Feng Sun Chen peels away the exterior of life's pink underbelly page by page in her second poetry collection, The 8th House, smelling the meaning in a mother's stew, carving light from holy grit, dissecting the surging waves of longing and love. These voices occupy the astrological 8th house, a house known for its healers and perversions, ruled by Pluto, where sex, death, and rebirth intersect and consume one another. Continuing to slice away at the distinctions between self and other, animal and human, male and female, the speaker of these poems "exposes by being exposed."
This is a wild landscape, an adventure, part what you've come to expect from Black Ocean (perhaps with a bit more humor), and part Gurlesque. The 8th house, in astrology, governs transformations, death & rebirth & sexuality; it's ruled by grumpy former-planet Pluto (itself named for the god of death) and volatile Scorpio. Reading these poems, I could sometimes hear a clanging, like running through the lava in the Lost Izalith of Dark Souls, and at other times it was Alighieric--if that's a word--in the best way, an Inferno if perhaps not so regimented. The pages are covered with maggots and a few flies. It makes you feel the balloon-headedness of a cold in the best way. I'm sure I missed many references, and much of this flew over my head, but at least I know better than to try any mimicry of this work. The wordplay reminds of cummings in places, but in others creates a whole new language, best left to its creator to develop.