4.5 stars
Huge thank you to Libro.fm for the gifted ALC of Lyla, in the Flesh by Nick Roberts.
This story follows Lyla, an aspiring writer who keeps getting rejection after rejection from grad programs. Then out of nowhere, she gets this wild opportunity. A basically all-expenses-paid spot at the Claymont Residency for Writers. Super prestigious. Very elite. One of those things where you’re like, wait… is this actually real? It’s housed in this castle in Italy, which already feels unreal, and she’s obviously ecstatic because yeah, who wouldn’t be.
But the place comes with rules. Strict curfews. No cell phones. Everything is monitored. And then there’s this tier system where if you meet your goals and do exactly what’s expected of you, you get rewarded. Little incentives. Treats. Access. The better you perform, the more you’re given. It sounds motivating at first, but it doesn’t take long before it starts feeling weird.
Things get strange pretty quickly. Lyla starts hearing things at night. Seeing shadows. Just small creepy stuff that makes you pause and go, okay, that’s not normal. Then she notices things happening around the other writers too. Subtle changes. Odd behavior. Stuff you can’t quite explain, but you can tell something’s off.
She eventually meets the benefactors, Lester and Regina Sterling, and from there the suspicion really kicks in. Their presence feels tied to the strangeness of the castle, and Lyla starts poking around. Talking to people in town. Watching the other residents more closely. Pulling at threads. Slowly uncovering pieces of something that’s been buried there for a long time.
It leans psychological horror, with some paranormal stuff sneaking in too. But what really worked for me was Lyla herself. I liked her a lot. She’s young, she’s ambitious, she’s trying to build a life around something she loves. And she’s a horror writer.
Nick spends time digging into what it’s like to be a woman writing horror, and that mattered to me. Horror is one of those genres people love to dismiss, or judge, or side-eye the people who enjoy it. Add being a woman on top of that, and suddenly you’re not taken seriously at all. Which is wild, because horror exists everywhere. It’s subjective, it’s personal, and it shows up in everyday life whether people want to admit it or not.
Reading a story about a young woman who wants to write horror, who wants to prove people wrong about the genre and about herself, really clicked for me. That whole angle just felt good to read.
And as usual, Nick Roberts just knows how to tell a story. The vibes are there without feeling forced. You feel like you’re in the castle with Lyla. You feel those moments where you’re sitting there like… okay, what the hell is actually happening right now. It pulls you in without trying to impress you.
Every time I sit down with one of his books, it always feels like an experience. Always immersive, always engaging, and I always walk away happy I read it.