Nearly two decades into his theatrical career, Paul Susi is cast as Chee Gong, a Chinese immigrant executed in 1889 for a crime he did not commit and buried in an unmarked grave in Susi’s hometown of Portland, Oregon. This role sets off a meditation on cultural erasure and how the act of “forgetting” can be both a survival mechanism and a trap. But the heart of Character Work takes place offstage: Susi has spent many years managing shelters for unhoused people, and out of that work grew his mutual aid project, PDX ID Assistance, a radical effort that literally gives people back their identities. His book is at once a memoir, a manifesto, and a startlingly honest account of what compassion can look like.
I can't stop talking about Paul Susi and this book. I'm excited to hear Paul and Laura Moulton at Broadway Books later this month. Just read it. You'll understand.
“I’ve learned that the most important question that I have to answer for myself, every day, in all of the things I’m doing, is: Do I observe, or do I intervene?”
A friend invited me to go to a reading of this book at Powell’s. I had heard a little bit about the Portland ID Project but knew very little. Susi’s reading and q+a was one of the best I’ve ever attended. The book lived up to the evening.
I’m very glad I read this book. The author writes a raw honest story of himself and his work on the streets of Portland. He tells of his love of theater and how it informs not only his work but his engagement with the larger community of Portland. I’m so glad I read it.
Profound and approachable read about what it all means: art, injustice, mortality, racism, classicism, fascism, family, mental health…I could go on. Despite the heavy topics, joy and love are as present as rage and grief.
A remarkable memoir/social commentary - one person’s journey to bring theater to the incarcerated, identification to the invisible, and voice to the voiceless. A book every person should read, especially those who complain about homeless campers on our streets.