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Intimate Audrey: The authorised biography of hollywood icon and film star Audrey Hepburn – a must-read for 2026
The only official biography of fashion and film icon and humanitarian Audrey Hepburn, with the actress’s personal history, insights from her family about her philosophy of life, and an intimate picture of how she lived outside of the public eye.
There are few celebrities of yesterday or today as iconic as Audrey Hepburn. From humble beginnings, growing up in the Netherlands and nearly dying of malnutrition while assisting the Dutch resistance during World War II, she would go on to be one of the biggest movies stars in history. Best known for her work in classic and renowned films such as Roman Holiday, Breakfast at Tiffany's, Charade, and My Fair Lady, Audrey won just about every award in show business, earning the coveted EGOT designation. Offscreen, she became a darling of the public with her unique, trendsetting fashion sense (for which she also won awards), then later in life, she became the most high-profile Goodwill Ambassador for UNICEF and was awarded the Presidential Medal of Freedom for her humanitarian work. More than thirty years after her death, this aspirational, inspirational, and hugely talented woman is still revered as the epitome of style, sophistication, and beauty.
But while more than 300 books have been published about the phenomenon that was Audrey Hepburn, none have truly gotten under the skin of the woman who emerged from the rubble of war to become a symbol for female emancipation, resilience, and authenticity. Ranked as one of the greatest screen legends of all time, she was so much more than that and her legacy of feminism and compassion is what would have made her most proud. INTIMATE AUDREY will take the reader behind the camera to meet the real woman, the survivor, as told by those who knew and loved her.
There are few celebrities of yesterday or today as iconic as Audrey Hepburn. From humble beginnings, growing up in the Netherlands and nearly dying of malnutrition while assisting the Dutch resistance during World War II, she would go on to be one of the biggest movies stars in history. Best known for her work in classic and renowned films such as Roman Holiday, Breakfast at Tiffany's, Charade, and My Fair Lady, Audrey won just about every award in show business, earning the coveted EGOT designation. Offscreen, she became a darling of the public with her unique, trendsetting fashion sense (for which she also won awards), then later in life, she became the most high-profile Goodwill Ambassador for UNICEF and was awarded the Presidential Medal of Freedom for her humanitarian work. More than thirty years after her death, this aspirational, inspirational, and hugely talented woman is still revered as the epitome of style, sophistication, and beauty.
But while more than 300 books have been published about the phenomenon that was Audrey Hepburn, none have truly gotten under the skin of the woman who emerged from the rubble of war to become a symbol for female emancipation, resilience, and authenticity. Ranked as one of the greatest screen legends of all time, she was so much more than that and her legacy of feminism and compassion is what would have made her most proud. INTIMATE AUDREY will take the reader behind the camera to meet the real woman, the survivor, as told by those who knew and loved her.
304 pages, Kindle Edition
First published April 7, 2026
About the author
Sean Hepburn Ferrer
10 books90 followersSon of Audrey Hepburn and Mel Ferrer, born in 1960.
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Displaying 1 - 30 of 61 reviews
May 7, 2026
Please don’t confuse “authorized” with “definitive.”
If anything, this book is a memoirography: a sharing of someone else’s life through a first-person lens. It can be confusing at times, especially when discussing Audrey Hepburn and her mother Ella at the same time and using “she” fast and loose without names. Writing “my teenage mother” quite a few times would add to the confusion of any casual or new fan who didn’t know that Audrey’s first child came when she was 31 years old. Not 13. This is why biographies are traditionally written in the third person omniscient.
I’ve also never seen a biography not cite sources! There is a small bibliography, and in the Acknowledgements, three books are listed. But there is no index and no citations whatsoever. The authors claim “‘fair use’ whenever possible,” but this isn’t how US fair use doctrine works at all. (I say US as this is the American edition I’ve read.) There were things quoted in the book that I knew from over 20 years of reading Audrey Hepburn biographies pretty regularly, and I found the source for one quote by looking up that same information in Robert Matzen’s “Dutch Girl.” He cited the source as well as he was able, and from there I found the original article myself. Every good biography allows you to trace their path through source materials and come to the same conclusions the author(s) did.
This book is not the end-all, be-all biography. Unfortunately for it, there have been far too many quality, thorough accounts of Audrey Hepburn’s life written in the 33 years since she has passed. The only new information this book had to add was given freely to The Daily Mail in excerpts printed before the book’s release, which puzzles me to no end. There are almost no new pictures, and time skips of years. Important people in Audrey’s life are omitted, or only mentioned in passing. A few, for example: Sophia Loren and Audrey’s younger son Luca Dotti are hardly mentioned in this book. Dear friends Doris Brynner and Bunny Mellon are not mentioned at all, which is staggering to me. Connie Wald should have figured much larger in the book. Robert Wolders was treated very unevenly, and for no just cause.
For some reason, the Audrey Hepburn Children’s Fund (AKA Hollywood for Children) is alluded to in the epilogue, which is odd because it’s currently being liquidated in California bankruptcy court following a lawsuit filed in 2017 by one of the authors of this book. Guess which one. The lawsuit was decided in 2019, and the charity began folding shortly after.
In all, if you are looking for the definitive biography of Audrey Hepburn, I still recommend Barry Paris’s “Audrey Hepburn.” It has some errors that were found years later, but still holds up the best out of all of them. For a deeper, fun look into Audrey’s Hollywood years, try Donald Spoto’s “Enchantment: The Life of Audrey Hepburn.” For her formative childhood years, Robert Matzen blew us all away when he released “Dutch Girl: Audrey Hepburn and WWII” in 2020. He proved there were still secrets to be unearthed on Audrey Hepburn, even now. His followup, “Warrior: Audrey Hepburn,” doesn’t hit as hard but gives a timeline and level of detail to her years with UNICEF that hadn’t been compiled before. And close to my heart is Luca Dotti’s “Audrey at Home,” a collection of Audrey’s personal recipes.
If anything, this book is a memoirography: a sharing of someone else’s life through a first-person lens. It can be confusing at times, especially when discussing Audrey Hepburn and her mother Ella at the same time and using “she” fast and loose without names. Writing “my teenage mother” quite a few times would add to the confusion of any casual or new fan who didn’t know that Audrey’s first child came when she was 31 years old. Not 13. This is why biographies are traditionally written in the third person omniscient.
I’ve also never seen a biography not cite sources! There is a small bibliography, and in the Acknowledgements, three books are listed. But there is no index and no citations whatsoever. The authors claim “‘fair use’ whenever possible,” but this isn’t how US fair use doctrine works at all. (I say US as this is the American edition I’ve read.) There were things quoted in the book that I knew from over 20 years of reading Audrey Hepburn biographies pretty regularly, and I found the source for one quote by looking up that same information in Robert Matzen’s “Dutch Girl.” He cited the source as well as he was able, and from there I found the original article myself. Every good biography allows you to trace their path through source materials and come to the same conclusions the author(s) did.
This book is not the end-all, be-all biography. Unfortunately for it, there have been far too many quality, thorough accounts of Audrey Hepburn’s life written in the 33 years since she has passed. The only new information this book had to add was given freely to The Daily Mail in excerpts printed before the book’s release, which puzzles me to no end. There are almost no new pictures, and time skips of years. Important people in Audrey’s life are omitted, or only mentioned in passing. A few, for example: Sophia Loren and Audrey’s younger son Luca Dotti are hardly mentioned in this book. Dear friends Doris Brynner and Bunny Mellon are not mentioned at all, which is staggering to me. Connie Wald should have figured much larger in the book. Robert Wolders was treated very unevenly, and for no just cause.
For some reason, the Audrey Hepburn Children’s Fund (AKA Hollywood for Children) is alluded to in the epilogue, which is odd because it’s currently being liquidated in California bankruptcy court following a lawsuit filed in 2017 by one of the authors of this book. Guess which one. The lawsuit was decided in 2019, and the charity began folding shortly after.
In all, if you are looking for the definitive biography of Audrey Hepburn, I still recommend Barry Paris’s “Audrey Hepburn.” It has some errors that were found years later, but still holds up the best out of all of them. For a deeper, fun look into Audrey’s Hollywood years, try Donald Spoto’s “Enchantment: The Life of Audrey Hepburn.” For her formative childhood years, Robert Matzen blew us all away when he released “Dutch Girl: Audrey Hepburn and WWII” in 2020. He proved there were still secrets to be unearthed on Audrey Hepburn, even now. His followup, “Warrior: Audrey Hepburn,” doesn’t hit as hard but gives a timeline and level of detail to her years with UNICEF that hadn’t been compiled before. And close to my heart is Luca Dotti’s “Audrey at Home,” a collection of Audrey’s personal recipes.
May 4, 2026
I had high expectations when I first heard about this book because the many claims the author has made. The author who is Audrey's oldest son claims that this is not just the most accurate biography it should be considered the final word. Upon finishing it though I think that that claim should be removed from this book and saved for a better biography.
The biggest reason it shouldn't be an official version is because an official version should include everything. Instead Audrey's son focuses on her early years, her marriage to his died, and his life. Later years are included but they are crammed into a few chapters and feel rushed and incomplete. People in Audrey's later years including her second son get briefly mentioned or some people seemed to have been left out. An authorized version should treat every person and phase of her life equally but this book doesn't do that.
The biggest reason it shouldn't be an official version is because an official version should include everything. Instead Audrey's son focuses on her early years, her marriage to his died, and his life. Later years are included but they are crammed into a few chapters and feel rushed and incomplete. People in Audrey's later years including her second son get briefly mentioned or some people seemed to have been left out. An authorized version should treat every person and phase of her life equally but this book doesn't do that.
August 6, 2026
What a beautiful woman Audrey Hepburn was. She went through so much heartache in her life and yet she was generous and selfless with everything she did.
April 8, 2026
Lovely, and certainly provides a better sense of what Audrey was really like than any other book. I had hoped for a deeper dive, though. Perhaps Sean wanted to avoid being too salacious. But I found it odd that he would say random things like calling Robert Wolders a doormat but be vague elsewhere.
I have to say I didn’t like the screenplay chapter openings, but at least they were brief. I was also left wondering about Luca’s relationship with Sean and with his mother, since he’s barely mentioned.
I have to say I didn’t like the screenplay chapter openings, but at least they were brief. I was also left wondering about Luca’s relationship with Sean and with his mother, since he’s barely mentioned.
August 4, 2026
There will never be enough that I can say about this book.
Written by her son and a seasoned war-correspondent turned advocating author, this account of Audrey Hepburn’s life offers something that I have yet to find in any other works about my favorite actress.
This story brings her back into reality.
Audrey has become a larger-than-life icon for her film roles, her grace, and, of course, her undeniable fashion sense. She has well earned that spot, but is it truly what matters most? Of course not. Above all, she was a woman that lived and breathed, and whose experiences shaped her into a person with a passion for speaking for the voiceless.
This intimate look hardly spoils her glamour, but rather offers a deeper connection to her as the person she was. Despite having no experience to compare to the war she endured and her personal trials throughout her life, I found that I could relate to her through our mutual care for people as a whole.
Her love was the most beautiful thing about her, and Intimate Audrey makes you want to wear that love for humanity just as much as her signature scarves.
Written by her son and a seasoned war-correspondent turned advocating author, this account of Audrey Hepburn’s life offers something that I have yet to find in any other works about my favorite actress.
This story brings her back into reality.
Audrey has become a larger-than-life icon for her film roles, her grace, and, of course, her undeniable fashion sense. She has well earned that spot, but is it truly what matters most? Of course not. Above all, she was a woman that lived and breathed, and whose experiences shaped her into a person with a passion for speaking for the voiceless.
This intimate look hardly spoils her glamour, but rather offers a deeper connection to her as the person she was. Despite having no experience to compare to the war she endured and her personal trials throughout her life, I found that I could relate to her through our mutual care for people as a whole.
Her love was the most beautiful thing about her, and Intimate Audrey makes you want to wear that love for humanity just as much as her signature scarves.
June 1, 2026
Prvý oficiálny a autorizovaný životopis Audrey Hepburn, ktorý napísal jej syn. Píše celkom čtivo, niečo nové som sa aj dozvedela, ale inak to bol veľký priemer.
Audrey pracovala pre UNICEF, milovala deti a prežila druhú svetovú vojnu. Tieto tri informácie ostanú po dočítaní s človekom ešte niekoľko mesiacov, pretože autor sa postaral o to, aby to spomenul na každej druhej strane. Prisahám, že ak to budem počuť ešte raz, dostanem zimnicu :) Zároveň mám pocit, že keby niekto povedal pol krivého slova na Audrey, dostane vidličkou do oka.
Taktiež sa snažil písať chronologicky, ale moc mu to nešlo a čitateľ niekedy nevie, v ktorej časti jej života sa nachádza. Z domáceho prostredia matka-syn nám neprezradil takmer nič.
Neviem... už asi prestanem čítať životopisy, ktoré napísal niekto blízky danej osobe.
Audrey pracovala pre UNICEF, milovala deti a prežila druhú svetovú vojnu. Tieto tri informácie ostanú po dočítaní s človekom ešte niekoľko mesiacov, pretože autor sa postaral o to, aby to spomenul na každej druhej strane. Prisahám, že ak to budem počuť ešte raz, dostanem zimnicu :) Zároveň mám pocit, že keby niekto povedal pol krivého slova na Audrey, dostane vidličkou do oka.
Taktiež sa snažil písať chronologicky, ale moc mu to nešlo a čitateľ niekedy nevie, v ktorej časti jej života sa nachádza. Z domáceho prostredia matka-syn nám neprezradil takmer nič.
Neviem... už asi prestanem čítať životopisy, ktoré napísal niekto blízky danej osobe.
August 2, 2026
Am devorat-o.
May 16, 2026
So I cried throughout the ending of this book...call me a sap. A five star rating for the incredible life of a 5 star human being.
Did Not Finish
July 9, 2026I listened to the audio and it was very confusing and hard to follow, giving up at 17 percent. I want to know more about Audrey but this is not the book!
April 17, 2026
Interesting perspective to tell about Audrey. Not just a story but connecting thoughts. Most of the biography makes it seem that her WW2 experiences were the major influences in every element of her life. Audiobook was cool to hear because her son was the narrator and then the actress giving Audrey a voice was really good at mimicking her. I would've liked more insight into her story but this was a really good book.
May 14, 2026
Five biased stars for my favorite actress/ person.
August 17, 2026
I was so excited when this book was first announced as I love Audrey Hepburn and I was really looking forward to a thought provoking and intimate biography written by her eldest son. I knew there would be nothing shocking or scandalous about her life. Of course not, It’s Audrey! She is the epitome of elegance and class and her previous biographies are full of wonderful anecdotes of how kind and wonderful she was. What I was hoping for from this book was a look at the real Audrey behind the cameras - the child who survived war torn Holland, the woman who took Hollywood by storm and the woman who worked tirelessly for Unicef. What we get is a bit of a glossed over biography with huge parts of Audrey’s life being emitted. Years of her Hollywood career not mentioned, her younger son Luca completely removed from the narrative, so much of the biography was taken up with scripted conversations that Audrey supposedly had with people. It’s such a disappointment to be honest.
Her son, Sean, clearly loves his Mother a lot and it often feels like this biography is being told from a child's perspective. A child who has one view of his Mother’s life and has no interest in the bits he isn’t part of. This would have made a wonderful memoir but an official authorised biography it is not.
Her son, Sean, clearly loves his Mother a lot and it often feels like this biography is being told from a child's perspective. A child who has one view of his Mother’s life and has no interest in the bits he isn’t part of. This would have made a wonderful memoir but an official authorised biography it is not.
August 6, 2026
This is a lovely book about a lovely human.
I listened to the audiobook, which author Sean Hepburn Ferrer narrates, and I highly recommend that. I think hearing these stories of his mother, the luminous Audrey Hepburn, in his voice makes them sweeter and richer.
This follows the very familiar beats of any life story, unspooling a series of vignettes about her childhood, her career, her love life and family, her golden years, and her passing (which happened all too soon, when she was only 63). If you’re a big Audrey fan and have read a lot about her, there are probably few surprises, but Ferrer manages to share a handful of new and special details. However, even the most familiar stories felt fresh when I heard them from him — the deep love and unbreakable bond he and his mother shared is palpable in every syllable he speaks, and I found the whole thing terribly moving.
I know many reviewers feel a bit salty and let down by the billing of this as “the authorized biography” when it isn’t an exhaustive listing of every detail of her life and includes a very limited number of external references. Those are legit criticisms of the book, but none of that bothers me in the least. A slew of those kinds of books exist, and they’re great — readers wanting more have plenty of options. Ferrer is trustee of Audrey Hepburn’s estate — he is indeed the person who gets to decide what the authorized version of her story is, because he is now the authority on it. Who could know her life better than he? Personally, I’m grateful for this up close and intimate kind of story telling. From his point of view, this biography feels like reminiscing over drinks by a cozy fire, basking in memories of someone we all once loved very much. I don’t need him to cite sources. He’s both her son and the person to whom Audrey entrusted her legacy; I believe him, and I think she would love how he has remembered her in these pages.
Listening to it, I was struck all over again by the profound sadness in Audrey’s life, as well as her incredible resilience in the face of it. A specific bit I’ll be carrying with me forever now is this. During the Nazi occupation, Audrey delivered messages for the Dutch Resistance and also danced at secret underground fundraisers to support their cause — that’s been pretty well documented before. But in Ferrer’s telling, he includes Audrey’s descriptions of those performances, including that people couldn’t applaud because of the noise, so instead they “smiled in the dark”. That phrase was sort of a mantra for her, a reminder to find joy even when it was difficult. I think it’s so beautiful. I hope I’ll always remember to smile in the dark, and I know I’ll think of Audrey when I do.
I listened to the audiobook, which author Sean Hepburn Ferrer narrates, and I highly recommend that. I think hearing these stories of his mother, the luminous Audrey Hepburn, in his voice makes them sweeter and richer.
This follows the very familiar beats of any life story, unspooling a series of vignettes about her childhood, her career, her love life and family, her golden years, and her passing (which happened all too soon, when she was only 63). If you’re a big Audrey fan and have read a lot about her, there are probably few surprises, but Ferrer manages to share a handful of new and special details. However, even the most familiar stories felt fresh when I heard them from him — the deep love and unbreakable bond he and his mother shared is palpable in every syllable he speaks, and I found the whole thing terribly moving.
I know many reviewers feel a bit salty and let down by the billing of this as “the authorized biography” when it isn’t an exhaustive listing of every detail of her life and includes a very limited number of external references. Those are legit criticisms of the book, but none of that bothers me in the least. A slew of those kinds of books exist, and they’re great — readers wanting more have plenty of options. Ferrer is trustee of Audrey Hepburn’s estate — he is indeed the person who gets to decide what the authorized version of her story is, because he is now the authority on it. Who could know her life better than he? Personally, I’m grateful for this up close and intimate kind of story telling. From his point of view, this biography feels like reminiscing over drinks by a cozy fire, basking in memories of someone we all once loved very much. I don’t need him to cite sources. He’s both her son and the person to whom Audrey entrusted her legacy; I believe him, and I think she would love how he has remembered her in these pages.
Listening to it, I was struck all over again by the profound sadness in Audrey’s life, as well as her incredible resilience in the face of it. A specific bit I’ll be carrying with me forever now is this. During the Nazi occupation, Audrey delivered messages for the Dutch Resistance and also danced at secret underground fundraisers to support their cause — that’s been pretty well documented before. But in Ferrer’s telling, he includes Audrey’s descriptions of those performances, including that people couldn’t applaud because of the noise, so instead they “smiled in the dark”. That phrase was sort of a mantra for her, a reminder to find joy even when it was difficult. I think it’s so beautiful. I hope I’ll always remember to smile in the dark, and I know I’ll think of Audrey when I do.
July 25, 2026
Dieses Buch war ein Spontankauf in einer Buchhandlung. Audrey Hepburn war mir bekannt aus ihren beiden Kultfilmen "Ein Herz und eine Krone", der 1953 in schwarz-weiss in Rom gedreht wurde und "Frühstück bei Tiffany" von 1961. Ansonsten wusste ich nicht viel über die Schauspielerin. Fasziniert hat sie mich aber durch ihre Offenheit und Ehrlichkeit und vor allem durch ihre Unpreziosität schon immer! Die vorliegende Biografie ist von ihrem älteren Sohn Sean geschrieben. Er erzählt das Leben seiner Mutter (natürlich) mit einer Verliebtheit ihr gegenüber, trotzdem werden die dunklen Momente in ihrem Leben nicht ausgeklammert. Audrey wurde 1929 in Brüssel geboren, lebte als Kind dann in den Niederlanden und England (im Internat), auch den Krieg erlebte sie in den Niederlanden in erschütternder Weise. Nach dem Krieg wurde sie dann ein weltbekannter Filmstar. Trotzdem blieb sie immer mit beiden Füßen auf dem Boden. Sie hatte mehrere längere Beziehungen, mehrere Fehlgeburten, zwei Söhne auf die Welt gebracht, und lebte lange in der Schweiz am Genfer See. In den letzten Jahren ihres Lebens widmete sie sich als UNICEF-Botschafterin der Kinderarmut und reiste ununterbrochen durch Afrika, u.a. nach Somalia, in einer Zeit, wo es höchst lebensgefährlich war, dort hinzugehen. Sie ging dorthin, wo es wehtat, kümmerte sich rührend um die Kinder und setzte ihren Namen ein, um vermehrt helfen zu können - was ihr auch gelang. Das letzte Kapitel, in dem ihre Krebserkrankung und ihre damit verbundenen letzten Monate thematisiert werden,.inklusive der Abschiede von ihren Freunden, ist dann schwer zu ertragen. Sie starb erst 63-jährig. Eine großartige, tolle Frau, die das Herz am rechten Fleck hatte und sich für nichts zu schade war. Chapeau!
August 9, 2026
Finished Intimate Audrey: An Authorized Biography by Sean Hepburn Ferrer & Wendy Holden published in 2026. This moving biography describes the hardships Audrey Hepburn experience in WW2 Holland. She assisted the Resistance, watched Jewish friends imprisoned and other Dutch citizens rounded up by the Gestapo and nearly died of starvation in the winter of 1944-45 when the Germans starved Holland for a national railroad strike. Audrey came close to death from hunger. Later as her acting career took off, Otto Frank, father of Ann Frank approached her to star in the movie The Diary of Ann Frank. Audrey who was the same age as Ann declined the role as it would have brought back hellacious memories. She was a brilliant actress of legendary films. She was a dancer, She supported humanitarian cause her whole life and became a UN Advocate for children visiting some of the poorest countries in the world. Her last trip to Somalia while he was suffering health issues likely shortened her life. An amazing human being. Her son wrote this book with Wendy Holden in tribute and he did well.
Did Not Finish
June 21, 2026I didn’t expect to rate this book so low, but it didn’t work for me. The main issue was how repetitive it felt and how narrowly focused it was on the same themes throughout.
The book is heavily centred on Audrey Hepburn’s charity work and her experiences during the war. While those are obviously important parts of her life, they dominate so much of the book. Each time I turned the page, it felt like I was coming back to the same topics again and again, rather than discovering new aspects of her life.
I also did not enjoy the conversation sections.
Should have been one chapter focused on charity, then the next with another focus.
Inside were repeated mentions of charity and wartime experiences.
Overall, it felt less like a balanced portrait of her life and more like a structured focus on a few key themes. By the end, the repetition made it feel quite heavy and a bit draining to read.
I started move around the book flicking onto other pages further in. And it was getting to the point where I thought I can’t keep on going over the same thing.
Was too messy of a book. To put it simply.
The book is heavily centred on Audrey Hepburn’s charity work and her experiences during the war. While those are obviously important parts of her life, they dominate so much of the book. Each time I turned the page, it felt like I was coming back to the same topics again and again, rather than discovering new aspects of her life.
I also did not enjoy the conversation sections.
Should have been one chapter focused on charity, then the next with another focus.
Inside were repeated mentions of charity and wartime experiences.
Overall, it felt less like a balanced portrait of her life and more like a structured focus on a few key themes. By the end, the repetition made it feel quite heavy and a bit draining to read.
I started move around the book flicking onto other pages further in. And it was getting to the point where I thought I can’t keep on going over the same thing.
Was too messy of a book. To put it simply.
June 22, 2026
What a beautiful and fascinating book about Audrey Hepburn and her life. I admired her for years, until she passed away. This was written by her oldest son and another woman. I truly enjoyed learning about her life.
She had some very sad times, but she was such a loving and caring person who dealt with things and kept going.
She had some very sad times, but she was such a loving and caring person who dealt with things and kept going.
July 14, 2026
Thank you to an amazing friend, Liz, for gifting me this book! Knowing my love of the iconic Audrey Hepburn, this was an amazing and very special gift! I cried so many times in this book, tears of pain for her youth, tears of joy when she had joy, and even more tears through the last few chapters…of the book and of her life! Ms. Hepburn lived an extraordinary life and brought so much happiness to those who knew her and those who knew of her. Thank you again, Liz, for this precious story!!!
May 19, 2026
I have always liked Audrey Hepburn, so had interest in this book, recently reviewed in the WSJ. It was just ok, not much new. The author, Sean Ferrer, clearly loved and admired his mother.
May 27, 2026
Three stars because it’s about Audrey Hepburn, but this wasn’t the best book about her I’ve read.
July 9, 2026
2 1/2 tähteä
August 1, 2026
Love the subject, hate the writing.
April 23, 2026
When you have a love for Audrey like I do with a tattoo of her on your arm you have to read this book! It was wonderful to read the stories that Sean tells of his mother and the life that she had away from the camera. It just makes you love her more.
May 1, 2026
Intimate Audrey: An Authorized Biography arrives with a built-in distinction: it is not just another account of Audrey Hepburn’s life, but the first fully authorized biography written in large part through the voice and memories of her eldest son, Sean Hepburn Ferrer. Co-written with biographer Wendy Holden, the book positions itself as both a corrective to decades of mythmaking and an intimate family portrait. The result is a work that is at once revealing, affectionate, and—at times—unavoidably partial.
At its core, Intimate Audrey follows a largely chronological structure, tracing Hepburn’s life from her aristocratic but fractured childhood through wartime trauma, Hollywood stardom, and eventual humanitarian work. This linear approach is familiar territory for celebrity biographies, but what distinguishes this book is its narrative lens. Ferrer’s presence is constant—not intrusive, but shaping. His recollections, anecdotes, and emotional interpretations give the biography a lived-in texture that many third-party accounts lack. This is less a detached historical study and more a curated memory archive, one that prioritizes emotional truth over critical distance.
The book devotes significant attention to Hepburn’s early years, particularly her childhood in Nazi-occupied Holland during World War II. These chapters are among the most compelling. They detail her experiences of deprivation, fear, and resilience, including her exposure to famine during the Dutch Hunger Winter. Hepburn’s survival—subsisting on meager, often inedible food substitutes—becomes a foundational narrative for understanding her later life. The biography emphasizes how these experiences shaped her empathy and ultimately informed her work with UNICEF decades later.
What stands out particularly—and what you noted as especially interesting—is the book’s treatment of Hepburn’s eerie parallel to Anne Frank. Both born in 1929, both growing up under Nazi occupation, their lives diverged in ways that feel almost arbitrary and haunting. The biography underscores Hepburn’s lifelong identification with Anne Frank, even noting that she declined to portray her on screen because the connection felt too personal. This thread adds a layer of historical poignancy that elevates the biography beyond standard celebrity fare. It situates Hepburn not just as a survivor, but as a kind of living counterfactual—someone who escaped a fate that claimed millions.
From there, the book transitions into Hepburn’s thwarted ambitions as a ballet dancer, another formative disappointment tied directly to her wartime malnutrition. This loss is handled with sensitivity, framed not as failure but as redirection. Her eventual rise in film—through roles in Roman Holiday, Breakfast at Tiffany’s, and beyond—is covered efficiently, though arguably less vividly than the earlier sections. This is one of the book’s subtle imbalances: Ferrer seems more invested in exploring the private and formative Audrey than the global icon. While this choice reinforces the book’s “intimate” promise, it may leave some readers wanting a deeper critical engagement with her artistic career.
Family life forms another major thematic strand. Ferrer portrays Hepburn as a devoted, sometimes anxious mother, shaped by her own childhood instability—particularly her father’s abandonment. These sections are deeply personal, often drawing on letters and family memories. They are also where the book’s unique perspective is most evident. Few biographies can claim such proximity to their subject, and fewer still lean into it so fully. However, this closeness comes at a cost: the portrayal occasionally veers toward idealization. Critics have noted a certain “lopsidedness” in the narrative, with flaws acknowledged but rarely interrogated.
The later chapters shift focus to Hepburn’s humanitarian work, arguably the emotional culmination of the biography. Her role as a UNICEF ambassador is framed as a direct extension of her wartime experiences—an attempt to alleviate the kind of suffering she once endured. These sections are moving, though again filtered through Ferrer’s reverence. The book suggests that her compassion was not simply innate but forged through hardship, reinforcing its central thesis: that Hepburn’s grace was hard-won rather than effortless.
In the broader landscape of Hepburn biographies—of which there are hundreds—Intimate Audrey distinguishes itself through authorship and intent. It is explicitly positioned as “the” authorized account, and its reliance on Ferrer’s memories, letters, and personal archives gives it a level of access unmatched by previous works.
This makes it invaluable as a primary-source-adjacent text, even if it lacks the critical detachment of more traditional biographies. It is, in essence, both a biography and a son’s tribute.
Your emphasis on the wartime material is well placed, as these sections are where the book feels most urgent and original. The depiction of hunger, fear, and survival during the Hunger Winter is not just historically informative—it is emotionally anchoring. Likewise, the parallels to Anne Frank introduce a haunting dimension that lingers long after those chapters end. These elements ground the narrative, preventing it from drifting into mere celebration of celebrity.
Ultimately, Intimate Audrey is best understood not as a definitive, objective account, but as a deeply personal one. Its strengths lie in its intimacy, its access, and its emotional clarity. Its limitations stem from the same source. Ferrer’s love for his mother is evident on every page, and while that love occasionally softens the edges of the story, it also gives the book its unique voice. For readers interested in understanding not just who Audrey Hepburn was, but how she was experienced by those closest to her, this biography offers something genuinely distinctive.
At its core, Intimate Audrey follows a largely chronological structure, tracing Hepburn’s life from her aristocratic but fractured childhood through wartime trauma, Hollywood stardom, and eventual humanitarian work. This linear approach is familiar territory for celebrity biographies, but what distinguishes this book is its narrative lens. Ferrer’s presence is constant—not intrusive, but shaping. His recollections, anecdotes, and emotional interpretations give the biography a lived-in texture that many third-party accounts lack. This is less a detached historical study and more a curated memory archive, one that prioritizes emotional truth over critical distance.
The book devotes significant attention to Hepburn’s early years, particularly her childhood in Nazi-occupied Holland during World War II. These chapters are among the most compelling. They detail her experiences of deprivation, fear, and resilience, including her exposure to famine during the Dutch Hunger Winter. Hepburn’s survival—subsisting on meager, often inedible food substitutes—becomes a foundational narrative for understanding her later life. The biography emphasizes how these experiences shaped her empathy and ultimately informed her work with UNICEF decades later.
What stands out particularly—and what you noted as especially interesting—is the book’s treatment of Hepburn’s eerie parallel to Anne Frank. Both born in 1929, both growing up under Nazi occupation, their lives diverged in ways that feel almost arbitrary and haunting. The biography underscores Hepburn’s lifelong identification with Anne Frank, even noting that she declined to portray her on screen because the connection felt too personal. This thread adds a layer of historical poignancy that elevates the biography beyond standard celebrity fare. It situates Hepburn not just as a survivor, but as a kind of living counterfactual—someone who escaped a fate that claimed millions.
From there, the book transitions into Hepburn’s thwarted ambitions as a ballet dancer, another formative disappointment tied directly to her wartime malnutrition. This loss is handled with sensitivity, framed not as failure but as redirection. Her eventual rise in film—through roles in Roman Holiday, Breakfast at Tiffany’s, and beyond—is covered efficiently, though arguably less vividly than the earlier sections. This is one of the book’s subtle imbalances: Ferrer seems more invested in exploring the private and formative Audrey than the global icon. While this choice reinforces the book’s “intimate” promise, it may leave some readers wanting a deeper critical engagement with her artistic career.
Family life forms another major thematic strand. Ferrer portrays Hepburn as a devoted, sometimes anxious mother, shaped by her own childhood instability—particularly her father’s abandonment. These sections are deeply personal, often drawing on letters and family memories. They are also where the book’s unique perspective is most evident. Few biographies can claim such proximity to their subject, and fewer still lean into it so fully. However, this closeness comes at a cost: the portrayal occasionally veers toward idealization. Critics have noted a certain “lopsidedness” in the narrative, with flaws acknowledged but rarely interrogated.
The later chapters shift focus to Hepburn’s humanitarian work, arguably the emotional culmination of the biography. Her role as a UNICEF ambassador is framed as a direct extension of her wartime experiences—an attempt to alleviate the kind of suffering she once endured. These sections are moving, though again filtered through Ferrer’s reverence. The book suggests that her compassion was not simply innate but forged through hardship, reinforcing its central thesis: that Hepburn’s grace was hard-won rather than effortless.
In the broader landscape of Hepburn biographies—of which there are hundreds—Intimate Audrey distinguishes itself through authorship and intent. It is explicitly positioned as “the” authorized account, and its reliance on Ferrer’s memories, letters, and personal archives gives it a level of access unmatched by previous works.
This makes it invaluable as a primary-source-adjacent text, even if it lacks the critical detachment of more traditional biographies. It is, in essence, both a biography and a son’s tribute.
Your emphasis on the wartime material is well placed, as these sections are where the book feels most urgent and original. The depiction of hunger, fear, and survival during the Hunger Winter is not just historically informative—it is emotionally anchoring. Likewise, the parallels to Anne Frank introduce a haunting dimension that lingers long after those chapters end. These elements ground the narrative, preventing it from drifting into mere celebration of celebrity.
Ultimately, Intimate Audrey is best understood not as a definitive, objective account, but as a deeply personal one. Its strengths lie in its intimacy, its access, and its emotional clarity. Its limitations stem from the same source. Ferrer’s love for his mother is evident on every page, and while that love occasionally softens the edges of the story, it also gives the book its unique voice. For readers interested in understanding not just who Audrey Hepburn was, but how she was experienced by those closest to her, this biography offers something genuinely distinctive.
May 4, 2026
As a lifelong Audrey Hepburn fan, I’m always interested in new books about her—especially those that promise fresh insight. Unfortunately, Intimate Audrey is a frustrating and, at times, baffling read.
The book is an uneasy blend of biography, memoir, and screenplay. By trying to do all three, it never fully succeeds at any of them. The structure feels unfocused, and the constant shifting in form creates a disjointed portrait that never quite settles on what it wants to be.
Each chapter opens with a screenplay written by her son, Sean Hepburn Ferrer. These sections feel particularly underdeveloped—more like an early draft than something ready to be shared publicly. The dialogue is almost entirely expositional, with little subtext, minimal character development, and no real sense of tension or stakes. Characters tend to say exactly what they feel, which flattens the drama rather than building it. It’s difficult to understand what each character wants in any given moment, and the result is writing that feels more stated than lived.
In the biographical portions, the decision to write in the first person is also problematic. That approach can work in a memoir—but this book is presented as a definitive biography. The result is a narrative that feels highly subjective, with the author’s personal perspective frequently overshadowing the subject. At times, the focus shifts away from Audrey and toward Sean’s own experience of her, raising the question of whether this is truly her story or his.
There are also notable omissions that are difficult to ignore. Audrey Hepburn’s film career—arguably the foundation of her global recognition—receives surprisingly limited attention. Major films and significant periods of her professional life are either glossed over or absent altogether, leaving gaps in what is presented as a comprehensive portrait.
The portrayal of people in Audrey’s life also lacks balance and, at times, sensitivity. Key figures are either minimized or absent altogether. Her other son, Luca Dotti, is barely present, and close, long-standing friends such as Doris Brynner are largely overlooked. At the same time, certain individuals are described in ways that feel reductive or dismissive. In one instance, Robert Wolders—Audrey’s partner in her later years—is characterized in a way that diminishes his role in her life. Given how deeply Audrey valued her relationships, this kind of portrayal is jarring.
More broadly, there is a noticeable departure from the discretion Audrey herself was known for. The book includes deeply personal and painful episodes from her life—such as her struggles following her second divorce, including an overdose, and serious new claims about her relationship with Mel Ferrer, including allegations that he contributed to repeated miscarriages. These are significant and sensitive subjects, and while Sean states that he chose to share them in the hope of helping other women, they are not presented with the level of care or context that such material demands.
Instead, they come across as stark, “shocking” revelations, and their prominence in the book’s promotion only reinforces that impression. As a reader, this was uncomfortable. It felt less like an effort to offer meaningful insight and more like an exposure of Audrey’s most vulnerable moments in a way that feels fundamentally at odds with the privacy she valued so deeply.
The narrative also repeatedly positions the author as Audrey’s “best friend,” a framing that begins to feel overstated over time. Rather than deepening the reader’s understanding of Audrey, it further shifts the focus toward the author’s relationship with her, reinforcing the sense that this is a highly personal interpretation rather than a balanced portrait.
More concerning, however, is the handling of sourcing throughout the book. There is no meaningful system of citation—no clear references for quotes, claims, or even broader factual material. This is not limited to a few isolated instances; it applies across the book. Statements, anecdotes, and details are presented without any indication of where they originate, leaving the reader with no way to verify them or explore them further.
This becomes especially problematic when it comes to quotes. In some cases, they are clearly misattributed. For example, the line “You must bend a little or you’ll break. You must have patience with yourself…” is presented as Audrey’s words, but originates from The Nun’s Story. Another oft-circulated quote included in the book—“Nothing is impossible. The word itself says ‘I’m possible’”—has never been verified in any of Audrey’s interviews and is widely regarded as a misattribution.
For a book positioned as an intimate and authoritative portrait—written by her own son—this absence of basic sourcing is particularly surprising. It raises broader concerns about accuracy and reliability throughout.
In the end, Intimate Audrey feels less like a carefully researched biography and more like a loosely assembled, highly personal interpretation. Readers looking for a well-structured and credible account of Audrey Hepburn’s life would be far better served by Barry Paris’s biography, or Robert Matzen’s Dutch Girl, which offers an especially detailed and well-documented look at her wartime years.
This book had the potential to offer something truly unique. Instead, its lack of focus, uneven execution, and questionable sourcing make it difficult to recommend. It has not earned a place on my shelf.
The book is an uneasy blend of biography, memoir, and screenplay. By trying to do all three, it never fully succeeds at any of them. The structure feels unfocused, and the constant shifting in form creates a disjointed portrait that never quite settles on what it wants to be.
Each chapter opens with a screenplay written by her son, Sean Hepburn Ferrer. These sections feel particularly underdeveloped—more like an early draft than something ready to be shared publicly. The dialogue is almost entirely expositional, with little subtext, minimal character development, and no real sense of tension or stakes. Characters tend to say exactly what they feel, which flattens the drama rather than building it. It’s difficult to understand what each character wants in any given moment, and the result is writing that feels more stated than lived.
In the biographical portions, the decision to write in the first person is also problematic. That approach can work in a memoir—but this book is presented as a definitive biography. The result is a narrative that feels highly subjective, with the author’s personal perspective frequently overshadowing the subject. At times, the focus shifts away from Audrey and toward Sean’s own experience of her, raising the question of whether this is truly her story or his.
There are also notable omissions that are difficult to ignore. Audrey Hepburn’s film career—arguably the foundation of her global recognition—receives surprisingly limited attention. Major films and significant periods of her professional life are either glossed over or absent altogether, leaving gaps in what is presented as a comprehensive portrait.
The portrayal of people in Audrey’s life also lacks balance and, at times, sensitivity. Key figures are either minimized or absent altogether. Her other son, Luca Dotti, is barely present, and close, long-standing friends such as Doris Brynner are largely overlooked. At the same time, certain individuals are described in ways that feel reductive or dismissive. In one instance, Robert Wolders—Audrey’s partner in her later years—is characterized in a way that diminishes his role in her life. Given how deeply Audrey valued her relationships, this kind of portrayal is jarring.
More broadly, there is a noticeable departure from the discretion Audrey herself was known for. The book includes deeply personal and painful episodes from her life—such as her struggles following her second divorce, including an overdose, and serious new claims about her relationship with Mel Ferrer, including allegations that he contributed to repeated miscarriages. These are significant and sensitive subjects, and while Sean states that he chose to share them in the hope of helping other women, they are not presented with the level of care or context that such material demands.
Instead, they come across as stark, “shocking” revelations, and their prominence in the book’s promotion only reinforces that impression. As a reader, this was uncomfortable. It felt less like an effort to offer meaningful insight and more like an exposure of Audrey’s most vulnerable moments in a way that feels fundamentally at odds with the privacy she valued so deeply.
The narrative also repeatedly positions the author as Audrey’s “best friend,” a framing that begins to feel overstated over time. Rather than deepening the reader’s understanding of Audrey, it further shifts the focus toward the author’s relationship with her, reinforcing the sense that this is a highly personal interpretation rather than a balanced portrait.
More concerning, however, is the handling of sourcing throughout the book. There is no meaningful system of citation—no clear references for quotes, claims, or even broader factual material. This is not limited to a few isolated instances; it applies across the book. Statements, anecdotes, and details are presented without any indication of where they originate, leaving the reader with no way to verify them or explore them further.
This becomes especially problematic when it comes to quotes. In some cases, they are clearly misattributed. For example, the line “You must bend a little or you’ll break. You must have patience with yourself…” is presented as Audrey’s words, but originates from The Nun’s Story. Another oft-circulated quote included in the book—“Nothing is impossible. The word itself says ‘I’m possible’”—has never been verified in any of Audrey’s interviews and is widely regarded as a misattribution.
For a book positioned as an intimate and authoritative portrait—written by her own son—this absence of basic sourcing is particularly surprising. It raises broader concerns about accuracy and reliability throughout.
In the end, Intimate Audrey feels less like a carefully researched biography and more like a loosely assembled, highly personal interpretation. Readers looking for a well-structured and credible account of Audrey Hepburn’s life would be far better served by Barry Paris’s biography, or Robert Matzen’s Dutch Girl, which offers an especially detailed and well-documented look at her wartime years.
This book had the potential to offer something truly unique. Instead, its lack of focus, uneven execution, and questionable sourcing make it difficult to recommend. It has not earned a place on my shelf.
Read
August 17, 2026One of the most recognizable actresses in the world, some would say was Audrey Hepburn. With her signature style and classic looks, she was an actress one wanted to emulate, She stood out in her acting style, and in her fashion style, certainly becoming larger than life in many ways. Now with the book INTIMATE AUDREY AN AUTHORIZED BIOGRAPHY, we get to see an even more personal view of her through the eyes of her son Sean, from her marriage to Mel Ferrer.
Audrey may have passed more than three decades ago, but her legacy of love and respect for the human condition, and those around the world who were suffering, live on. Sean has written the book with Wendy Holden who was has written several other celebrity memoirs, giving the book an even more revealing look at this amazing humanitarian and actress. But her life has been rather difficult at times, and behind the glamour there has been pain, suffering, and life and death situations. She was barely six years old when her father deserted her and her mother, making them fend for themselves. Then it was during the war years that she found herself in life or death situations. The Nazis were trying to starve people to death, Audrey coming perilously close to dying from being malnourished.
At one time she envisioned becoming a prima ballerina, but over time as life changed, she set her sights on other avenues to showcase her talents. Acting seemed always in her blood and it was not long before her talents were seen and appreciated on screen, and the world of Hollywood certainly took notice of her. Roman Holiday with Gregory Peck in 1953 gave her an Academy Award, Golden Globe, and BAFTA Award, making her the new darling of the silver screen. Other films of note were Sabrina, The Nun’s Story, Breakfast At Tiffany’s, and Charade. She also starred in Wait Until Dark, playing a blind woman. She refused to wear glasses for that role, and lived in an institute for the blind for weeks, to help perfect that role.
The men in her life were plentiful. Mel Ferrer was a perfectionist. She had many miscarriages until Sean Ferrer was born, but the marriage to his father was going through the motions. But Audrey will also be remembered for her relentless humanitarian work for UNICEF, visiting the Sudan, Ethiopia, and other regions to draw attention to the living conditions. She was paid $1 per year for her UNICEF work, spending her money to arrive there, and help spread the word to the world of the suffering.
Audrey Hepburn will always be remembered for her acting, gentle spirit, and role model, and her son has done a good job of showing other sides and complexities that ruled the world and life of his late mother.
Audrey may have passed more than three decades ago, but her legacy of love and respect for the human condition, and those around the world who were suffering, live on. Sean has written the book with Wendy Holden who was has written several other celebrity memoirs, giving the book an even more revealing look at this amazing humanitarian and actress. But her life has been rather difficult at times, and behind the glamour there has been pain, suffering, and life and death situations. She was barely six years old when her father deserted her and her mother, making them fend for themselves. Then it was during the war years that she found herself in life or death situations. The Nazis were trying to starve people to death, Audrey coming perilously close to dying from being malnourished.
At one time she envisioned becoming a prima ballerina, but over time as life changed, she set her sights on other avenues to showcase her talents. Acting seemed always in her blood and it was not long before her talents were seen and appreciated on screen, and the world of Hollywood certainly took notice of her. Roman Holiday with Gregory Peck in 1953 gave her an Academy Award, Golden Globe, and BAFTA Award, making her the new darling of the silver screen. Other films of note were Sabrina, The Nun’s Story, Breakfast At Tiffany’s, and Charade. She also starred in Wait Until Dark, playing a blind woman. She refused to wear glasses for that role, and lived in an institute for the blind for weeks, to help perfect that role.
The men in her life were plentiful. Mel Ferrer was a perfectionist. She had many miscarriages until Sean Ferrer was born, but the marriage to his father was going through the motions. But Audrey will also be remembered for her relentless humanitarian work for UNICEF, visiting the Sudan, Ethiopia, and other regions to draw attention to the living conditions. She was paid $1 per year for her UNICEF work, spending her money to arrive there, and help spread the word to the world of the suffering.
Audrey Hepburn will always be remembered for her acting, gentle spirit, and role model, and her son has done a good job of showing other sides and complexities that ruled the world and life of his late mother.
April 18, 2026
A Heartfelt and Moving Portrayal
Audrey Hepburn’s elder son, Sean Ferrer, has teamed with journalist and author Wendy Holden to pen a heartfelt and moving portrait of film icon Audrey Hepburn.
This biography centers on Hepburn’s personal life and the forces that shaped her character and worldview. In Ferrer’s telling, Hepburn was shaped by a traumatic upbringing, deeply shaken by her parents’ divorce, her father’s abandonment and her mother’s cold perfectionism (”You’re not that interesting.” “Put others first.”) What little security Hepburn gleaned from her passion for ballet and several years in a small English village was uprooted by her return to her mother’s native Holland and years of privation under Nazi occupation.
Despite her beauty, skyrocketing career and the adoration of millions, Hepburn never outgrew her upbringing. Her father’s defection and mother’s criticisms left her starved for affection and security, distrustful of her worth, perennially anxious and determined to please others unconditionally. These traits served Hepburn well in her career— she was a dedicated and professional actress whole put the needs of the production first — but led her to linger too long in unfulfilling marriages.
Hepburn was also shaped by the trauma of war. Her experiences in World War II Holland ignited her passion to protect children affected by conflict, leading to a effective career as a global UNICEF ambassador.
This biography reveals Audrey Hepburn as a woman of uncommon intelligence, conviction and principle who leveraged her stardom in service to important humanitarian work.
Audrey Hepburn’s elder son, Sean Ferrer, has teamed with journalist and author Wendy Holden to pen a heartfelt and moving portrait of film icon Audrey Hepburn.
This biography centers on Hepburn’s personal life and the forces that shaped her character and worldview. In Ferrer’s telling, Hepburn was shaped by a traumatic upbringing, deeply shaken by her parents’ divorce, her father’s abandonment and her mother’s cold perfectionism (”You’re not that interesting.” “Put others first.”) What little security Hepburn gleaned from her passion for ballet and several years in a small English village was uprooted by her return to her mother’s native Holland and years of privation under Nazi occupation.
Despite her beauty, skyrocketing career and the adoration of millions, Hepburn never outgrew her upbringing. Her father’s defection and mother’s criticisms left her starved for affection and security, distrustful of her worth, perennially anxious and determined to please others unconditionally. These traits served Hepburn well in her career— she was a dedicated and professional actress whole put the needs of the production first — but led her to linger too long in unfulfilling marriages.
Hepburn was also shaped by the trauma of war. Her experiences in World War II Holland ignited her passion to protect children affected by conflict, leading to a effective career as a global UNICEF ambassador.
This biography reveals Audrey Hepburn as a woman of uncommon intelligence, conviction and principle who leveraged her stardom in service to important humanitarian work.
May 30, 2026
This is the antidote to the “Mommy Dearest” genre. Sean Hepburn Ferrer clearly loves and admires his mother. He honors her with this book.
The book begins with Audrey working on behalf of UNICEF and essentially ends with another UNICEF tour (after this is the final illness and her passing).
There are three main themes: her childhood which shaped her life, her diligence/perfectionism in her career and her quest for a stable family life.
The childhood destined her to a life of insecurity through her father’s leaving the family and how she and her mother hid from the Nazi campaign in Holland for 5 years, nearly dying from hunger and cold.
The book is chronological with a narrative punctuated by short dialogs. The dialogs not only tell the story, but add color to it. All of them are excellent and creative, but for the last which reads like a common interview.
This author/son shows his mother's harrowing war experiences followed by a taxing schedule of work and family. He sees his mother as a shy woman who loves working with people and getting her roles just right. For her, even when she has reservations, it is hard for her to say no to a script. Having the family she envisioned was stymied by her career, her difficulty in bearing children and her two difficult husbands.
While the parts on her mean circumstances during WWII were tough to read (content wise) they were well written and page turning. The career parts, for me, were movie after movie with sketches of her role and those with whom she worked. The writing was reportorial, and only in a few cases was the material page turning. The highlights in the career part for me were the how Anne Frank’s father encouraged her to play his daughter in the film version of her diary and the filming of "The Nun's Story".
Since this is written in the first person, sometimes you have to think when he writes “mother” (is it his mother or his mother’s mother) and when he writes “father” (it could be his stepfather). His first person account of his own birth is endearing.
There are a good number of color photos. No index. There are no notes, but most of the content here is primary source material.
In summary, this is a son’s tribute to his mother and of value for its primary source material.
The book begins with Audrey working on behalf of UNICEF and essentially ends with another UNICEF tour (after this is the final illness and her passing).
There are three main themes: her childhood which shaped her life, her diligence/perfectionism in her career and her quest for a stable family life.
The childhood destined her to a life of insecurity through her father’s leaving the family and how she and her mother hid from the Nazi campaign in Holland for 5 years, nearly dying from hunger and cold.
The book is chronological with a narrative punctuated by short dialogs. The dialogs not only tell the story, but add color to it. All of them are excellent and creative, but for the last which reads like a common interview.
This author/son shows his mother's harrowing war experiences followed by a taxing schedule of work and family. He sees his mother as a shy woman who loves working with people and getting her roles just right. For her, even when she has reservations, it is hard for her to say no to a script. Having the family she envisioned was stymied by her career, her difficulty in bearing children and her two difficult husbands.
While the parts on her mean circumstances during WWII were tough to read (content wise) they were well written and page turning. The career parts, for me, were movie after movie with sketches of her role and those with whom she worked. The writing was reportorial, and only in a few cases was the material page turning. The highlights in the career part for me were the how Anne Frank’s father encouraged her to play his daughter in the film version of her diary and the filming of "The Nun's Story".
Since this is written in the first person, sometimes you have to think when he writes “mother” (is it his mother or his mother’s mother) and when he writes “father” (it could be his stepfather). His first person account of his own birth is endearing.
There are a good number of color photos. No index. There are no notes, but most of the content here is primary source material.
In summary, this is a son’s tribute to his mother and of value for its primary source material.
July 12, 2026
Beautifully written account of a person whose humane and civilised approach to life and death was, and should continue to be, an inspiration to all.
The narrative is immersive and balanced in its accounts by the person (her eldest son) who knew her better than anyone. It is not just a factual exercise but one which brings her presence truly alive. She may be best known as an actress but that was just a quarter of her life. There is so, so much more.
The overriding message throughout is one of gratitude and hope even if her most influential experiences were the horrific occupation of Holland by the Nazis during WW2 and then the fate of children during famine in Somalia whilst she was working for UNICEF during her final years.
Of all the many anecdotes, the author raises Steven Spielberg's own "hidden" tribute to his mother. As a girl, she witnessed another girl in a red coat being caught and taken away by the Nazis soldiers, a traumatic incident which lived with her all her days, and which she mentioned to Spielberg during her last film. Spielberg later used that image to devastating effect in the black and white Schindler's List to make a point which no one who has seen that film will ever forget.
The narrative is immersive and balanced in its accounts by the person (her eldest son) who knew her better than anyone. It is not just a factual exercise but one which brings her presence truly alive. She may be best known as an actress but that was just a quarter of her life. There is so, so much more.
The overriding message throughout is one of gratitude and hope even if her most influential experiences were the horrific occupation of Holland by the Nazis during WW2 and then the fate of children during famine in Somalia whilst she was working for UNICEF during her final years.
Of all the many anecdotes, the author raises Steven Spielberg's own "hidden" tribute to his mother. As a girl, she witnessed another girl in a red coat being caught and taken away by the Nazis soldiers, a traumatic incident which lived with her all her days, and which she mentioned to Spielberg during her last film. Spielberg later used that image to devastating effect in the black and white Schindler's List to make a point which no one who has seen that film will ever forget.
July 23, 2026
Een mooie en ontroerende biografie over het leven van Audrey Hepburn maar bovenal een ode aan de liefde: moederliefde, vriendschap, familiebanden, naastenliefde, die voor haar het belangrijkste was.
Wat me het meeste raakte doorheen het boek is de liefde van zoon Sean voor zijn iconische mama, een liefde die je op elke pagina voelt en die ervoor zorgt dat Audrey terug tot leven komt en haar betovering door het boek verder leeft.
“I came to realize that my mother was a lioness, although she wasn’t born that way. A strange mix of resilience and vulnerability, she was soft and strong at the same time and had the gentlest of hearts.”
“(…) she said (…) “I came out of the war thankful to be alive, aware that human relationships are the most important thing of all””
“Her final chapter brought her full circle, back to a different kind of hunger—the hunger of the soul for more humanity and greater kindness. Her legacy is timeless.”
“(…) she had the ability to make you feel like the most special person in the room. She singled people out and saw their beauty, what they have to offer to the world. She loved.”
Wat me het meeste raakte doorheen het boek is de liefde van zoon Sean voor zijn iconische mama, een liefde die je op elke pagina voelt en die ervoor zorgt dat Audrey terug tot leven komt en haar betovering door het boek verder leeft.
“I came to realize that my mother was a lioness, although she wasn’t born that way. A strange mix of resilience and vulnerability, she was soft and strong at the same time and had the gentlest of hearts.”
“(…) she said (…) “I came out of the war thankful to be alive, aware that human relationships are the most important thing of all””
“Her final chapter brought her full circle, back to a different kind of hunger—the hunger of the soul for more humanity and greater kindness. Her legacy is timeless.”
“(…) she had the ability to make you feel like the most special person in the room. She singled people out and saw their beauty, what they have to offer to the world. She loved.”
Displaying 1 - 30 of 61 reviews