My review of 'The Family' based on an ARC copy from NetGalley.
3.5 ⭐
I was hooked by the description, loved the first 9 chapters, then didn't love it so much, then loved it again.
The Vibe:
Imagine being poor and desperate in NYC and then getting swept up into this glittery, opulent townhouse on Fifth Avenue where you get designer clothes, a new name, and "sisters." It sounds perfect, right? obviously not. There's a creeping dread in the first third of the story that simmers underneath the otherwise mundane depiction of the life of a high-end escort. The author does a great job of making "The Family" feel seductive and terrifying at the same time. You want to be there with Sage and Melody and Kora, but you also want to run screaming from the building.
What I Loved:
The Genre Pivot: I won’t lie, around the 40% mark, I thought I knew exactly where this was going. I thought it was just going to be a "take down the abusive pimp" story. But when the plot flipped I was shook. The idea that these women aren't what they seem? That's terrifyingly brilliant. It raised the stakes from "personal safety" to "really serious" very quickly.
Sage and Kora: Esther (or Star) is a solid protagonist, and I love her drive to find her sister, but Sage? Sage is THE moment. I love a morally grey queen. The reveal that she isn't who she appears to be? Chef’s kiss. The complexity of their relationship was the best part of the book for me.
The "Step-Sister" Blog: I’m a sucker for mixed media in books, and the blog posts interspersed throughout the chapters added so much tension. It gave me Pretty Little Liars vibes.
What I Didn’t Love: (Spoilers)
Justice for Melody: Look, I get it. To raise the stakes, the innocent one has to die. But did Melody have to be so innocent? She felt like a target from page one—bubbly, naive, theatre kid, talks about seahorses? I was so mad when it happened, which I guess is the point, but it was bordering on a "fridging" trope. That she was written so well is what saved it.
The "Benevolent" Pimp: Caron. Ugh. The book gives him a sort of redemption arc at the end. The narrative paints him as this tragic father figure who just "lost control." I’m sorry, but no. You recruited vulnerable homeless girls into a trafficking ring, sir. I didn't buy his "I did it for Amelia" sob story.
Jeremy: He’s fine. He’s the classic "awkward but brilliant IT guy" you see in every movie. He was useful for the hacking scenes (which were cool), but his romance/friendship with Esther felt a little forced. I was way more invested in the female friendships.
The Verdict:
Despite my issues with Caron and the predictability of Melody’s fate, this was a total page-turner. The pacing in the last 100 pages is breakneck—the heist at the hotel, the fake FBI raid, the showdown in the office—I was stressed.
If you like psychological thrillers that start as domestic dramas and spiral into high-stakes spy craft, definitely pick this up. There's no SA or anything, but it gets dark at times.