Dorothy Bowers’s WW2 mystery’s been billed as having more in common with Dorothy L. Sayers’s work than with writers like Agatha Christie, one of the things that attracted me to it. In Bowers’s elegantly-written novel, the plot unfolds inside a structure that emphasises richly-drawn characters and atmospheric scene-setting. At its centre is retired educator Emma Betony who reluctantly comes to the aid of former pupil Grace Aram, now headmistress of Makeways, a less-than-buoyant boarding school for girls. Makeways has been evacuated to a rambling, gothic mansion in Dorset, where it shares space with a former nursing home. There’re only two patients left but even these are proving more than Grace can handle, particularly when it's discovered elderly, wealthy Miss Thurloe’s somehow being dosed with arsenic. A crime in motion that’s possibly connected to the nearby presence of fortune-teller the Great Ambrosio: a sinister figure, with a passing resemblance to Aleister Crowley, whose superficial charm’s a magnet for lonely women. It’s up to Miss Betony to find out whether he’s an innocent suspect or a charlatan whose actions are more malign, perhaps devilish, than they appear.
Bowers’s amateur sleuth Miss Betony’s a marvellous creation and I liked Bowers’s attention to detail here: particularly her sensitive depiction of the inner lives of isolated women. I also appreciated her careful combination of claustrophobic, psychological crime and social commentary, as well as the unexpected flashes of understated humour. But her story’s decidedly slow-burning – Bowers takes an average of two pages to cover what Christie might in a paragraph - so it was only during the second half, when Bowers finally ramps up the tension, that I was completely hooked, although I’m not entirely convinced by how she wrapped things up. For me nothing beats Sayers where golden age crime’s concerned and there were times when this reminded me of her, enough to get the comparison anyway, but it also made me think of Josephine Tey’s work, so perhaps Bowers is best described as falling somewhere in between.
Rating: 3.5 stars
[Published in U.S.A. under the title Fear and Miss Betony]