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Douze nouvelles placées sous le signe d’une sobriété stylistique digne de Raymond Carver au fil desquelles des couples divorcent, des femmes noires sont traquées par des pit-bulls sur des parkings, où la liste des courses à effectuer au supermarché finit par se confondre avec un programme de vie, où des mythomanes prennent leurs semblables en otage, où la mort frappe les hommes comme les animaux, où l’on écoute battre sous la poitrine d’un autre le cœur transplanté d’un amour décédé. Au sommet de son art et avec une superbe économie de moyens, Russell Banks propose ici un recueil de textes dont l’intensité transmue le réel et le quotidien en authentiques paraboles métaphysiques.
240 pages, Paperback
First published November 12, 2013
all of us were fissioned atoms spun off nuclear families, seeking new, recombinant nucleiLines are drawn, and crossed. They separate before from after, denial from acceptance, uncertainty from realization. In Christmas Party, for example, a man is invited to the home of his ex and her husband for a party, and his underlying humiliation and rage must find an outlet before he can cross over from before to after. A singular event in the title story defines the place where the stretching of connections snaps.

I think I inevitably end up feeling a special kind of sympathy for people whose lives are shaped and controlled and manipulated by people with more power than them. – from Harpers articleIt is also pretty clear that he holds a less than fond opinion of the media, whether the whores are the media professionals or those who would use them to personal ends, as shown in Blue.