Nobody following the story of Jem Berger and Teancum Leon in the previous "Lamb and the Lion" books could possibly imagine that Tean would easily come to terms with having killed someone, not even if he did it to save someone else’s life, not even if that someone was Jem. And yet Jem’s closing words in “The Same End” — “But this isn’t the end. It’s the beginning” — left me, at least, believing that Tean would, somehow or other, be doing okay pretty soon.
I should have been listening harder for ambiguity: in the last moment of “The Same End,” Tean isn't at the end of his struggle, but at its beginning. When “The Same Bones” opens, nearly a year has passed, during which Tean has been sleepless, wretched, feeling as if “someone else [is] talking out of his mouth,” as if “someone else [is] piloting his body sometimes.” He’s drawn away from his own life. Not only is Jem unable to help, but also, in one of the most breathtakingly painful and telling moments in this book, Tean does the unimaginable: he snaps at Scipio. (Good thing Jem has, if not gotten over his fear of dogs in general, at least come to trust and love Scipio: they spend a lot of time napping on the couch together.)
As for Jem, Tean’s emotional absence and his solitary middle-of-the-night walks have brought up all his terror of abandonment. He’s trying to keep it together in his job selling used cars — he would have been happier making an honest living as a conman — reminding himself of their mortgage, believing he has to be the perfect patient responsible partner because the one whom he loves and depends on will otherwise, inevitably, leave him.
Oh yeah. Also, Tean has a new boss, who’s completely unqualified for anything except emitting faux bonhomie and sucking up to bigtime ranchers. That is, to a particular bigtime rancher who wants to go a-huntin’ and so is pressuring Tean to declare that a cow dead of natural causes has actually been killed by a lone wolf. A wolf who kills cattle may be killed despite being a member of an endangered species, so come on, Dr. Leon, make nice!
Spoiler alert: Dr. Leon does not make nice.
Wait, there’s more. To wit, a sexual abuser of adolescent boys has been murdered, and who has confessed but none other than Ammon Young. Detective Young is known to us of old as the man who sexually and emotionally exploited Tean for years; he has a gay son, Daniel, who’s among the dead abuser’s victims. Plenty of motive there.
Tean, being Tean, wants to help Ammon, and even Jem, who righteously and correctly detests the man, can see that the case against him stinks. “I want to help Ammon,” Jem admits, “which is honestly a sentence I never thought I’d say unless it ended with ‘into a wood chipper.’” Same, Jem, same.
As usual in a Gregory Ashe mystery plot, it turns out that there’s much more going on than a single murder, and that “much more” is also much, much uglier. On the up side, their shared danger, and the emotions brought to the surface by the facts of the case, get Tean and Jem to talk honestly about their suffering over the past year. Nothing can easily be fixed, but “The Same Bones” ends on a moment of transcendent beauty and hope.
... Though there are monsters remaining to be caught. Can't wait for the next book? Yep, me either.
Thanks to GA for the ARC; this review reflects my honest opinions.