Rodenburg is the real deal, as she has such a respect for language! Just read this line: "Clowns and fools in Shakespeare are anarchic figures who frequently exploit the apparent innocence of harmless-sounding rhymes to get away with voicing unpalatable truths to their masters." In sum, "[r]hyme enables a freedom of speech that would not otherwise be possible or safe" (146). The English major in me finds that glorious. In fact, I see Speaking Shakespeare as a spell book. It first guides you through vocal training and text analysis. Then, your imagination becomes free to bring worlds to life. If that's not magic, I don't know what is.
I haven't read all the speeches at the end of the book, but I'll return to them as I go through the Bard's plays. This book is a definite gem, one that I'm excited to keep learning from.