delle nozze le schiave la adornano di favolosi monili e nei corridoi sfilano coccodrilli e aironi. Tolomeo non la sfiora nemmeno con uno sguardo. Cleopatra si punge il dito con uno spillo e pensa soltanto che sarà regina. Lei sola ne è degna; lei che ha studiato il passato dell’Egitto; lei che, unica nella sua stirpe, ha imparato la lingua del popolo. Per la fertile terra di Osiride e Iside è il tempo dei tumulti fra opposte fazioni, mentre Roma, di là dal mare, la guarda come un banchetto a cui non è stata invitata. Ma Cleopatra non si lascia intimorire. Sa che l’Egitto ha bisogno di una guida, non di un tiranno. Una regina che sappia ascoltare, comprendere, parlare con i suoi sudditi e difenderli. E quando sente le grida di gioia del popolo al suo passaggio sul Nilo adorna del disco solare, ne ha la il destino del Regno è suo. Nulla potranno le trame di Tolomeo, nulla l’arrivo di Cesare, l’uomo forte di Roma che nelle mani della regina sarà solo una pedina del grande gioco di potere. O forse qualcosa di più. È tempo di ascoltare ancora una volta questa voce antica e modernissima, la voce di chi può dire con «Io sono Cleopatra».
Sono nata femmina e dea. Scriverò la mia storia. E un giorno sarà collocata in questa biblioteca, e tra mille anni la gente verrà qui a leggerla, per come si è svolta in ogni partico - lare. Mi vedranno, mi conosceranno come se avessero visitato la mia corte. Non lascerò che siano altri a interpretarmi.
«Il racconto originale e pieno di vita di una storia che sembrava nota. Splendido». The Times
«Ci sono luoghi magnifici, profumi inebrianti, oro e gloria nel racconto di Natasha Solomons, ma c’è anche la dura realtà della morte e di un sanguinoso tradimento, lenita dal balsamo prezioso dell’amicizia femminile». Daily Mail
«Con la dolcezza delle acque del Nilo, la prosa di Solomons lava via gli strati della Storia regalandoci la vera Cleopatra in tutta la sua fierezza e il suo prestigio». Luna McNamara
Sono nata femmina e dea. Scriverò la mia storia. E un giorno sarà collocata in questa biblioteca, e tra mille anni la gente verrà qui a leggerla, per come si è svolta in ogni partico - lare. Mi vedranno, mi conosceranno come se avessero visitato la mia corte. Non lascerò che siano altri a interpretarmi.
«Il racconto originale e pieno di vita di una storia che sembrava nota. Splendido». The Times
«Ci sono luoghi magnifici, profumi inebrianti, oro e gloria nel racconto di Natasha Solomons, ma c’è anche la dura realtà della morte e di un sanguinoso tradimento, lenita dal balsamo prezioso dell’amicizia femminile». Daily Mail
«Con la dolcezza delle acque del Nilo, la prosa di Solomons lava via gli strati della Storia regalandoci la vera Cleopatra in tutta la sua fierezza e il suo prestigio». Luna McNamara
304 pages, Kindle Edition
First published January 30, 2025
143 people are currently reading
15575 people want to read
About the author
Natasha Solomons
12 books884 followersNatasha Solomons is a writer and the New York Times bestselling author of The Gallery of Vanished Husbands, The House at Tyneford, and Mr. Rosenblum Dreams in English. She lives in Dorset England, with her husband, the writer David Solomons, and their two young children. Song of Hartgrove Hall is her fourth novel.
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Displaying 1 - 30 of 216 reviews
December 8, 2025
Thanks to the publisher for providing me with a review copy. Unfortunately I don't have a lot of nice things to say about this one.
TW: fatphobia, miscarriage, questionable consent
Alright, where to begin. This claims to be a retelling of Cleopatra’s life, but it’s not. It really just focuses on her relationship with Caesar. From the moment he’s introduced, we never see Cleopatra in scenes unrelated to him again. There was so much opportunity! For example, we’re told by another character that for over a year, Caesar went back to Rome without her. What did she do in Egypt in that time? No clue. There’s a time jump, we only see her again when they’re reunited. And because this is only the story of Cleopatra and Caesar, it ends at Caesar’s death. An incredible disappointment to me as her life after that only gets more fascinating.
The book is told in alternating first-person POVs, Cleopatra and Servilia (Caesar's mistress). Cleopatra comes across as unlikeable and unkind, and pretty clueless about other people’s emotions. There’s an incredible scene in which she wonders what happened to her ‘sweet-natured, open-faced’ little brother. But whatever, she’s a queen, I expect her to be ruthless and self-centered, that’s fine, I didn’t mind. I do wish I’d felt something for her, though. This is a woman who had a brief yet extraordinary life. But the only emotion I felt reading this were from Servilia’s POV. I’m still unsure why it was there; it only reinforced the feeling that this was about Caesar, not Cleopatra. But I enjoyed it a lot more than Cleopatra’s, as Servilia is clever, interesting, kind, and did make me feel things.
Cleopatra’s POV felt completely flat to me. Someone unfamiliar with her story might feel more engaged, but if you already know what happens, there’s nothing new here. No fresh perspective, no attempt to fill in the gaps in historiography. It just tells you what you already know, in a very matter-of-fact way. I was also disappointed that Charmion was reduced to a beloved slave with no political influence. I did appreciate that Cleopatra constantly kept in mind the imbalance of power between them even as she thought about their friendship, though. I would love a Cleopatra retelling in Charmion’s POV. If you know of one, please let me know!
But now we get to what I found hugely problematic in this book: the rampant fatphobia. Three characters are described as fat. Now I'm all for reclaiming the word as a neutral descriptor, but it doesn't end there. Cleopatra's brother isn't just fat: he's 'fat as an overstuffed partridge, the filling oozing out', a description clearly designed to elicit disgust. She 'worries for the safety of his stool', lest it break. She's 'astonished [the people carrying him] can support his bulk'. She laments that his supporters 'don't see a corpulent and vicious tyrant'. He doesn't 'understand the restraint of any appetite - for food, flesh or violence', equating being fat with having no self-control.
As for her father, he isn't evil, just wildly incompetent, and of course, also fat. He emerges 'sweating and corpulent'. 'Perspiration is beaded in the fleshy folds at his wrists and in the sausages of his neck.' Cleopatra 'pities the slaves who lugged him here'. This time, fat seems to mean inept and pathetic, and the idea of him being 'lugged' is incredibly dehumanizing.
And then we meet a third fat character. He's a drunk Roman accosting Cleopatra. He is 'barely able to stuff his gut into his toga'. She makes fun of his 'immense proportions'. Of course it's not enough to tell us he's a lewd pervert; we need to know he's fat to be properly disgusted, right?
I read an ARC, so I hope there have been changes in the final version. But it's still very telling that this was written in the first place and stayed in all the previous rounds of editing. Why is it so important to insist on how fat they are, and yet nothing else about their appearance is discussed in such detail? Why are there not whole paragraphs about the weight of other characters, except the occasional reminder that Cleopatra and Caesar, the ‘good guys’, are thin? What does the fatness of these three characters add to the story, except trying to make them seem disgusting? Especially at a time when being fat was a sign of wealth, so for Cleopatra to harbour these views seems out of place.
I also had a problem with the constant comments and jokes about her brother's advisors being eunuchs. They're shitty people, but they're not shitty because they're eunuchs, how many times do you need to make fun of that. Even her constantly referring to them as only 'the eunuchs' was annoying. And it doesn’t make sense for Cleopatra to be judgemental of eunuchs, when in reality, she had her own eunuch advisor, who here is entirely erased because I guess it didn't fit the evil eunuch narrative the author made up.
A final criticism but that's more a pet peeve of mine, I hate when authors choose to use ‘Marc Antony’ instead of ‘Antonius’. I’m sorry, Marc Antony sounds like an idiot frat boy, not one of the most important men in Rome. Anyways, that doesn’t matter much, and I’d have forgiven it easily if the book had more redeeming qualities. Alas, it didn’t.
Frankly, if you want to read a story about Cleopatra and Caesar, I’d suggest picking up ‘Cleopatra & Julius’ by Joanna Courtney instead. It wasn’t that great, but it was still better, not fatphobic, and covers the exact same timeline while giving all of Cleopatra’s advisors more or less their proper role, including the eunuch Mardion.
TW: fatphobia, miscarriage, questionable consent
Alright, where to begin. This claims to be a retelling of Cleopatra’s life, but it’s not. It really just focuses on her relationship with Caesar. From the moment he’s introduced, we never see Cleopatra in scenes unrelated to him again. There was so much opportunity! For example, we’re told by another character that for over a year, Caesar went back to Rome without her. What did she do in Egypt in that time? No clue. There’s a time jump, we only see her again when they’re reunited. And because this is only the story of Cleopatra and Caesar, it ends at Caesar’s death. An incredible disappointment to me as her life after that only gets more fascinating.
The book is told in alternating first-person POVs, Cleopatra and Servilia (Caesar's mistress). Cleopatra comes across as unlikeable and unkind, and pretty clueless about other people’s emotions. There’s an incredible scene in which she wonders what happened to her ‘sweet-natured, open-faced’ little brother. But whatever, she’s a queen, I expect her to be ruthless and self-centered, that’s fine, I didn’t mind. I do wish I’d felt something for her, though. This is a woman who had a brief yet extraordinary life. But the only emotion I felt reading this were from Servilia’s POV. I’m still unsure why it was there; it only reinforced the feeling that this was about Caesar, not Cleopatra. But I enjoyed it a lot more than Cleopatra’s, as Servilia is clever, interesting, kind, and did make me feel things.
Cleopatra’s POV felt completely flat to me. Someone unfamiliar with her story might feel more engaged, but if you already know what happens, there’s nothing new here. No fresh perspective, no attempt to fill in the gaps in historiography. It just tells you what you already know, in a very matter-of-fact way. I was also disappointed that Charmion was reduced to a beloved slave with no political influence. I did appreciate that Cleopatra constantly kept in mind the imbalance of power between them even as she thought about their friendship, though. I would love a Cleopatra retelling in Charmion’s POV. If you know of one, please let me know!
But now we get to what I found hugely problematic in this book: the rampant fatphobia. Three characters are described as fat. Now I'm all for reclaiming the word as a neutral descriptor, but it doesn't end there. Cleopatra's brother isn't just fat: he's 'fat as an overstuffed partridge, the filling oozing out', a description clearly designed to elicit disgust. She 'worries for the safety of his stool', lest it break. She's 'astonished [the people carrying him] can support his bulk'. She laments that his supporters 'don't see a corpulent and vicious tyrant'. He doesn't 'understand the restraint of any appetite - for food, flesh or violence', equating being fat with having no self-control.
As for her father, he isn't evil, just wildly incompetent, and of course, also fat. He emerges 'sweating and corpulent'. 'Perspiration is beaded in the fleshy folds at his wrists and in the sausages of his neck.' Cleopatra 'pities the slaves who lugged him here'. This time, fat seems to mean inept and pathetic, and the idea of him being 'lugged' is incredibly dehumanizing.
And then we meet a third fat character. He's a drunk Roman accosting Cleopatra. He is 'barely able to stuff his gut into his toga'. She makes fun of his 'immense proportions'. Of course it's not enough to tell us he's a lewd pervert; we need to know he's fat to be properly disgusted, right?
I read an ARC, so I hope there have been changes in the final version. But it's still very telling that this was written in the first place and stayed in all the previous rounds of editing. Why is it so important to insist on how fat they are, and yet nothing else about their appearance is discussed in such detail? Why are there not whole paragraphs about the weight of other characters, except the occasional reminder that Cleopatra and Caesar, the ‘good guys’, are thin? What does the fatness of these three characters add to the story, except trying to make them seem disgusting? Especially at a time when being fat was a sign of wealth, so for Cleopatra to harbour these views seems out of place.
I also had a problem with the constant comments and jokes about her brother's advisors being eunuchs. They're shitty people, but they're not shitty because they're eunuchs, how many times do you need to make fun of that. Even her constantly referring to them as only 'the eunuchs' was annoying. And it doesn’t make sense for Cleopatra to be judgemental of eunuchs, when in reality, she had her own eunuch advisor, who here is entirely erased because I guess it didn't fit the evil eunuch narrative the author made up.
A final criticism but that's more a pet peeve of mine, I hate when authors choose to use ‘Marc Antony’ instead of ‘Antonius’. I’m sorry, Marc Antony sounds like an idiot frat boy, not one of the most important men in Rome. Anyways, that doesn’t matter much, and I’d have forgiven it easily if the book had more redeeming qualities. Alas, it didn’t.
Frankly, if you want to read a story about Cleopatra and Caesar, I’d suggest picking up ‘Cleopatra & Julius’ by Joanna Courtney instead. It wasn’t that great, but it was still better, not fatphobic, and covers the exact same timeline while giving all of Cleopatra’s advisors more or less their proper role, including the eunuch Mardion.
June 18, 2025
"I want you to see me as I am. You can dislike me, love me or abhor me, but know me first."
Everyone's heard of Cleopatra, but I'd never read a book about her before. I found it fascinating. Solomons' Cleopatra is wise, clever, bold and awe-inspiring. Yet she is a woman, and so still subject to the patriarchy of her time.
The pace is slow early on, but this does allow us to experience Alexandria at its zenith and immerse ourselves in Cleopatra's Egypt. I mean, which book lover wouldn't want to experience the Great Library of Alexandria (even if it is only in fiction!) The pace picks up as Cleopatra's brother betrays her and Caesar enters Egypt. Seeing the politics of the two great powers of Rome and Egypt was really interesting, especially as we enter Rome itself.
I enjoyed the sparse points of view chapters from Servilia, a Roman matron. Her outsider's view of Cleopatra and insider's view of Roman politics and Caesar really added to the novel.
As Solomons' author's note reminds us, it's important to remember that we mostly know of Cleopatra through her enemies’ accounts of her (and who would want that!) Solomons gives Cleopatra her own strident voice in this bold, feminist historical fiction. I'd love to see a sequel.
Everyone's heard of Cleopatra, but I'd never read a book about her before. I found it fascinating. Solomons' Cleopatra is wise, clever, bold and awe-inspiring. Yet she is a woman, and so still subject to the patriarchy of her time.
The pace is slow early on, but this does allow us to experience Alexandria at its zenith and immerse ourselves in Cleopatra's Egypt. I mean, which book lover wouldn't want to experience the Great Library of Alexandria (even if it is only in fiction!) The pace picks up as Cleopatra's brother betrays her and Caesar enters Egypt. Seeing the politics of the two great powers of Rome and Egypt was really interesting, especially as we enter Rome itself.
I enjoyed the sparse points of view chapters from Servilia, a Roman matron. Her outsider's view of Cleopatra and insider's view of Roman politics and Caesar really added to the novel.
As Solomons' author's note reminds us, it's important to remember that we mostly know of Cleopatra through her enemies’ accounts of her (and who would want that!) Solomons gives Cleopatra her own strident voice in this bold, feminist historical fiction. I'd love to see a sequel.
June 9, 2025
Cleopatra is an evocative and compelling reimagining of the life of Egypt’s most famous queen, Cleopatra VII. Through lyrical prose, Natasha Solomons gives Cleopatra a voice, portraying her as a scholar, a strategist, and a woman grappling with the consolidation of her power as Egypt’s queen and ruler. “I know that one day, power and Egypt will come to me and not to the others. It will come, or I'll take it.” More than a historical retelling, Cleopatra is an intimate exploration of identity, legacy, survival, and love. Unlike many historical fiction novels, its strength lies in weaving historical facts with a lyrical, personal narrative, prioritising atmosphere over meticulous detail. From the very opening, the novel establishes the weight of names and ownership.
The characterisation is exceptional. Cleopatra’s portrayal as calculating and ruthless is particularly striking, with her voice commanding yet poetic, making every aspect of her character compelling. She does not ask to be remembered for her beauty, jewels, or titles but for her intellect. “I hope that you see me instead in the library seated on a low cushion, a scroll tucked in one hand, my finger twisting in my hair as I read, lips moving, a concentrated furrow on my brow.” The famous moment when Cleopatra enters the palace to meet Julius Caesar for the first time is particularly exciting and brilliantly executed. The author is careful not to reduce her to a seductress or a weak, tragic figure (as she is often misrepresented in history) and does not romanticise her relationships but instead portrays them through the lens of political necessity. Her entanglement with Caesar is filled with both calculation and fleeting moments of tenderness and playful banter. “I realise that it is comfortable to lie in silence beside a man for whom, if I do not feel love, I harbour the tenderest of affection.”
At first, Servilia’s role in the novel is unclear, seemingly a distant antagonist to Cleopatra. However, as the story unfolds, her chapters become essential interludes, transforming the reading experience into something almost theatrical, as though it were being performed. The time jumps are well-executed, and each character’s voice is distinct, ensuring a clear separation between narratives.
One could argue that the absence of dates, technical minutiae, and minor alterations of historical events are weak points of the novel. However, these choices feel intentional and do not detract from the reading experience, nor do they affect the core story. On the other hand, Arsinoe’s story feels underdeveloped, and the changes made to her arc seem rushed and almost like an afterthought. Unexpectedly, only half of Cleopatra’s life is explored, perhaps suggesting a deliberate choice rather than a constraint. There is no mention of a duology, yet the novel feels complete and remains well-executed. That said, the occasional use of modern vernacular, such as "party" and "joking", momentarily breaks immersion and pulls the reader out of the narrative.
Ultimately, Cleopatra is a beautiful portrayal of this fascinating historical figure. It is a reclamation of power, history, and legacy. Solomons does not merely present Cleopatra as a historical figure but as a woman whose presence still resonates centuries later. I recommend this novel to lovers of retellings and historical fiction (especially those not used to the genre) as well as readers drawn to powerful female figures.
Rating: 3.0/5
Disclaimer: I received an Advance Reader Copy (ARC) of this book from the publisher via NetGalley in exchange for an honest review. All thoughts and opinions expressed are my own.
“I gave her a name when my tongue was able to speak. Until then, she had none at all. For every part of her belonged to me—even her name. Charmian, giver of joy. She says the joy I saw in her was my own delight reflected back, pure and bright. She is my slave, and yet for a long time she never wished to be free. For when we love, are we not all slaves content in our subjugation? And so, in my own way, I belong to her too, chained by love.”
The characterisation is exceptional. Cleopatra’s portrayal as calculating and ruthless is particularly striking, with her voice commanding yet poetic, making every aspect of her character compelling. She does not ask to be remembered for her beauty, jewels, or titles but for her intellect. “I hope that you see me instead in the library seated on a low cushion, a scroll tucked in one hand, my finger twisting in my hair as I read, lips moving, a concentrated furrow on my brow.” The famous moment when Cleopatra enters the palace to meet Julius Caesar for the first time is particularly exciting and brilliantly executed. The author is careful not to reduce her to a seductress or a weak, tragic figure (as she is often misrepresented in history) and does not romanticise her relationships but instead portrays them through the lens of political necessity. Her entanglement with Caesar is filled with both calculation and fleeting moments of tenderness and playful banter. “I realise that it is comfortable to lie in silence beside a man for whom, if I do not feel love, I harbour the tenderest of affection.”
At first, Servilia’s role in the novel is unclear, seemingly a distant antagonist to Cleopatra. However, as the story unfolds, her chapters become essential interludes, transforming the reading experience into something almost theatrical, as though it were being performed. The time jumps are well-executed, and each character’s voice is distinct, ensuring a clear separation between narratives.
One could argue that the absence of dates, technical minutiae, and minor alterations of historical events are weak points of the novel. However, these choices feel intentional and do not detract from the reading experience, nor do they affect the core story. On the other hand, Arsinoe’s story feels underdeveloped, and the changes made to her arc seem rushed and almost like an afterthought. Unexpectedly, only half of Cleopatra’s life is explored, perhaps suggesting a deliberate choice rather than a constraint. There is no mention of a duology, yet the novel feels complete and remains well-executed. That said, the occasional use of modern vernacular, such as "party" and "joking", momentarily breaks immersion and pulls the reader out of the narrative.
Ultimately, Cleopatra is a beautiful portrayal of this fascinating historical figure. It is a reclamation of power, history, and legacy. Solomons does not merely present Cleopatra as a historical figure but as a woman whose presence still resonates centuries later. I recommend this novel to lovers of retellings and historical fiction (especially those not used to the genre) as well as readers drawn to powerful female figures.
Rating: 3.0/5
Disclaimer: I received an Advance Reader Copy (ARC) of this book from the publisher via NetGalley in exchange for an honest review. All thoughts and opinions expressed are my own.
May 29, 2025
2.25 ⭐️
someone should really stab ceasar because why is he in most of this book?
ancient egypt and cleopatra were one of my special interests when i was younger so i was so excited about this book but it fell flat after the first third. once ceasar is introduced it becomes all about her with him. you rarely see her life without him and that feels like an opportunity missed since she was such an interesting historical figure
someone should really stab ceasar because why is he in most of this book?
ancient egypt and cleopatra were one of my special interests when i was younger so i was so excited about this book but it fell flat after the first third. once ceasar is introduced it becomes all about her with him. you rarely see her life without him and that feels like an opportunity missed since she was such an interesting historical figure
January 26, 2025
Cleopatra’s power is her mind not her face.
I’m a sucker for stories involving Cleopatra so this title immediately caught my attention. Before reading Ms Solomon’s novel I debated whether it was fair to review the book, because the gold standard novel has to be Margaret George’s ‘Cleopatra’, (a stellar standard to live up to) however I’m so pleased I went ahead and this ‘Cleopatra’ is equally as enthralling but in a different wa.
The novel focuses on Cleopatra growing from a mischievous girl into a young woman with the mind of a general. She is Egypt and Egypt is her, and she prepared to do whatever it takes, no matter how distasteful to her personally, to protect her country. When Cleopatra’s father, the ruling Phaoroah dies, not only is she bereft of a father but she must rule with her brother/husband Ptolemy.
And so the problems begin.
Ptolemy is that dangerous combination of self-indulgent, arrogant, and stupid. His advisors sideline Cleopatra, trying to manoeuvre her out of power so they can step reign. Cleopatra doesn’t seek power for the sake of power, but can see how Egypt will be lost to the Romans if Ptolemy and his advisors continues down that path. The book then follows the twisting machinations of Cleopatra’s rise to supremacy in the face of death threats, betrayal, personal danger, and self-sacrifice.
One of many things that excelled about Solomon’s ‘Cleopatra’ is the personal relationships between Cleopatra and her lifelong companion Charmian, Caesar’s mistress Servilia, along with loyal acolytes. The book cover description of “Know her, love her, fear her” gives me chills having now read the book and is indeed apt. A full 5 stars for this great read.
I’m a sucker for stories involving Cleopatra so this title immediately caught my attention. Before reading Ms Solomon’s novel I debated whether it was fair to review the book, because the gold standard novel has to be Margaret George’s ‘Cleopatra’, (a stellar standard to live up to) however I’m so pleased I went ahead and this ‘Cleopatra’ is equally as enthralling but in a different wa.
The novel focuses on Cleopatra growing from a mischievous girl into a young woman with the mind of a general. She is Egypt and Egypt is her, and she prepared to do whatever it takes, no matter how distasteful to her personally, to protect her country. When Cleopatra’s father, the ruling Phaoroah dies, not only is she bereft of a father but she must rule with her brother/husband Ptolemy.
And so the problems begin.
Ptolemy is that dangerous combination of self-indulgent, arrogant, and stupid. His advisors sideline Cleopatra, trying to manoeuvre her out of power so they can step reign. Cleopatra doesn’t seek power for the sake of power, but can see how Egypt will be lost to the Romans if Ptolemy and his advisors continues down that path. The book then follows the twisting machinations of Cleopatra’s rise to supremacy in the face of death threats, betrayal, personal danger, and self-sacrifice.
One of many things that excelled about Solomon’s ‘Cleopatra’ is the personal relationships between Cleopatra and her lifelong companion Charmian, Caesar’s mistress Servilia, along with loyal acolytes. The book cover description of “Know her, love her, fear her” gives me chills having now read the book and is indeed apt. A full 5 stars for this great read.
May 27, 2025
What was the reason this book was written? Almost nothing of note happens. Cleopatra was fierce and a force to be reckoned with and it just seems like this is about her loving Julius Ceaser. Why can’t books be written where the female characters are ruthless and unforgiving not a slave to a man. Really disliked this book.
October 19, 2025
Holy love triangles! This book is comprised of the povs of two women, Cleopatra and Servilia, who each shared an intimacy with the powerful Julius Caesar but also possessed immense powers of their own. At its core, this story is about intelligence over beauty and how far a mother will go to protect those she loves. I appreciated learning more about Cleopatra, and in turn Servilia and Caesar, despite this story felt verbose at times. I definitely have a new appreciation for Cleopatra, both her life as a Queen and a mother.
September 9, 2025
Actual rating 3.5/5 stars.
Cleopatra is bold and fearless. She is intelligent and wise. She is strong and quick-witted. She is a female who possessed all of these traits and yet none could protect her from being viewed as anything other than a mere female by the patriarchy of her time.
I had previously read and loved Fair Rosaline, another Shakesperian retelling from this author, and was eager to see how she would transform this historical figure. I was just as immediately hooked here as I was with my prior Solomons read but did find my attention waning a little, as the novel progressed.
The focus was primarily on Cleopatra's relationship with Caesar and, especially considering this is a feminist retelling, I longed for her to claim the spotlight in a solo capacity. I understand that their relationship was the story's focal point but perhaps would have enjoyed this more if there were elongated scenes were his presence was removed and the reader got to understand who this fierce female was, without him lurking around every page.
Asides from that, this was a riveting story full of action and adventure, lust and longing, bloodshed and battle, and everything in-between!
Cleopatra is bold and fearless. She is intelligent and wise. She is strong and quick-witted. She is a female who possessed all of these traits and yet none could protect her from being viewed as anything other than a mere female by the patriarchy of her time.
I had previously read and loved Fair Rosaline, another Shakesperian retelling from this author, and was eager to see how she would transform this historical figure. I was just as immediately hooked here as I was with my prior Solomons read but did find my attention waning a little, as the novel progressed.
The focus was primarily on Cleopatra's relationship with Caesar and, especially considering this is a feminist retelling, I longed for her to claim the spotlight in a solo capacity. I understand that their relationship was the story's focal point but perhaps would have enjoyed this more if there were elongated scenes were his presence was removed and the reader got to understand who this fierce female was, without him lurking around every page.
Asides from that, this was a riveting story full of action and adventure, lust and longing, bloodshed and battle, and everything in-between!
August 20, 2025
⭐️4.5 Stars⭐️
Cleopatra: A Novel by Natasha Solomons
I have a fascination with the last Queen of Egypt Cleopatra and Egyptian mythology so I couldn’t wait to read this gorgeous book!
The author has weaved an extraordinary and compelling portrayal of Cleopatra, Pharaoh and legendary Queen of the Nile. We first meet Cleopatra as a young girl who will do whatever is politically necessary to protect her Kingdom, including personal sacrifice and a strategic relationship with Caesar rather than a romantic one.
As a fiercely intelligent woman who captivated others with her intellect and charm I was in awe of her survival in such a male dominated world. I loved her relationship with her two slaves especially Charmian, it shows a vulnerable side of Cleopatra.
The story came to life for me on the pages and made it an absolutely memorable read. There’s a lot of heavy themes and reading about the complexities to Rome and Egypts history was so fascinating.
Our second POV in the story is Servilia a long time lover of Caesar which added a unique perspective to the narrative.
An absolute page turner for me, even with the violence and gore!
Publication Date 03 June 2025
Publisher Imprint Manilla Press
Thank you so much to the awesome team Allen & Unwin for a copy of the book.
Cleopatra: A Novel by Natasha Solomons
I have a fascination with the last Queen of Egypt Cleopatra and Egyptian mythology so I couldn’t wait to read this gorgeous book!
The author has weaved an extraordinary and compelling portrayal of Cleopatra, Pharaoh and legendary Queen of the Nile. We first meet Cleopatra as a young girl who will do whatever is politically necessary to protect her Kingdom, including personal sacrifice and a strategic relationship with Caesar rather than a romantic one.
As a fiercely intelligent woman who captivated others with her intellect and charm I was in awe of her survival in such a male dominated world. I loved her relationship with her two slaves especially Charmian, it shows a vulnerable side of Cleopatra.
The story came to life for me on the pages and made it an absolutely memorable read. There’s a lot of heavy themes and reading about the complexities to Rome and Egypts history was so fascinating.
Our second POV in the story is Servilia a long time lover of Caesar which added a unique perspective to the narrative.
An absolute page turner for me, even with the violence and gore!
Publication Date 03 June 2025
Publisher Imprint Manilla Press
Thank you so much to the awesome team Allen & Unwin for a copy of the book.
May 17, 2025
What a disappointment! Such an interesting historical figure but sadly this part of her life left me deflated , boring in parts And as other reviewers have said the book should have been titled ceasar and cleopatra, mark Anthony is mentioned once towards the end almost as if there could be a part 2 book 2 but very much doubt it , what a shame, sadly a let down for me
October 2, 2025
****Many thanks to Netgalley and Harper Perennial and Paperbacks for an advanced eArc in exchange for my honest opinion****
I really wanted to like this one but something was just off to me.
Don't get me wrong there are sections that had me hooked and I would fly through those parts but I found myself procrastinating for the vast majority of this book. The beginning started off fast? The introduction to characters was just "BAM HERE WE ARE" instantaneously beamed in to the plot line. It wasn't a quiet build up, there was no soft start, it was just a rather abrupt beginning to the story.
I don't think anyone will truly know the real Cleopatra, its all speculation or accounts of her through others eyes. Plain and simple I did not like this version of her. She comes off as rude, stuck up, sassy for no reason whatsoever and naïve. There really wasn't a redeeming quality for her which is fine but makes for difficult reading especially when her personality or actions are just stupid. The way she talks to others made me cringe. I understand treating slaves as humans of course, but the way she spoke to them would have made more sense if say Apollodorus was a general or Charmian a true childhood friend.
"Anger rises in me, and I turn to Apollodorus, my voice soft with fury. 'Take her way from here. It is out of affection for you that I do not have her whipped and crucified'". That was Cleopatra's response to Appollodorus's mother who came to buy her son back because the family farm is crippling and would result in his entire family being sold into slavery. She said something similar when his sister came the first time around. Cleopatra is UNFAILINGLY SELFISH in every interaction she has with someone.
Another thing that rubs me the wrong way, if Cleopatra is SO smart why do we not get more scenes with battle/strategy prowess?? The "examples" the books give are so surface level.
I think the saddest part of this book was Charmian coming back to Cleopatra after gaining freedom. I was like WTF are you doing girl??! You have a man, an estate, a baby on the way and you run back to that selfish, draining woman? Ugh what a buzzkill.
2 Stars for Servilla. I think the book could have been stronger if it was through Servilla's eyes with a change of POV to Cleopatra when Caesar was in Egypt instead of alternating sporadically. The chapters didn't give dates so that was a struggle understanding the timeline. Having Servilla as the main POV makes sense since she knew him longer had actual LOVE for him.
I would have cut the books into two parts if you wanted it about Cleopatra. Part 1 with Caesar, Part 2 with Marc Antony. The background information, plot points would have been more in line with the storyline. Rebellion of Ptolemy in Part 1, Rome's vision for Egypt in Part 2.
This just missed the mark for me.
I really wanted to like this one but something was just off to me.
Don't get me wrong there are sections that had me hooked and I would fly through those parts but I found myself procrastinating for the vast majority of this book. The beginning started off fast? The introduction to characters was just "BAM HERE WE ARE" instantaneously beamed in to the plot line. It wasn't a quiet build up, there was no soft start, it was just a rather abrupt beginning to the story.
I don't think anyone will truly know the real Cleopatra, its all speculation or accounts of her through others eyes. Plain and simple I did not like this version of her. She comes off as rude, stuck up, sassy for no reason whatsoever and naïve. There really wasn't a redeeming quality for her which is fine but makes for difficult reading especially when her personality or actions are just stupid. The way she talks to others made me cringe. I understand treating slaves as humans of course, but the way she spoke to them would have made more sense if say Apollodorus was a general or Charmian a true childhood friend.
"Anger rises in me, and I turn to Apollodorus, my voice soft with fury. 'Take her way from here. It is out of affection for you that I do not have her whipped and crucified'". That was Cleopatra's response to Appollodorus's mother who came to buy her son back because the family farm is crippling and would result in his entire family being sold into slavery. She said something similar when his sister came the first time around. Cleopatra is UNFAILINGLY SELFISH in every interaction she has with someone.
Another thing that rubs me the wrong way, if Cleopatra is SO smart why do we not get more scenes with battle/strategy prowess?? The "examples" the books give are so surface level.
I think the saddest part of this book was Charmian coming back to Cleopatra after gaining freedom. I was like WTF are you doing girl??! You have a man, an estate, a baby on the way and you run back to that selfish, draining woman? Ugh what a buzzkill.
2 Stars for Servilla. I think the book could have been stronger if it was through Servilla's eyes with a change of POV to Cleopatra when Caesar was in Egypt instead of alternating sporadically. The chapters didn't give dates so that was a struggle understanding the timeline. Having Servilla as the main POV makes sense since she knew him longer had actual LOVE for him.
I would have cut the books into two parts if you wanted it about Cleopatra. Part 1 with Caesar, Part 2 with Marc Antony. The background information, plot points would have been more in line with the storyline. Rebellion of Ptolemy in Part 1, Rome's vision for Egypt in Part 2.
This just missed the mark for me.
October 11, 2025
Special thanks to NetGalley and the publisher for a free, electronic ARC of this novel received in exchange for an honest review.
Expected publication date: Oct. 21, 2025
Natasha Solomons brings readers to the time of Julius Caesar and the epic battle for power between Rome and Egypt with her new fiction novel, “I Am Cleopatra”.
Caesar is the ruler of Rome and one of his many lovers is Cleopatra, the Pharoah Princess of Egypt. Although Cleopatra is not in love with Caesar, her only love being her close servant and friend, Charmian, she is aware of the power she holds over him and is willing to do what she needs to do in order to exert her influence and keep Egypt away from Rome’s control. Can Cleopatra protect herself, her family and her country from the power-hungry Romans? In order to keep her throne, will Cleopatra risk it all?
Solomons “Cleopatra” tells the based-on-true-events tale of Cleopatra, the “Queen of the Nile”, from the viewpoints of Cleopatra and also Servilia, another of Caesar’s lovers. Both women begin the story as friends, then become rivals as lovers to the same man, and end the story as something in between. Hearing Cleopatra’s story from her own perspective, as a retelling, was a sharp way to tell the tale of one of the most infamous females in history.
I knew some of Cleopatra’s story, but Solomons provided me with more background, expressing Cleopatra’s motivations as best as one can subjectively. The historical figure of Cleopatra, painted with a modern lens of female power and bravery, introduced me to a whole new side of the Pharaoh Princess and it was lovely to get to know her this intimately.
The story itself is engaging, with constant battles for power between Rome and Egypt, with fancy balls and public executions. There was lust, action, drama and of course, even a little bit of romance between both of Cleopatra’s slaves and also the more subdued yet equally as powerful love between Servilia and Julius Caesar. “I Am Cleopatra” has something for every reader.
A few of Solomons’ previous novels seem to be retellings of famous characters that we all know about through their male partners, such as Rosaline (Romeo’s initial love interest) in “Fair Rosaline” and “I, Mona Lisa”, giving these influential women another chance to shine. Although “I Am Cleopatra” was my introduction to Solomons, I’m intrigued by her writing style and the desire to bring forgotten women of history back into the spotlight where they belong.
“I Am Cleopatra” is creative, engaging and enjoyable with a smooth and free-flowing plot. Solomons’ depiction of the woman the history books didn’t tell us enough about will bring Cleopatra a new generation of fans and followers.
Expected publication date: Oct. 21, 2025
Natasha Solomons brings readers to the time of Julius Caesar and the epic battle for power between Rome and Egypt with her new fiction novel, “I Am Cleopatra”.
Caesar is the ruler of Rome and one of his many lovers is Cleopatra, the Pharoah Princess of Egypt. Although Cleopatra is not in love with Caesar, her only love being her close servant and friend, Charmian, she is aware of the power she holds over him and is willing to do what she needs to do in order to exert her influence and keep Egypt away from Rome’s control. Can Cleopatra protect herself, her family and her country from the power-hungry Romans? In order to keep her throne, will Cleopatra risk it all?
Solomons “Cleopatra” tells the based-on-true-events tale of Cleopatra, the “Queen of the Nile”, from the viewpoints of Cleopatra and also Servilia, another of Caesar’s lovers. Both women begin the story as friends, then become rivals as lovers to the same man, and end the story as something in between. Hearing Cleopatra’s story from her own perspective, as a retelling, was a sharp way to tell the tale of one of the most infamous females in history.
I knew some of Cleopatra’s story, but Solomons provided me with more background, expressing Cleopatra’s motivations as best as one can subjectively. The historical figure of Cleopatra, painted with a modern lens of female power and bravery, introduced me to a whole new side of the Pharaoh Princess and it was lovely to get to know her this intimately.
The story itself is engaging, with constant battles for power between Rome and Egypt, with fancy balls and public executions. There was lust, action, drama and of course, even a little bit of romance between both of Cleopatra’s slaves and also the more subdued yet equally as powerful love between Servilia and Julius Caesar. “I Am Cleopatra” has something for every reader.
A few of Solomons’ previous novels seem to be retellings of famous characters that we all know about through their male partners, such as Rosaline (Romeo’s initial love interest) in “Fair Rosaline” and “I, Mona Lisa”, giving these influential women another chance to shine. Although “I Am Cleopatra” was my introduction to Solomons, I’m intrigued by her writing style and the desire to bring forgotten women of history back into the spotlight where they belong.
“I Am Cleopatra” is creative, engaging and enjoyable with a smooth and free-flowing plot. Solomons’ depiction of the woman the history books didn’t tell us enough about will bring Cleopatra a new generation of fans and followers.
October 31, 2025
Raised to become Pharoah someday, Cleopatra dreamed of making her mark and writing history. Upon her father's death, she is crowned, but must share the throne with her brother-husband Ptolemy, who she despises for his weak mind and cutthroat advisors. While she is sailing on her Nile barge to greet her people as their queen, Ptolemy plots to rule the country himself. Cleopatra finds herself in need of a powerful ally, so she concocts a plan to smuggle herself in to visit Julius Caesar.
Cleopatra is perhaps the most famous woman in western history. Natasha Solomons builds upon historical research and fictious retellings of Cleopatra's life, centering the narrative of power around Cleopatra and the assuredness of Caesar's long-time mistress Servilia. I've read any number of novelizations of Cleopatra's life, and Solomons choice in perspectives and her framework of Cleopatra as Pharoah Queen and also woman and mother differentiates it from others. I kept comparing it to The Stars Undying by Emery Robin, which is a space opera futuristic version of this same story, and how both authors capture Cleopatra's political cunning. She wields her gender as power where she cannot wield power because of her gender.
I Am Cleopatra ends not long after the death of Caesar, rather than continuing into her affair with Marc Anthony. This makes the story feel incomplete, even while the novel comes to a strong conclusion. With Servilia as the secondary POV, though, that framework makes sense: Servilia was Caesar's mistress for decades, longer even than Cleopatra had been alive, and her heart dies at the betrayal leading to his death. Solomons is playing off the intertwined lives of two of the most influential women of the ancient world.
The audiobook is narrated by Daphne Kouma and Jasmine Hyde, who bring the first person perspective to life for Cleopatra and Servilia. I always enjoy first person narratives on audiobook, and think the format works well. Their narrative voices are distinct and well matched to each woman.
Thank you to Harper Audio for an ALC. I Am Cleopatra is out 10/21/2025.
Cleopatra is perhaps the most famous woman in western history. Natasha Solomons builds upon historical research and fictious retellings of Cleopatra's life, centering the narrative of power around Cleopatra and the assuredness of Caesar's long-time mistress Servilia. I've read any number of novelizations of Cleopatra's life, and Solomons choice in perspectives and her framework of Cleopatra as Pharoah Queen and also woman and mother differentiates it from others. I kept comparing it to The Stars Undying by Emery Robin, which is a space opera futuristic version of this same story, and how both authors capture Cleopatra's political cunning. She wields her gender as power where she cannot wield power because of her gender.
I Am Cleopatra ends not long after the death of Caesar, rather than continuing into her affair with Marc Anthony. This makes the story feel incomplete, even while the novel comes to a strong conclusion. With Servilia as the secondary POV, though, that framework makes sense: Servilia was Caesar's mistress for decades, longer even than Cleopatra had been alive, and her heart dies at the betrayal leading to his death. Solomons is playing off the intertwined lives of two of the most influential women of the ancient world.
The audiobook is narrated by Daphne Kouma and Jasmine Hyde, who bring the first person perspective to life for Cleopatra and Servilia. I always enjoy first person narratives on audiobook, and think the format works well. Their narrative voices are distinct and well matched to each woman.
Thank you to Harper Audio for an ALC. I Am Cleopatra is out 10/21/2025.
May 9, 2025
So I just finished "Cleopatra" by Natasha Solomons (I literally devoured it in less than 24 hours) and wow - where has this book been all my life??
Look, I'm totally new to retellings. A friend recommended one book, and suddenly I'm neck-deep in them (zero regrets though!). Before this, all I knew about Cleopatra was the whole "beauty and seduction" thing we've all heard a million times. Boy, was I missing out!
Solomons (who also wrote Fair Rosaline) does something super cool here - she digs through all those stuffy Roman plays written by dudes who clearly had issues with powerful women and pulls out who Cleopatra ACTUALLY might have been. And let me tell you, she's WAY more interesting than just "that Egyptian queen who seduced Caesar."
The book uses two different viewpoints that honestly made me feel like I was hanging out with Cleopatra herself. By the last page, I was like "yep, we'd definitely be friends" - she's absolutely fearless and complex and REAL. This isn't some boring historical novel where people talk weird and nothing happens. It's about survival, messy relationships, ride-or-die friendships, and heartbreaking betrayals.
The pacing? Perfect! I never once found myself checking how many pages were left (which is my usual "I'm bored now" move).
If you're like me and don't know your Ptolemies from your pyramids, don't worry! This book is the perfect intro to ancient Egyptian stuff without making you feel stupid.
Bottom line: Solomons doesn't just dust off an old story - she brings Cleopatra back to life in all her complicated glory.
Five stars, would time-travel to ancient Egypt again!
Look, I'm totally new to retellings. A friend recommended one book, and suddenly I'm neck-deep in them (zero regrets though!). Before this, all I knew about Cleopatra was the whole "beauty and seduction" thing we've all heard a million times. Boy, was I missing out!
Solomons (who also wrote Fair Rosaline) does something super cool here - she digs through all those stuffy Roman plays written by dudes who clearly had issues with powerful women and pulls out who Cleopatra ACTUALLY might have been. And let me tell you, she's WAY more interesting than just "that Egyptian queen who seduced Caesar."
The book uses two different viewpoints that honestly made me feel like I was hanging out with Cleopatra herself. By the last page, I was like "yep, we'd definitely be friends" - she's absolutely fearless and complex and REAL. This isn't some boring historical novel where people talk weird and nothing happens. It's about survival, messy relationships, ride-or-die friendships, and heartbreaking betrayals.
The pacing? Perfect! I never once found myself checking how many pages were left (which is my usual "I'm bored now" move).
If you're like me and don't know your Ptolemies from your pyramids, don't worry! This book is the perfect intro to ancient Egyptian stuff without making you feel stupid.
Bottom line: Solomons doesn't just dust off an old story - she brings Cleopatra back to life in all her complicated glory.
Five stars, would time-travel to ancient Egypt again!
September 6, 2025
Natasha Solomons heeft een hervertelling geschreven over het leven van Cleopatra, de legendarische koningin van Egypte die na de dood van haar vader wordt aangewezen als heerser van het land, samen met haar broer Ptolemeus. Maar, als je denkt dat jij een wat moeilijke band heb met jouw broers en/of zussen, nou dan spant Cleopatra letterlijk de kroon. Ze had er namelijk aardig wat en allemaal stonden ze haar en elkaar naar het leven. Het verhaal wordt verteld vanuit het oogpunt van Cleopatra, afgewisseld met de eerste persoonsvertelling vanuit Servilia, de vrouw van Julius Ceasar, die tevens Cleopatra het hof weet te maken. Wat in de context van het verhaal ook wel betekent dat de spanningen nog hoger stijgen binnen haar familie.
Het is een intrigerend verhaal wat je aandacht er goed bijhoudt en blijft boeien tot het einde. Wel merkte ik dat de vertelling vanuit de eerste persoon van met name Cleopatra ervoor zorgde dat je eigenlijk alleen maar haar gedachten leest. Je krijgt het verhaal dus eenzijdig, soms tweezijdig met Servilia, mee en vooral de eerste 60% van het boek is er bijna geen dialoog aanwezig in het verhaal. Dat vond ik persoonlijk jammer, want dialoog had het verhaal voor mij meer diepte gegeven.
Neemt niet weg dat ik heb genoten van deze geschiedenis die van zichzelf al mateloos interessant is, en ook als hervertelling werkt het goed. Dus, 4 dikke sterren.
Dank aan AmboAnthos Uitgeverij dat ik dit boek voor een eerlijke review mocht lezen.
Het is een intrigerend verhaal wat je aandacht er goed bijhoudt en blijft boeien tot het einde. Wel merkte ik dat de vertelling vanuit de eerste persoon van met name Cleopatra ervoor zorgde dat je eigenlijk alleen maar haar gedachten leest. Je krijgt het verhaal dus eenzijdig, soms tweezijdig met Servilia, mee en vooral de eerste 60% van het boek is er bijna geen dialoog aanwezig in het verhaal. Dat vond ik persoonlijk jammer, want dialoog had het verhaal voor mij meer diepte gegeven.
Neemt niet weg dat ik heb genoten van deze geschiedenis die van zichzelf al mateloos interessant is, en ook als hervertelling werkt het goed. Dus, 4 dikke sterren.
Dank aan AmboAnthos Uitgeverij dat ik dit boek voor een eerlijke review mocht lezen.
February 22, 2025
The voice the author gives to Cleopatra really brings her shrewd intelligence and superiority to life.
This book follows right up until Caesar's death, and is primarily Cleopatra narrating events and describing her own emotions and thoughts as she navigates the politics of her relationship with Caesar whilst vying for power over Egypt with her siblings and Rome itself. There is also another POV from Roman matron, Servilia: one of Caesar's lovers. You don't get any deep sense of any character other than Cleopatra (and Servilia by the end), which really highlights how isolated Cleopatra feels she is, and how vulnerable to betrayal she is. I appreciate it's written as Cleopatra's historical account of events, but I would have liked more dialogue to get a deeper, more involved sense of the character dynamics. The poison foreshadowing throughout was dark but well done. The story starts quite fast-paced, then slows for the middle, punctuated by scenes of betrayal and action, then speeds up again at the end. In terms of writing style, I felt there was a slight over-reliance on commas rather than other more appropriate punctuation marks, which sometimes disrupted the flow, but other parts were beautifully poetic.
I would recommend this to readers who enjoy historical fiction and historical retellings, and particularly those fascinated by Cleopatra, of course.
eARC provided by Bonnier Books UK via NetGalley.
This book follows right up until Caesar's death, and is primarily Cleopatra narrating events and describing her own emotions and thoughts as she navigates the politics of her relationship with Caesar whilst vying for power over Egypt with her siblings and Rome itself. There is also another POV from Roman matron, Servilia: one of Caesar's lovers. You don't get any deep sense of any character other than Cleopatra (and Servilia by the end), which really highlights how isolated Cleopatra feels she is, and how vulnerable to betrayal she is. I appreciate it's written as Cleopatra's historical account of events, but I would have liked more dialogue to get a deeper, more involved sense of the character dynamics. The poison foreshadowing throughout was dark but well done. The story starts quite fast-paced, then slows for the middle, punctuated by scenes of betrayal and action, then speeds up again at the end. In terms of writing style, I felt there was a slight over-reliance on commas rather than other more appropriate punctuation marks, which sometimes disrupted the flow, but other parts were beautifully poetic.
I would recommend this to readers who enjoy historical fiction and historical retellings, and particularly those fascinated by Cleopatra, of course.
eARC provided by Bonnier Books UK via NetGalley.
June 5, 2025
"I want you to see me as I am. You can dislike me, love me or abhor me, but know me first. I was born a girl and a goddess. A future queen, if I should live that long."
[Thank you so much to Allen & Unwin for sending me a copy of Cleopatra, in exchange for a fair and honest review. All opinions are my own.]
This feminist retelling of Cleopatra's story was everything I could have hoped it would be. Cleopatra is a fascinating historical figure, but this made me realise I knew almost nothing about her.
Though I did really enjoy this book, I feel it would be more aptly named Cleopatra & Caesar because even though it was told from Cleopatra's point of view (and Servilia's), the story did revolve around him pretty heavily. I didn't enjoy Servilia's parts very much for this reason, because they were all about him and her love and devotion to him. While i did think it was pretty central to the story, it became a bit repetitive. Not to mention, (I'm not sure if this is a spoiler or not - I feel like everyone knows this) I know the book would probably have been way too long if it chronicled her entire life, but that solidified for me that this was not reallyyy Cleopatra's story.
That being said, I do still really recommend this, and I think this can be enjoyed by both history enthusiasts, and people who know nothing about ancient Egypt/Rome alike. The writing was great and there were so many beautiful quotes.
[Thank you so much to Allen & Unwin for sending me a copy of Cleopatra, in exchange for a fair and honest review. All opinions are my own.]
This feminist retelling of Cleopatra's story was everything I could have hoped it would be. Cleopatra is a fascinating historical figure, but this made me realise I knew almost nothing about her.
Though I did really enjoy this book, I feel it would be more aptly named Cleopatra & Caesar because even though it was told from Cleopatra's point of view (and Servilia's), the story did revolve around him pretty heavily. I didn't enjoy Servilia's parts very much for this reason, because they were all about him and her love and devotion to him. While i did think it was pretty central to the story, it became a bit repetitive. Not to mention, (I'm not sure if this is a spoiler or not - I feel like everyone knows this) I know the book would probably have been way too long if it chronicled her entire life, but that solidified for me that this was not reallyyy Cleopatra's story.
That being said, I do still really recommend this, and I think this can be enjoyed by both history enthusiasts, and people who know nothing about ancient Egypt/Rome alike. The writing was great and there were so many beautiful quotes.
September 3, 2025
2.5 ⭐️ Ik had high hopes voor deze maar dit was een beetje teleurstellend? Ik verwachtte en boek over Cleopatra (want ja het boek heet letterlijk zo?!). Ten eerste vond ik Cleopatra helemaal niet interessant in dit boek? Ze moet sterk en stoer zijn maar ze kwam saai over op een of andere manier.
Daarnaast focuste het boek ook grotendeels op haar relatie met Caesar. Oké, we all know they had a thing, maar hoezo voelt het alsof dit boek meer over hem gaat dan over haar?? Het feit dat dit boek eindigt met zijn dood duidt ook gewoon op het feit dat dit boek over hem gaat en niet over Cleopatra. Sad.
De schrijfstijl vond ik dubbel. Over het algemeen leest dit boek heel vlot maar soms is het taalgebruik zo onnodig complex? Can we not?
Daarnaast focuste het boek ook grotendeels op haar relatie met Caesar. Oké, we all know they had a thing, maar hoezo voelt het alsof dit boek meer over hem gaat dan over haar?? Het feit dat dit boek eindigt met zijn dood duidt ook gewoon op het feit dat dit boek over hem gaat en niet over Cleopatra. Sad.
De schrijfstijl vond ik dubbel. Over het algemeen leest dit boek heel vlot maar soms is het taalgebruik zo onnodig complex? Can we not?
May 28, 2025
As an Egyptian, Cleopatra has always held a powerful place in my imagination, not just as a historical figure, but as a symbol of identity, pride and complexity. I picked up Cleopatra by Natasha Solomons hoping to reconnect with a part of my heritage that’s so often misunderstood or simplified through Western narratives. In many ways, this novel succeeds: it’s a poetic, emotionally resonant reimagining that gives voice to a woman who has too often been spoken about, rather than for.
Told from Cleopatra’s perspective, the novel reclaims her as more than the seductive caricature history has painted. Solomons presents her as a strategist, a mother, a ruler and a survivor, flawed and human but deeply intelligent and resilient. The prose is lyrical and atmospheric, often reading like a long, reflective soliloquy. At its best, the writing captures the fragility and power of Cleopatra’s position as she navigates love, loss and empire.
However, the novel isn’t without its shortcomings. The pacing can be slow, particularly in the middle, where internal monologue takes precedence over historical action. Key events (such as Caesar’s assassination or the fall of Egypt) are filtered through personal emotion rather than dramatic tension, which can make the historical context feel hazy at times. As someone looking to deepen my understanding of my own history, I occasionally wished for a firmer grounding in the politics and realities of the time.
Characters like Caesar and Mark Antony feel distant and underdrawn; their influence on Cleopatra is described more than demonstrated, which sometimes weakens the emotional impact of their relationships. And while the novel succeeds in reclaiming Cleopatra from the male gaze, it occasionally leans into a different kind of idealisation, elevating her suffering and endurance in a way that risks making her feel symbolic rather than fully human.
Still, despite its flaws, this is a memorable and meaningful read. Solomons has crafted a version of Cleopatra that feels fresh, vulnerable and fiercely intelligent. It may not be a comprehensive historical account but it’s a moving character study that gave me a deeper emotional connection to a woman who has long been central to Egypt’s past, and, for many of us, its enduring sense of pride.
Thank you to NetGalley and the publisher for giving me an ARC to review.
Told from Cleopatra’s perspective, the novel reclaims her as more than the seductive caricature history has painted. Solomons presents her as a strategist, a mother, a ruler and a survivor, flawed and human but deeply intelligent and resilient. The prose is lyrical and atmospheric, often reading like a long, reflective soliloquy. At its best, the writing captures the fragility and power of Cleopatra’s position as she navigates love, loss and empire.
However, the novel isn’t without its shortcomings. The pacing can be slow, particularly in the middle, where internal monologue takes precedence over historical action. Key events (such as Caesar’s assassination or the fall of Egypt) are filtered through personal emotion rather than dramatic tension, which can make the historical context feel hazy at times. As someone looking to deepen my understanding of my own history, I occasionally wished for a firmer grounding in the politics and realities of the time.
Characters like Caesar and Mark Antony feel distant and underdrawn; their influence on Cleopatra is described more than demonstrated, which sometimes weakens the emotional impact of their relationships. And while the novel succeeds in reclaiming Cleopatra from the male gaze, it occasionally leans into a different kind of idealisation, elevating her suffering and endurance in a way that risks making her feel symbolic rather than fully human.
Still, despite its flaws, this is a memorable and meaningful read. Solomons has crafted a version of Cleopatra that feels fresh, vulnerable and fiercely intelligent. It may not be a comprehensive historical account but it’s a moving character study that gave me a deeper emotional connection to a woman who has long been central to Egypt’s past, and, for many of us, its enduring sense of pride.
Thank you to NetGalley and the publisher for giving me an ARC to review.
August 14, 2025
Loved this !! Really tickled my inner ancient historian and gave me my historical fiction fix 🫶🏼🐆
October 9, 2025
I changed my rating to 1.5 stars. if it was a book about Julius Caesar through the women he loved eyes. yes an easy 3.5 stars. but nope. it's not her story it's his. and that's not a feminist retelling
although I enjoyed this book.
it's basically Julius Caesar through 2 women's eyes.
I was looking forward to this. but it fell flat for what I thought it was. it ends with the death of Caesar although I'm pretty sure her life continues and gets more drama filled and she becomes more of a queen. wish we explored mark Anthony and her death.
but was a good book about Julius Caesar
although I enjoyed this book.
it's basically Julius Caesar through 2 women's eyes.
I was looking forward to this. but it fell flat for what I thought it was. it ends with the death of Caesar although I'm pretty sure her life continues and gets more drama filled and she becomes more of a queen. wish we explored mark Anthony and her death.
but was a good book about Julius Caesar
This entire review has been hidden because of spoilers.
December 22, 2025
The very mention of “Cleopatra” conjures up powerful images and legendary tales. Yet, behind her words and famous deeds, who truly was this enigmatic female pharaoh? Is it possible that someone revered as a goddess could also share the vulnerabilities, aspirations, and dreams familiar to other women of her time?
While Cleopatra’s story has had many iterations, Natasha Solomons’s latest novel, I Am Cleopatra, is able to bring a new perspective to how this legendary figure is portrayed. Readers experience Cleopatra’s fears, her weariness, her joys, her love. Specifically, it tears away a lot of the romanticization that often shadows Cleopatra’s life. This novel isn’t about Cleopatra’s love life, it’s simply about her life. The novel dives into Cleopatra’s journey from childhood to her affair with Julius Caesar. The narrative carries readers along the Nile, throughout Alexandria, and onward to Rome, detailing a variety of ancient locales.
I Am Cleopatra opens in the Mouseion’s great library (aka, the Library of Alexandria), which is brought vibrantly to life with rich sights, sounds, and aromas. Cleopatra even makes a reference to how the scents remind her of learning: “…there is also the dry scent of the papyrus scrolls themselves, ensuring that now, to me, thoughts and words have a smell, herbal and enticing.” Through a tapestry of sensory details—from the muted hues of mosaics to the scholar’s pens scratching against papyrus to the rosemary and myrrh perfumed air–the author seizes her readers’ senses within the first few pages.
Through Cleopatra’s personal relationships, readers gain insight into how difficult the decisions and sacrifices were for Cleopatra—an element frequently missing from previous retellings of her story (in this reader’s humble opinion). Interspersed in the narrative is another female voice, that of Servilia who was Caesar’s friend and mistress. This POV provides a captivating counterpoint to Cleopatra’s story through the eyes of a Roman woman.
One of my favorite lines in the book is, “Caesar may keep my heart but not my books.” It reflects the emphasis on how important knowledge and the written word was for Cleopatra (and those of us reading the book as well!). Goddess, Pharaoh, Woman? I Am Cleopatra a fresh look at one of history’s most notorious icons as told through the author’s beautiful writing style and vivid setting details.
See my interview with the author and her insights on making this book come alive here: https://historicalnovelsociety.org/go...
Note: My review is interspersed within the interview
While Cleopatra’s story has had many iterations, Natasha Solomons’s latest novel, I Am Cleopatra, is able to bring a new perspective to how this legendary figure is portrayed. Readers experience Cleopatra’s fears, her weariness, her joys, her love. Specifically, it tears away a lot of the romanticization that often shadows Cleopatra’s life. This novel isn’t about Cleopatra’s love life, it’s simply about her life. The novel dives into Cleopatra’s journey from childhood to her affair with Julius Caesar. The narrative carries readers along the Nile, throughout Alexandria, and onward to Rome, detailing a variety of ancient locales.
I Am Cleopatra opens in the Mouseion’s great library (aka, the Library of Alexandria), which is brought vibrantly to life with rich sights, sounds, and aromas. Cleopatra even makes a reference to how the scents remind her of learning: “…there is also the dry scent of the papyrus scrolls themselves, ensuring that now, to me, thoughts and words have a smell, herbal and enticing.” Through a tapestry of sensory details—from the muted hues of mosaics to the scholar’s pens scratching against papyrus to the rosemary and myrrh perfumed air–the author seizes her readers’ senses within the first few pages.
Through Cleopatra’s personal relationships, readers gain insight into how difficult the decisions and sacrifices were for Cleopatra—an element frequently missing from previous retellings of her story (in this reader’s humble opinion). Interspersed in the narrative is another female voice, that of Servilia who was Caesar’s friend and mistress. This POV provides a captivating counterpoint to Cleopatra’s story through the eyes of a Roman woman.
One of my favorite lines in the book is, “Caesar may keep my heart but not my books.” It reflects the emphasis on how important knowledge and the written word was for Cleopatra (and those of us reading the book as well!). Goddess, Pharaoh, Woman? I Am Cleopatra a fresh look at one of history’s most notorious icons as told through the author’s beautiful writing style and vivid setting details.
See my interview with the author and her insights on making this book come alive here: https://historicalnovelsociety.org/go...
Note: My review is interspersed within the interview
June 8, 2025
The first book I fell in love with was The Royal Diaries: Cleopatra. With its gold-sprayed edges, lush descriptions of living along the Nile and forays into a preteen on the precipice of history, I became obsessed with ancient women. Since then, not much has changed.
This book, a new retelling of a very specific time of Cleopatra’s life, recalls much of that Royal Diaries edition to me. For that reason, I believe I may have enjoyed it more than most.
As I have made clear, Cleopatra was my first love. I read about her own coming of age as I was coming of my own, and though I was not a pharaoh queen to be nor a part of a murderous family, I nonetheless felt a kinship to her ambition, her intelligence and her independence. In Solomons’ novel, we meet this same Cleopatra — one who is coming into her own, facing down the last of her teenage years while facing down her father’s (Ptolemy XII Auletes’) failed reign, the hunger of Rome, and the brutal power struggle between her siblings.
The first third of this book was a special treat for me. I loved Solomons’ writing of a teenage girl finding bravery amid fear, an exile in the dangerous desert, and friends and foes alike. I especially appreciated the author’s writing of Cleopatra’s day-to-day life and even bodily struggles (why don’t women in books ever seem to get their period?... I appreciated these small but real additions to the story).
Early on, Cleopatra meets Caesar in the more realistic “laundry bag” version of events that historians generally agree on today, and their relationship (and its ensuing problems) is where the bulk of this book takes place. While I do think it should have been marketed as more of a Cleopatra & Caesar telling, I still felt connected to Cleopatra and her thirst for both power and blood throughout. I also loved the addition of Servilia’s chapters, who some may know as the mother of Brutus (one of Caesar’s murderers) and as a lover of Caesar’s (if you read Plutarch).
And read Plutarch, this author certainly does. I want to recognize Solomons for the attempts she did make at historical accuracy: the relationship between Cleopatra and Caesar, not shying away from the bloodshed Cleopatra wrought within her own bloodline and walls, and more importantly, Cleopatra’s servants. Many of the characters in this novel (Charmian and Iras to name a few) are real, named servants and advisers to Cleopatra during this time according to Plutarch.
However, there are some issues I took with the book overall. Fatphobia is rampant, particularly at the beginning of the book, as Cleopatra admonishes members of her family for their weight. While I do know Ancient Egypt idealized their sculptures and thinned out their leaders in iconography (looking at you, Potbelly!), I do not think this imagined derision of fat peoples in her court was a necessary or kind addition to the story. Also, in this story, Cleopatra and those around her express disgust and distaste for many of the eunuchs at court— in actuality, Cleopatra had eunuchs as trusted advisers, including one such person named Mardian if Plutarch is to be believed, and her first beloved tutor (Ganymedes) was a eunuch. And finally, I would have loved more time with Cleopatra as a mother and with Servilia as a woman— both away from Caesar.
That all being said, I still enjoyed this read and most of the writing, and appreciated the author’s unflinching depiction of one of the world’s most famous (and complex) characters. However, I understand some readers could not get past some of the issues in the book and can understand why. But if you ever read The Royal Diaries, or if you love Cleopatra enough to consume any historical fiction you can get your hands on about her, you may enjoy this one too. 3.5 stars rounded up.
This book, a new retelling of a very specific time of Cleopatra’s life, recalls much of that Royal Diaries edition to me. For that reason, I believe I may have enjoyed it more than most.
As I have made clear, Cleopatra was my first love. I read about her own coming of age as I was coming of my own, and though I was not a pharaoh queen to be nor a part of a murderous family, I nonetheless felt a kinship to her ambition, her intelligence and her independence. In Solomons’ novel, we meet this same Cleopatra — one who is coming into her own, facing down the last of her teenage years while facing down her father’s (Ptolemy XII Auletes’) failed reign, the hunger of Rome, and the brutal power struggle between her siblings.
The first third of this book was a special treat for me. I loved Solomons’ writing of a teenage girl finding bravery amid fear, an exile in the dangerous desert, and friends and foes alike. I especially appreciated the author’s writing of Cleopatra’s day-to-day life and even bodily struggles (why don’t women in books ever seem to get their period?... I appreciated these small but real additions to the story).
Early on, Cleopatra meets Caesar in the more realistic “laundry bag” version of events that historians generally agree on today, and their relationship (and its ensuing problems) is where the bulk of this book takes place. While I do think it should have been marketed as more of a Cleopatra & Caesar telling, I still felt connected to Cleopatra and her thirst for both power and blood throughout. I also loved the addition of Servilia’s chapters, who some may know as the mother of Brutus (one of Caesar’s murderers) and as a lover of Caesar’s (if you read Plutarch).
And read Plutarch, this author certainly does. I want to recognize Solomons for the attempts she did make at historical accuracy: the relationship between Cleopatra and Caesar, not shying away from the bloodshed Cleopatra wrought within her own bloodline and walls, and more importantly, Cleopatra’s servants. Many of the characters in this novel (Charmian and Iras to name a few) are real, named servants and advisers to Cleopatra during this time according to Plutarch.
However, there are some issues I took with the book overall. Fatphobia is rampant, particularly at the beginning of the book, as Cleopatra admonishes members of her family for their weight. While I do know Ancient Egypt idealized their sculptures and thinned out their leaders in iconography (looking at you, Potbelly!), I do not think this imagined derision of fat peoples in her court was a necessary or kind addition to the story. Also, in this story, Cleopatra and those around her express disgust and distaste for many of the eunuchs at court— in actuality, Cleopatra had eunuchs as trusted advisers, including one such person named Mardian if Plutarch is to be believed, and her first beloved tutor (Ganymedes) was a eunuch. And finally, I would have loved more time with Cleopatra as a mother and with Servilia as a woman— both away from Caesar.
That all being said, I still enjoyed this read and most of the writing, and appreciated the author’s unflinching depiction of one of the world’s most famous (and complex) characters. However, I understand some readers could not get past some of the issues in the book and can understand why. But if you ever read The Royal Diaries, or if you love Cleopatra enough to consume any historical fiction you can get your hands on about her, you may enjoy this one too. 3.5 stars rounded up.
March 12, 2025
I was fortunate enough to gain access to an advanced copy of "Cleopatra" by Natasha Solomons; You got no idea what this meant for me. From a young age, I had immersed myself in stories of mythologies and empires, and I was particularly mesmerized by the grandeur of the Roman Empire and Egypt. This passion for history and storytelling only deepened my excitement about exploring Cleopatra's life through Solomons' portrayal in the book. The book begins at a slow pace, making it an easy read despite its intricate themes. It offers the perspectives of two female characters, Cleopatra and Servilla. Their lives are intertwined, as both women share a connection through their relationship with Cesare, adding depth to the narrative as it unfolds. One of the aspects I truly appreciate about this book is its exploration of Cleopatra's life beyond the well-known historical accounts. While much has been documented about her public persona and the way history has portrayed her, the book delves into her experiences as a woman living during that time. It sheds light on her personal life, revealing the challenges and triumphs she faced in a society that often sought to define her by her gender and royal status. By focusing on these lesser-known facets of her life, the narrative provides a more nuanced understanding of who she was as an individual, rather than merely as a figure in history. It was extremely upsetting to me that she was always portrayed as a manipulative female, often reduced to the stereotype of a male eater. However, I believe she is so much more than just that. Her character deserves a deeper exploration, reflecting her complexities and the nuances that make her who she is. Instead of focusing solely on negative attributes, It's essential to acknowledge her strengths and the various dimensions of her personality. She was a well-educated and intelligent woman who captivated others with her charm and intellect. My full review on the blog https://guatemaltecaenuk.blog/2025/03...
August 30, 2025
I Am Cleopatra was a fictional retelling of Cleopatra's life that will immerse the reader into ancient Egypt and ancient Rome. Cleopatra is a fascinating woman and this book does a great job telling her story.
This story starts with Cleopatra as a girl and takes us through her love affair with Julius Caesar. It does not go into Cleopatra's later years or her death. I thought the author did an excellent job with her research and I liked how she brought the historical figures to life. Cleopatra was a force to be reckoned with. She was smart, ambitious, and didn't let herself be completely ruled by men in a patriarchal society. The amount of bravery and courage to do what she had to do to rule Egypt is impressive and even more so when you think about the time period. This story did a great job showing her ambitions but also her vulnerable side. Her friendship with Charmian was not something I had ever read before when reading about Cleopatra so I enjoyed that aspect of this novel. I also liked that the author included a second point of view, that of Julius Caesar's other mistress ,Servilla. It brought an interesting perspective to the story.
Overall, this was a solid historical fiction novel. Even if you know the story of Cleopatra, there were enough unique elements in this book to hook one's interest.
Thank you to Harper Perennial and NetGalley for this ARC.
This story starts with Cleopatra as a girl and takes us through her love affair with Julius Caesar. It does not go into Cleopatra's later years or her death. I thought the author did an excellent job with her research and I liked how she brought the historical figures to life. Cleopatra was a force to be reckoned with. She was smart, ambitious, and didn't let herself be completely ruled by men in a patriarchal society. The amount of bravery and courage to do what she had to do to rule Egypt is impressive and even more so when you think about the time period. This story did a great job showing her ambitions but also her vulnerable side. Her friendship with Charmian was not something I had ever read before when reading about Cleopatra so I enjoyed that aspect of this novel. I also liked that the author included a second point of view, that of Julius Caesar's other mistress ,Servilla. It brought an interesting perspective to the story.
Overall, this was a solid historical fiction novel. Even if you know the story of Cleopatra, there were enough unique elements in this book to hook one's interest.
Thank you to Harper Perennial and NetGalley for this ARC.
dnf
September 26, 2025DNF @ 25%
Ah yes a feminist retelling where we finally get to hear from the female historical figures! Their power and agency! Their story separated from the men that defined them! Oh wait..nope not quite. This book which claims to be all about Cleopatra revolves around her relationship with Caesar 🫠
Other than being his lover and a queen we get no other personality or information. The writing is stilted, and what seems to be an attempt at making punchy, impactful statements read more like the musings of a 15 year old on tumblr trying to be ✨mysterious✨
I loved Solomons’ The House at Tyneford and have always been obsessed with Cleopatra/ancient Egypt, but sadly this fell so flat. Why bother writing yet another book that focuses on Cleopatra as defined by one of her lovers and not as the powerful and politically strategic badass that she was IN HER OWN RIGHT?! It’s as if “feminist retellings” these days are really just “here’s a book that features a woman narrating her own story” but fails to give her any sort of agency away from the men in their lives.
Thank you NetGalley and Harper Perenial for the earc
Ah yes a feminist retelling where we finally get to hear from the female historical figures! Their power and agency! Their story separated from the men that defined them! Oh wait..nope not quite. This book which claims to be all about Cleopatra revolves around her relationship with Caesar 🫠
Other than being his lover and a queen we get no other personality or information. The writing is stilted, and what seems to be an attempt at making punchy, impactful statements read more like the musings of a 15 year old on tumblr trying to be ✨mysterious✨
I loved Solomons’ The House at Tyneford and have always been obsessed with Cleopatra/ancient Egypt, but sadly this fell so flat. Why bother writing yet another book that focuses on Cleopatra as defined by one of her lovers and not as the powerful and politically strategic badass that she was IN HER OWN RIGHT?! It’s as if “feminist retellings” these days are really just “here’s a book that features a woman narrating her own story” but fails to give her any sort of agency away from the men in their lives.
Thank you NetGalley and Harper Perenial for the earc
December 17, 2025
No beh,ciaone.
Wow.
Ho già messo in lista gli altri libri di Natasha Solomons (uno lo era già).
L' autrice è riuscita a farmi immergere nella Roma antica, a farmi sentire una schiava che girovaga tra Alessandria e l' Italia.
Le vicende raccontate sono quelle di Cleopatra, alternate a quelle della meno conosciuta Servilia, donne a cui l' autrice ha voluto rendere gloria in quanto, come donne, sono sempre passate un po' in secondo piano rispetto al tanto osannato Giulio Cesare.
La figura di Cleopatra, donna ambiziosa e potente, viene raccontata con schiettezza in un modo che ti tiene incollato alle pagine e ti fa scoprire, amare e poi odiare questa figura a metà strada tra umana e dea.
L' autrice ti porta a conoscere le amicizie di Cleopatra, rigorosamente calcolate, così come i suoi amori, compreso, oltre a Cesare, il debole e viziato fratello Tolomeo, di cui diventa sposa per garantire ricchezza e prosperità al loro Impero.
Ci fa conoscere anche i suoi schiavi più fedeli, Carmiana e Apollodoro, il figlio Cesarione e la rivale in amore, Servilia, madre di Bruto, l' assassino di Cesare.
Una parte di storia importante, raccontata con una voce modernissima e molto attenta alle figure femminili, purtroppo spesso assenti nelle fonti storiche, ma che sono riuscite a conquistarsi un posto importante nelle vicende storiche grazie alle loro menti sopraffine.
Consigliatissimo!
Wow.
Ho già messo in lista gli altri libri di Natasha Solomons (uno lo era già).
L' autrice è riuscita a farmi immergere nella Roma antica, a farmi sentire una schiava che girovaga tra Alessandria e l' Italia.
Le vicende raccontate sono quelle di Cleopatra, alternate a quelle della meno conosciuta Servilia, donne a cui l' autrice ha voluto rendere gloria in quanto, come donne, sono sempre passate un po' in secondo piano rispetto al tanto osannato Giulio Cesare.
La figura di Cleopatra, donna ambiziosa e potente, viene raccontata con schiettezza in un modo che ti tiene incollato alle pagine e ti fa scoprire, amare e poi odiare questa figura a metà strada tra umana e dea.
L' autrice ti porta a conoscere le amicizie di Cleopatra, rigorosamente calcolate, così come i suoi amori, compreso, oltre a Cesare, il debole e viziato fratello Tolomeo, di cui diventa sposa per garantire ricchezza e prosperità al loro Impero.
Ci fa conoscere anche i suoi schiavi più fedeli, Carmiana e Apollodoro, il figlio Cesarione e la rivale in amore, Servilia, madre di Bruto, l' assassino di Cesare.
Una parte di storia importante, raccontata con una voce modernissima e molto attenta alle figure femminili, purtroppo spesso assenti nelle fonti storiche, ma che sono riuscite a conquistarsi un posto importante nelle vicende storiche grazie alle loro menti sopraffine.
Consigliatissimo!
September 21, 2025
This novel narrows in on Cleopatra’s life during the years her story intertwined with Julius Caesar’s, offering a portrait that is both intimate and political. While the bulk of the book follows Cleopatra herself, there are occasional interludes from the perspective of Servilia, Caesar’s longtime lover. Personally, I didn’t feel those sections added much depth to the story.
What worked well was the way Solomons pushes back against the oversimplified historical image of Cleopatra as merely a woman of great beauty. Here, she is also shown as a scholar, a sharp political strategist, and a devoted mother—while always acutely aware of the duties and perils that came with being royal. Those layers made her feel more dimensional and human, not just a legend of seduction.
If you’re drawn to historical fiction that reclaims women from the myths history has reduced them to, this is a worthy addition to your shelf.
Thank you to the author, publisher and NetGalley the opportunity to read this book. All opinions are my own.
What worked well was the way Solomons pushes back against the oversimplified historical image of Cleopatra as merely a woman of great beauty. Here, she is also shown as a scholar, a sharp political strategist, and a devoted mother—while always acutely aware of the duties and perils that came with being royal. Those layers made her feel more dimensional and human, not just a legend of seduction.
If you’re drawn to historical fiction that reclaims women from the myths history has reduced them to, this is a worthy addition to your shelf.
Thank you to the author, publisher and NetGalley the opportunity to read this book. All opinions are my own.
October 19, 2025
I Am Cleopatra by Natasha Solomons. Thanks to @harperperennial for the gifted Arc ⭐️⭐️⭐️⭐️
Dueling perspectives from Cleopatra and Servilia, Caesar’s mistress, narrate Caesar’s time in Egypt and Cleopatra’s rise to power.
Cleopatra was very well done in this story; her cunning, strength, and wisdom on full display. I would have loved to give this five stars. While I loved the book, it is a small portion of Cleopatra’s life. I feel to end it in the beginning does her history a disservice. This story was mostly about her relationship with Caesar, and she was so much more than that. While that was hinted at, I would have liked to see the full saga. It still was done well and a great story, just know that if you read that as an introduction to Cleopatra, you should keep going. Memoirs of Cleopatra by Margaret George would be a great follow up.
“The serpent god has many names, and I have learned them all. She is chaos and power.”
I Am Cleopatra comes out 10/21.
Dueling perspectives from Cleopatra and Servilia, Caesar’s mistress, narrate Caesar’s time in Egypt and Cleopatra’s rise to power.
Cleopatra was very well done in this story; her cunning, strength, and wisdom on full display. I would have loved to give this five stars. While I loved the book, it is a small portion of Cleopatra’s life. I feel to end it in the beginning does her history a disservice. This story was mostly about her relationship with Caesar, and she was so much more than that. While that was hinted at, I would have liked to see the full saga. It still was done well and a great story, just know that if you read that as an introduction to Cleopatra, you should keep going. Memoirs of Cleopatra by Margaret George would be a great follow up.
“The serpent god has many names, and I have learned them all. She is chaos and power.”
I Am Cleopatra comes out 10/21.
November 27, 2025
SIGHHH this was so good!!
Cleopatra is an icon in history and this book really embodied the spirit of her. She is named queen with her brother Ptolemy when her father passes and the dangers to the throne are extreme. Trying to protect her realm from the Romans, she must use all the skills she possesses.
We are given this book in 2 POVs. We get Cleopatras and Servilia who was Julius Caesars mistress.
The audio was magnificent. Its a powerful and fierce read. I loved the characters and how the story was given a modern refresh!
so BLOODY GOOD!!
4 stars
Cleopatra is an icon in history and this book really embodied the spirit of her. She is named queen with her brother Ptolemy when her father passes and the dangers to the throne are extreme. Trying to protect her realm from the Romans, she must use all the skills she possesses.
We are given this book in 2 POVs. We get Cleopatras and Servilia who was Julius Caesars mistress.
The audio was magnificent. Its a powerful and fierce read. I loved the characters and how the story was given a modern refresh!
so BLOODY GOOD!!
4 stars
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