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Sie: Szenen des Unbehagens. Mit einem Nachwort von Eva Menasse
Die Wiederentdeckung eines beunruhigenden Dieser lange verschollene Roman von 1977 erzählt von einer Gesellschaft, in der jede Kunst von einer anonymen Masse gewaltsam verhindert wird.
An der englischen Küste in einer nahen, unbestimmten ein toter Hund, ein verschwundenes Buch, ein paar flüchtige Spuren, so fängt es an. Dann räumen SIE die Galerien und schließen die Museen. SIE wollen keine Freiheit des Einzelnen, SIE wollen keine Kunst. SIE zeigen sich selten und doch sind SIE scheinbar überall. Wer es noch wagt, zu malen, zu singen oder zu schreiben, den bringen SIE zum Schweigen. Doch eine kleine Gruppe von Menschen kann und will nicht anders, als weiter kreativ zu sein – was IHNEN nicht verborgen bleibt.
"Ein gespenstisch hellsichtiger Text, in dem ein anonymer Mob Kunstschaffende attackiert und deren Werke zerstört. Das vermeintliche eine individuelle künstlerische Vision. Abgründig und erschreckend!" Margaret Atwood
An der englischen Küste in einer nahen, unbestimmten ein toter Hund, ein verschwundenes Buch, ein paar flüchtige Spuren, so fängt es an. Dann räumen SIE die Galerien und schließen die Museen. SIE wollen keine Freiheit des Einzelnen, SIE wollen keine Kunst. SIE zeigen sich selten und doch sind SIE scheinbar überall. Wer es noch wagt, zu malen, zu singen oder zu schreiben, den bringen SIE zum Schweigen. Doch eine kleine Gruppe von Menschen kann und will nicht anders, als weiter kreativ zu sein – was IHNEN nicht verborgen bleibt.
"Ein gespenstisch hellsichtiger Text, in dem ein anonymer Mob Kunstschaffende attackiert und deren Werke zerstört. Das vermeintliche eine individuelle künstlerische Vision. Abgründig und erschreckend!" Margaret Atwood
135 pages, Kindle Edition
Published April 2, 2022
About the author
Kay Dick
15 books43 followersDick was born Kathleen Elsie Dick at Queen Charlotte's Hospital, London, England, UK, but was but raised in Switzerland by her mother, Kate Frances Dick, being educated in Geneva, as well as at the Lycée Français in London. In early life, Kay Dick worked at Foyle's bookshop in London's Charing Cross Road and, at 26, became the first woman director in English publishing at P.S. King & Son. She later became a journalist, working at the New Statesman. For many years, she edited the literary magazine The Windmill, under the nom de plume Edward Lane.
Dick wrote five novels between 1949 and 1962, including the famous An Affair of Love (1953) and Solitaire (1958). She also wrote literary biography, researching the lives of Colette and Carlyle. In 1960 she published Pierrot, about the commedia dell'arte.
Dick was a regular reviewer for The Times, The Spectator and Punch. Dick also edited several anthologies of stories and interviews with writers, including Ivy and Stevie (1971) and Friends and Friendship (1974). She was known for campaigning tirelessly and successfully for the introduction of the Public Lending Right, which pays royalties to authors when their books are borrowed from public libraries.
In 1977, Dick published They, a series of dream sequences that won the South-East Arts literature prize, and was described in The Paris Review in 2020 as "a lost dystopian masterpiece". It had remained out of print due to poor sales and Kay experiencing harsh and sexist reviews in the press at the time of the award win. "They" was re-discovered by chance in a Oxfam charity bookshop in Bath, UK in the summer of 2020 by a literary agent. It was then acquired by Faber and Faber for re-release on February 3rd 2022 in the UK. In 1984 she followed the publication of "They" with an acclaimed autobiographical novel, The Shelf, in which she examined a lesbian affair.
Dick lived for some two decades with the novelist Kathleen Farrell, from 1940 to 1962.
Dick wrote five novels between 1949 and 1962, including the famous An Affair of Love (1953) and Solitaire (1958). She also wrote literary biography, researching the lives of Colette and Carlyle. In 1960 she published Pierrot, about the commedia dell'arte.
Dick was a regular reviewer for The Times, The Spectator and Punch. Dick also edited several anthologies of stories and interviews with writers, including Ivy and Stevie (1971) and Friends and Friendship (1974). She was known for campaigning tirelessly and successfully for the introduction of the Public Lending Right, which pays royalties to authors when their books are borrowed from public libraries.
In 1977, Dick published They, a series of dream sequences that won the South-East Arts literature prize, and was described in The Paris Review in 2020 as "a lost dystopian masterpiece". It had remained out of print due to poor sales and Kay experiencing harsh and sexist reviews in the press at the time of the award win. "They" was re-discovered by chance in a Oxfam charity bookshop in Bath, UK in the summer of 2020 by a literary agent. It was then acquired by Faber and Faber for re-release on February 3rd 2022 in the UK. In 1984 she followed the publication of "They" with an acclaimed autobiographical novel, The Shelf, in which she examined a lesbian affair.
Dick lived for some two decades with the novelist Kathleen Farrell, from 1940 to 1962.
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