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Catherine: A Retelling of Wuthering Heights
The greatest tragic love story ever told – but this time, Catherine tells it herself. In Catherine, Essie Fox breathes new life into Wuthering Heights, transforming a gothic masterpiece into a haunting confession of obsession, madness and love that even death cannot end.
With a nature as wild as the moors she loves to roam, Catherine Earnshaw grows up alongside Heathcliff, a foundling her father rescued from the streets of Liverpool. Their fierce, untamed bond deepens as they grow – until Mr Earnshaw’s death leaves Hindley, Catherine’s brutal brother, in control and Heathcliff reduced to servitude.
Desperate to protect him, Catherine turns to Edgar Linton, the handsome heir to Thrushcross Grange. She believes his wealth might free Heathcliff from cruelty – but her choice is fatally misunderstood, and their lives spiral into a storm of passion, jealousy and revenge.
Now, eighteen years later, Catherine rises from her grave to tell her story – and seek redemption.
Essie Fox’s Catherine reimagines Wuthering Heights with beauty and intensity – a haunting, atmospheric retelling that brings new life to a timeless classic and lays bare the dark heart of an immortal love.
With a nature as wild as the moors she loves to roam, Catherine Earnshaw grows up alongside Heathcliff, a foundling her father rescued from the streets of Liverpool. Their fierce, untamed bond deepens as they grow – until Mr Earnshaw’s death leaves Hindley, Catherine’s brutal brother, in control and Heathcliff reduced to servitude.
Desperate to protect him, Catherine turns to Edgar Linton, the handsome heir to Thrushcross Grange. She believes his wealth might free Heathcliff from cruelty – but her choice is fatally misunderstood, and their lives spiral into a storm of passion, jealousy and revenge.
Now, eighteen years later, Catherine rises from her grave to tell her story – and seek redemption.
Essie Fox’s Catherine reimagines Wuthering Heights with beauty and intensity – a haunting, atmospheric retelling that brings new life to a timeless classic and lays bare the dark heart of an immortal love.
296 pages, Hardcover
First published February 12, 2026
125 people are currently reading
1606 people want to read
About the author
Essie Fox
7 books379 followersMy latest novel is Catherine: A retelling of Wuthering Heights and it's been written as a ghost story. It will be published by Orenda Books on February 12, 2026.
Previous novels have been Dangerous: A Lord Byron Mystery set in the gothic city of Venice.
The Fascination is set in the world of Victorian rural fairgrounds, the glamour of the London theatres and an anatomy museum in a shop on Oxford Street - based on one that did exist! It's a book about deception, obsession, and what it is to be ''different'.
The Last Days of Leda Grey is about an Edwardian silent film actress who has lived in a crumbling cliff top house for more than half a century, until she confides her story to the journalist, Ed Peters ... who rapidly finds himself immersed inside her dark and eerie world.
I've also written three Victorian novels, the first of which - The Somnambulist - was shortlisted for the UK National Book Awards, featured on Channel 4's TV Book Club, and has been optioned for TV/film.
Elijah's Mermaid, features the hypocrisy in Victorian art and literature. It has brothels, asylums, and freak shows...not forgetting the mermaids!
The Goddess and the Thief is an 'oriental gothic', with Indian Maharajahs, Hindu gods and sacred diamonds ... including candlelit seances which are held in English drawing rooms.
My website is: www.essiefox.com
I blog as The Virtual Victorian. www.virturalvictorian.blogspot.com
Previous novels have been Dangerous: A Lord Byron Mystery set in the gothic city of Venice.
The Fascination is set in the world of Victorian rural fairgrounds, the glamour of the London theatres and an anatomy museum in a shop on Oxford Street - based on one that did exist! It's a book about deception, obsession, and what it is to be ''different'.
The Last Days of Leda Grey is about an Edwardian silent film actress who has lived in a crumbling cliff top house for more than half a century, until she confides her story to the journalist, Ed Peters ... who rapidly finds himself immersed inside her dark and eerie world.
I've also written three Victorian novels, the first of which - The Somnambulist - was shortlisted for the UK National Book Awards, featured on Channel 4's TV Book Club, and has been optioned for TV/film.
Elijah's Mermaid, features the hypocrisy in Victorian art and literature. It has brothels, asylums, and freak shows...not forgetting the mermaids!
The Goddess and the Thief is an 'oriental gothic', with Indian Maharajahs, Hindu gods and sacred diamonds ... including candlelit seances which are held in English drawing rooms.
My website is: www.essiefox.com
I blog as The Virtual Victorian. www.virturalvictorian.blogspot.com
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Displaying 1 - 30 of 117 reviews
March 2, 2026
Achingly beautiful, I was swept in from the first sentence.
January 4, 2026
It is over three decades since I read Wuthering Heights and, back then, I probably didn't fully appreciate the complexities of the story. And this, the story of the Earnshaw's and the Linton's is most certainly that. I approached this book with a little trepidation, not because of the author. essie Fox is a beautiful writer whose ability to create atmosphere, intensity and utterly compelling reads is not in doubt. It is more because, from what I can recall, I just wasn't that taken with the story. There. My confession. I did not like Wuthering Heights.
So, it probably comes as a bit of a surprise that I read this book and, what's more, I really enjoyed it. Maybe it is the change of perspective, from Nelly Dean who, when all is said and done, was a witness to the story, rather than the books focus. Maybe, it is just the skill of storytelling that is inherent in all that Essie Fox creates, but something in this book struck me from the start and held me captivated until the end. Considering the gap between reads, Essie Fox has managed to capture and recreate the heart and soul of the original story, triggering in me memories of the original that I had all but forgotten. But in moving the perspective to that of Catherine Linton né Earnshaw, she has given the tale a whole new lease of life, if that is not too strange a thing to say of a book which is oft told from the point of view of a ghost.
This is a pure gothic delight, and I think that fans of the original book will find much to love here. The intensity of the bond between Catherine and Heathcliff is so carefully, but explicitly portrayed, that it is impossible not to be moved. Every scene evokes a clear vision of time and place, and the author's wonderfully lyrical writing lends itself perfectly to the story. As much as Catherine's decisions and actions could often irk me, understanding her thoughts, what caused that steady descent into madness, adds very different context to the story. I felt strangely sympathetic towards Catherine but I also felt like I understood her, far better than I perhaps had before. Her narrative voice is authentic, melancholic even, and delivered with such heartwrenching passion and anguish at times, and unparalleled joy at others, that it works perfectly here.
This is a story of obsession and revenge. A gothic romance uttered as a memory of a spectre who is able to move between time and space to key points in Catherine's life that drew her and Heathcliff to their inevitable tragic ending. A hauntingly incestuous ghost story that, whilst staying true to the original, feels new and vital. Yes, there are a few minor changes and tweaks - that is only right. But, for me, I found this far easier to read, to connect with, and the author's portrayal of Nelly Dean in this book perhaps helps to explain why. If you love historical fiction, a tragedy or romance with wonderfully evocative writing, get this on your TBR double quick. You won't regret it.
So, it probably comes as a bit of a surprise that I read this book and, what's more, I really enjoyed it. Maybe it is the change of perspective, from Nelly Dean who, when all is said and done, was a witness to the story, rather than the books focus. Maybe, it is just the skill of storytelling that is inherent in all that Essie Fox creates, but something in this book struck me from the start and held me captivated until the end. Considering the gap between reads, Essie Fox has managed to capture and recreate the heart and soul of the original story, triggering in me memories of the original that I had all but forgotten. But in moving the perspective to that of Catherine Linton né Earnshaw, she has given the tale a whole new lease of life, if that is not too strange a thing to say of a book which is oft told from the point of view of a ghost.
This is a pure gothic delight, and I think that fans of the original book will find much to love here. The intensity of the bond between Catherine and Heathcliff is so carefully, but explicitly portrayed, that it is impossible not to be moved. Every scene evokes a clear vision of time and place, and the author's wonderfully lyrical writing lends itself perfectly to the story. As much as Catherine's decisions and actions could often irk me, understanding her thoughts, what caused that steady descent into madness, adds very different context to the story. I felt strangely sympathetic towards Catherine but I also felt like I understood her, far better than I perhaps had before. Her narrative voice is authentic, melancholic even, and delivered with such heartwrenching passion and anguish at times, and unparalleled joy at others, that it works perfectly here.
This is a story of obsession and revenge. A gothic romance uttered as a memory of a spectre who is able to move between time and space to key points in Catherine's life that drew her and Heathcliff to their inevitable tragic ending. A hauntingly incestuous ghost story that, whilst staying true to the original, feels new and vital. Yes, there are a few minor changes and tweaks - that is only right. But, for me, I found this far easier to read, to connect with, and the author's portrayal of Nelly Dean in this book perhaps helps to explain why. If you love historical fiction, a tragedy or romance with wonderfully evocative writing, get this on your TBR double quick. You won't regret it.
Review of advance copy received from Publisher
4.5 stars
Thanks to Anne at Random Things Book Tours for the copy of this title in return for an honest review.
Hmmmm a retelling of Wuthering Heights...one of the most loved stories with the most loved characters in it. This could spell disaster. But surely in Essie's hands, it can't be anything but magical, right?
There's 47 chapters which makes it roughly 6 pages a chapter, which is good as I like a quick chapter, it helps add to the frenzied pace.
The writing is so lyrical and poetic. It has the same feel of a classical novel, which fits the story, but it's easier to read (as enjoyable as they are, we all admit that classics can be harder to read than more contemporary stories).
You think you know these characters, and their heart is still there, but Essie has given them a new lease of life, without completely stomping over what makes them them.
Some of it is uncomfortable reading, particularly regarding Heathcliff's skin colour, but you do have to accept that this story is of its time and that was the norm then, and Essie has handled it very sensitively.
It's been a long time since I last read Wuthering Heights - we're talking 15+ years - an I thought I had forgotten a lot of it, but something was clearly still there because I kept recognising bits which was lovely to see.
I read this one January evening when it was dark and freezing and it was absolutely hammering it down outside, and it was just the perfect time to get lost in this delightfully dark story.
There were a few bits that were perhaps more drawn out than I personally felt they needed to be but that is the tiniest little thing. Not really a complaint, more of an observation.
I'm not sure there is an historical figure or topic Essie can't write about.
I've read three of Essie's books now and this is hands down her best one.
Thanks to Anne at Random Things Book Tours for the copy of this title in return for an honest review.
Hmmmm a retelling of Wuthering Heights...one of the most loved stories with the most loved characters in it. This could spell disaster. But surely in Essie's hands, it can't be anything but magical, right?
There's 47 chapters which makes it roughly 6 pages a chapter, which is good as I like a quick chapter, it helps add to the frenzied pace.
The writing is so lyrical and poetic. It has the same feel of a classical novel, which fits the story, but it's easier to read (as enjoyable as they are, we all admit that classics can be harder to read than more contemporary stories).
You think you know these characters, and their heart is still there, but Essie has given them a new lease of life, without completely stomping over what makes them them.
Some of it is uncomfortable reading, particularly regarding Heathcliff's skin colour, but you do have to accept that this story is of its time and that was the norm then, and Essie has handled it very sensitively.
It's been a long time since I last read Wuthering Heights - we're talking 15+ years - an I thought I had forgotten a lot of it, but something was clearly still there because I kept recognising bits which was lovely to see.
I read this one January evening when it was dark and freezing and it was absolutely hammering it down outside, and it was just the perfect time to get lost in this delightfully dark story.
There were a few bits that were perhaps more drawn out than I personally felt they needed to be but that is the tiniest little thing. Not really a complaint, more of an observation.
I'm not sure there is an historical figure or topic Essie can't write about.
I've read three of Essie's books now and this is hands down her best one.
February 27, 2026
Essie Fox is, without a doubt, one of the best gothic historical writers at work today, as her last book Dangerous , a reimagining of Byron’s time in Venice, and now this retelling of Wuthering Heights amply demonstrate. Before embarking on Catherine, I attempted a re-read of Wuthering Heights, having not read since I was a teenager, and lord, it was heavy going second time around. Perhaps this, more than anything else, makes me urge you to pick up this one instead, and here’s why…
At the close of Wuthering Heights, Lockwood is surveying the burial place of Cathy, Heathcliff and Linton and this provides a beautiful segue into Fox’s own homage to this classic work,
“I lingered among them, under that benign sky: watched the moths fluttering among the heath and harebells; listened to the soft wind breathing through the grass; and wondered how anyone could ever imagine unquiet slumbers for the sleepers in that quiet earth.”
Quite evidently, Fox richly imagines unquiet slumbers, particularly in the case of Cathy as Catherine opens with her rising from the grave some eighteen years after her death to observe the lives of those she has left in her wake, and the continuing misery, apathy and general sadness that permeates the protagonists. As we have already encountered the unreliable narration of the servant Nelly Dean in the original book, Fox uses Cathy as the omniscient narrator which inveigles the reader more closely into the lives of her loves, her family and more importantly the magnetism of her conflicted and tempestuous relationship with the brooding and capricious Heathcliff.
However, what sets this book apart further from the original which oozes unrelenting misery, and quite unlikeable protagonists, is Fox’s altogether more emotive and richly realised portrayal of Cathy and Heathcliff’s relationship. Generally, Wuthering Heights is framed as a gothic romance which I’ve always found slightly disingenuous, whereas the depth and intensity of their relationship in this book, is much more engaging to the reader, particularly the recounting of their formative years, and the intrinsic role that the moorland and brooding landscape plays in reflecting the mercurial turbulence in this relationship over the years. Fox very effectively introduces a psycho-geographical intensity to the novel, with the backdrop of the moors, Cathy and Heathcliff’s constant wandering and exploration of this raw and rugged landscape, and what the author imagines happens between them in this setting. There is a much stronger physicality to their entanglement, which definitely imbues the reader with a greater sense of this being a gothic romance, all underpinned by the recurring themes of envy, greed and violence that permeate this book as much as the original text. Within this the reader also gets a more heightened sense of their impassioned pleas in the case of Cathy that, “I am Heathcliff. He is more myself than I am.“, and his declaration, “And I pray one prayer—I repeat it till my tongue stiffens—Catherine Earnshaw, may you not rest as long as I am living; you said I killed you—haunt me, then!” which is very much the role Fox’s Catherine plays, as she does indeed haunt the narrative.
Fox perfectly captures the emotional isolation of these characters in their rural backwater, and how this isolation escalates for the younger protagonists as Heathcliff completely dominates every aspect of their lives wreaking his personal vengeance. Throughout the book there is generally a real sense of faithful authenticity and adherence to the characterisation of the classic, with the feel that character traits, more often than not the more positive and humane ones, more fleetingly addressed by Emily Brontë are enhanced and amplified by Fox. To this end, overall I felt infinitely more engaged with, and with a heightened sense of empathy for the main players, than I did after emerging from a reading of the original. Obviously, characters such as Joseph, the curmudgeonly servant, and Cathy’s brother Hindley are as intensely garrulous or cruel respectively for example, but I found satisfying slivers of humanity peppered within the book, particularly in relation to some of Heathcliff’s interactions, despite his general abhorrent behaviour.
Equally I enjoyed the way that Fox drew on the more salacious elements of the original, stemming from Heathcliff’s origin story, and the darker implications of this on his and Cathy’s relationship, that Brontë merely alludes to and does not expound upon in any significant detail. These more imagined elements are in no way detrimental, or feel incongruous to Fox’s retelling, and in fact bring a more heightened sense of recognition to the struggle experienced by female writers of Brontë’s era to convey the darker aspects of life that the decorum of the age prevented them from exposing completely.
As Wuthering Heights experiences a resurgence of readers at the moment due to, in my very humble opinion, the terrible white-washed movie version, some readers are struggling to engage with the original text when picking up the book for the first time. In the light of this, I have been mentioning Catherine a lot, as I think it will resonate more strongly with a contemporary audience, not just for the heightened emotional gravitas of this one, but also Fox’s willingness to expound on the less savoury implications of the original. This book feels much more like a gothic romance than Wuthering Heights is purported to be, but is also a beautifully realised companion read to the original classic. Essie Fox refers to this book as a passion project, and her dedication to, and love of Emily Brontë’s original is clearly in evidence throughout with the intermittent stanzas of Brontë’s poetry, and the haunting echoes of Wuthering Heights itself. Highly recommended.
At the close of Wuthering Heights, Lockwood is surveying the burial place of Cathy, Heathcliff and Linton and this provides a beautiful segue into Fox’s own homage to this classic work,
“I lingered among them, under that benign sky: watched the moths fluttering among the heath and harebells; listened to the soft wind breathing through the grass; and wondered how anyone could ever imagine unquiet slumbers for the sleepers in that quiet earth.”
Quite evidently, Fox richly imagines unquiet slumbers, particularly in the case of Cathy as Catherine opens with her rising from the grave some eighteen years after her death to observe the lives of those she has left in her wake, and the continuing misery, apathy and general sadness that permeates the protagonists. As we have already encountered the unreliable narration of the servant Nelly Dean in the original book, Fox uses Cathy as the omniscient narrator which inveigles the reader more closely into the lives of her loves, her family and more importantly the magnetism of her conflicted and tempestuous relationship with the brooding and capricious Heathcliff.
However, what sets this book apart further from the original which oozes unrelenting misery, and quite unlikeable protagonists, is Fox’s altogether more emotive and richly realised portrayal of Cathy and Heathcliff’s relationship. Generally, Wuthering Heights is framed as a gothic romance which I’ve always found slightly disingenuous, whereas the depth and intensity of their relationship in this book, is much more engaging to the reader, particularly the recounting of their formative years, and the intrinsic role that the moorland and brooding landscape plays in reflecting the mercurial turbulence in this relationship over the years. Fox very effectively introduces a psycho-geographical intensity to the novel, with the backdrop of the moors, Cathy and Heathcliff’s constant wandering and exploration of this raw and rugged landscape, and what the author imagines happens between them in this setting. There is a much stronger physicality to their entanglement, which definitely imbues the reader with a greater sense of this being a gothic romance, all underpinned by the recurring themes of envy, greed and violence that permeate this book as much as the original text. Within this the reader also gets a more heightened sense of their impassioned pleas in the case of Cathy that, “I am Heathcliff. He is more myself than I am.“, and his declaration, “And I pray one prayer—I repeat it till my tongue stiffens—Catherine Earnshaw, may you not rest as long as I am living; you said I killed you—haunt me, then!” which is very much the role Fox’s Catherine plays, as she does indeed haunt the narrative.
Fox perfectly captures the emotional isolation of these characters in their rural backwater, and how this isolation escalates for the younger protagonists as Heathcliff completely dominates every aspect of their lives wreaking his personal vengeance. Throughout the book there is generally a real sense of faithful authenticity and adherence to the characterisation of the classic, with the feel that character traits, more often than not the more positive and humane ones, more fleetingly addressed by Emily Brontë are enhanced and amplified by Fox. To this end, overall I felt infinitely more engaged with, and with a heightened sense of empathy for the main players, than I did after emerging from a reading of the original. Obviously, characters such as Joseph, the curmudgeonly servant, and Cathy’s brother Hindley are as intensely garrulous or cruel respectively for example, but I found satisfying slivers of humanity peppered within the book, particularly in relation to some of Heathcliff’s interactions, despite his general abhorrent behaviour.
Equally I enjoyed the way that Fox drew on the more salacious elements of the original, stemming from Heathcliff’s origin story, and the darker implications of this on his and Cathy’s relationship, that Brontë merely alludes to and does not expound upon in any significant detail. These more imagined elements are in no way detrimental, or feel incongruous to Fox’s retelling, and in fact bring a more heightened sense of recognition to the struggle experienced by female writers of Brontë’s era to convey the darker aspects of life that the decorum of the age prevented them from exposing completely.
As Wuthering Heights experiences a resurgence of readers at the moment due to, in my very humble opinion, the terrible white-washed movie version, some readers are struggling to engage with the original text when picking up the book for the first time. In the light of this, I have been mentioning Catherine a lot, as I think it will resonate more strongly with a contemporary audience, not just for the heightened emotional gravitas of this one, but also Fox’s willingness to expound on the less savoury implications of the original. This book feels much more like a gothic romance than Wuthering Heights is purported to be, but is also a beautifully realised companion read to the original classic. Essie Fox refers to this book as a passion project, and her dedication to, and love of Emily Brontë’s original is clearly in evidence throughout with the intermittent stanzas of Brontë’s poetry, and the haunting echoes of Wuthering Heights itself. Highly recommended.
April 3, 2026
⭐️⭐️⭐️
Catherine Earnshaw grows up alongside Heathcliff who her father rescued from the streets of Liverpool and they have an unbreakable bond. Catherine’s older brother Hindley is a brute, he is angry and resentful of the love their father pours onto Heathcliff. When Mr Earnshaw dies, it leaves Hindley in control, and he forces Heathcliff into manual labour to earn his keep and to exact his revenge.
To escape, Catherine turns to Edgar Linton, the handsome heir to Thrushcross Grange, believing that his wealth will help not only her, but also Heathcliff. Having grown close to the Linton children Edgar and Isabella after an incident, and after Edgar’s parents die, Edgar and Catherine marry. However, she still yearns for Heathcliff and the love they share is unmatched.
This is a story told from Catherine’s perspective.
I’ve not read Wuthering Heights, it’s not a genre that I typically enjoy, but after seeing some fabulous reviews, I was inspired to give this one a try.
It’s a devastating story, full of obsession, revenge, resentment and madness. Catherine is wild, she will not be tamed, she is impulsive and destructive, and does not apologise for being so.
It’s beautiful written by the author, I can’t compare it to the original having never read it, but I thought it did a wonderful job of portraying a tragic story.
I did however find the first three quarters of this book slightly boring, I also disliked the majority of the characters. I find it a struggle to read a book when I dislike the MC and because of this I’m not fully engaged in the story or the outcome. The last part of the book did pick up a little for me though. Overall I’m glad I read the book, but tragic romanticism (is that a genre?!) is definitely not for me!
Catherine Earnshaw grows up alongside Heathcliff who her father rescued from the streets of Liverpool and they have an unbreakable bond. Catherine’s older brother Hindley is a brute, he is angry and resentful of the love their father pours onto Heathcliff. When Mr Earnshaw dies, it leaves Hindley in control, and he forces Heathcliff into manual labour to earn his keep and to exact his revenge.
To escape, Catherine turns to Edgar Linton, the handsome heir to Thrushcross Grange, believing that his wealth will help not only her, but also Heathcliff. Having grown close to the Linton children Edgar and Isabella after an incident, and after Edgar’s parents die, Edgar and Catherine marry. However, she still yearns for Heathcliff and the love they share is unmatched.
This is a story told from Catherine’s perspective.
I’ve not read Wuthering Heights, it’s not a genre that I typically enjoy, but after seeing some fabulous reviews, I was inspired to give this one a try.
It’s a devastating story, full of obsession, revenge, resentment and madness. Catherine is wild, she will not be tamed, she is impulsive and destructive, and does not apologise for being so.
It’s beautiful written by the author, I can’t compare it to the original having never read it, but I thought it did a wonderful job of portraying a tragic story.
I did however find the first three quarters of this book slightly boring, I also disliked the majority of the characters. I find it a struggle to read a book when I dislike the MC and because of this I’m not fully engaged in the story or the outcome. The last part of the book did pick up a little for me though. Overall I’m glad I read the book, but tragic romanticism (is that a genre?!) is definitely not for me!
April 8, 2026
As the title suggests, Catherine is a retelling of Wuthering Heights by Emily Brontë, and perfectly in line with my current obsession with this story, I devoured this book in a single day.
Essie Fox stays very faithful to the original narrative, but makes it far more accessible to modern readers through a more contemporary style of language. That’s also the main reason why my rating ended up being higher than for the original—though that does feel a little sacrilegious to admit. Another key aspect is the shift in perspective: this time, we experience the story firsthand through Catherine Earnshaw. Fox effectively fills in the “spaces between the lines,” shaping the story in a way that closely mirrors how it has always played out in my own imagination. As I already mentioned in my review of the original, the source material itself is incredibly compelling, and Fox succeeds in capturing many of Brontë’s thematic nuances and weaving them into her own narrative.
That said, there were a few things that bothered me while reading. Even if you’re already familiar with the story, there is a lot of very explicit foreshadowing, which ended up disrupting the sense of tension rather than enhancing it—it felt somewhat unnecessary. Additionally, in the original, one character disappears for several years, and we are never told what happens during that time. Fox chooses to fill this gap, drawing on some well-known theories, but certain explanations don’t quite fit into the narrative, feel underdeveloped, and are given more weight than they perhaps deserve—there was definitely more potential there.
And on a very subjective note, something I found quite disappointing: although Fox occasionally incorporates (slightly altered) original quotes, the iconic line "You said I killed you—haunt me, then! […]" is unfortunately completely butchered and deserved so much more.
Still, a fitting addition to my current Wuthering Heights obsession.
Essie Fox stays very faithful to the original narrative, but makes it far more accessible to modern readers through a more contemporary style of language. That’s also the main reason why my rating ended up being higher than for the original—though that does feel a little sacrilegious to admit. Another key aspect is the shift in perspective: this time, we experience the story firsthand through Catherine Earnshaw. Fox effectively fills in the “spaces between the lines,” shaping the story in a way that closely mirrors how it has always played out in my own imagination. As I already mentioned in my review of the original, the source material itself is incredibly compelling, and Fox succeeds in capturing many of Brontë’s thematic nuances and weaving them into her own narrative.
That said, there were a few things that bothered me while reading. Even if you’re already familiar with the story, there is a lot of very explicit foreshadowing, which ended up disrupting the sense of tension rather than enhancing it—it felt somewhat unnecessary. Additionally, in the original, one character disappears for several years, and we are never told what happens during that time. Fox chooses to fill this gap, drawing on some well-known theories, but certain explanations don’t quite fit into the narrative, feel underdeveloped, and are given more weight than they perhaps deserve—there was definitely more potential there.
And on a very subjective note, something I found quite disappointing: although Fox occasionally incorporates (slightly altered) original quotes, the iconic line "You said I killed you—haunt me, then! […]" is unfortunately completely butchered and deserved so much more.
Still, a fitting addition to my current Wuthering Heights obsession.
February 15, 2026
A near perfect retelling of Wuthering Heights from the POV of Cathy as a child, Cathy as teenage girl, Cathy as a woman (though brief) and eventually Cathy as a ghost. It fills the gaps in the storyline, the gaps that Nelly left because all this time we are limited by her POV alone, only what she has witnessed in front of her eyes and more importantly without the nosy presence of Mr.Lockwood. Through Nelly’s eyes we get to know Cathy as a child with a wicked, volatile, a headstrong and passionate nature whereas through her own eyes in this book, she’s actually a thoughtful one, and more gentle than we have led to believe all this time.
Her and Heathcliff’s deep and intense bond that almost spiritual when they are children grows into a passionate romance, the author elaborates their relationship away from Nelly’s prying eyes and i loved it so much. We get to know also Heathcliff’s origin and what he discovers in his 3 years absence is actually not as shocking as it would’ve been since the author used a well-known favorite theory that makes his relationship with Cathy consequently an incest. *pretends to be shocked*
And i did say it’s a near perfect retelling because there are a few things that was nagging in my mind while i read it. Mainly because the story that unfolds from the time Heathcliff comes back into Cathy’s life sometimes veers too close with the newest movie adaptation (ugh) though not to the extent of adultery. And at some points i also felt that Cathy’s portrayal in this book is a bit sanitized maybe? almost out of character from Cathy that we know of from the original. But then again we are so used to Nelly’s (and her’s only) perception of Cathy all this time so maybe that’s what makes it a little bit jarring for me. Moreover the author did say that her retelling is a story of redemption of the doomed lovers.
Her and Heathcliff’s deep and intense bond that almost spiritual when they are children grows into a passionate romance, the author elaborates their relationship away from Nelly’s prying eyes and i loved it so much. We get to know also Heathcliff’s origin and what he discovers in his 3 years absence is actually not as shocking as it would’ve been since the author used a well-known favorite theory that makes his relationship with Cathy consequently an incest. *pretends to be shocked*
And i did say it’s a near perfect retelling because there are a few things that was nagging in my mind while i read it. Mainly because the story that unfolds from the time Heathcliff comes back into Cathy’s life sometimes veers too close with the newest movie adaptation (ugh) though not to the extent of adultery. And at some points i also felt that Cathy’s portrayal in this book is a bit sanitized maybe? almost out of character from Cathy that we know of from the original. But then again we are so used to Nelly’s (and her’s only) perception of Cathy all this time so maybe that’s what makes it a little bit jarring for me. Moreover the author did say that her retelling is a story of redemption of the doomed lovers.
February 26, 2026
Though it is depicted from the beginning as a retelling I had the feeling that quickly this book was much closer to plagiarism than retelling/hommage....
The actual new additions from the POV of Catherine are scarce and did not bring enough new insights nor background related to Wuthering heights in the whole.
I absolutely loved the Emily Brontë's masterpiece and as it is absolutely perfect "Catherine" here can't be bad as I said earlier it is still really close to "Wuthering heights" and I really enjoyed some parts. And I mean the love of the author for the Emily Brontë's original is quite obvious and genuine.
Yet, I would have enjoyed more depth and originality and not reading again exactly the same words as in the original one in various pages "haunt me then, drive me mad".... It was rather lazy 🥱🤨
Finally , the development regarding Heathcliff's background and origin story were quite disappointing and did not please me hence ⭐⭐⭐ stars.
The actual new additions from the POV of Catherine are scarce and did not bring enough new insights nor background related to Wuthering heights in the whole.
I absolutely loved the Emily Brontë's masterpiece and as it is absolutely perfect "Catherine" here can't be bad as I said earlier it is still really close to "Wuthering heights" and I really enjoyed some parts. And I mean the love of the author for the Emily Brontë's original is quite obvious and genuine.
Yet, I would have enjoyed more depth and originality and not reading again exactly the same words as in the original one in various pages "haunt me then, drive me mad".... It was rather lazy 🥱🤨
Finally , the development regarding Heathcliff's background and origin story were quite disappointing and did not please me hence ⭐⭐⭐ stars.
March 11, 2026
I have never read anything of Essie Fox is, but I will definitely look out for more of her books - I very much like the look of Dangerous! I thought this was a very accomplished re-imagining of Wuthering Heights. I was worried that this might be an unrealistic gothic romance not caputuring the heart of the original book. It was far from that - Heathcliff's relationship with Cathy is very engaging and his decline after her death into cruelty was brilliantly portrayed. Added to this Essie Fox brilliantly portrayed the brooding landscape adding to the turbulence of the story.
March 28, 2026
⭐️ 3.75 - I’ve never actually read wuthering heights, so I was a little thrown by how dark and twisty this book got. The concept of revenge is taken to a whole new level here. The two main characters have few redeeming qualities and honestly, I felt bad for all the side characters who got caught up in and had to deal with their crap! Honestly I should’ve read this in the fall. The dark, foggy setting of the moors created a very spooky atmospheric setting for the book, not to mention the ghosts of course. Definitely an interesting read.
February 16, 2026
“ Catherine is my own mirror to reflect the characters who have haunted my dreams for more than half a century. I believe they always will”
This is Essie Fox’s reimagining of Wuthering Heights from Cathy’s perspective and opens when Heathcliffe disturbs her grave and lets out her ghost.
Cathy and Heathcliffe meet as children when Cathy’s father brings a foundling to live at their home of Wuthering Heights and names him after his dead son-Heathcliffe. They grow up wild and free roaming the moors and loving each other fiercely whilst Cathy’s brother Hindley grows up angry and resentful at the cuckoo who’s stolen his father’s affections.
To protect her beloved Heathcliffe from her brother’s brutality, Cathy turns to the wealthy Linton family but her choices are misunderstood which sets off a series of tragic, revengeful events that affect them all and the next generation.
What this novel does well is capture the beauty and devastation of the classic whilst filling in the gaps of Nelly Dean’s account. It gives us insight into Cathy’s motivations and makes bold choices about the hinted at mysteries in the book (where did Heathcliffe go for 3 years?! Who were his parents? Were they really lovers?). Atmospheric, intense and full of jealousy and dark gothic tones. I loved the descriptions of the moors and felt that the author struck a good balance between keeping faithful to the classic and putting a spin on this dark story. The changing of perspective allowed me to feel a lot more pity for all the characters.
I attended the launch of this book and the author really loves this book and the Brontes and the story really conveys this.
Inherited trauma (so much trauma), obsession and a story that will make you rage and cry. This is an accessible faithful version of the story if you’ve never been able to read it and a wonderful retelling if you loved the original. Well done Essie. Emily would be happy (or would she be darkly intensely jealous like her characters).
This is Essie Fox’s reimagining of Wuthering Heights from Cathy’s perspective and opens when Heathcliffe disturbs her grave and lets out her ghost.
Cathy and Heathcliffe meet as children when Cathy’s father brings a foundling to live at their home of Wuthering Heights and names him after his dead son-Heathcliffe. They grow up wild and free roaming the moors and loving each other fiercely whilst Cathy’s brother Hindley grows up angry and resentful at the cuckoo who’s stolen his father’s affections.
To protect her beloved Heathcliffe from her brother’s brutality, Cathy turns to the wealthy Linton family but her choices are misunderstood which sets off a series of tragic, revengeful events that affect them all and the next generation.
What this novel does well is capture the beauty and devastation of the classic whilst filling in the gaps of Nelly Dean’s account. It gives us insight into Cathy’s motivations and makes bold choices about the hinted at mysteries in the book (where did Heathcliffe go for 3 years?! Who were his parents? Were they really lovers?). Atmospheric, intense and full of jealousy and dark gothic tones. I loved the descriptions of the moors and felt that the author struck a good balance between keeping faithful to the classic and putting a spin on this dark story. The changing of perspective allowed me to feel a lot more pity for all the characters.
I attended the launch of this book and the author really loves this book and the Brontes and the story really conveys this.
Inherited trauma (so much trauma), obsession and a story that will make you rage and cry. This is an accessible faithful version of the story if you’ve never been able to read it and a wonderful retelling if you loved the original. Well done Essie. Emily would be happy (or would she be darkly intensely jealous like her characters).
April 10, 2026
I first read Wuthering Heights as a teen and then again in my 30’s.
I love historical fiction inspired by a classic, so this book was extremely appealing.
Catherine Earnshaw is born and raised on the wild moors of West Yorkshire with Heathcliff, a foundling her father brought home with him from a trip to Liverpool.
Catherine and Heathcliff grow up together forming this wild and incredibly close bond, which is ferociously intense, where the two of them will literally do anything for one another.
Upon Mr Earnshaw’s death, Catherine’s cruel older brother punishes Heathcliff severely and Catherine decides that by marrying Edgar Linton, a young rich neighbour it will set Heathcliff free.
But this decision spectacularly backfires on Catherine and jealousy, retribution and revenge prevails.
Nearly 20 years after her death, Catherine moves out of the shadows to return to tell her story and seek atonement.
This atmospheric, dark and powerful tale held me in its thrall. Featuring all the well known characters from Emily Bronte’s classic novel, this was a brilliant take on such a famous story and it cleverly and expertly filled in the parts of Catherine’s story that were never explored in the original.
Told from the perspective of Catherine, we follow the story through her eyes rather than through the servant Nelly Dean who was the narrator in WH which made this book both refreshing and interesting.
The writing style felt authentic and sympathetic to the original text and I enjoyed being swept back to those wild and windy moors once more. My feelings towards Catherine and Heathcliff fluctuated as the story unfolded and the revelations were particularly shocking.
A stirring, emotional and seductive retelling and you definitely don’t need to have read Wuthering Heights to enjoy this brilliant book.
Thank you so much to @orendabooks for sending me this gorgeous, hardback signed copy - it’s an absolute stunner!
I love historical fiction inspired by a classic, so this book was extremely appealing.
Catherine Earnshaw is born and raised on the wild moors of West Yorkshire with Heathcliff, a foundling her father brought home with him from a trip to Liverpool.
Catherine and Heathcliff grow up together forming this wild and incredibly close bond, which is ferociously intense, where the two of them will literally do anything for one another.
Upon Mr Earnshaw’s death, Catherine’s cruel older brother punishes Heathcliff severely and Catherine decides that by marrying Edgar Linton, a young rich neighbour it will set Heathcliff free.
But this decision spectacularly backfires on Catherine and jealousy, retribution and revenge prevails.
Nearly 20 years after her death, Catherine moves out of the shadows to return to tell her story and seek atonement.
This atmospheric, dark and powerful tale held me in its thrall. Featuring all the well known characters from Emily Bronte’s classic novel, this was a brilliant take on such a famous story and it cleverly and expertly filled in the parts of Catherine’s story that were never explored in the original.
Told from the perspective of Catherine, we follow the story through her eyes rather than through the servant Nelly Dean who was the narrator in WH which made this book both refreshing and interesting.
The writing style felt authentic and sympathetic to the original text and I enjoyed being swept back to those wild and windy moors once more. My feelings towards Catherine and Heathcliff fluctuated as the story unfolded and the revelations were particularly shocking.
A stirring, emotional and seductive retelling and you definitely don’t need to have read Wuthering Heights to enjoy this brilliant book.
Thank you so much to @orendabooks for sending me this gorgeous, hardback signed copy - it’s an absolute stunner!
March 2, 2026
Reading this book is very out of character for me and not what you would expect to find on the blog. But Wuthering Heights is a classic I shared with my daughters, and when I was invited to participate in the blog tour, I could not resist. I was very curious to read this retelling. I will say upfront, I loved it.
Catherine is a beautifully atmospheric and emotionally rich retelling of Wuthering Heights that offers a fresh and intimate perspective on one of literature’s most iconic tragic heroines. Telling the story through Catherine’s own voice — quite literally from beyond the grave — gives the novel a haunting, confessional tone that feels original and in keeping with the source material.
What I loved most about this book was how vividly Fox captures Catherine’s wildness and inner turmoil. Catherine Earnshaw is not softened or romanticised; she is impulsive, obsessive, passionate, and often self-destructive. That complexity makes her compelling to read, and seeing her motivations and regrets from her own perspective adds new emotional depth to familiar events. Her bond with Heathcliff remains intense and consuming, and the novel leans fully into the darker, more destructive elements of their relationship rather than trying to make it conventionally romantic.
The gothic atmosphere is wonderfully done. The moors feel alive, the sense of doom hangs heavily over the narrative, and the supernatural framing enhances the emotional stakes rather than distracting from them. Fox’s writing is lush and evocative without becoming overly dense, which makes the book immersive and easy to sink into.
If I had any minor reservations, it’s that readers very familiar with Wuthering Heights may not find huge plot surprises, since the core story remains largely faithful to the original. However, the emotional reinterpretation and character insight more than compensate for that. This is less about changing the story and more about deepening it.
This is a thoughtful, atmospheric, and emotionally deep retelling that honours the original while giving Catherine a powerful voice of her own.
https://featzreviews.com/catherine-bo...
Catherine is a beautifully atmospheric and emotionally rich retelling of Wuthering Heights that offers a fresh and intimate perspective on one of literature’s most iconic tragic heroines. Telling the story through Catherine’s own voice — quite literally from beyond the grave — gives the novel a haunting, confessional tone that feels original and in keeping with the source material.
What I loved most about this book was how vividly Fox captures Catherine’s wildness and inner turmoil. Catherine Earnshaw is not softened or romanticised; she is impulsive, obsessive, passionate, and often self-destructive. That complexity makes her compelling to read, and seeing her motivations and regrets from her own perspective adds new emotional depth to familiar events. Her bond with Heathcliff remains intense and consuming, and the novel leans fully into the darker, more destructive elements of their relationship rather than trying to make it conventionally romantic.
The gothic atmosphere is wonderfully done. The moors feel alive, the sense of doom hangs heavily over the narrative, and the supernatural framing enhances the emotional stakes rather than distracting from them. Fox’s writing is lush and evocative without becoming overly dense, which makes the book immersive and easy to sink into.
If I had any minor reservations, it’s that readers very familiar with Wuthering Heights may not find huge plot surprises, since the core story remains largely faithful to the original. However, the emotional reinterpretation and character insight more than compensate for that. This is less about changing the story and more about deepening it.
This is a thoughtful, atmospheric, and emotionally deep retelling that honours the original while giving Catherine a powerful voice of her own.
https://featzreviews.com/catherine-bo...
February 17, 2026
3.5
The writing in this book was without a doubt my favourite thing about it, it was beautifully descriptive and poetic. The atmosphere was dark and gothic, themes of which I imagine it carries over from the original Wuthering Heights novel well.
Catherine is a love story, but it is a tragic and haunting one. Cathy and Heathcliff share feelings so intensely, but life is never on their side. It's frustrating for the reader to see the events and mistakes that repeatedly made such lasting impacts on their lives.
To be honest, I didn't find any of the characters particularly likeable. But the character study was a harrowing reminder of the reality of humanity.
The letdown of this book fell upon me in the last 25% where I think I just wasn't as interested in the characters at the centre of the book at that point, but the ghostly perspective was interesting.
Thank you Orenda for the proof copy of this book.
The writing in this book was without a doubt my favourite thing about it, it was beautifully descriptive and poetic. The atmosphere was dark and gothic, themes of which I imagine it carries over from the original Wuthering Heights novel well.
Catherine is a love story, but it is a tragic and haunting one. Cathy and Heathcliff share feelings so intensely, but life is never on their side. It's frustrating for the reader to see the events and mistakes that repeatedly made such lasting impacts on their lives.
To be honest, I didn't find any of the characters particularly likeable. But the character study was a harrowing reminder of the reality of humanity.
The letdown of this book fell upon me in the last 25% where I think I just wasn't as interested in the characters at the centre of the book at that point, but the ghostly perspective was interesting.
Thank you Orenda for the proof copy of this book.
March 6, 2026
Catherine: A Retelling of Wuthering Heights, is exactly that. This is the retelling of the classic by Emily Brontë, told from the POV of Cathy, from beyond the grave. 🪦
Essie Fox weaves a hauntingly beautiful, tragic story of obsession and revenge. Make no mistake, this is not a love story, this a story of hatred and violence and abuse. There are no happy-ever-afters for most of the characters. 🪦
As to the characters themselves, scarce few of them have any redeeming qualities. 🪦
As brutal and disturbing as the story is, it is Fox's writing that makes it palatable. That gothic atmosphere that she does so well, and the descriptive prose, bring the story alive. I felt as though I was running across the moors with Heathcliff and Cathy. I flinched each time Hindley beat Heathcliff. I wanted to cover my ears when Joseph began one of his religious rants. 🪦
I've never thought of Wuthering Heights as a romantic tale. This retelling has cemented that view. 🪦
Essie Fox weaves a hauntingly beautiful, tragic story of obsession and revenge. Make no mistake, this is not a love story, this a story of hatred and violence and abuse. There are no happy-ever-afters for most of the characters. 🪦
As to the characters themselves, scarce few of them have any redeeming qualities. 🪦
As brutal and disturbing as the story is, it is Fox's writing that makes it palatable. That gothic atmosphere that she does so well, and the descriptive prose, bring the story alive. I felt as though I was running across the moors with Heathcliff and Cathy. I flinched each time Hindley beat Heathcliff. I wanted to cover my ears when Joseph began one of his religious rants. 🪦
I've never thought of Wuthering Heights as a romantic tale. This retelling has cemented that view. 🪦
March 18, 2026
If you haven't heard of Wuthering Heights, Cathy and Heathcliff where have you been. Adaptations of the book have literally been done to death and there are a lot of them.
Essie Fox has done a wonderful job with this retelling of the classic. It's told from the pov of the ghost of Cathy rather than Nelly Dean. She goes to the beginning and beyond where she dies which is normally where the adaptations end.
The story is very close to the original book but does add a few liberties. There is an explanation of where Heathcliff went in the three years he was away and what he finds out.
I love Wuthering Heights and alongside Rebecca by Daphne du Maurier is one of my favourites. The classics are not always easy to read so this adaptation is so close it would make an easier read. I loved it and have my own copy to keep and read again.
Essie Fox has done a wonderful job with this retelling of the classic. It's told from the pov of the ghost of Cathy rather than Nelly Dean. She goes to the beginning and beyond where she dies which is normally where the adaptations end.
The story is very close to the original book but does add a few liberties. There is an explanation of where Heathcliff went in the three years he was away and what he finds out.
I love Wuthering Heights and alongside Rebecca by Daphne du Maurier is one of my favourites. The classics are not always easy to read so this adaptation is so close it would make an easier read. I loved it and have my own copy to keep and read again.
April 16, 2026
Oh my!!! Thank you so much Essie for this absolutely captivating and beautiful retelling of Wuthering Heights.
Wuthering Heights is my all time favourite book, so I was both excited and nervous to read “Catherine.” However, Essie Fox tells Catherine’s story so beautifully and I LOVE that it is told from her perspective, it’s like she has FINALLY been given a voice and I’m somewhat emotional about it.
It is so apparent that the author also loves and cherishes Catherine and Heathcliff’s story, as this is also highlighted in the authors Afterword.
The ending is spellbinding and I can only say thank you!! Thank you Essie Fox for writing this absolutely wonderful book…..my heart is so full. 🩷
A must read if you enjoy the original story!!
Wuthering Heights is my all time favourite book, so I was both excited and nervous to read “Catherine.” However, Essie Fox tells Catherine’s story so beautifully and I LOVE that it is told from her perspective, it’s like she has FINALLY been given a voice and I’m somewhat emotional about it.
It is so apparent that the author also loves and cherishes Catherine and Heathcliff’s story, as this is also highlighted in the authors Afterword.
The ending is spellbinding and I can only say thank you!! Thank you Essie Fox for writing this absolutely wonderful book…..my heart is so full. 🩷
A must read if you enjoy the original story!!
February 23, 2026
'What wakes me from my dreams?'
This was STUNNING. Cathy's opened grave allows her ghost to walk the earth and witness what has happened in the 18 years since her death. She wrangles pain and confusion as the man she loved destroys everyone around him, eventually himself, until she finally takes his hand and they run across the moors once again.
It was beautiful and broken in the way Wuthering Heights was intended to be. I'll happily put this on my book case next to Emily Brontë.
This was STUNNING. Cathy's opened grave allows her ghost to walk the earth and witness what has happened in the 18 years since her death. She wrangles pain and confusion as the man she loved destroys everyone around him, eventually himself, until she finally takes his hand and they run across the moors once again.
It was beautiful and broken in the way Wuthering Heights was intended to be. I'll happily put this on my book case next to Emily Brontë.
This entire review has been hidden because of spoilers.
April 9, 2026
Beautifully written, I loved it. Compliments the original classic wonderfully
April 23, 2026
4.5 stars rounded up 🤩
April 17, 2026
"But when the wind begins to wuther (...) around the house". Really, Essie? Seriously??
Complete and utter waste of paper, the MOST unnecessary book ever written. This was literally Wuthering Heights from start to finish, dumbed-down language wise and stripped of any innuendo, implication or anything that leaves Cahterine's and Heathcliff's story up to interpretation. You cannot even accuse it of plagiarism, because it's the exact same story, so oversimplified it's borderline offensive.
The only reason this got two stars is because Lauren Roberts is still somewhere out there, writing and publishing one star books.
Complete and utter waste of paper, the MOST unnecessary book ever written. This was literally Wuthering Heights from start to finish, dumbed-down language wise and stripped of any innuendo, implication or anything that leaves Cahterine's and Heathcliff's story up to interpretation. You cannot even accuse it of plagiarism, because it's the exact same story, so oversimplified it's borderline offensive.
The only reason this got two stars is because Lauren Roberts is still somewhere out there, writing and publishing one star books.
March 5, 2026
Blog Tour Review
The writing was dark, detailed and had my attention from the beginning right through to the end. I read the original a few years ago, so I had the benefit of knowing the basic outline of the story, without feeling the need to constantly compare it to the original.
The narration of the story was interesting. Sometimes you were inside "living" it and at other times you were on the outside looking in. It certainly added an extra something to the overall story.
The book was split into 5 parts, each part titled with a quote from Emily Brontë. The part was then split into chapters which were numbered with Roman Numerals.
The chapters were fairly long so you got a good chunk of the story before moving on.
There was an interesting flow to the book, brought about by the story being split into parts before being split into the chapters. The narration technique mentioned above also contributed to the interesting flow of the story.
The pace to the book was good. The pace was set by the characters' actions. All of the characters were quite volatile so at any moment any one of them could emotionally blow up and dictate what was going to happen next.
The characters were excellent. As I mentioned above, they were all volatile creatures full of passion when something upset them. You could feel the passion emanating from the page. It certainly added to the darkness that the characters were constantly surrounded by.
Lastly the settings. I loved the little details throughout the story. Whilst it was mainly a character focused story, there were some wonderful descriptions that, together with the characters' actions, made for an excellent dark read.
Overall a deliciously dark, Gothic tale. I recommend.
The writing was dark, detailed and had my attention from the beginning right through to the end. I read the original a few years ago, so I had the benefit of knowing the basic outline of the story, without feeling the need to constantly compare it to the original.
The narration of the story was interesting. Sometimes you were inside "living" it and at other times you were on the outside looking in. It certainly added an extra something to the overall story.
The book was split into 5 parts, each part titled with a quote from Emily Brontë. The part was then split into chapters which were numbered with Roman Numerals.
The chapters were fairly long so you got a good chunk of the story before moving on.
There was an interesting flow to the book, brought about by the story being split into parts before being split into the chapters. The narration technique mentioned above also contributed to the interesting flow of the story.
The pace to the book was good. The pace was set by the characters' actions. All of the characters were quite volatile so at any moment any one of them could emotionally blow up and dictate what was going to happen next.
The characters were excellent. As I mentioned above, they were all volatile creatures full of passion when something upset them. You could feel the passion emanating from the page. It certainly added to the darkness that the characters were constantly surrounded by.
Lastly the settings. I loved the little details throughout the story. Whilst it was mainly a character focused story, there were some wonderful descriptions that, together with the characters' actions, made for an excellent dark read.
Overall a deliciously dark, Gothic tale. I recommend.
February 16, 2026
This is literally everything I needed from Wuthering heights. A POV I actually wanted!!! This was so beautifully written and the book is GORGEOUS!!! Thank you for writing this! Absolutely LOVED IT
February 19, 2026
A fantastic interpretation of the novel, with a central narrative from Cathy. Makes a sense book more accessible to more people, yet still laced with Bronte’s charm.
May 1, 2026
I’m all for artistic interpretations that honour and respect the source material and Essie Fox definitely does Emily Brontë some justice. Fox captures the wild and untamed essence of Wuthering Heights really well and the characters are deeply intertwined with their wild and treacherous landscape.
It is also interesting to note that this has released whilst Wuthering Heights is a hot topic in the cultural zeitgeist at the moment, published just two days before Emerald Fennell’s divisive film adaptation.
Much like Fennell, Essie Fox chooses to interpret the “dark romantic” aspect of Wuthering Heights very literally but I’d say for the most part Fox manages to keep it dark and twisted, the characters act disturbingly and her retelling has a Romantic/Gothic edge. Fox captures tropes of the Gothic really well and there are elements of the grotesque that paint a really vivid picture. I was pleased that she focuses on more than just the romance, to an extent she explores how generational trauma shapes the characters and guides their actions without justifying their behaviour.
Whilst the explorations of trauma were there they were fleeting and very quickly abandoned when they definitely could have been more in depth and lent an even deeper and more complex perspective into the characters and their motivations.
True to the source material, the author doesn’t attempt to make any of the characters likeable or more palatable, everyone is truly unbearable and she captures their insufferable nature really well. Whilst the perspective of Catherine lends some sympathy and insight we are not encouraged to side with any particular character which I found echoed Brontë’s own sentiment.
What Essie Fox does with narrative, structure and form is interesting and original. She demonstrates the tragically cyclical nature of the events of Wuthering Heights really well. The way the narrative shifts seamlessly from Cathy’s ghost to her as a child from past to present and then back into the past after Cathy’s death as she watches her daughter Catherine grow up means Cathy both figuratively and literally haunts the narrative. The ‘Catherine’ who becomes the end focus is Cathy’s daughter, giving the impression that this is to whom the title really refers in a slight twist of events.
The recurring imagery and symbolism is beautifully intertwined with the events of the narrative and I loved the layered meanings of the witch marks, the witch stone and the crow. I love that Fox builds on the symbolism and imagery laced throughout Wuthering Heights (such as Cathy’s etching of the names), rather than erasing it to create her own web of mythology. I love that that the author explores some of the pre-existing mythology and folklore surrounding the Yorkshire Moors and Penistone Crags, making Penistone in particular a location with layered significance in the narrative. The implication that Heathcliff’s opening of Cathy’s grave awakes her ghost is also a richly layered detail and we go both backwards and forwards in time from this moment. Although overall the book is mostly gorgeously written and atmospheric there are some parts that feel clunky and sometimes rushed.
One thing that did bother me a lot particularly towards the beginning where it was strongest was the use of racist and xenophobic language. I get that the author is trying to paint an authentic picture here but I found that some of the derogatory language and terms used read as problematic in this context. Heathcliff is exoticized by Cathy in a way that I found very uncomfortable to read at times, which both does and doesn’t make sense to me. Cathy is a deeply unlikeable person who is privileged in a way that separates her from Heathcliff but in Brontë’s novel they are equals in soul and spirit, transcending earthly boundaries.
I also felt that the book rehashes a lot of the plot and the information we already know from Wuthering Heights, which provides great context and setup for people who have never read it before but gives the impression that the assumption is that readers won’t have bothered to engage with the source material. This means that for a lot of the book it feels like a very literal retelling of Wuthering Heights just in a more contemporary style and the promise of a new perspective entirely falls a little flat. Fox’s filling in the gaps feels a little predictable rather than fresh or satisfying, she draws on some of the most heavily implied subtext and widely discussed theories surrounding Wuthering Heights rather than offering anything totally new or original.
I did like that Heathcliff’s origin story is fleshed out a lot more but I find that the deliberate vagueness in Emily Brontë’s novel is intended and certain details are only ever alluded to on purpose to further entrench the mystery surrounding the characters and constantly make us question the true horror and the disturbing nature of their acts and if we as readers are the truly horrible for imagining such things.
Although Fox’s retelling definitely emphasises how bitter and tragic Brontë’s original tale is I think it is certainly best to go in with an open mind and read this as a reimagining rather than something that is a like-for-like match with the original. I would definitely recommend but if like me you also love the original, proceed with caution!
It is also interesting to note that this has released whilst Wuthering Heights is a hot topic in the cultural zeitgeist at the moment, published just two days before Emerald Fennell’s divisive film adaptation.
Much like Fennell, Essie Fox chooses to interpret the “dark romantic” aspect of Wuthering Heights very literally but I’d say for the most part Fox manages to keep it dark and twisted, the characters act disturbingly and her retelling has a Romantic/Gothic edge. Fox captures tropes of the Gothic really well and there are elements of the grotesque that paint a really vivid picture. I was pleased that she focuses on more than just the romance, to an extent she explores how generational trauma shapes the characters and guides their actions without justifying their behaviour.
Whilst the explorations of trauma were there they were fleeting and very quickly abandoned when they definitely could have been more in depth and lent an even deeper and more complex perspective into the characters and their motivations.
True to the source material, the author doesn’t attempt to make any of the characters likeable or more palatable, everyone is truly unbearable and she captures their insufferable nature really well. Whilst the perspective of Catherine lends some sympathy and insight we are not encouraged to side with any particular character which I found echoed Brontë’s own sentiment.
What Essie Fox does with narrative, structure and form is interesting and original. She demonstrates the tragically cyclical nature of the events of Wuthering Heights really well. The way the narrative shifts seamlessly from Cathy’s ghost to her as a child from past to present and then back into the past after Cathy’s death as she watches her daughter Catherine grow up means Cathy both figuratively and literally haunts the narrative. The ‘Catherine’ who becomes the end focus is Cathy’s daughter, giving the impression that this is to whom the title really refers in a slight twist of events.
The recurring imagery and symbolism is beautifully intertwined with the events of the narrative and I loved the layered meanings of the witch marks, the witch stone and the crow. I love that Fox builds on the symbolism and imagery laced throughout Wuthering Heights (such as Cathy’s etching of the names), rather than erasing it to create her own web of mythology. I love that that the author explores some of the pre-existing mythology and folklore surrounding the Yorkshire Moors and Penistone Crags, making Penistone in particular a location with layered significance in the narrative. The implication that Heathcliff’s opening of Cathy’s grave awakes her ghost is also a richly layered detail and we go both backwards and forwards in time from this moment. Although overall the book is mostly gorgeously written and atmospheric there are some parts that feel clunky and sometimes rushed.
One thing that did bother me a lot particularly towards the beginning where it was strongest was the use of racist and xenophobic language. I get that the author is trying to paint an authentic picture here but I found that some of the derogatory language and terms used read as problematic in this context. Heathcliff is exoticized by Cathy in a way that I found very uncomfortable to read at times, which both does and doesn’t make sense to me. Cathy is a deeply unlikeable person who is privileged in a way that separates her from Heathcliff but in Brontë’s novel they are equals in soul and spirit, transcending earthly boundaries.
I also felt that the book rehashes a lot of the plot and the information we already know from Wuthering Heights, which provides great context and setup for people who have never read it before but gives the impression that the assumption is that readers won’t have bothered to engage with the source material. This means that for a lot of the book it feels like a very literal retelling of Wuthering Heights just in a more contemporary style and the promise of a new perspective entirely falls a little flat. Fox’s filling in the gaps feels a little predictable rather than fresh or satisfying, she draws on some of the most heavily implied subtext and widely discussed theories surrounding Wuthering Heights rather than offering anything totally new or original.
I did like that Heathcliff’s origin story is fleshed out a lot more but I find that the deliberate vagueness in Emily Brontë’s novel is intended and certain details are only ever alluded to on purpose to further entrench the mystery surrounding the characters and constantly make us question the true horror and the disturbing nature of their acts and if we as readers are the truly horrible for imagining such things.
Although Fox’s retelling definitely emphasises how bitter and tragic Brontë’s original tale is I think it is certainly best to go in with an open mind and read this as a reimagining rather than something that is a like-for-like match with the original. I would definitely recommend but if like me you also love the original, proceed with caution!
Want to Read
December 4, 2025Fine, take my money already! Immediately preordered.
February 16, 2026
High on the moors, free-spirited Catherine Earnshaw loves to roam amongst the heather. When her father brings home the foundling, Heathcliff, Catherine feels an instant bond with him, and soon her solo ramblings become hours they spend lost in each other's company. The two grow-up to become inseparable - like two halves of the same person - but when Catherine's father dies, Heathcliff is reduced to the status of servant by her cruel brother, Hindley.
Catherine decides the only way to save Heathcliff and herself from Hindley's wrath is to appeal to handsome Edgar Linton, heir to nearby Thrushcross Grange, but Heathcliff misunderstands her motives, and runs away. Heartbroken, Catherine marries Edgar in Heathcliff's absence... only for him to return years later, as a successful man bent on revenging himself against Hindley and the Linton family. Tragedy ensues. Now, eighteen years later, Catherine has risen from her grave to see the consequences of Heathcliff's vendetta, to tell her own side of the story, and to find redemption.
I am not sure Wuthering Heights, the singular (in every meaning of the word) novel by Emily Bronte, is one that needs much of an introduction, especially given the current hype around the new adaptation starring Margot Robbie and Jacob Elordi. Catherine and Heathcliff's story is one which calls to many lovers of Gothic romance, but as much as I adore a bit of wind and wuthering, many of the novels written by the Bronte sisters, and Kate Bush's wonderfully nostalgic song, I have never really understood why it is lauded as a great romance.
Undoubtedly, it is has lashings of passion and yearning, and a wonderfully evocative setting, but the love story is so laced with toxicity, trauma, and tragedy through its themes of jealousy, betrayal, cruelty and revenge that I find the bitterness in it overwhelming. There is also something missing from the original, for me, and that is the voice of the one person who you need to make Emily Bronte's story more than a whole lot of angst-ridden shouting on the wild and windy moors - that of Catherine herself. So I am delighted the incredibly talented Essie Fox has taken it upon herself to right that wrong in this intriguing retelling, Catherine.
Fox's novel begins with Catherine rising from her grave, eighteen years after her untimely death, to tell her own side of the story. This fits beautifully with the unsettling parts of Emily Bronte's tale, where Catherine's ghost makes its presence felt, and sets the atmospheric tone for what follows.
Rather than hearing Catherine's tale at arm's length, Fox explores every aspect of her logic, her actions, and the unintended consequences of a situation that finds her caught between the different kinds of love she feels for Edgar and Heathcliff. We now feel the force of her feelings first-hand, especially during the essential parts of the story where she is teetering on the edge of womanhood, and making sense of marriage and motherhood. Fox goes 'beyond' Emily Bronte's chaste hints at intimacy too, so it is much more relatable for a modern audience, and hits just the right mark for those looking forward to Emerald Fennell's upcoming movie, which concerns itself with twisted love alone. Her ideas on Heathcliff's parentage also open up a whole new troubling can of worms!
Fox's Catherine is a woman with depth: one who has few choices, but makes the best of those open to her. I very much enjoyed this take on the original, where Catherine is often viewed as bringing about her own demise - stemming, I think, from the fact that Heathcliff gets far too much say on how things played out in Nelly's version. I also liked that Fox gives Catherine a chance to muse on the feelings she has for the daughter she never got to know, as she watches the turns of fate for the young cousins Cathy and Hareton (surely where the real romance and redemptive twist of fate actually lies, even if their close relationship is uncomfortable to modern eyes).
Just as I hoped, in Fox's hands Wuthering Heights becomes a more accessible story, with a leading female character made up of light and shade. Brava, Essie!
Catherine decides the only way to save Heathcliff and herself from Hindley's wrath is to appeal to handsome Edgar Linton, heir to nearby Thrushcross Grange, but Heathcliff misunderstands her motives, and runs away. Heartbroken, Catherine marries Edgar in Heathcliff's absence... only for him to return years later, as a successful man bent on revenging himself against Hindley and the Linton family. Tragedy ensues. Now, eighteen years later, Catherine has risen from her grave to see the consequences of Heathcliff's vendetta, to tell her own side of the story, and to find redemption.
I am not sure Wuthering Heights, the singular (in every meaning of the word) novel by Emily Bronte, is one that needs much of an introduction, especially given the current hype around the new adaptation starring Margot Robbie and Jacob Elordi. Catherine and Heathcliff's story is one which calls to many lovers of Gothic romance, but as much as I adore a bit of wind and wuthering, many of the novels written by the Bronte sisters, and Kate Bush's wonderfully nostalgic song, I have never really understood why it is lauded as a great romance.
Undoubtedly, it is has lashings of passion and yearning, and a wonderfully evocative setting, but the love story is so laced with toxicity, trauma, and tragedy through its themes of jealousy, betrayal, cruelty and revenge that I find the bitterness in it overwhelming. There is also something missing from the original, for me, and that is the voice of the one person who you need to make Emily Bronte's story more than a whole lot of angst-ridden shouting on the wild and windy moors - that of Catherine herself. So I am delighted the incredibly talented Essie Fox has taken it upon herself to right that wrong in this intriguing retelling, Catherine.
Fox's novel begins with Catherine rising from her grave, eighteen years after her untimely death, to tell her own side of the story. This fits beautifully with the unsettling parts of Emily Bronte's tale, where Catherine's ghost makes its presence felt, and sets the atmospheric tone for what follows.
Rather than hearing Catherine's tale at arm's length, Fox explores every aspect of her logic, her actions, and the unintended consequences of a situation that finds her caught between the different kinds of love she feels for Edgar and Heathcliff. We now feel the force of her feelings first-hand, especially during the essential parts of the story where she is teetering on the edge of womanhood, and making sense of marriage and motherhood. Fox goes 'beyond' Emily Bronte's chaste hints at intimacy too, so it is much more relatable for a modern audience, and hits just the right mark for those looking forward to Emerald Fennell's upcoming movie, which concerns itself with twisted love alone. Her ideas on Heathcliff's parentage also open up a whole new troubling can of worms!
Fox's Catherine is a woman with depth: one who has few choices, but makes the best of those open to her. I very much enjoyed this take on the original, where Catherine is often viewed as bringing about her own demise - stemming, I think, from the fact that Heathcliff gets far too much say on how things played out in Nelly's version. I also liked that Fox gives Catherine a chance to muse on the feelings she has for the daughter she never got to know, as she watches the turns of fate for the young cousins Cathy and Hareton (surely where the real romance and redemptive twist of fate actually lies, even if their close relationship is uncomfortable to modern eyes).
Just as I hoped, in Fox's hands Wuthering Heights becomes a more accessible story, with a leading female character made up of light and shade. Brava, Essie!
February 12, 2026
Catherine is a triumph. Essie Fox writes beautifully and with such intensity that the haunted feelings and anguish of Catherine Earnshaw rise from the pages and seep into your bones. So rich and sumptuous is the writing that you can wallow in it. Dark, brooding, gothic, and so heartbreaking. I cried, (twice actually) and I defy you not to. It is a wonderful retelling of Wuthering Heights that hits perfection
Told through the eyes of Catherine Linton, whereas Wuthering Heights was told by Ellen ‘Nelly’ Dean, a servant in the Earnshaw household, Catherine’s narrative allows us to learn and understand the things that Nellie didn’t know. Her perspective is critical to understanding who Heathcliff is and why he became the jealous, obsessive man that he was, intent on destroying the happiness of everyone in the Linton family, even Catherine’s own daughter.
Catherine stays true to Emily Brontë’s language and to the atmosphere of brooding intensity that is a feature of Brontë’s most famous novel. Essie Fox creates a rich and immersive story that stays true to the original but gives us a deeper understanding of how Heathcliff was so badly wronged and why his character became bent on revenge and so driven by hatred for everything that he believes the Lintons and the Earnshaws inflicted on him.
This is a beautiful and sympathetic retelling of the story. Essie Fox, by giving Catherine a voice, has created a feminist version of this tragic story of obsession, madness and revenge. In Catherine, Essie Fox gives Catherine agency over her own story; reclaiming her voice rather than leaving it to Lockwood or Nelly Dean. This not only enriches Catherine’s character but underscores how Catherine’s individuality in Brontë’s text was constrained by the story being narrated through third parties. By allowing her to speak, Fox gives us access to Catherine’s emotions, and that tells us a lot.
Fox’s narrative retains the passionate intensity and obsession of Wuthering Heights but reframes it, making it self-aware and so even more haunting. Because Catherine is a ghost, you can really feel her lingering attachment and just how impossible any resolution becomes. Catherine looks for redemption as she considers what has happened to her and to Heathcliff.
Wuthering Heights is strong on class and social identity, and Essie Fox’s retelling does not overlook this, but her retelling does shift its emphasis. By putting Catherine’s voice front and centre, it is her memory, grief and resentment that overtakes Brontë’s class analysis. Catherine’s narrative places the emotional consequences of her choices, of how class structures shaped her and Heathcliff’s intimacy and subsequent distance, in sharper relief. She sees not only the passion that bound her to Heathcliff but also the cost of that intensity. Her pain is a mirror to Heathcliff’s psychological torment. Essie Fox evokes the same passion and angst that made Brontë’s work a classic, but in a way that feels fresh and immediate.
Verdict: I adored this book. It is haunting, sad and passionate. I could feel the wildness of the Yorkshire moors and shivered when the wind whistled past my ears. Although Essie Fox has added to the original story, these additions make perfect sense and enrich the story. Don’t bother seeing the film, just read this book.
Told through the eyes of Catherine Linton, whereas Wuthering Heights was told by Ellen ‘Nelly’ Dean, a servant in the Earnshaw household, Catherine’s narrative allows us to learn and understand the things that Nellie didn’t know. Her perspective is critical to understanding who Heathcliff is and why he became the jealous, obsessive man that he was, intent on destroying the happiness of everyone in the Linton family, even Catherine’s own daughter.
Catherine stays true to Emily Brontë’s language and to the atmosphere of brooding intensity that is a feature of Brontë’s most famous novel. Essie Fox creates a rich and immersive story that stays true to the original but gives us a deeper understanding of how Heathcliff was so badly wronged and why his character became bent on revenge and so driven by hatred for everything that he believes the Lintons and the Earnshaws inflicted on him.
This is a beautiful and sympathetic retelling of the story. Essie Fox, by giving Catherine a voice, has created a feminist version of this tragic story of obsession, madness and revenge. In Catherine, Essie Fox gives Catherine agency over her own story; reclaiming her voice rather than leaving it to Lockwood or Nelly Dean. This not only enriches Catherine’s character but underscores how Catherine’s individuality in Brontë’s text was constrained by the story being narrated through third parties. By allowing her to speak, Fox gives us access to Catherine’s emotions, and that tells us a lot.
Fox’s narrative retains the passionate intensity and obsession of Wuthering Heights but reframes it, making it self-aware and so even more haunting. Because Catherine is a ghost, you can really feel her lingering attachment and just how impossible any resolution becomes. Catherine looks for redemption as she considers what has happened to her and to Heathcliff.
Wuthering Heights is strong on class and social identity, and Essie Fox’s retelling does not overlook this, but her retelling does shift its emphasis. By putting Catherine’s voice front and centre, it is her memory, grief and resentment that overtakes Brontë’s class analysis. Catherine’s narrative places the emotional consequences of her choices, of how class structures shaped her and Heathcliff’s intimacy and subsequent distance, in sharper relief. She sees not only the passion that bound her to Heathcliff but also the cost of that intensity. Her pain is a mirror to Heathcliff’s psychological torment. Essie Fox evokes the same passion and angst that made Brontë’s work a classic, but in a way that feels fresh and immediate.
Verdict: I adored this book. It is haunting, sad and passionate. I could feel the wildness of the Yorkshire moors and shivered when the wind whistled past my ears. Although Essie Fox has added to the original story, these additions make perfect sense and enrich the story. Don’t bother seeing the film, just read this book.
April 3, 2026
I hesitated to read this book because I read and studied Wuthering Heights, albeit many years ago, and really did not like this tale of obsessive love and revenge. I didn’t like either Catherine or Heathcliff and was just impatient and annoyed with their histrionics. Essie Fox’s version I enjoyed so much more.
Emily Brontë’s novel is told from the perspectives of Nelly Dean, a servant, and Mr. Lockwood, a tenant at Thrushcross Grange. Fox’s version is narrated by Catherine. Eighteen years after her death she is freed to roam as a ghost. She speaks of her formative years, especially her childhood friendship with Heathcliff that evolves into an intense romantic love; her marriage to Edgar Linton; and the return of Heathcliff, his marriage to Isabella Linton and his jealousy and obsessive desire for revenge. She also recounts what happened after her death, especially as concerns her daughter Cathy, Linton Heathcliff, and Hareton Earnshaw.
This novel is faithful to the original so anyone familiar with Wuthering Heights will not be surprised with the major events. What is different is that Catherine is able to provide information about events of which Nelly is not cognizant. Both Nelly and Mr. Lockwood are observers and so limited in their knowledge; giving the more intimate perspective of a participant means that Catherine’s behaviour becomes more understandable. Though she remains the impulsive, obsessive and passionate character of Wuthering Heights and though I was still frustrated with some of her choices, I felt I understood her better because I was made aware of her motivations and, later, her regrets. What emerges is a more sympathetic portrait of Catherine.
I’m not always a fan of ghost narration, but it works in this case because of references to spirits in the original. The supernatural element is strong in the Gothic novel. Mr. Lockwood, during a visit at Wuthering Heights, has a strange dream about a weeping, unseen presence begging to be let into the house. And at the end of the book, shepherds and travelers at night claim to have seen Catherine and Heathcliff roaming the dark moors as they did many years earlier.
The author certainly creates the brooding, gloomy atmosphere of the original. There’s the isolated house, with its claustrophobic aura, surrounded by the wild, desolate moors often visited by wind and rain. The turbulent weather just adds an extra chill to one’s reading. I also appreciated the author’s use of language which evokes Brontë’s novel.
Of course there are also some plot additions. For example, Heathcliff’s life during his three-year absence is described; Brontë doesn’t ever explain how he returns so much more refined and so much wealthier. Many readers have speculated about Heathcliff’s background and Fox offers a clarification, though admittedly it relies on a theory suggested by others.
This book, though respectfully faithful to its source, provides a fresh perspective, including a redemptive twist. I found myself more engaged and feeling more sympathy for the characters. Perhaps the subtitle of the novel should use the word enrichment rather than retelling?
Please check out my reader's blog (https://schatjesshelves.blogspot.com/).
Emily Brontë’s novel is told from the perspectives of Nelly Dean, a servant, and Mr. Lockwood, a tenant at Thrushcross Grange. Fox’s version is narrated by Catherine. Eighteen years after her death she is freed to roam as a ghost. She speaks of her formative years, especially her childhood friendship with Heathcliff that evolves into an intense romantic love; her marriage to Edgar Linton; and the return of Heathcliff, his marriage to Isabella Linton and his jealousy and obsessive desire for revenge. She also recounts what happened after her death, especially as concerns her daughter Cathy, Linton Heathcliff, and Hareton Earnshaw.
This novel is faithful to the original so anyone familiar with Wuthering Heights will not be surprised with the major events. What is different is that Catherine is able to provide information about events of which Nelly is not cognizant. Both Nelly and Mr. Lockwood are observers and so limited in their knowledge; giving the more intimate perspective of a participant means that Catherine’s behaviour becomes more understandable. Though she remains the impulsive, obsessive and passionate character of Wuthering Heights and though I was still frustrated with some of her choices, I felt I understood her better because I was made aware of her motivations and, later, her regrets. What emerges is a more sympathetic portrait of Catherine.
I’m not always a fan of ghost narration, but it works in this case because of references to spirits in the original. The supernatural element is strong in the Gothic novel. Mr. Lockwood, during a visit at Wuthering Heights, has a strange dream about a weeping, unseen presence begging to be let into the house. And at the end of the book, shepherds and travelers at night claim to have seen Catherine and Heathcliff roaming the dark moors as they did many years earlier.
The author certainly creates the brooding, gloomy atmosphere of the original. There’s the isolated house, with its claustrophobic aura, surrounded by the wild, desolate moors often visited by wind and rain. The turbulent weather just adds an extra chill to one’s reading. I also appreciated the author’s use of language which evokes Brontë’s novel.
Of course there are also some plot additions. For example, Heathcliff’s life during his three-year absence is described; Brontë doesn’t ever explain how he returns so much more refined and so much wealthier. Many readers have speculated about Heathcliff’s background and Fox offers a clarification, though admittedly it relies on a theory suggested by others.
This book, though respectfully faithful to its source, provides a fresh perspective, including a redemptive twist. I found myself more engaged and feeling more sympathy for the characters. Perhaps the subtitle of the novel should use the word enrichment rather than retelling?
Please check out my reader's blog (https://schatjesshelves.blogspot.com/).
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